Industry & Manufacturing

The Museum's collections document centuries of remarkable changes in products, manufacturing processes, and the role of industry in American life. In the bargain, they preserve artifacts of great ingenuity, intricacy, and sometimes beauty.

The carding and spinning machinery built by Samuel Slater about 1790 helped establish the New England textile industry. Nylon-manufacturing machinery in the collections helped remake the same industry more than a century later. Machine tools from the 1850s are joined by a machine that produces computer chips. Thousands of patent models document the creativity of American innovators over more than 200 years.

The collections reach far beyond tools and machines. Some 460 episodes of the television series Industry on Parade celebrate American industry in the 1950s. Numerous photographic collections are a reminder of the scale and even the glamour of American industry.

Telegraph message, printed in Morse code, transcribed and signed by Samuel F. B. Morse.
Description
Telegraph message, printed in Morse code, transcribed and signed by Samuel F. B. Morse. This message was transmitted from Baltimore, Maryland, to Washington, D.C., over the nation's first long-distance telegraph line.
In 1843, Congress allocated $30,000 for Morse (1791-1872) to build an electric telegraph line between Washington and Baltimore. Morse and his partner, Alfred Vail (1807-1859), completed the forty-mile line in May 1844. For the first transmissions, they used a quotation from the Bible, Numbers 23:23: "What hath God wrought," suggested by Annie G. Ellsworth (1826-1900), daughter of Patent Commissioner Henry L. Ellsworth (1791-1858) who was present at the event on 24 May. Morse, in the Capitol, sent the message to Vail at the B&O Railroad's Pratt Street Station in Baltimore. Vail then sent a return message confirming the message he had received.
The original message transmitted by Morse from Washington to Baltimore, dated 24 May 1844, is in the collections of the Library of Congress. The original confirmation message from Vail to Morse is in the collections of the Connecticut Historical Society.
This tape, dated 25 May, is a personal souvenir transmitted by Vail in Baltimore to Morse in Washington the day following the inaugural transmissions. The handwriting on the tape is that of Morse himself. Found in Morse’s papers after his death the tape was donated to the Smithsonian in 1900 by his son Edward, where it has been displayed in many exhibitions.
Location
Currently not on view
date made
1844-05-25
1844-05-24
associated date
1844-05-24
donated
1900-04-18
associated person
Morse, Samuel Finley Breese
maker
Morse, Samuel Finley Breese
ID Number
EM.001028
catalog number
001028
accession number
65555
This patent model demonstrates an invention for a type-cutting machine which was granted patent number 31333.
Description (Brief)
This patent model demonstrates an invention for a type-cutting machine which was granted patent number 31333. The patent details a machine for sawing type from a solid block of letters by first cutting a strip of letters from the block, then notching the strip, and finally cutting apart the letters. The block could be cast by Smith's patent of 1859.
Location
Currently not on view
date made
ca 1861
patent date
1861-02-05
maker
Smith, John J. C.
ID Number
GA.89797.031333
patent number
031333
accession number
089797
catalog number
GA*89797.031333
This patent model demonstrates an invention for a portable and adjustable copy holder on which the reader could tilt the manuscript backwards or spin it sideways, "with reference to light, etc., to suit himself." The invention was granted patent number 155202.
Description (Brief)
This patent model demonstrates an invention for a portable and adjustable copy holder on which the reader could tilt the manuscript backwards or spin it sideways, "with reference to light, etc., to suit himself." The invention was granted patent number 155202. Nutting (1803-1887) was one of the first generation of American lithographers, working at the profession as early as 1826. Later in his life he was also an art teacher, and published a series of art teaching manuals.
Location
Currently not on view
date made
ca 1874
patent date
1874-09-22
patentee
Nutting, Benjamin F.
maker
Nutting, Benjamin F.
ID Number
GA.22843
accession number
249602
patent number
155202
catalog number
22843
GA*22843
This patent model demonstrates an invention for Day's shading medium, an important tool in chromolithography and later in other kinds of commercial illustration.
