#
Mathematical Paintings of Crockett JohnsonAbout

CJ, as he signed himself, first became known to the general public through the cartoon strip Barnaby which ran in the 1940s and again in the early 1960s. It featured five-year-old Barnaby Baxter, his family, and Mr. O’Malley, his cigar-smoking “fairy godfather.” Their adventures appeared in a few dozen newspapers and were collected in paperback books. Crockett Johnson also illustrated and wrote children’s books, most notably *Harold and the Purple Crayon*.

Crockett Johnson was not alone in finding mathematics an inspiration for art. Contemporary painters such as Piet Mondrian, Ad Reinhardt, Josef Albers, Alexander Calder, and Richard Anuszkiewicz used geometric forms in their paintings. Artists like Alfred Jensen paid tribute to mathematicians in paintings like *Honor Pythagoras – Per I – Per IV* (1964).

Crockett Johnson was unusual in that he linked geometric constructions and specific mathematicians. As he explained to artist friend Ad Reinhardt in 1965, he planned “a series of romantic tributes to the great geometric mathematicians from Pythagoras on up; in other words the shapes and disciplines are pilfered (but interpretation is the greatest form of plagiarism and besides I am very willing to share credit with Euclid, Descartes, et al).”

He based his early paintings on diagrams in a volume compiled by James R. Newman entitled *The World of Mathematics* (1956). As time went on, he took a more active interest in following the mathematical arguments in books, and then began to develop his own geometric constructions. This led him to two mathematical publications, one on estimating geometrically the value of the number pi and another on constructing a polygon with seven equal sides.

Crockett Johnson did not attempt to master all the technical details of painting. He preferred to do small paintings, to paint on masonite rather than canvas, and to use house paint mixed at a local hardware store. His paintings were shown at the Glezer Gallery in New York City, at the IBM Gallery in Yorktown Heights, New York, at the General Electric Gallery in Fairfield, Connecticut, and at what is now the National Museum of American History. Many of the works adorned the walls of his home in Connecticut and were treasured by him and by his wife, the author Ruth Krauss. One painting was donated to the Museum in1975, the others were given in 1979. In recent years, the paintings and Crockett Johnson’s work in general have received attention from several scholars.

"Mathematical Paintings of Crockett Johnson - About" showing 2 items.

## Painting -

*Conic Curve (Apollonius)*- Description
- In ancient times, the Greek mathematician Apollonius of Perga (about 240–190 BC) made extensive studies of conic sections, the curves formed when a plane slices a cone. Many centuries later, the French mathematician and philosopher René Descartes (1596–1650) showed how the curves studied by Apollonius might be related to points on a straight line. In particular, he introduced an equation in two variables expressing points on the curve in terms of points on the line. An article by H. W. Turnbull entitled "The Great Mathematicians" found in
*The World of Mathematics*by James R. Newman discussed the interconnections between Apollonius and Descartes, and apparently was the basis of this painting. The copy of this book in Crockett Johnson's library is very faintly annotated on this page. Turnbull shows variable length ON, with corresponding points P on the curve.

- The analytic approach to geometry taken by Descartes would be greatly refined and extended in the course of the seventeenth century.

- Johnson executed his painting in white, purple, and gray. Each section is painted its own shade. This not only dramatizes the coordinate plane but highlights the curve that extends from the middle of the left edge to the top right corner of the painting.

*Conic Curve*, an oil or acrylic painting on masonite, is #11 in the series. It was completed in 1966 and is signed: CJ66. It is marked on the back: Crockett Johnson 1966 (/) CONIC CURVE (APOLLONIUS). It has a wooden frame.

- Location
- Currently not on view

- date made
- 1966

- referenced
- Apollonius of Perga

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.06

- catalog number
- 1979.1093.06

- accession number
- 1979.1093

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Painting -

*Polar Line of a Point and a Circle (Apollonius)*- Description
- In 1966, Crockett Johnson carefully read Nathan A. Court's book
*College Geometry*, selecting diagrams that he thought would be suitable for paintings. In the chapter on harmonic division, he annotated several figures that relate to this painting. The work shows two orthoganol circles, that is to say two circles in which the square of the line of centers equals the sum of the squares of the radii. A right triangle formed by the line of centers and two radii that intersect is shown. The small right triangle in light purple in the painting is this triangle.

- Crockett Johnson's painting combines a drawing of this triangle with a more complex figure used in a discussion of further properties of lines drawn in orthoganal circles. In particular, suppose that one draws a line segment from a point outside a circle that intersects it in two points, and selects a fourth point on the line that divides the segment harmonically. For a single exterior point, all these such points lie on a single line, perpendicular to the line of centers of the two circles, which is called the polar line.

- The painting is #38 in the series. It has a background in two shades of cream, and a light tan wooden frame. It shows two circles that overlap slightly and have various sections. The circles are in shades of blue, purple and cream. The painting is signed: CJ66.

- References: Nathan A. Court,
*College Geometry*(1964 printing), p. 175–78. This volume was in Crockett Johnson's library.

- T. L. Heath, ed.,
*Apollonius of Perga: Treatise on Conic Sections*(1961 reprint). This volume was not in Crockett Johnson's library.

- Location
- Currently not on view

- date made
- 1966

- referenced
- Apollonius of Perga

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.26

- catalog number
- 1979.1093.26

- accession number
- 1979.1093

- Data Source
- National Museum of American History, Kenneth E. Behring Center