Military

The Museum's superb military collections document the history of the men and women of the armed forces of the United States. The collections include ordnance, firearms, and swords; uniforms and insignia; national and military flags and banners; and many other objects.

The strength of the collections lies in their enormous depth. Some 3,000 military small arms and 2,400 civilian firearms document the mechanical and technological history of the infantryman's weapons from the beginning of the gunpowder era to the present. Among the 4,000 swords and knives in the collection are many spectacular presentation pieces. The collections also include Civil War era telegraph equipment, home front artifacts from both world wars, early computers such as ENIAC, Whirlwind, and Sage, and materials carried at antiwar demonstrations.

Women's Jewish Welfare Board (JWB) uniform from World War I, consisting of hat, coat, shirtwaist, tie, skirt, and insignia. Coat and skirt are olive green wool gabardine, shirt is white dimity, hat is blue cotton, and tie is blue silk.
Description
Women's Jewish Welfare Board (JWB) uniform from World War I, consisting of hat, coat, shirtwaist, tie, skirt, and insignia. Coat and skirt are olive green wool gabardine, shirt is white dimity, hat is blue cotton, and tie is blue silk. Metal "U.S." insignia on coat lapel and cloth "J.W.B." patch with Star of David background on shouler and hat. Donated by the Jewish Welfare Board through The National Society of the Colonial Dames of America.
The Jewish Welfare Board (JWB) was organized shortly after America’s entry into World War I, consolidating religious groups in the Jewish community to become an official agency to work with the War Department through its Commission on Training Camp Activities. It was modeled after the Young Men’s Christian Association (YMCA) and the Knights of Columbus, and other organizations that in World War I adapted military-like uniforms for women and men volunteers. The JWB built buildings and stocked libraries on army installations and distributed books, articles, Bibles, and prayer books supplied through its affiliation with the Jewish Publication Society. It established community branches in the “second line of defense,” by supporting Jewish workers in the shipyards, arsenals, and other military plants and factories, as well as hospitals and universities where the government had taken over under military regulations. Following the Armistice, under direction of the Navy Department, the JWB transferred its peacetime work to veteran’s hospitals and enlarged Jewish community centers.
associated date
1914-1918
ID Number
1998.0165.25.01
catalog number
1998.0165.25.01.01
1998.0165.25.01.02
accession number
1998.0165
catalog number
1998.0165.25.01
Physical DescriptionDark-blue cloth lined with white serge and edged with white kerseymere. Brown leather forage cap with slightly darker leather bill.General HistoryThe soft leather forage cap was introduced in 1833.
Description
Physical Description
Dark-blue cloth lined with white serge and edged with white kerseymere. Brown leather forage cap with slightly darker leather bill.
General History
The soft leather forage cap was introduced in 1833. There seems to be no historical reason for the distinct change in the style of the cap. Since soldiers wore their uniforms day and night, it has been reported that the forage cap came in handy at night. With the strap buckled under the chin tightly it was a big help, according to one hospital steward, "to keep out of our ears, ear-wigs, centipedes, cockroaches, etc."
Location
Currently not on view
date made
ca 1840
associated date
1834 - 1851
ID Number
AF.22729 [dup2]
catalog number
22729
accession number
64127
Currently not on view
Location
Currently not on view
Associated Name
Red Cloud
ID Number
AF.70325M
catalog number
70325M
accession number
275426
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road.
Description
A charcoal, pastel, and watercolor drawing on paper of a road between Jaulgonne and Mount St. Pierre, France, during the Second Battle of the Marne on July 22, 1918. Depicted are two ammunition trucks driving along the war torn road. The truck at the back is partially obscured by fog or smoke in the background. On the right, a dead American soldier is lying on the side of the road next to a tree stump. His helmet is lying in the middle of the road. On the left, an American soldier is kneeling on the side of the road by a wooden cross. An explosion of yellow, red, and black smoke rises into the air behind him. Written at the bottom by the artist in pencil is: "Sketch. The road between / Jacqluer [sic] & Mont St. Pierre / on the Marne. July 22, / 1918. / One of Col. [illegibile]s Racehorses / These ammunitions trucks went / where ambulances could not and / served the double purpose of ammunitions / carriers and ambulances."
Location
Currently not on view
date made
ca 1918
associated date
1917 - 1918
associated person
Dunn, Harvey Thomas
artist
Dunn, Harvey Thomas
ID Number
AF.67523M
catalog number
67523M
accession number
229290
This drum was made by an unknown maker in Europe, around 1808-1817. It has a brass shell with a cast coat of arms with a crown and the initials “FWR,” and skin heads.
Description