Description (Brief)
This patent model demonstrates an invention for Day's shading medium, an important tool in chromolithography and later in other kinds of commercial illustration. A flexible glue sheet, cast from the surface of a plate ruled with parallel lines, was inked and then pressed over an image to shade it. The invention was granted patent number 214493. The model consists of a very fragile pack of samples.
Location
Currently not on view
date made
ca 1879
patent date
1879-04-22
maker
Day, Jr., Benjamin Henry
ID Number
GA.89797.214493
accession number
089797
patent number
214493
catalog number
GA*89797.214493
This patent model demonstrates an invention for an apparatus for feeding sheets or blanks into an envelope-making machine; the invention was granted patent number 39872.Currently not on view
Description (Brief)
This patent model demonstrates an invention for an apparatus for feeding sheets or blanks into an envelope-making machine; the invention was granted patent number 39872.
Location
Currently not on view
date made
ca 1863
patent date
1863-09-15
maker
Allen, Edwin
ID Number
GA.89797.039872
accession number
089797
patent number
039872
catalog number
GA*89797.039872
Volunteerism plays an important role in philanthropy in America. After Hurricane Katrina destroyed lives and homes in the Gulf Coast in 2005, many nonprofit groups organized volunteers to help the recovery effort.
Description (Brief)
Volunteerism plays an important role in philanthropy in America. After Hurricane Katrina destroyed lives and homes in the Gulf Coast in 2005, many nonprofit groups organized volunteers to help the recovery effort. Jillian Gross led a team from Habitat for Humanity in rebuilding homes in Louisiana.
Description
This hard hat was worn by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world. Hard hats are used for head protection on construction and other work sites. This hat has a lightweight shell with suspension straps inside that absorbs shock from falling objects. It is made by MSA Incorporated.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Location
Currently not on view
ID Number
2005.0276.39
catalog number
2005.0276.39
accession number
2005.0276
The earliest domestic clocks in the American colonies were English-made "lantern" clocks, with brass gear trains held between pillars.
Description
The earliest domestic clocks in the American colonies were English-made "lantern" clocks, with brass gear trains held between pillars. Along with fully furnished "best" beds, looking glasses, sofas, silver, and case furniture, such clocks were the household objects consistently assigned the highest monetary value in inventories of possessions.
By the 18th century, the most common style of domestic clock came to look more like a piece of household furniture. A wooden case enclosed the movement, weights, and pendulum. Through a glass window the dial was visible.
In 1769, Pennsylvania clockmaker and millwright Joseph Ellicott completed this complicated tall case clock. On three separate dials, it tells the time and shows the phases of the moon; depicts on an orrery the motions of the sun, moon, and planets; and plays selected twenty-four musical tunes on the hour.
The musical dial on the Ellicott clock allows the listener to choose from twelve pairs of tunes. Each pair includes a short tune and a long one. On the hour only the short tune plays, but every third hour, both play. During a tune, automaton figures at the top of the dial appear to tap their feet in time to the music, and a small dog between them jumps up and down.
Joseph Ellicott moved from the Philadelphia area to Maryland in 1772 and, with his brothers Andrew and John, set up a flour-milling operation in what is now Ellicott City. The clock was a centerpiece in Ellicott family homes for generations.
Who else owned clocks in early America? Clock owners, like the American colonists themselves, were not a homogeneous group. Where a person lived influenced the probability of owning a timepiece. In 1774, for example, New Englanders and Middle Atlantic colonials were equally likely to own a timepiece. In those regions, roughly 13 or 14 adults out of 100 had a clock in their possessions when they died. Among Southern colonists at that time, only about 6 in 100 had a clock.
Date made
1769
user
Ellicott, Joseph
maker
Ellicott, Joseph
ID Number
1999.0276.01
accession number
1999.0276
catalog number
1999.0276.01
Parmelee’s “Artificial Leg” included an atmospheric pressure-conforming rubber bucket molded from the patient’s remaining limb. Parmelee held several patents using India-rubber.Patent model for DuBois D. Parmelee, “Improvement in Artificial Legs,” U.S. Patent 37,737 (Feb.
