Music & Musical Instruments

The Museum's music collections contain more than 5,000 instruments of American and European heritage. These include a quartet of 18th-century Stradivari stringed instruments, Tito Puente's autographed timbales, and the Yellow Cloud guitar that belonged to Prince, to name only a few. Music collections also include jukeboxes and synthesizers, square-dancing outfits and sheet music, archival materials, oral histories, and recordings of performances at the museum. The vast Sam DeVincent Collection of Illustrated Sheet Music is a remarkable window into the American past in words, music, and visual imagery. The Duke Ellington and Ruth Ellington Boatwright collections contain handwritten music compositions, sound recordings, business records, and other materials documenting the career of this renowned musician. In various ways, our collections find expression in performances of the Smithsonian Chamber Players, the Smithsonian Jazz Masterworks Orchestra, and in other public programs.

Currently not on view
Location
Currently not on view
date made
1902
Associated Date
1902
maker
Averill Publishing Co.
Cramer, William T.
ID Number
2015.0035.0019
accession number
2015.0035
catalog number
2015.0035.0019
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music.
Description
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music. Over the years, Harris has had a profound impact on contemporary popular and country music.
Location
Currently not on view
negative
1980
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.034
accession number
2003.0169
catalog number
2003.0169.034
Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II.
Description
Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II. After their 1962 hit, "Don't Let Me Cross Over," the Butlers became one of the most popular male-female vocal teams in country music.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.076
accession number
2003.0169
catalog number
2003.0169.076
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture.
Description
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Location
Currently not on view
date made
1967
date printed
1998
maker
Law, Lisa
ID Number
1998.0139.054
catalog number
1998.0139.054
accession number
1998.0139
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style.
Description
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style. After a 1974 suicide attempt and a mountain climbing accident in 1975, he revamped his own image, modeling it after rowdy southern rockers. Later he was considered part of the Outlaw Country Movement.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.074
accession number
2003.0169
catalog number
2003.0169.074
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.Currently not on view
Description
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.111
catalog number
2003.0169.111
accession number
2003.0169
An intergenerational crowd leaves the Ryman Auditorium after a show. The "WSM" stands for "We Shield Millions," the motto for the insurance company that originally funded the Grand Ole Opry.Currently not on view
Description
An intergenerational crowd leaves the Ryman Auditorium after a show. The "WSM" stands for "We Shield Millions," the motto for the insurance company that originally funded the Grand Ole Opry.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.060
accession number
2003.0169
catalog number
2003.0169.060
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians.
Description
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians. It was a time when the casual atmosphere of outdoor venues was popular, and the music fans could often meet their favorite musicians in the parking lots or other areas of the grounds. In this image, taken in 1972 at Indian Ranch in Webster, Massachusetts, bluegrass musician and singer Joe Val (1926-1985) plays a Gibson mandolin in a picnic area. He is accompanied by other guitarists and is being watched by fans. Val (born Joseph Valiante) was an accomplished mandolinist and guitarist who played both traditional and progressive bluegrass in his band, the New England Bluegrass Boys.
Location
Currently not on view
negative
1972
1972
maker
Horenstein, Henry
ID Number
2003.0169.072
accession number
2003.0169
catalog number
2003.0169.072
Norman Blake (b. 1938) ranks as one of the major bluegrass guitarists of the 1970s. Proficient with a variety of instruments, he played as a sideman to June Carter, Bob Dylan, and other artists.
Description
Norman Blake (b. 1938) ranks as one of the major bluegrass guitarists of the 1970s. Proficient with a variety of instruments, he played as a sideman to June Carter, Bob Dylan, and other artists. He played with Joan Baez in the recording of her hit, "The Night They Drove Old Dixie Down."
