Family & Social Life

McCravy Brothers. side 1: When They Ring the Golden Bells; side 2: Will the Circle Be Unbroken? (Davis DA-20-3/4), from the album, Religious Songs by the McCravy Brothers (Davis DA-20).
78 rpm. This coupling was initially released on Crown 3040.

Crown Records was a budget label started by the Plaza Music Company after its merger with the American Record Corporation (ARC) in 1930. Crown oversaw the Homestead Records mail order label from ARC. Crown and its subsidiaries were active until 1933.

various artists. side 1: Sweet Georgia Brown [part 3]; side 2: High on an Open Mike [part 3] (Vox 16104). from the album, WNEW Saturday Night Swing Session, Vol. 2 (Vox VSP 310).
78 rpm

WNEW (AM 1130) was a New York based radio station. This recording features jazz radio broadcasts from the station, recorded in 1947.

This album features artwork by American painter, printmaker, and teacher, Daniel (Dan) Shapiro (1920-1982). He created the artwork for several albums including recordings by Louis Armstrong, Alex Wilder, Charlie Christian, Marlene Dietrich, Edith Piaf, and Richard Dyer Bennett. Shapiro’s works were first exhibited at the Cooper Union Art School in 1940 and 1941. He had much success with his solo shows in the 1960s at the University of California at San Francisco, Cellini Gallery, San Francisco Museum of Art, and Rice University in Houston.

Oscar Peterson. side 1: Three O'Clock in the Morning; side 2: All the Things You Are (Mercury 8923), from the album, Oscar Peterson (Mercury C106).
78 rpm.

The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Clef, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Burl Ives. side 1: Wee Cooper O' Fife [track 1] Riddle Song [track 2]; side 2: Cowboy's Lament (Columbia 36733), from the album, The Wayfaring Stranger (Columbia C 103).
78 rpm. Both tracks were recorded in 1941. This album was released in 1944.

Jim (James) Flora (1914-1998) created the cover art for this album. Flora was a successful commercial illustrator during the 1940s-1970s as well as an author and illustrator for children’s books. He was best known for his unique and quirky album cover art for RCA Victor and Columbia during the 1940s and 1950s. Flora created numerous paintings, drawings, etchings, and sketches throughout his prolific career.

Benny Goodman and his Sextet. side 1: Poor Butterfly; side 2: Grand Slam (Columbia 36722), from the album, Benny Goodman Sextet (Columbia C-102).
78 rpm. Side 1 was originally recorded in 1940 and released on Columbia 35466. Side 2 was originally recorded in 1940 and released on Columbia 35482. This album was released in 1944.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Lu Watters and his Yerba Buena Jazz Band. side 1: Sage Hen Strut; side 2: When the Saints Go Marching In (Mercury 11051), from the album, Lu Watters Jazz (Mercury C-103).
78 rpm.

The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Clef, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Bud Freeman and his Famous Chicagoans. side 1: After Awhile; side 2: Shim-Me-Sha-Wabble (Columbia 35856), from the album, Comes Jazz (Columbia C-40).
78 rpm.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Ralph Page. side 1: Odd Couple in the Center (Jingle Bells); side 2: Monadnock Muddle (Soldier's Joy) (Disc 5036), from the album, Square Dances - With Calls, Vol. 1 (Disc 630).
78 rpm.

The cover art for this album was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Clef, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Teddy Wilson and his Orchestra featuring Billie Holiday. side 1: I Must Have That Man!; side 2: Foolin' Myself (Columbia 36207), from the album, Hot Jazz Classics - Teddy Wilson-Billie Holiday (Columbia C-61).
78 rpm. Side 1 was originally recorded in 1937 and released on Brunswick 7859. Side 2 was originally recorded in 1937 and relased on Brunswick 7911. This album was released in 1947.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Louis Armstrong and his Orchestra. side 1: On the Sunny Side of the Street [part 1]; side 2: On the Sunny Side of the Street [part 2] (Vox 16060), from the album, Louis Armstrong - Paris, 1934 (Vox VSP 300).
78 rpm. Both tracks were recorded at Studio Polydor in Paris, France, in 1934. The album was released in 1947.

This album features artwork by American painter, printmaker, and teacher, Daniel (Dan) Shapiro (1920-1982). He created the artwork for several albums including recordings by Louis Armstrong, Alex Wilder, Charlie Christian, Marlene Dietrich, Edith Piaf, and Richard Dyer Bennett. Shapiro’s works were first exhibited at the Cooper Union Art School in 1940 and 1941. He had much success with his solo shows in the 1960s at the University of California at San Francisco, Cellini Gallery, San Francisco Museum of Art, and Rice University in Houston.