Description (Brief)
Parmelee’s “Artificial Leg” included an atmospheric pressure-conforming rubber bucket molded from the patient’s remaining limb. Parmelee held several patents using India-rubber.
Description
Patent model for DuBois D. Parmelee, “Improvement in Artificial Legs,” U.S. Patent 37,737 (Feb. 10, 1863). Dubois Duncan Parmalee (1829-1897) was a chemist and inventor in New York City.
Location
Currently not on view
date made
1863
patent date
1863-02-10
maker
Parmelee, Dubois D.
ID Number
1978.0273.07
accession number
1978.0273
catalog number
1978.0273.07
patent number
37637
Currently not on view
Location
Currently not on view
Date made
1919
unspecified
National Park Service
associated person
Edison, Thomas Alva
ID Number
MI.73.03.02
catalog number
73.03.02
accession number
301353
catalog number
73.03B
Currently not on view
Location
Currently not on view
Date made
1919
transfer
Thomas Edison National Historical Park
ID Number
MI.73.03.01
catalog number
73.03.01
accession number
301353
catalog number
73.03A
This patent model demonstrates an invention for a guillotine paper cutter which was granted patent number 223744.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a guillotine paper cutter which was granted patent number 223744.
Location
Currently not on view
date made
ca 1880
patent date
1880-01-20
maker
Malm, Alexander
ID Number
GA.89797.223744
patent number
223744
accession number
089797
catalog number
GA*89797.223744
This patent model demonstrates an invention for a pantographic engraving machine with rotating engraver; the invention was granted patent number 167542. The patent details a mechanical device for copying and engraving a design on to wood.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a pantographic engraving machine with rotating engraver; the invention was granted patent number 167542. The patent details a mechanical device for copying and engraving a design on to wood.
Location
Currently not on view
date made
ca 1875
patent date
1875-09-07
maker
Johnson, Roice W.
ID Number
GA.89797.167542
patent number
167542
accession number
089797
catalog number
GA*89797.167542
This patent model demonstrates an invention for a sheet feeder and fly operation for a bed-and-platen press which was granted patent number 12183. Paper was fed through a slot on the feedboard to a carriage, which placed the sheet for printing.
Description (Brief)
This patent model demonstrates an invention for a sheet feeder and fly operation for a bed-and-platen press which was granted patent number 12183. Paper was fed through a slot on the feedboard to a carriage, which placed the sheet for printing. Then the carriage withdrew with the paper, and it was lifted off by a sheet fly.
Location
Currently not on view
date made
ca 1855
patent date
1855-01-02
ID Number
GA.89797.012183
accession number
89797
patent number
012183
catalog number
GA*89797.012183
This patent model demonstrates an invention for a mold for casting multiple pieces of type from a strip of matrices; the invention was granted patent number 40076.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a mold for casting multiple pieces of type from a strip of matrices; the invention was granted patent number 40076.
Location
Currently not on view
date made
ca 1863
patent date
1863-09-22
maker
Davis, R. W.
Davis, D.
ID Number
GA.89797.040076
patent number
040076
accession number
089797
catalog number
GA*89797.040076
MARKS: Crossed swrods in underglaze blue; "17" impressed.PURCHASED FROM: M.J.Ullmann, New York, 1948.This coffeepot is part of the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr.
Description
MARKS: Crossed swrods in underglaze blue; "17" impressed.
PURCHASED FROM: M.J.Ullmann, New York, 1948.
This coffeepot is part of the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychoanalysis and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in Germany, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
This pear-shaped coffeepot, reminiscent of metal prototypes, has a wishbone handle with a domed lid that has a pine kernel on the top. The insects and flowers painted on the pot are in the style of prints published after the original botanical and insect studies by the Flemish artist Joris (Georg) Hoefnagel (1542-1601). Joris Hoefnagel, who became court painter to the Emperor Rudolf II in Prague, employed his nineteen year old son Jacob to engrave the plates for the publication in 1592 of the Archetypa Studiaque Patris Georgii Hoefnagelii. After his father’s death Jacob Hoefnagel succeeded him as court painter to Rudolf II.
