Mathematical Paintings of Crockett Johnson - About
CJ, as he signed himself, first became known to the general public through the cartoon strip Barnaby which ran in the 1940s and again in the early 1960s. It featured five-year-old Barnaby Baxter, his family, and Mr. O’Malley, his cigar-smoking “fairy godfather.” Their adventures appeared in a few dozen newspapers and were collected in paperback books. Crockett Johnson also illustrated and wrote children’s books, most notably Harold and the Purple Crayon.
Crockett Johnson was not alone in finding mathematics an inspiration for art. Contemporary painters such as Piet Mondrian, Ad Reinhardt, Josef Albers, Alexander Calder, and Richard Anuszkiewicz used geometric forms in their paintings. Artists like Alfred Jensen paid tribute to mathematicians in paintings like Honor Pythagoras – Per I – Per IV (1964).
Crockett Johnson was unusual in that he linked geometric constructions and specific mathematicians. As he explained to artist friend Ad Reinhardt in 1965, he planned “a series of romantic tributes to the great geometric mathematicians from Pythagoras on up; in other words the shapes and disciplines are pilfered (but interpretation is the greatest form of plagiarism and besides I am very willing to share credit with Euclid, Descartes, et al).”
He based his early paintings on diagrams in a volume compiled by James R. Newman entitled The World of Mathematics (1956). As time went on, he took a more active interest in following the mathematical arguments in books, and then began to develop his own geometric constructions. This led him to two mathematical publications, one on estimating geometrically the value of the number pi and another on constructing a polygon with seven equal sides.
Crockett Johnson did not attempt to master all the technical details of painting. He preferred to do small paintings, to paint on masonite rather than canvas, and to use house paint mixed at a local hardware store. His paintings were shown at the Glezer Gallery in New York City, at the IBM Gallery in Yorktown Heights, New York, at the General Electric Gallery in Fairfield, Connecticut, and at what is now the National Museum of American History. Many of the works adorned the walls of his home in Connecticut and were treasured by him and by his wife, the author Ruth Krauss. One painting was donated to the Museum in1975, the others were given in 1979. In recent years, the paintings and Crockett Johnson’s work in general have received attention from several scholars.
"Mathematical Paintings of Crockett Johnson - About" showing 3 items.
Painting - Fluxions (Newton)
- Description
- In the 17th century, the natural philosophers Isaac Newton and Gottfried Liebniz developed much of the general theory of the relationship between variable mathematical quantities and their rates of change (differential calculus), as well as the connection between rates of change and variable quantities (integral calculus).
- Newton called these rates of change "fluxions." This painting is based on a diagram from an article by H. W. Turnbull in Newman's The World of Mathematics. Here Turnbull described the change in the variable quantity y (OM) in terms of another variable quantity, x (ON). The resulting curve is represented by APT.
- Crockett Johnson's painting is based loosely on these mathematical ideas. He inverted the figure from Turnbull. In his words: "The painting is an inversion of the usual textbook depiction of the method, which is one of bringing together a fixed part and a ‘moving’ part of a problem on a cartesian chart, upon which a curve then can be plotted toward ultimate solution."
- The arc at the center of this painting is a circular, with a tangent line below it. The region between the arc and the tangent is painted white. Part of the tangent line is the hypotenuse of a right triangle which lies below it and is painted black. The rest of the lower part of the painting is dark purple. Above the arc is a dark purple area, above this a gray region. The painting has a wood and metal frame.
- This oil painting on pressed wood is #20 in the series. It is unsigned, but inscribed on the back: Crockett Johnson 1966 (/) FLUXIONS (NEWTON).
- References: James R. Newman, The World of Mathematics (1956), p. 143. This volume was in the library of Crockett Johnson. The figure on this page is annotated.
- Crockett Johnson, "On the Mathematics of Geometry in My Abstract Paintings," Leonardo, 5 (1972): pp. 97–8.
- Location
- Currently not on view
- date made
- 1966
- referenced
- Newton, Isaac
- painter
- Johnson, Crockett
- ID Number
- 1979.1093.14
- catalog number
- 1979.1093.14
- accession number
- 1979.1093
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Painting - Problem of Delos Constructed from a Solution by Isaac Newton (Arithmetica Universalis)
- Description
- Two paintings in the Crockett Johnson collection concern the ancient problem of doubling the volume of a given cube, or the problem of Delos. Crockett Johnson wrote of this problem: "Plutarch mentions it, crediting as his source a now lost version of the legend written by the third century BC Alexandrian Greek astronomer Eratosthenes, who first measured the size of the Earth. Suffering from plague, Athens sent a delegation to Delos, Apollo’s birthplace, to consult its oracle. The oracle’s instruction to the Athenians, to double the size of their cubical altar stone, presented an impossible problem. . . ."(p. 99). Hence the reference to the problem of Delos in the title of the painting.
- Isaac Newton suggested a solution to the problem in his book Arithmetica Universalis, first published in 1707. His construction served as the basis of the painting. Newton’s figure, as redrawn by Crockett Johnson, begins with a base (OA), bisected at a point (B), with an equilateral triangle (OCB) constructed on one of the halves of the base. Newton then extended the sides of this triangle through one vertex. Placing a marked straightedge at one end of the base (O), he rotated the rule so that the distance between the two lines extended equaled the sides of the triangle (in the figure, DE = OB = BA = OC = BC). If these line segments are of length one, one can show that the line segment OD is of length equal to the cube root of two, as desired.
