Family & Social Life

side 1: Will Bradley Trio. Down the Road a Piece; side 2: Will Bradley and his Orchestra featuring Ray McKinley. Celery Stalks At Midnight (Columbia 36958), from the album, Will Bradley and his Orchestra featuring Ray McKinley, (Columbia C-123).
78 rpm. Both tracks were originally recorded in 1940 and released on Columbia 35707. The album was released in 1947.

The album art and design was created by George Howard Maas (1910-1998), an American commercial artist, graphic artist and designer, and art director. Originally from Kansas City, Maas studied at the University of Kansas at Lawrence. In 1939, he was employed as a painter in the WPA (Works Project Administration). By the early 1940s, Maas had moved to New York City where he continued his career with much success creating cover art for albums, book design and illustrations, and poster art.

Original artwork, of page 28, for the book, Gaston and Josephine, written by Georges Duplaix with illustrations by Feodor Rojankovsky, and published by Simon & Schuster in New York, New York, in 1949.

At an early age, Latvian-born Feodor Rojankovsky (1891-1970) discovered his passion for drawing and was captivated with animals an d the natural world. He entered the Moscow Academy of Fine Arts but was drafted into the Russian Army during World War I, where he worked as a sketch artist documenting the war. In 1927, he moved to Paris to continue his study of art and became interested in fashion, theatrical set design and illustrating children’s books.

Rojankovsky’s keen sense of observation and his vivid imagination, coupled with his love for nature, was a major source of inspiration for his artwork. Flat, richly detailed, colorful illustrations evoked the fanciful drawings of the folklore tradition of European fairy tales. When the Nazi influence spread through Europe, Rojankovsky fled to the United States. His talents were quickly recognized and, like many of the other Golden Book illustrators, he was hired to work for the Artists and Writers Guild in New York. He created illustrations for numerous Little Golden Books, including The Three Bears and Farm Favorites.

Most of Feodor Rojankovsky’s characters were animals who took on human traits and characteristics. Gaston and Josephine are two French pigs who decide to run away from their home in the French countryside. The story follows their escapades as they make their way to the docks to board an ocean liner and embark on their journey to the United States.

Teddy Wilson. side 1: Cheek to Cheek; side 2: You're My Favorite Memory (Musicraft 369), from the album, Teddy Wilson Plays (Musicraft N7).
78 rpm.

The cover art for this album was made by Art Seiden (1923-2004) an American artist and illustrator best known for his illustrations for children’s books. Seiden illustrated over 300 books and was author and artist for more than 20 children’s books.

Kid Rena's Delta Jazz Band. side 1: Panama; side 2: High Society Rag (Circle J-1037), from the album, Kid Rena's Delta Jazzband (Circle S-10).
78 rpm. These recordings were made at the Hotel Roosevelt and recorded by local radio station WWL on August 21, 1940.

Album design and typography was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Jelly Roll Morton. side 1: The Crave; side 2: Fickle Fay Creep (Circle JM-31/32), from the album, Jelly Roll Morton, Volume 4: The Spanish Tinge (Circle Limited Edition #306).
78 rpm.

This recording is part of a limited edition 45 twelve-inch record set, The Saga of Mr. Jelly Lord. The set is comprised of interviews and musical performances of musician Ferdinand "Jelly Roll" Morton (1890-1941) recorded by American ethnomusicologist Alan Lomax (1915-2002) at the Coolidge Auditorium, Library of Congress, from May 23, 1938 to December 14, 1938. In the interviews, Morton recounts his experiences, both in New Orleans and on the road, as a popular musician of the early twentieth century.

The Saga of Mr. Jelly Lord limited edition record set was issued by Circle Sound Inc., incrementally with two albums every three months, beginning in late 1947. The recordings were pressed on red vinylite. Album design and typography for this set was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

side 1: South Pacific Orchestra. Overture: side 2: Mary Martin, Ezio Pinza, and Barbara Luna with South Pacific Orchestra. Finale (Columbia 4556-M), from the album, South Pacific (Columbia MM-850).
78 rpm.

This recording is of the Original Broadway cast for the 1949 musicalSouth Pacific, composed by Richard Rogers, lyrics by Oscar Hammerstein II, and book by Hammerstein and Joshua Logan. South Pacific opened at the Majestic Theatre on April 7, 1949, running for 1,925 performances. It received ten Tony Awards, including Best Musical, Best Score, Best Libretto, including awards in all four acting categories for Mary Martin, Ezio Pinza, Juanita Hall, and Myron McCormick. In 1950, the musical won the Pulitzer Prize for Drama.

Original artwork for the book The Taxi that Hurried, written by Lucy Sprague Mitchell, Irma Simonton Black and Jessie Stanton with illustrations by Tibor Gergely, and published by Golden Press in New York, New York, in 1946.

Born in Budapest, Hungary into a middle-class Jewish family, Tibor Gergely (1900-1978) was captivated by art and culture at a young age. Known as a graphic illustrator and a caricature artist, Gergely’s early works documented Jewish life before the rise of Hitler. By 1939 the political situation in Europe was dire, and Gergely and his wife immigrated to America. They settled in New York and his love affair with the city never waned. He was enchanted with his new life in a postwar New York that included skyscrapers, rushing traffic and the excitement of life in the big city.

A member of the American Artists and Writers Guild, Gergely became a prominent illustrator for Little Golden Books, providing drawings for more than seventy books, including Tootle, Five Little Firemen, and Scuffy the Tugboat. His illustrations for The Taxi that Hurried and Make Way for the Thruway portray the celebrated automobile and the expanding highway system, both destined to bring dramatic social and cultural changes to American life.

A Year in the City was written by Lucy Sprague Mitchell with illustrations by Tibor Gergeley, and published by Simon & Schuster in New York, New York, in 1948.

Born in Budapest, Hungary into a middle-class Jewish family, Tibor Gergeley (1900-1978) was captivated by art and culture at a young age. Known as a graphic illustrator and a caricature artist, Gergely’s early works documented Jewish life before the rise of Hitler. By 1939 the political situation in Europe was dire, and Gergeley and his wife immigrated to America. They settled in New York and his love affair with the city never waned. He was enchanted with his new life in a postwar New York that included skyscrapers, rushing traffic and the excitement of life in the big city.

By 1940 Gergely was working for the American Artists and Writers Guild and became a frequent illustrator for Little Golden Books, providing drawings for more than seventy books, including The Taxi that Hurried, Make Way for the Thruway and A Year in the City.

Gergely never lost his amazement for life in the United States and the ever-changing social endeavors. A Year in the City is reflective of his admirations and amazement with the dynamic elements of American Society and A Year in the City emphasizes his wonderment for the people, places and things that make up American society.

In addition to Gergely's fascination with the constant changes in American society, he was also enthralled by the dramatic social changes and events expanding the role of transportation and America's love affair with the automobile. A Year in the City is another example of his wonderment for the people and places in New York City. He enjoyed portraying the numerous scenes of everyday life in New York City.