Mexican America - Bibliography
Mexican America: Bibliography
Ahlborn, Richard, ed. Man Made Mobile: Early Saddles of Western North America. Washington, D.C.: Smithsonian Institution Press, 1980.
Altman, Ida. "Spanish Society in Mexico City After the Conquest." Hispanic American Historical Review (1991) 71:3.
Arizpe, Lourdes. "The Rural Exodus in Mexico and the Mexican Migration to the United States ." International Migration Review. Volume 15 (4) (1979): 626-649.
Bouvier, Virginia. Women and the Conquest of California, 1542-1840: Codes of Silence. Tucson: The University of Arizona Press, 2001.
Cline, Sarah. "The Spiritual Conquest Reexamined: Baptism and Church Marriage in Early Sixteenth-century Mexico ." Hispanic American Historical Review, Vol. 73 (3) (1993): 453-480.
Cortés, Hernán. Letters from Mexico . New Haven: Yale University Press, 1986.
Davalos, Karen Mary. Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora. Albuquerque: The University of New Mexico Press, 2001.
Díaz del Castillo, Bernal. The True History of the Conquest of Mexico . New York: Robert M. McBride & Company, 1927.
Driscoll, Barbara. The Tracks North: The Railroad Bracero Program of World War II. Austin: The University of Texas Press, 1999.
Fernández-Aceves, María Teresa. "Once We Were Corn Grinders: Women and Labor in the Tortilla Industry of Guadalajara, 1920-1940." International Labor and Working-Class History, No. 63 (2003): 81-101.
García, Mario. "The Chicana in American History: The Mexican Women of El Paso, 1880-1920—A Case Study." Pacific Historical Review, Vol. 49, no. 2 (May, 1980): 315-337.
Garcíagodoy, Juanita. Digging the Days of the Dead: A Reading of Mexico’s Días de Muertos. Boulder: University Press of Colorado, 1998.
Gaspar de Alba, Alicia. Chicano Art: Inside/Outside the Master’s House. Austin: The University of Texas Press, 1998.
Glantz, Margot, ed. La Malinche, sus padres y sus hijos. Mexico:Taurus Ediciones, 1994.
González, Gilbert. Labor and Community: Mexican Citrus WorkerVillages in a Southern California County, 1900-1950. Chicago:University of Illinois Press, 1994.
Goodwin, Lee. "Field Notes: Heritage and Change through Community Celebrations: A Photographic Essay." Western Historical Quarterly 29 (Summer 1998): 215-223.
Kessell, John. Kiva, Cross, and Crown: The Pecos Indians and New Mexico 1540-1840. Washington, D.C.: The National Park Service, 1979.
Lafaye, Jacques, and Lockhart, James. "A Scholarly Debate: The Origins of Modern Mexico - Indigenistas vs. Hispanistas." The Americas , Vol. 48, No. 3, 315-330.
Limón, José. American Encounters: Greater Mexico , the United Status, and the Erotics of Culture. Boston: Beacon Press, 1998.
Oles, James. South of the Border: Mexico in the American Imagination 1914-1947. Washington, D.C.: Smithsonian Institution Press, 1993.
Rodríguez, Jospeh. "Becoming Latinos: Mexican Americans, Chicanos, and the Spanish Myth in the urban Southwest." Western Historical Quarterly 29. Summer 1998: 165-185.
Root, Regina. The Latin American Fashion Reader. Oxford: Berg Publishing, 2005.
Sánchez, George. Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles, 1900-1945. New York: OxfordUniversity Press, 1993.
Sando, Joe. Pueblo Nations: Eight Centuries of Pueblo Indian History. Santa Fe: Clear Light Publishers, 1992.
Semo, Enrique. The History of Capitalism in Mexico : Its Origins, 1521-1763. Austin: University of Texas Press, 1993.
Viola, Herman, and Margolis, Carolyn, ed. Seeds of Change: Five Hundred Years Since Columbus. Washington, D.C.: Smithsonian Institution Press, 1991.
Wells, Miriam. Strawberry Fields: Politics, Class, and Work in California Agriculture. Ithaca: Cornell University Press, 1996.
"Mexican America - Bibliography" showing 2 items.
Azada de Mango Corto
- Description
- A short Handled hoe, 1936 hoe. Original owner Librado Hernandez Chavez, (father of Ceser Estrada Chavez). The hoe has a metal blade welded to a metal neck and a wooden handle. The two are attached by a slot screw. The top edge of the blade is similar to the two curves at the top of a valentine hear. Blade recently sharpened.
- The short-handled hoe brings back memories of back-breaking labor for generations of Mexican and Mexican American migrant workers who sustained California's booming agricultural economy. Since the late 1800s, its expansive fields of produce have relied on a cheap, mobile, and temporary workforce. The short-handled hoe required workers to bend painfully close to the ground to weed and thin crops. The state abolished the short-handled hoe in 1975, ruling it an occupational hazard after a seven-year legal battle. During this period of political mobilization, the predicament of the migrant farm worker became emblematic of the limited opportunities and the cycle of poverty that trapped many Mexican Americans. In 1966, when Mexican and Filipino American farm workers were brought together under the banner of the United Farm Workers of America, the struggle for labor rights was understood by its supporters as part of the much larger civil rights movement. It was not just important for Mexican Americans but also other low-paid workers. The hoe pictured here belonged to Librado Hernandez Chavez, father of civil rights leader and farm worker organizer, Cesar Estrada Chavez.
- Location
- Currently not on view
- Date made
- 1936
- user
- Chavez, Librado Hernandes
- Chavez, Cesar Estrada
- ID Number
- 1998.0197.01
- accession number
- 1998.0197
- catalog number
- 1998.0197.01
- Data Source
- National Museum of American History, Kenneth E. Behring Center
La Malinche
- Description
- La Malinche, the title of this lithograph, was the indigenous woman who translated for Cortés between Maya, Náhuatl, and Spanish during his first years in Mexico. Considered either as a traitor or a founding mother by some Mexicans, La Malinche was Cortés's lover and the mother of his favorite son Martín. She and Moctezuma are also central figures in the Matachines dances that are performed in Mexico and New Mexico. Originally commemorating the expulsion of the Moors from southern Spain in 1492, the dance was brought to Mexico where it was treated as a means for Christianizing native peoples. The historical figure of La Malinche, known in Spanish by the name Doña Marina, is also credited for playing an almost miraculous role in the early evangelization of central Mexico. This print, made by Jean Charlot in the 1933, shows a young girl in the role of La Malinche, holding a rattle or toy in one hand, and a sword in the other. Jean Charlot, a French-born artist, lived and studied in Mexico in the 1920s and 1930s. He depicted stylized scenes from the daily life of Mexican workers, particularly indigenous women.
- Location
- Currently not on view
- Date made
- 1933
- graphic artist
- Charlot, Jean
- ID Number
- GA*23401
- catalog number
- 23401
- accession number
- 299563
- Data Source
- National Museum of American History, Kenneth E. Behring Center