Location
Currently not on view
negative
1974
print
2003
Associated Name
Blake, Norman
maker
Horenstein, Henry
ID Number
2003.0169.100
accession number
2003.0169
catalog number
2003.0169.100
Concession stands provided refreshments for park vistors.Currently not on view
Description
Concession stands provided refreshments for park vistors.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.088
accession number
2003.0169
catalog number
2003.0169.088
A man listens to music at the Hillbilly Ranch bar.Currently not on view
Description
A man listens to music at the Hillbilly Ranch bar.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.067
accession number
2003.0169
catalog number
2003.0169.067
depicted (sitter)
Ormandy, Eugene
maker
Avedon, Richard
ID Number
PG.67.102.009
catalog number
67.102.9
accession number
270571
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.Currently not on view
Description
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.077
accession number
2003.0169
catalog number
2003.0169.077
Carl and Pearl Butler pose for photographs with fans.Currently not on view
Description
Carl and Pearl Butler pose for photographs with fans.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Butler, Pearl
Butler, Carl
maker
Horenstein, Henry
ID Number
2003.0169.090
accession number
2003.0169
catalog number
2003.0169.090
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.Currently not on view
Description
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
Horenstein, Henry
ID Number
2003.0169.109
catalog number
2003.0169.109
accession number
2003.0169
Henry Horenstein (1948-) trained in history in the late 1960s at the University of Chicago and with the British historian EP Thompson.
Description
Henry Horenstein (1948-) trained in history in the late 1960s at the University of Chicago and with the British historian EP Thompson. Coming of age at time when the new social history focused attention upon anonymous people, the working class and the role of culture, Horenstein took those lessons and applied them to his photography. He earned an MFA in photography from the Rhode Island School of Design (RISD) in 1973. While at RISD Horenstein studied with noted photographers Harry Callahan and Aaron Siskind. It was actually Callahan who encouraged Horenstein to pursue his passions for photography and country music. Since then, Horenstein has made a career of chronicling a series of subcultures including horse-racing and gambling, baseball stadiums, and burlesque performers, as well as being noted for his photographs of animals.
Horenstein is currently a professor at RISD. In addition to teaching classes, he is an active photographer always working on photographic and publishing projects. Horenstein is well-published, with over 25 books that either feature his photography or are widely used photography text books. He wrote the first darkroom textbooks, Basic Phtography and Beyond Basic Photgraphy. In Fall 2003, his book Honky-Tonk was published, containing an afterword written by NMAH curator Charlie McGovern. In 2006, NMAH featured the exhibition, Honky-Tonk: Country Music Photographs by Henry Horenstein, 1972-1981.
The collection consists of subjects such as fans and performers at outdoor music parks, in the parking lot, and performers on stage. Print sizes vary between 8 X 10 and 11X 14. The two 16 X 20 prints are a view of a crowd seen from backstage with JD Crowe & The South in sillouette, and “Bartender,” Wanda Lohnman leaning on the bar at Tootsies Orchid Lounge.
List of Performers and Venues Depicted in the Collection:
Venues:
Fred’s Lounge in Mamou, LA
The Lonestar Ranch, Reed’s Ferry, NH
Hillbilly Ranch, Boston, MA
Tootsie’s Orchid Lounge in Nashville, TN;
The Grand Ole Opry at the Ryman Theater, Nashville, TN.
Performers:
Abshire Nathan
Acuff, Roy
Akeman, David “Stringbean”
Bailey, Deford
Bare, Bobby
Bird, Billy
Blake, Norman
Blue Sky Boys
Brown, Clarence "Gatemouth"
Burns, Jethro
Butler, Carl and Pearl
Carter, Anita
Carter, Mother Maybelle and Helen Carter
Cash, Tommy
Clements, Vassar
Cline, Curly Ray
Cooper, Carol Lee
Cooper, Stoney and Wilma Lee
Crook Brothers
Curless, Dick
Dickens, Little Jimmy
Flatt, Lester
Floyd, Hamonica Frank
Harkreader, Fiddlin' Sid
Harris, Emmy Lou
Holcomb, Roscoe
Holy Modal Rounders
Hughes Family Show
Jackson, Stonewall
JD Crowe & the New South
Jennings, Waylon
Johnson Mountain Boys
Jones, George
Jones, Grandpa and Ramona
Kirby, Brother Oswald
Lewis, Jerry Lee
Lilly Brothers
Lilly Family
Lynn, Loretta
Magaha, Mac
Martin, Jimmy
McCoury, Del
Monroe, Bill
Monroe, Bill and Lester Flatt
Monroe, Bill and Roland White
Monroe, Bill and the Bluegrass Boys
Monroe, Charlie
Moody, Clyde
Nixon, Charlie
Osborne Brothers
Parton, Dolly
Parton, Dolly and Porter Wagoner
Pearl, Minnie (Sarah Ophelia Colley) and Peewee King
Riley, Jeannie C.