This drum was made by an unknown maker in Europe, around 1808-1817. It has a brass shell with a cast coat of arms with a crown and the initials “FWR,” and skin heads. The wood hoops are painted red and white and drilled with 10 holes each for rope which is laced through leather ears, used to tighten the hoops. The shell is stamped below the vent hole:

GABLER
IN
BERLIN

(And on what appears to be a snare mechanism):

2A
2B 14 LR4

The attribution date for the drum is subject to study.

Location
Currently not on view
Date made
1808-1817
ID Number
1980.0399.0027
accession number
1980.0399
catalog number
1980.0399.0027
This trumpet was made by Horstmann Brothers & Company in Philadelphia, Pennsylvania around 1879-1882. It is an F natural trumpet made of brass, with a blue cord. This trumpet is stamped:HORSTMANN BROS. & Co.
Description (Brief)

This trumpet was made by Horstmann Brothers & Company in Philadelphia, Pennsylvania around 1879-1882. It is an F natural trumpet made of brass, with a blue cord. This trumpet is stamped:

HORSTMANN BROS. & Co. [/] PHILADELPHIA

This is a standard military trumpet, made according to Specification No. 38, dated February 15th, 1879, “Specifications for Trumpets,” Quartermaster General’s Office, War Department:

“For all foot troops -- To be the same as standard sample brass trumpet ’F,’ two (2) coil, and with two (2) mouthpieces. When complete, with mouth-piece in, to weigh about twelve and a half (12 ½) ounces, and to measure about sixteen (16) inches in length, and about four and a half (4 ½) inches in width at center. Diameter of bell to be about four and a half (4 ½) inches.”

William Hortsmann, born in Germany, emigrated to the United States and established himself as a maker of fringe, laces, and trimmings in Philadelphia, in 1815. William Horstmann & Sons were located at North Third Street between 1830 and 1857, manufacturing and importing everything from textiles and trimmings to military goods including drums, pistols, and swords. As the company expanded, Horstmann & Sons moved the factory to 5th and Cherry Streets and their storefront to 2223 Chestnut Street. Later the company would grow to two stores in New York and an agency in Paris. William Horstmann retired from the company in 1845, and his sons, William and Sigmund continued the family business until 1872.

Location
Currently not on view
date made
1879 - 1882
maker
Horstmann Brothers & Company
ID Number
MI.093197
catalog number
93197
This snare drum was made by Rose, Morris & Co. in London, England, around 1968-1970. It is a Clansman model with a black lacquer wood shell, chrome-plated metal flange hoops, a white vinyl top head and a clear vinyl bottom head, and a metal snare.
Description

This snare drum was made by Rose, Morris & Co. in London, England, around 1968-1970. It is a Clansman model with a black lacquer wood shell, chrome-plated metal flange hoops, a white vinyl top head and a clear vinyl bottom head, and a metal snare. There are 6 chrome-plated metal ribs attached to the shell covering the metal tensioning rods. The maker’s medallion around the vent hole is inscribed:

CLANSMAN
ROSE, MORRIS & CO.
MADE IN ENGLAND

This drum was used by a member of the United States Air Force Pipe Band. In 1950, the band was formed as part of the United States Air Force Drum and Bugle Corps. A separate Air Force Pipe Band was formed in 1960, and by 1970, the pipe band was disbanded.

