Military

The Museum's superb military collections document the history of the men and women of the armed forces of the United States. The collections include ordnance, firearms, and swords; uniforms and insignia; national and military flags and banners; and many other objects.

The strength of the collections lies in their enormous depth. Some 3,000 military small arms and 2,400 civilian firearms document the mechanical and technological history of the infantryman's weapons from the beginning of the gunpowder era to the present. Among the 4,000 swords and knives in the collection are many spectacular presentation pieces. The collections also include Civil War era telegraph equipment, home front artifacts from both world wars, early computers such as ENIAC, Whirlwind, and Sage, and materials carried at antiwar demonstrations.

Physical DescriptionFrench silver-hilted officer's small sword with silvered guard and knuckle bow.Specific HistoryThis artifact is part of the large collection of firearms and militaria from the Charles Bremner Hogg Jackson collection.Brem Jackson (1910-1979) was by all accounts
Description
Physical Description
French silver-hilted officer's small sword with silvered guard and knuckle bow.
Specific History
This artifact is part of the large collection of firearms and militaria from the Charles Bremner Hogg Jackson collection.
Brem Jackson (1910-1979) was by all accounts a modest and intensely private individual. He was unknown as a collector to neighbors and other military connoisseurs. Born in New York, he was raised with a French governess who told him stories of the Napoleonic Era and instilled in him an early fascination for the French emperor.
His family moved to Florence, Italy, for 14 years. While there he studied and became fluent in French, German, and Italian. While traveling Europe, touring battlefields and military cemeteries, he began collecting and making miniature model soldiers. After World War II, he moved to Bucks County, Pennsylvania, where his collection further grew with the addition of original uniforms. He collected enough antique gear and uniforms to field a small army. He began but never completed cataloging his collection of items ranging in date from Classical Greece through World War I and housed in a large barn known locally as "Brem's Place." The barn, wagon shed, and ship studio contained not only the collection but also a master craftsman's studio and forge and an outstanding military reference library. From here Jackson gathered, restored, and researched his world-class holdings of militaria. He had an underground firing range on the property and occasionally even fired off cannons outside the barn. Although he occasionally corresponded with the Smithsonian's curators of military history, he never met with them and gave no notice of his intended bequest to the nation.
Much of his collection was part of a large bequest to the Smithsonian at his death in 1979.
General History
This type of sword was used by both French and American officers during the American Revolution.
Date made
1750-1770
ID Number
1980.0399.0227
accession number
1980.0399
catalog number
1980.0399.0227
Charcoal and ink wash sketch on paper. The sketch depicts the edge of a wooded area, with timber fortifications in the center of the scene. Hills and small houses in the background.
Description
Charcoal and ink wash sketch on paper. The sketch depicts the edge of a wooded area, with timber fortifications in the center of the scene. Hills and small houses in the background. Belleau Wood was the scene of intense fighting between Allied soldiers and the German Army towards the end of the First World War.
Location
Currently not on view
date made
1918-08
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.26028
catalog number
26028
accession number
64592
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road.
Description
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road. The truck at the back is partially obscured by fog or smoke in the background. On the right, a dead American soldier is lying on the side of the road next to a tree stump. His helmet is lying in the middle of the road. On the left, an American soldier is kneeling on the side of the road by a wooden cross. An explosion of yellow, red, and black smoke rises into the air behind him. Written at the bottom by the artist in pencil is: "Sketch. The road between / Jacqluer [sic] & Mont St. Pierre / on the Marne. July 22, / 1918. / One of Col. [illegibile]s Racehorses / These ammunitions trucks went / where ambulances could not and / served the double purpose of ammunitions / carriers and ambulances."
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.67523M
catalog number
67523M
accession number
229290
Pencil and watercolor sketch on paper. The sketch shows an American soldier standing in the foreground on the left. He is next to an elaborate cross on a hill, looking out over a village, which is in the background on the right.