Prints after the Hoefnagel originals were so much in demand among artists and craftworkers, that the Nuremberg publishers purchased the copperplates and produced several further editions in the seventeenth century. The Nuremberg printmaker and publisher, Christoph Weigel (1654-1725), produced another edition in the early eighteenth century, which explains why a visual source from the late sixteenth century appears on Meissen porcelain nearly one hundred and fifty years later. (See Cassidy-Geiger, M., Graphic Sources for Meissen Porcelain, in Metropolitan Museum Journal, Vol. 31, 1996, pp.99-126). However, when this coffeepot was made in 1740 the Hoefnagel style of trompe l’oeil was about to give way to the fashion for painting sprays of German flowers (deutsche blumen) on Meissen porcelain. This development indicated the beginnings of a preference for decorative motifs with local significance that struck a chord with an awakening sense of German national identity. By 1740, when this coffee pot was made, Meissen had a large, well-trained painting staff run by Johann Gregor Höroldt. Painters tended to specialize in figurative subjects, fruits and flowers, birds and animals, battle scenes, landscapes, harbor scenes, all of which were part of the repertoire by the middle of the eighteenth century. This coffeepot made in 1740 marks the transition from early modern sources of imagery to contemporary sources.
The seventeenth and eighteenth century expansion in the manufacture of consumer goods made more desirable and fashionable with ornamentation promoted the production of printed images and pattern books to which artisans could refer for their designs. The manufacturers of ceramics and printed textiles, interior painters and wallpaper makers, furniture makers, and embroiderers made use of these sources for surface decoration. When available, undecorated porcelain was taken into the workshops of professional enamel painters, the so-called Hausmaler or home painters. Amateur enamellers also painted white porcelain when they could acquire some.
On the history of the introduction of tea, coffee, and chocolate to Europe see Bowman, P.B., 1995, In Praise of Hot Liquors: The Study of Chocolate, Coffee and Tea-drinking 1600-1850.
On ornament see Snodin, M.,Howard, M., 1996, Ornament: A Social History Since 1450, especially the chapter “Ornament and the Printed Image”.
Syz, H., Rückert, R., Miller, J. J. II., 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 358-359.
Location
Currently not on view
date made
ca 1740
1740
maker
Meissen Manufactory
ID Number
1983.0565.49
collector/donor number
797
accession number
1983.0565
catalog number
1983.0565.49
This patent model demonstrates an invention for a typecasting machine which was granted patent number 187278. The patent describes a machine for the rapid production of replica type, from originals made for the purpose in a hard metal such as steel.
Description (Brief)
This patent model demonstrates an invention for a typecasting machine which was granted patent number 187278. The patent describes a machine for the rapid production of replica type, from originals made for the purpose in a hard metal such as steel. The type could have raised or sunken letters, and a straight, concave, or convex surface for printing on flatbed or rotary presses.
Location
Currently not on view
date made
ca 1877
patent date
1877-02-13
maker
Howard, Anson M.
ID Number
GA.89797.187278
patent number
187278
accession number
089797
catalog number
GA*89797.187278
This patent model demonstrates an invention for a sheet-feed apparatus which was granted patent number 100059. The top sheet was lifted by suction cups, the table dropped a little, and jets of air completed the separation of the sheet from the pile.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a sheet-feed apparatus which was granted patent number 100059. The top sheet was lifted by suction cups, the table dropped a little, and jets of air completed the separation of the sheet from the pile.
Location
Currently not on view
date made
ca 1870
patent date
1870-02-22
maker
Norelius, Oliver
ID Number
GA.89797.100059
accession number
089797
patent number
100059
catalog number
GA*89797.100059
This patent model demonstrates an invention for a sheet-separating apparatus which was granted patent number 9623. The machine was used to separate sheets and pass them to the press board by means of suction tubes, entirely replacing the human sheet feeder.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a sheet-separating apparatus which was granted patent number 9623. The machine was used to separate sheets and pass them to the press board by means of suction tubes, entirely replacing the human sheet feeder.