Location
Currently not on view
date made
1968 - 1970
ID Number
MI.075303
accession number
295417
catalog number
75303
This drum was made by Abner Stevens in Pittsfield, Massachusetts, in 1812.
Description

This drum was made by Abner Stevens in Pittsfield, Massachusetts, in 1812. The wood drum shell has been cut down approximately 3 inches from each end and features an image of the American bald eagle on a flag shield with a banner inscribed “LIBERTY OR DEATH.” It has black painted hoops and metal hooks laced with rope through leather ears, used to tighten the hoops. The drum is currently disassembled. The paper label inside the shell is inscribed:

AMERICAN DRUMS
ABNE[R] [S]TEVENS,
HA[S] FOR SALE
TAMBOREANS, BASS & COM[ ]
DRUMS,
MADE IN THE BEST MANNER
At his Factory in the center of the town of
PITTSFIELD, (Ms.) 1812.

The donor provided the following information:

”This drum was carried during five years of the Civil War by Henry K. Bevier, father of donor, who was drum major of the 72d New York Zuaves. He carried the drum through many engagements of the Civil War including the Battle of Gettysburg and also in the Victory Parade held in Washington, D. C. at the close of the War. The family tradition is that this drum was originally purchased by his grandfather who carried it during the war of 1812.”

”Henry K. Bevier was born on December 1, 1843 at Jerusalem in Erie County/New York, the son of Samuel and Rhoda Taylor. On August 5, 1869, he married Mary M. Taylor and in 1873 settled in Elisabethtown, Bartholemew County, Indiana. He later moved to Nebraska and was at the time of his death in his 90's the oldest surviving Civil War veteran in Nebraska."

”Some time after the Civil War, Bevier cut three inches off the top of the drum body and three inches off its bottom and made a new drum which he gave to one son. The remaining center portion, was made into another drum and given to another son, which is the drum donated to the museum.”

Henry K. Bevier (1843-1938 ) [recorded in roster as Brevier] enlisted on May 28, 1861. He was a musician with the 72nd New York Infantry, Company D. He was mustered in June 20, 1861. Bevier was mustered out June 19, 1864.

date made
1812
maker
Stevens, Abner
ID Number
MI.066621
accession number
232886
catalog number
66621
This snare drum was made by William H. Horstmann & Sons, In Philadelphia, Pennsylvania, around 1830-1857. It has a dark-brown stained wood shell with a pattern of 64 brass tacks around the sound hole, and two skin heads.
Description

This snare drum was made by William H. Horstmann & Sons, In Philadelphia, Pennsylvania, around 1830-1857. It has a dark-brown stained wood shell with a pattern of 64 brass tacks around the sound hole, and two skin heads. There are two black-painted wood hoops drilled with 10 holes each for rope which is laced through leather ears, used to tighten the hoops. The printed label is inscribed:

WM.H.HORSTMANN & SONS,
MILITARY FURNISHERS
No. 51 North Third Street
PHILADELPHIA

Hortsmann, born in Germany, emigrated to the United States and established himself as a maker of fringe, laces, and trimmings in Philadelphia, in 1815. William Horstmann & Sons were located at North Third Street between 1830 and 1857, manufacturing and importing everything from textiles and trimmings to military goods including drums, pistols, and swords. As the company expanded, Horstmann & Sons moved the factory to 5th and Cherry Streets and their storefront to 2223 Chestnut Street. Later the company would grow to two stores in New York and an agency in Paris. William Horstmann retired from the company in 1845, and his sons, William and Sigmund continued the family business until 1872.

According to the donor, this drum was picked up by a soldier by the name of Dunlevy from the Battle of the Wilderness, fought on May 5-6, near Fredericksburg, Virginia, in 1864.