- In Crockett Johnson’s painting, the line OA slants across the bottom and the line ODE is vertical on the left. The four squares drawn from the upper left corner (point E) have sides of length 1, the cube root of 2, the cube root of 4, and two. The distance DE (1) represents the edge of the side and the volume of a unit cube, while the sides of three larger squares represent the edge (the cube root of 2), the side (the square of the cube root of 2) and the volume (the cube of the cube root of two) of the doubled cube.
- This oil painting on masonite is #56 in the series and dates from 1970. The work is signed: CJ70. It is inscribed on the back: PROBLEM OF DELOS (/) CONSTRUCTED FROM A SOLUTION BY (/) ISAAC NEWTON (ARITHMETICA UNIVERSALIS) (/) Crockett Johnson 1970. The painting has a wood and metal frame. For related documentation see 1979.3083.04.06. See also painting number 85 (1979.1093.55), with the references given there.
- Reference: Crockett Johnson, “On the Mathematics of Geometry in My Abstract Paintings,” Leonardo 5 (1972): pp. 98–9.
- Location
- Currently not on view
- date made
- 1970
- referenced
- Newton, Isaac
- painter
- Johnson, Crockett
- ID Number
- 1979.1093.36
- catalog number
- 1979.1093.36
- accession number
- 1979.1093
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Painting - Doubled Cube (Newton)
- Description
- Two paintings in the Crockett Johnson collection concern the ancient problem of doubling the volume of a given cube, or the Problem of Delos. Crockett Johnson wrote of this problem: "Plutarch mentions it, crediting as his source a now lost version of the legend written by the third century BC Alexandrian Greek astronomer Eratosthenes, who first measured the size of the Earth. Suffering from plague, Athens sent a delegation to Delos, Apollo’s birthplace, to consult its oracle. The oracle’s instruction to the Athenians, to double the size of their cubical altar stone, presented an impossible problem . . . . It could not be done with the compass and an unmarked straightedge."
- (p. 99).
- Crockett Johnson's paintings follow a construction proposed by the eminent English mathematician Isaac Newton. As Lucasian professor of mathematics at Cambridge University, Newton was required to deposit copies of his lectures in the university library. In 1683, after he had taught a course in algebra for 11 years, he finally deposited the notes for it. After Newton left Cambridge in 1696, his successor, William Whiston, arranged to have the lectures published in a book with the short title Arithmetica Universalis. Latin editions of the book appeared in 1707, 1722, 1732, and 1761; and English translations in 1720, 1728, and 1769.
- In an appendix to this book, Newton discussed ways of finding the roots of numbers through geometric constructions. One problem was that of finding two mean proportions between given numbers. One case of this problem gives the cube root of a number. [Suppose the numbers are a and b and the proportionals x and y. Then a / x = x / y = y /b). Squaring the first and last term, a² / x² = y² / b². But, from the first equation, one also has x = y² / b. By substitution, a² / x² = x / b, or x³ = a² b. If a is 1, x is the cube root of b, as desired.]
- Newton and Crockett Johnson represented the quantities involved as lengths of the sides of triangles. Newton’s figure is #99 in his Arithmetica Universalis. Crockett Johnson's figure is differently lettered, and the mirror image of that of Newton.
- Following the artist's notation (figure 1979.3083.04.05), suppose AB = 1, bisect it at M, and construct an equilateral triangle MBX on MB. Draw AX and MX extended. Using a marked straightedge, construct line segment BZY, intersecting AX at Z and MX at Y in such a way that XY = AM = MB = 1/2. Then the distance BZ will have a length of one half the cube root of 2, that is to say the length of the side of a cube of side 1/2.
- A proof of Newton’s construction is given in Dorrie. Crockett Johnson's copy of a drawing in this volume is annotated. The duplication of the cube also was discussed in at least two other books in Crockett Johnson's library. One is a copy of the 1764 edition of an English translation of the Arithmetica Universalis, which Crockett Johnson purchased in January of 1972. The second is W. W. Rouse Ball’s Mathematical Recreations and Essays, which also discusses Newton's solution.
- Crockett Johnson's painting emphasized doubled lines in the construction, building on the theme of the painting. His diagram for the painting is oriented differently from the painting itself.
- This oil painting on masonite is #85 in the series. It depicts overlapping blue, pink and gray circular segments in two adjacent rectangles. These rectangles are divided by various lines into gray and black sections. A lighter gray border goes around the edge. There is a metal and wooden frame. The painting is unsigned. For a mathematically related painting, see #56 (1979.1093.36).
- References: Crockett Johnson, "On the Mathematics of Geometry in My Abstract Paintings," Leonardo 5 (1972): pp. 98–100. This specific painting is not discussed in the article.
- Heinrich Dorrie, trans. David Antin, 100 Great Problems of Elementary Mathematics: Their History and Solution (1965) p. 171. The figure on this page, figure 27, is annotated.
- Isaac Newton, Universal Arithmetick, (1769), esp. pp. 486–87, figure 99. This volume was in Crockett Johnson's library. It is not annotated.
- W. W. Rouse Ball, rev. H. S. M. Coxeter, Mathematical Essays and Recreations, (1962 printing), pp. 327–33. This is a slightly different construction. The volume was in Crockett Johnson's library.
- Isaac Newton, The Mathematical Works of Isaac Newton, assembled by Derek T. Whiteside, vol. 2, (1967). This includes a reprint of the 1728 English translation of the Arithmetica Universalis.
- Location
- Currently not on view
- date made
- ca 1970
- referenced
- Newton, Isaac
- painter
- Johnson, Crockett
- ID Number
- 1979.1093.55
- catalog number
- 1979.1093.55
- accession number
- 1979.1093
- Data Source
- National Museum of American History, Kenneth E. Behring Center