Music & Musical Instruments
The Museum's music collections contain more than 5,000 instruments of American and European heritage. These include a quartet of 18th-century Stradivari stringed instruments, Tito Puente's autographed timbales, and the Yellow Cloud guitar that belonged to Prince, to name only a few. Several of these rare instruments can be heard in performances of the Smithsonian Chamber Players and in other public programs. Music collections also include jukeboxes and synthesizers, square-dancing outfits and sheet music, archival materials, oral histories, and recordings of performances at the Museum. The vast Sam DeVincent Collection of Illustrated Sheet Music is a remarkable window into the American past in words, music, and visual imagery. The Duke Ellington and Ruth Ellington Boatwright collections contain handwritten music compositions, sound recordings, business records, and other materials documenting the career of this renowned musician.
"Music & Musical Instruments - Overview" showing 1 items.
- Description (Brief)
- This guitar was made by Takamine Gakki Ltd. in Nakatsugawa, Gifu, Japan in 1990. Takamine began as a small family company in the early 1960s. Artisan and master luthier, Mass Hirade joined the company in 1968 to help Takamine improve the overall quality of their guitars. Hirade strengthened the business and in 1975 partnered with the U.S. based company, Kaman Music Corporation, to begin exporting Takamine guitars internationally.
- This guitar, serial #90031116, was used by American country musician Garth Brooks for his second NBD-TV special, “This Is Garth Brooks, Too,” at the Reunion Arena in Dallas, Texas in 1991. During the taping of the program, Brooks and fellow musician Ty England smashed two guitars together on stage. Brooks’ guitar was reassembled and donated to the Smithsonian in 2007.
- Currently not on view
- date made
- Brooks, Troyal Garth
- ID Number
- serial number
- accession number
- catalog number
- Data Source
- National Museum of American History, Kenneth E. Behring Center