Location
Currently not on view
date made
1830 - 1857
maker
Horstmann, William H. & Sons
ID Number
MI.070935
accession number
279458
catalog number
70935
U.S. Army Signal Corps Female Telephone Operator "Hello Girl" uniform, World War I. The uniform consists of a coat, skirt, and overseas cap, each made of navy blue wool.
Description
U.S. Army Signal Corps Female Telephone Operator "Hello Girl" uniform, World War I. The uniform consists of a coat, skirt, and overseas cap, each made of navy blue wool. The coat has several patches and insignia, including the American Expeditionary Forces (AEF) General Headquarters patch on left sleeve and the Chief Operator rank insignia on the right sleeve. There are two overseas service chevrons on the lower left sleeve, denoting 6 months of service each. On the left breast is the World War I Victory Ribbon with silver citation star. This uniform was worn by Helen Cook and donated by her through The National Society of the Colonial Dames of America.
The Signal Corps Female Telephone Operators unit was formed in late 1917 following an urgent request from General Pershing. The AEF was in desperate need of bilingual switchboard operators to improve vital communications at the front. By the end of the war, over 400 women had been trained by the Army as "Hello Girls" and over 200 had served overseas, with many receiving Distinguished Service medals.
Upon returning home after the war, "Hello Girls," unlike women who had served in the Navy, were denied veteran benefits as Army regulations at the time defined soldiers as male. It wasn't until over 60 years later, in 1979, that the Signal Corps Female Telephone Operators were finally given their veteran status and benefits.
ID Number
1998.0165.35.01
accession number
1998.0165
catalog number
1998.0165.35.01
This snare drum was made by John Webster, near Spencertown, New York, around 1790-1820. It has a painted shell with a painted eagle with its characteristic “frog-legged” design that appears during the period of the 1790s to about 1820 on U.S.
Description

This snare drum was made by John Webster, near Spencertown, New York, around 1790-1820. It has a painted shell with a painted eagle with its characteristic “frog-legged” design that appears during the period of the 1790s to about 1820 on U.S. militia canteens, belt plates, cap insignia and knapsacks. Also this basic design, with a shield on the eagle‘s breast, was used on the U.S. Peace medals of 1792 and 1793. There are 13 stars painted on the drum shell in a circular pattern around the eagle motif. Also, there are 4 additional stars painted vertically to the right side of the eagle motif.

The drum has two wood hoops drilled with 9 holes each for rope, which at one time, was laced through leather ears, used to tighten the hoops. There are 2 skin heads in poor condition and remnants of a gut snare. The drum is disassembled and would require conservation to bring it back to its original condition. It is accessioned with a pair of hardwood drum sticks. There is a label inside the shell that is inscribed:

“I was made by John Webster 3 miles north of Spencertown Meeting House Sept 1779”

As indicated in correspondence with the previous owner, this drum was brought back from the War of 1812 by Captain John George Snyder. Further research is needed to determine details of Snyder’s military career.