Description
Pencil and watercolor sketch on paper. The sketch shows an American soldier standing in the foreground on the left. He is next to an elaborate cross on a hill, looking out over a village, which is in the background on the right. The Argonne forest was the site of a major battle during World War I.
Location
Currently not on view
date made
1918-11
artist
Smith, J. Andre
ID Number
AF.26063
catalog number
26063
accession number
64592
A charcoal sketch on paper. This landscape shows Grandpre, France. In the foreground is a battleground with dugouts, barbed wire entanglements, and a bare tree on the left.
Description
A charcoal sketch on paper. This landscape shows Grandpre, France. In the foreground is a battleground with dugouts, barbed wire entanglements, and a bare tree on the left. Beyond the battleground are shell torn buildings, including a large church in the center that has some roof damage. The church is most likely the Église Saint-Médard.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.25989
catalog number
25989
accession number
64592
Brass instrument with a black japan finish. The objective lenses are about 40 mm diameter, and the optics are excellent.
Description
Brass instrument with a black japan finish. The objective lenses are about 40 mm diameter, and the optics are excellent. The “CHEVALIER * PARIS” inscription on each eyepiece refers to an optical firm that was begun by Louis Vincent Chevalier in 1765, and that was still in the business in the late 19th century. The left eye tube is marked “DAY & NIGHT / EXTRA POWER” and the right is marked “ARMY & NAVY / EXTRA POWER.” The case is black leather.
Ref: Paolo Brenni, “19th Century French Scientific Instrument Makers. II: The Chevalier Dynasty,” Bulletin of the Scientific Instrument Society 39 (1993): 11–14.
Location
Currently not on view
date made
late 19th century
maker
Chevalier
ID Number
PH.323411
catalog number
323411
accession number
251004
Charcoal sketch on white paper. Sketch shows groups of American soldiers marching off into the distance between army motor trucks on a dirt road. The road is surrounded by large dead trees and barbed wire entanglements on either side. Rolling hills and fields in the distance.
Description
Charcoal sketch on white paper. Sketch shows groups of American soldiers marching off into the distance between army motor trucks on a dirt road. The road is surrounded by large dead trees and barbed wire entanglements on either side. Rolling hills and fields in the distance. The sky is very cloudy and dark with observation balloons floating in the distance.
Location
Currently not on view
date made
1918
artist
Smith, J. Andre
ID Number
AF.26080
catalog number
26080
accession number
64592
A charcoal and watercolor sketch on brown paper mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of a railhead dump at Menil-la-Tour.
Description
A charcoal and watercolor sketch on brown paper mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of a railhead dump at Menil-la-Tour. Approximately nine men wearing blue, possibly French, are seen in the sketch all over the picture. Seven men are working around a tall pile of baled hay seen in the center of the sketch. Another two men are working on the right side, dragging a sheet. Several tall covered piles are seen besides the hay pile. Two flat cars are seen on the rails. Trash is seen in on the right side behind a lone tree. Behind the trash is a building.
The sketch is mostly colored, but it is not entirely sketched. The sky is colored blue. The tree and the grass are painted green. Other colors include light blue, red, and brown/pink for the ground.
Location
Currently not on view
date made
1918-06
maker
Smith, J. Andre
ID Number
AF.26058
catalog number
26058
accession number
64592
A pencil and watercolor sketch on yellow paper that is mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of an airplane shop with workers assembling airplanes at Romorantin.
Description
A pencil and watercolor sketch on yellow paper that is mounted on a white matte paper sealed in the front with a glass sheet and backed by a plastic sheet wrapped in plastic wrap. The scene is of an airplane shop with workers assembling airplanes at Romorantin. Approximately ten people are seen in the sketch working on three different planes. The two main planes in the sketch do not have wings attached, but the propeller and the cockpit has been built. Clerestory windows are seen in the shop along with several ceiling lamps hanging above the planes. Only a select few parts of the painting are colored in brown.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
War Department
Smith, J. Andre
maker
Smith, J. Andre
ID Number
AF.25929
catalog number
25929
accession number
64592
Oil painting on canvas of an American machine gun emplacement at Seicheprey, France. Two American soldiers in olive drab uniforms are sitting in the middle of a cemetery next to their Hotchkiss M1914 machine gun.