Ritter, Woodward Maurice “Tex”
Seeger, Pete
Shepherd, Jean
Skaggs, Ricky
Smith, Connie
Snow, Hank
Snow, Rev. Jimmy Rodgers
Stanley, Ralph
Tubb, Ernest
Tubb, Justin
Turner, Grant
Turner, Spyder
Val, Joe
Wagoner, Porter
Warren, Paul
Watson, Arthel Lane “Doc”
Watson, Merle
Wells, Muriel Deason “Kitty”
Whitley, Keith
Williams, Hank Jr.
Wright, Johnny
date made
1971 - 1983
maker
Horenstein, Henry
ID Number
COLL.PHOTOS.000036
Currently not on view
Location
Currently not on view
date made
after 1907
ID Number
1986.3048.1125
nonaccession number
1986.3048
catalog number
1986.3048.1125
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have.
Description
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have. When Horenstein photographed Parton, she already had twenty albums to her name. But the crossover hit, "Here You Come Again," made her a superstar in 1977.
Location
Currently not on view
negative
1972
print
2003
Associated Name
Parton, Dolly
maker
Horenstein, Henry
ID Number
2003.0169.103
accession number
2003.0169
catalog number
2003.0169.103
Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.Currently not on view
Description
Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.051
accession number
2003.0169
catalog number
2003.0169.051
Rudolf Eickemeyer, Jr. (1862–1932) used a wide variety of printing processes, printing out some negatives in more than one medium.
Description
Rudolf Eickemeyer, Jr. (1862–1932) used a wide variety of printing processes, printing out some negatives in more than one medium. In his lectures, he pointed out that this approach to photography was important because in the hands of a photographer who “lives and understands the infinitely varied moods of nature, photography can be made to express and interpret them.” In correspondence with Dr. Olmstead at the Smithsonian, as the presentation of his gifts and bequest to the museum was being arranged, Eickemeyer wrote: “The collection illustrates the use of every important process and will, I believe, be of real educational value.”
The first of the Eickemeyer photographic collection came to the National Museum’s Department of Arts and Industries (the “Castle”), Division of Graphic Arts in 1922 at the close of a large exhibition of Eickemeyer’s work at the Anderson Gallery in New York. It was a gift from the photographer of five framed prints from the New York show that he considered representative of his work.
In 1929, Eickemeyer gave the Smithsonian 83 framed prints (including copies of the prints that he had previously given the museum), 15 portfolios, his medals and awards, and several miscellaneous photographic paraphernalia. In 1930, he made a will bequeathing most of his remaining prints, negatives, photographic equipment and other objects relating to his 30-year career as a photographer to the Smithsonian Institution.
Upon Eickemeyer’s death in 1932, an accession consisting primarily of photographic equipment from his studio came to the Smithsonian. Included in the bequest were 2 cameras, several lenses, scales, timers, printing frames, plate holders, dry mounters and a lecture case with slide projector and hand-colored lantern slides. Also included were 43 albums, journals and portfolios and assorted negatives and contact prints, many marked “discards.” There are 58 albums, notebooks and portfolios in the collection. Eickemeyer requested in his will that his gifts and bequests be called The Rudolf Eickemeyer, Jr. Collection.
Location
Currently not on view
Date made
1898
maker
Eickemeyer, Jr., Rudolf
ID Number
PG.004135.B003.05
catalog number
4135.B3.5
accession number
128483
Currently not on view
Location
Currently not on view
ID Number
1986.3048.1069
catalog number
1986.3048.1069
nonaccession number
1986.3048
depicted (sitter)
Bernstein, Leonard
maker
Avedon, Richard
ID Number
PG.67.102.029
catalog number
67.102.29
accession number
270571
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.Currently not on view
Description
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.075
accession number
2003.0169
catalog number
2003.0169.075
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture.
Description
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Location
Currently not on view
date made
1969
date printed
1998
maker
Law, Lisa
ID Number
1998.0139.138
catalog number
1998.0139.138
accession number
1998.0139

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