Location
Currently not on view
date made
ca 1853
patent date
1853-03-22
maker
Comby, John P.
ID Number
GA.89797.009623
accession number
089797
patent number
009623
catalog number
GA*89797.009623
This patent model demonstrates an invention for a sheet delivery apparatus for a printing press which was granted patent number 214068. The patent details a sheet collecting and manipulating mechanism, with pasters, and folders, for high-speed delivery.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a sheet delivery apparatus for a printing press which was granted patent number 214068. The patent details a sheet collecting and manipulating mechanism, with pasters, and folders, for high-speed delivery.
Location
Currently not on view
date made
ca 1879
patent date
1879-04-08
maker
Tucker, Stephen D.
ID Number
GA.89797.214068
patent number
214068
accession number
089797
catalog number
GA*89797.214068
This patent model demonstrates an invention for a hand stamp which was granted patent number 18907. The patent describes a self-inking hand stamp that accepted ordinary printers' type.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a hand stamp which was granted patent number 18907. The patent describes a self-inking hand stamp that accepted ordinary printers' type.
Location
Currently not on view
date made
ca 1857
patent date
1857-12-22
patentee
Jones, John M.
ID Number
GA.89797.018907
accession number
089797
patent number
018907
catalog number
GA*89797.018907
This patent model demonstrates an invention for a typesetting and distributing machine; the invention was granted patent number 85251. The patent details improvements to earlier patents taken out by Timothy Alden (1857), and Henry Alden and William Mackey (1866).
Description (Brief)
This patent model demonstrates an invention for a typesetting and distributing machine; the invention was granted patent number 85251. The patent details improvements to earlier patents taken out by Timothy Alden (1857), and Henry Alden and William Mackey (1866). This patent related to the distribution of type. It allowed for the use of any ordinary type in the distributer, instead of the special type required previously. The patent was assigned to the Alden Typesetting and Distributing Company.
Location
Currently not on view
date made
ca 1868
patent date
1868-12-22
maker
Slingerland, John T.
ID Number
GA.89797.085251
patent number
085251
accession number
089797
catalog number
GA*89797.085251
Currently not on view
Location
Currently not on view
ID Number
1983.0689.09
accession number
1983.0689
catalog number
1983.0689.09
TITLE: Wedgwood sugar bowl and coverMAKER: Wedgwood Manufactory, EtruriaPHYSICAL DESCRIPTION: StonewareMEASUREMENTS: 3 1/8 in x 5 3/16 in x 4 5/16 in; 7.9375 cm x 13.17625 cm x 10.95375 cmOBJECT NAME: Sugar bowl and coverPLACE MADE: Staffordshire, EnglandDATE MADE: 1800-1820SUBJE
Description
TITLE: Wedgwood sugar bowl and cover
MAKER: Wedgwood Manufactory, Etruria
PHYSICAL DESCRIPTION: Stoneware
MEASUREMENTS: 3 1/8 in x 5 3/16 in x 4 5/16 in; 7.9375 cm x 13.17625 cm x 10.95375 cm
OBJECT NAME: Sugar bowl and cover
PLACE MADE: Staffordshire, England
DATE MADE: 1800-1820
SUBJECT: Art
Domestic Furnishing
Industry and Manufacturing
CREDIT LINE:
ID NUMBER: 65.92
COLLECTOR/ DONOR: National Museum of American History, Division of Home and Community Life
ACCESSION NUMBER: 272503
MARKS: WEDGWOOD (/) two inverted "V"s, impressed
This sugar bowl and cover made at the Wedgwood Manufactory, Etruria, is made in red stoneware (rosso antico) with a crocodile finial and Egyptianised hieroglyphic motifs applied in black basalt stoneware: a sphinx, the winged sun disk, the twin crocodiles, the canopus jar, the falcon god Horus, the Egyptian hunting dog, all adapted from sources of Roman and not of Egyptian origin. Josiah Wedgwood’s designers probably adapted the motifs from Bernard de Montfaucon's L'Antiquité expliquée et representée en figures (Antiquity explained and represented in illustrations), published in 1719. The original source Montfaucon used was a large bronze tablet inlaid with silver made in Rome, probably in about the 1st century CE, and known as the Mensa Isiaca of Turin. It can be seen today in the city of Turin’s Egyptian Museum.