Description
Oil painting on canvas of an American machine gun emplacement at Seicheprey, France. Two American soldiers in olive drab uniforms are sitting in the middle of a cemetery next to their Hotchkiss M1914 machine gun. There are tombstones all around the soldiers, some of which have toppled over. A section of the rock wall surrounding the cemetery has been partially destroyed at right, giving the machine gunners a better sight line. The soldiers have positioned the gun on the rubble from the ruined wall, with the barrel of the gun pointing out of the cemetery. Signed by the artist at bottom left, "Harvey Dunn, Saishprey [sic], AEF"
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.25709
catalog number
25709
accession number
64592
Currently not on view
Location
Currently not on view
date made
1918-07
artist
Smith, J. Andre
ID Number
AF.26059
catalog number
26059
accession number
64592
Oil painting on canvas of two American soldiers carrying another soldier on a stretcher along a line of barbed wire. The stretcher bearers are in uniform and are wearing helmets with their gas mask bags hanging from their necks.
Description
Oil painting on canvas of two American soldiers carrying another soldier on a stretcher along a line of barbed wire. The stretcher bearers are in uniform and are wearing helmets with their gas mask bags hanging from their necks. The soldier in front is looking up into the distance as he walks, while the soldier in back is walking with his head bowed. The soldier on the stretcher is wrapped in a blanket and his face is white; he is either severely injured or dead. The sky is gray with faint light coming from the left. A line of fog is rolling in from the left, slightly obscuring the soldiers and the barbed wire. At the bottom of the painting among the grass are tiny red and blue flowers. Signed by the artist at bottom left, "Harvey Dunn, 1918"
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.25719
catalog number
25719
accession number
64592
Pastel and watercolor drawing on paper of American soldiers advancing during the Second Battle of the Marne. Soldiers in uniform with guns and bayonets drawn advance up a hill that is covered in long grass with blue and red flowers.
Description
Pastel and watercolor drawing on paper of American soldiers advancing during the Second Battle of the Marne. Soldiers in uniform with guns and bayonets drawn advance up a hill that is covered in long grass with blue and red flowers. In the background at left is a cluster of trees, one of which has almost been cut in half and leans in the direction of the soldiers. In the background at right is a war torn village. The sky overhead is full of dark blue and gray clouds.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.67520M
catalog number
67520M
accession number
229290
Mixed media sketch on paper. French troops march over a bridge into Sedan, which was occupied by the Germans for most of World War I. The river is in the foreground, and the buildings of Sedan are in the background.
Description
Mixed media sketch on paper. French troops march over a bridge into Sedan, which was occupied by the Germans for most of World War I. The river is in the foreground, and the buildings of Sedan are in the background. The flag of France flies from several of the buildings and the bridge.
Location
Currently not on view
date made
1918-11-17
1918-11-17
artist
Smith, J. Andre
ID Number
AF.26055
catalog number
26055
accession number
64592
Charcoal and ink wash on white board. The ruined village of Varennes, France is visible on the far side of a canal bordered by a wall. The buildings are shell-torn and debris spills out in to the road running beside the river.Currently not on view
Description
Charcoal and ink wash on white board. The ruined village of Varennes, France is visible on the far side of a canal bordered by a wall. The buildings are shell-torn and debris spills out in to the road running beside the river.
Location
Currently not on view
date made
1918
artist
Peixotto, Ernest Clifford
ID Number
AF.25860
catalog number
25860
accession number
64592
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene.
Description
Charcoal and ink wash sketch on paper. Troops and army trucks pass over a small bridge. A sign posted on the bridge reads "Langsam Fahren" or "Drive Slowly". A large building sits atop a hill in the background of the scene. Buildings line the road on the right side of the sketch.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
maker
Peixotto, Ernest Clifford
ID Number
AF.25823
catalog number
25823
accession number
64592
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair.