date made
1790-1820
ID Number
1989.0355.01
catalog number
1989.0355.01
accession number
1989.0355
Unknown artist, about 1894“Cheyenne Picture. Warrior Killing a Soldier.”Ink and watercolorThis drawing shows the victory of a Cheyenne warrior over a U.S. Army soldier.
Description
Unknown artist, about 1894
“Cheyenne Picture. Warrior Killing a Soldier.”
Ink and watercolor
This drawing shows the victory of a Cheyenne warrior over a U.S. Army soldier. The artist depicts the warrior counting coup on his enemy by touching the fallen soldier with his riding whip (quirt). Counting coup - in this instance touching an adversary in battle - was considered an act of bravery that could gain war honors. This single event took place during a larger battle against many adversaries, as indicated by the large number of rifles at the left.
Location
Currently not on view
Date made
ca 1875
date made
ca 1894
original artist
unknown
ID Number
GA.08111
accession number
1897.031963
catalog number
GA*08111
accession number
1897.31963
Unknown artist, about 1868“Drawing made by a Kiowa Indian”(Title given by collector Dr. Edward Palmer)Media: Pencil on paperThis Kiowa Indian drawing was likely prepared and collected in 1868 at the Kiowa and Comanche Agency in present-day Oklahoma.
Description
Unknown artist, about 1868
“Drawing made by a Kiowa Indian”
(Title given by collector Dr. Edward Palmer)
Media: Pencil on paper
This Kiowa Indian drawing was likely prepared and collected in 1868 at the Kiowa and Comanche Agency in present-day Oklahoma. Non-Indians were known to have offered paper and illustrating equipment to Plains Indians as early as the 1830s. The drawing displays a Kiowa warrior’s head and neck ornament (possibly a peace medal), and his leg sashes.
Location
Currently not on view
date made
ca 1880
ca 1869
ca 1882
original artist
unknown
ID Number
2008.0175.51
catalog number
2008.0175.051
accession number
2008.0175
This fife was made by an unknown maker in the United States, around 1850-1860. It is a United States Army Regulation fife in A-flat, made of maple with brass ferrules.Currently not on view
Description (Brief)
This fife was made by an unknown maker in the United States, around 1850-1860. It is a United States Army Regulation fife in A-flat, made of maple with brass ferrules.
Location
Currently not on view
Date made
1850 - 1860
unspecified
U.S. War Department
ID Number
MI.219178
catalog number
219178
accession number
40430
Despite his large efforts to get into Yale University, Kinji ultimately chose to study at Harvard University. On October 25, 1945, he formally wrote Yale to withdraw his name from the applicants list.Currently not on view
Description
Despite his large efforts to get into Yale University, Kinji ultimately chose to study at Harvard University. On October 25, 1945, he formally wrote Yale to withdraw his name from the applicants list.
Location
Currently not on view
date made
1945-10-29
ID Number
1986.3097.05
nonaccession number
1986.3097
catalog number
1986.3097.05
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.Currently not on view
Description
Pencil and ink wash sketch on paper. In the foreground, a damaged bridge extends halfway across a river. Soldiers in the river are repairing the bridge. In the background, buildings line the far bank of the river.
Location
Currently not on view
date made
1918-07
associated date
1917-1918
associated person
War Department
artist
Peixotto, Ernest Clifford
ID Number
AF.25876
catalog number
25876
accession number
64592
This Relocation Notice documents the heavily restricted life that internees had behind barbed wire. Fresno Assembly Center was in use from May 6 to October 30, 1942, with a peak population of 5,120.Currently not on view
Description
This Relocation Notice documents the heavily restricted life that internees had behind barbed wire. Fresno Assembly Center was in use from May 6 to October 30, 1942, with a peak population of 5,120.
Location
Currently not on view
date made
1942-07-23
ID Number
1986.3118.04
nonaccession number
1986.3118
catalog number
1986.3118.04
Currently not on view
Location
Currently not on view
associated date
1832
ID Number
ZZ.RSN80738W08
accession number
64127
Currently not on view
Location
Currently not on view
associated date
1902
associated person; user
Miles, Nelson Appleton
maker
Hatfield & Sons
ID Number
AF.35125
catalog number
35125
accession number
87946
This bookmark was likely created in the arts and crafts classes offered at most of the War Relocation Centers. On the back of the bookmark "Julia Nitta" was written in ink.
Description
This bookmark was likely created in the arts and crafts classes offered at most of the War Relocation Centers. On the back of the bookmark "Julia Nitta" was written in ink. Perhaps Julia made this bookmark to use in her books or it could have been given to her as a present from a fellow internee.
Location
Currently not on view
date made
1944
ID Number
1986.3144.52
nonaccession number
1986.3144
catalog number
1986.3144.52
Charcoal and color sketch on paper. Large wagon in foreground. On the right, sitting up against a building, a line of American troops and French women are stripping willow boughs for baskets. Team of mules on the left. Trees in the background and hills in the distance.
Description
Charcoal and color sketch on paper. Large wagon in foreground. On the right, sitting up against a building, a line of American troops and French women are stripping willow boughs for baskets. Team of mules on the left. Trees in the background and hills in the distance. A label affixed to the lower right corner of the drawing reads: "1. x16392/IN BILLETS. American boys helping French women strip willow/bows [sic] for baskets./Reherry." The sketch is affixed to a larger piece of cardboard.
Location
Currently not on view
date made
ca 1918
associated date
1917-1918
associated person
War Department
maker
Morgan, Wallace
ID Number
AF.25770
catalog number
25770
accession number
64592
This snare drum was made by Rudolf Wurlitzer and Bros. in Cincinnati, Ohio, about 1883. It has a wood shell with a painted shield with red and white stripes, and the letters “U. S.” The hoops are stained black and are held together by 8 metal tension rods.
Description