Egypt fascinated the Greeks and Romans centuries before this sugar bowl was made in England. The Romans were great producers and consumers of things, and through their knowledge of Egyptian culture they “Egyptianized” their own villas, temples, and grand monuments with objects taken from Egypt itself, or made in imitation of Egyptian models. Through the centuries after the fall of the Roman Empire evidence of ancient Egypt slipped into obscurity, even in Rome itself as the city of imperial grandeur crumbled into ruin. Not until the European Renaissance, beginning in the fifteenth century, was the earlier fascination with Egypt revived, and by the late eighteenth century the process of rediscovering ancient Egypt was greatly enhanced by travelers from Europe documenting and publishing their experiences. Designers, artisans, and manufacturers were quick to pick up on the mystifying motifs, hieroglyphs, and iconic remains from Egyptian antiquity.
Antico rosso (old red) stoneware was the name Wedgwood gave to this vitrified red clay. It was mined locally with the addition of calcined flint to improve the strength of the clay body and achieve a superior exterior surface suitable for turning on an engine lathe.
Red stoneware was first introduced to the Staffordshire potteries in the late seventeenth century when two brothers, David and John Philip Elers, opened a pottery in Bradwell Wood where there was a deposit of a suitable iron rich red clay. Imported Chinese Yi-Hsing red stoneware tea wares inspired the introduction of this type of ceramic to Europe, and several Staffordshire potters imitated these products, especially the teapots. Josiah Wedgwood developed a red stoneware and used it for his tea wares in the Egyptian style made in the first quarter of the nineteenth century, and most often for his vases inspired by the ancient Greek examples excavated in Italy during the eighteenth century.
Further reading:
Bob Brier, Egyptomania: Our Three Thousand Year Obsession with the Land of the Pharaohs, New York: Palgrave Macmillan, 2013.
James Stevens Curl, Egyptomania, the Egyptian Revival: a Recurring Theme in the History of Taste, Manchester and New York: Manchester University Press, 1994.
Egyptomania: Egypt in Western Art 1730-1930, exhibition catalog, National Gallery of Canada with the Louvre, Paris, 1994.
Gordon Elliott, 2006, Aspects of Ceramic History, Vol. II, p. 78.
Frank L. Wood, 2014, The World of British Stoneware: Its History, manufacture and Wares.
date made
1800-1825
ID Number
CE.65.92ab
catalog number
65.92ab
accession number
272503
This is a double end pry bar designed to pull out nails and for light demolition. The length has a flat shape, one end has a slight curve that is tapered and slotted and the other end is shaped like the claw portion of a common hammer.
Description
This is a double end pry bar designed to pull out nails and for light demolition. The length has a flat shape, one end has a slight curve that is tapered and slotted and the other end is shaped like the claw portion of a common hammer. It was used by Jillian Gross while working for Habitat for Humanity, a not-for-profit, non-government organization advocating affordable housing around the world.
When Hurricane Katrina struck the Gulf Coast in August 2005, Jillian Gross had worked with Habitat for Humanity for three years learning woodworking and house-building skills. Groups such as Habitat for Humanity marshaled volunteers, tools and lumber to step in when it became clear that normal avenues of housing assistance were overwhelmed.
In November 2005, Habitat for Humanity launched “America Builds on the National Mall,” a demonstration house-building marathon in Washington, D.C. in which the basic components of 51 homes were assembled within a week and shipped to the Gulf Coast. Upon completion of the project Ms. Gross, one of the house building leaders during this event, donated her tool belt, tools and protective wear to the Smithsonian Institution.
Location
Currently not on view
date made
1998-2005
ID Number
2005.0276.11
catalog number
2005.0276.11
accession number
2005.0276

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