Description
A pencil and watercolor sketch on paper. The sketch is of a room in the bishop's palace at Verdun, France during World War I. The focal point is a broken window in the center of the sketch. The rest of the room is also in disrepair. Through the window is a view of the village of Verdun.
Location
Currently not on view
date made
1918
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.25999
catalog number
25999
accession number
64592
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.Currently not on view
Description
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.
Location
Currently not on view
date made
1918-07
associated date
1917-1918
associated person
War Department
artist
Peixotto, Ernest Clifford
ID Number
AF.25876
catalog number
25876
accession number
64592
Charcoal, ink wash, and gouache drawing on beige textured paper. The work depicts refugees returning to a shell torn village in Hatton Chattel, France. Older men, women, children, sheep and a mule laden with clothing gather in front of a severely damaged building.
Description
Charcoal, ink wash, and gouache drawing on beige textured paper. The work depicts refugees returning to a shell torn village in Hatton Chattel, France. Older men, women, children, sheep and a mule laden with clothing gather in front of a severely damaged building. An American soldier is standing in the center of the drawing. In the foreground on the left, a man in dark clothes stands looking at the crowd.
Location
Currently not on view
date made
1918
associated person
War Department
artist
Aylward, William James
ID Number
AF.25664
catalog number
25664
accession number
64592
Oil on illustration board. Portrait of one star General E. A. Kreger. Kreger wears two officer and two Judge Advocate General's Department pins on his collar. He also wears glasses and a Sam Browne belt. Kreger's hair is grey.Currently not on view
Description
Oil on illustration board. Portrait of one star General E. A. Kreger. Kreger wears two officer and two Judge Advocate General's Department pins on his collar. He also wears glasses and a Sam Browne belt. Kreger's hair is grey.
Location
Currently not on view
date made
1918
associated date
1917 - 1918
associated person
Chase, Joseph Cummings
Chase, Joseph Cummings
artist
Chase, Joseph Cummings
ID Number
AF.58107M
catalog number
58107M
accession number
203612
Pencil and watercolor sketch on white paper, mounted on thick paper. The sketch shows a telephone station trench-like structure in the foreground. There is an American soldier standing right outside of the station.
Description
Pencil and watercolor sketch on white paper, mounted on thick paper. The sketch shows a telephone station trench-like structure in the foreground. There is an American soldier standing right outside of the station. Behind them, there are barbed wire fences, and more American soldiers (one of which is one a horse). In the distant background, destroyed structures and fields are visible. Two barrage balloons and two clouds of smoke are floating in the sky above the scene.
Location
Currently not on view
date made
1918-09-13
1918-09
associated date
1917 - 1918
associated person
War Department
Smith, J. Andre
artist
Smith, J. Andre
ID Number
AF.26004
catalog number
26004
accession number
64592
Currently not on view
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
maker
Dunn, Harvey Thomas
ID Number
AF.25722
catalog number
25722
accession number
64592
Charcoal sketch on paper. The work depicts a damaged house on the corner of a street in Badonviller, France during World War I. The roof and one wall of the house are shell-torn, with structural elements, rafters, and the chimney visible from the street.
Description
Charcoal sketch on paper. The work depicts a damaged house on the corner of a street in Badonviller, France during World War I. The roof and one wall of the house are shell-torn, with structural elements, rafters, and the chimney visible from the street. Pairs of soldiers are walking past and gathered around the house.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
artist
Smith, J. Andre
ID Number
AF.25939
catalog number
25939
accession number
64592
Charcoal and ink wash sketch on white card stock. The center of the village of Varennes is destroyed. A soldier on a motorcycle and several vehicles pass along the main raid through the village.Currently not on view
Description
Charcoal and ink wash sketch on white card stock. The center of the village of Varennes is destroyed. A soldier on a motorcycle and several vehicles pass along the main raid through the village.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
artist
Peixotto, Ernest Clifford
ID Number
AF.25845
catalog number
25845
accession number
64592

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