This snare drum was made by Rudolf Wurlitzer and Bros. in Cincinnati, Ohio, about 1883. It has a wood shell with a painted shield with red and white stripes, and the letters “U. S.” The hoops are stained black and are held together by 8 metal tension rods. The drum has a gut snare and skin heads. The printed label inside the shell reads:

Rudolph Wurlitzer & Bros.
MANUFACTURERS OF
Drums and Band Instruments
OF EVERY DESCRIPTION AND STYLE
No 115 MAIN STREET
Send for catalogue
Cincinnati, O.

This drum features specifications of military snare drums adopted on July 9, 1886. It was transferred to the Smithsonian in 1884, and possibly may be an early prototype made by Wurlitzer as it lacks any date of contract information required by the Quartermaster General specifications.

Location
Currently not on view
date made
ca 1883
maker
Rudolph Wurlitzer & Bros.
ID Number
MI.093194
accession number
14682
catalog number
093194
Physical DescriptionDouble-breasted buckskin coat, with fringe on the pockets and collar and along the sleeves.Specific HistoryThis buckskin coat was worn by Custer when he was a lieutenant colonel with the 7th U.S. Cavalry in the Dakotas.
Description
Physical Description
Double-breasted buckskin coat, with fringe on the pockets and collar and along the sleeves.
Specific History
This buckskin coat was worn by Custer when he was a lieutenant colonel with the 7th U.S. Cavalry in the Dakotas. It was one of several owned and worn by Custer, who preferred to dress like a frontiersman while out West.
In 1912, Custer's widow, Elizabeth, donated this buckskin coat to the Smithsonian as a tribute to her husband.
General History
George Armstrong Custer was born in 1839 in New Rumley, Ohio; by 1857, he was enrolled as a cadet in the U.S. Military Academy at West Point upon appointment by a congressman. He graduated last in his class of thirty-four. During the Civil War, he became known for his fearlessness (some said recklessness) in battle; indeed, he was promoted to the rank of Major General by age twenty-five. He figured prominently in General Philip Sheridan's campaign in the Shenandoah Valley in 1864; at the surrender at Appomattox in April 1865, Sheridan gave Custer's wife Elizabeth the table on which the surrender was signed.
After the war, George Custer reverted to the rank of captain. He was given command of the newly formed Seventh Cavalry in 1866 and elevated to the rank of lieutenant colonel. He gained a reputation as an Indian fighter who often ignored orders if they did not suit his sense of self-aggrandizement. His recklessness finally caught up to him on June 25, 1876, when he and his five cavalry companies were annihilated by a combined force of thousands of Sioux and Cheyenne warriors at Little Big Horn, Montana.
In 1864, George Custer married Elizabeth (Libby) Bacon. Libby followed her husband on campaign during the Civil War, and even went with him to the frontier. After his death, she crusaded to perpetuate the image of her husband as a gallant soldier; to this end, she undertook speaking engagements and wrote several books.
In 1912, she donated this coat to the Smithsonian in memory of her husband.
date made
ca 1870
wearer
Custer, George Armstrong
ID Number
AF.013044
catalog number
13044
accession number
54045
Victor Military Band. side 1: The Infrantry-Kings of the Highway; side 2: Sabre and Spurs (Victor 27816), from the album, Songs Of the Service (Victor P 117).78 rpm.Currently not on view
Description
Victor Military Band. side 1: The Infrantry-Kings of the Highway; side 2: Sabre and Spurs (Victor 27816), from the album, Songs Of the Service (Victor P 117).
78 rpm.
Location
Currently not on view
release date
1942
recording artist
Victor Military Band
manufacturer
Victor
ID Number
1980.0339.36
accession number
1980.0339
maker number
27816
P 117
catalog number
1980.0339.36

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