Music & Musical Instruments

The Museum's music collections contain more than 5,000 instruments of American and European heritage. These include a quartet of 18th-century Stradivari stringed instruments, Tito Puente's autographed timbales, and the Yellow Cloud guitar that belonged to Prince, to name only a few. Music collections also include jukeboxes and synthesizers, square-dancing outfits and sheet music, archival materials, oral histories, and recordings of performances at the museum. The vast Sam DeVincent Collection of Illustrated Sheet Music is a remarkable window into the American past in words, music, and visual imagery. The Duke Ellington and Ruth Ellington Boatwright collections contain handwritten music compositions, sound recordings, business records, and other materials documenting the career of this renowned musician. In various ways, our collections find expression in performances of the Smithsonian Chamber Players, the Smithsonian Jazz Masterworks Orchestra, and in other public programs.

Conductor Mstislav Rostropovich during a rehearsal, Kennedy Center Concert Hall, October 1977.Currently not on view
Description (Brief)
Conductor Mstislav Rostropovich during a rehearsal, Kennedy Center Concert Hall, October 1977.
Location
Currently not on view
date made
1977-10
maker
Walker, Diana
ID Number
2003.0250.131
accession number
2003.0250
catalog number
2003.0250.131
This violin bow was made by Glasser Manufacturing Company in New York, New York, late 1970s. This bow was sold with a 1/16 size Suzuki violin (Cat. #2014.0181.04). It is stamped:GLASSERThis bow features U. S.
Description

This violin bow was made by Glasser Manufacturing Company in New York, New York, late 1970s. This bow was sold with a 1/16 size Suzuki violin (Cat. #2014.0181.04). It is stamped:

GLASSER

This bow features U. S. Patent #3456544, dated July 22, 1969 by Leon Glasser, for a musical instrument bow made of reinforced plastic.

Location
Currently not on view
date made
late 1970s
ID Number
2014.0181.04.01
catalog number
2014.0181.04.01
accession number
2014.0181
Deford Bailey spent fifteen years as a regular member of the Grand Ole Opry (1926-1941). In that time he established himself as one of the show's most popular performers and an influential harmonica player.
Description
Deford Bailey spent fifteen years as a regular member of the Grand Ole Opry (1926-1941). In that time he established himself as one of the show's most popular performers and an influential harmonica player. As a master of blues, jazz, and old-time country, Bailey was a vital link between older and more modern music styles. In 1974, he returned to the Opry stage as part of the "Old Timers' Reunion." He is most well-known for "Pan American Blues," a harmonica piece that sounds like a passing locomotive.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.043
accession number
2003.0169
catalog number
2003.0169.043
Record from a DC area crime stoppers club. The record is wrapped in a piece of thin white paper and has a white label with blue print around the center. The label on the record features a Crime Stoppers Stamp Out Crime logo with a person stamping on a shadow.Currently not on view
Description (Brief)
Record from a DC area crime stoppers club. The record is wrapped in a piece of thin white paper and has a white label with blue print around the center. The label on the record features a Crime Stoppers Stamp Out Crime logo with a person stamping on a shadow.
Location
Currently not on view
date made
1972
recording artist
Crime Stoppers Club
ID Number
1987.0743.003
accession number
1987.0743
catalog number
1987.0743.003
This violin was made by the Kiso Suzuki Violin Company Ltd. in Fukushima, Kiso, Japan in 1973. The earliest makers of violins in Japan were Sadajiro Matunaga and Masakichi Suzuki (b.1859–d.1944).
Description

This violin was made by the Kiso Suzuki Violin Company Ltd. in Fukushima, Kiso, Japan in 1973. The earliest makers of violins in Japan were Sadajiro Matunaga and Masakichi Suzuki (b.1859–d.1944). Both were trained as shamisen makers and began making violins based on instruments brought to Japan toward the end of the 19th century from Western sources, using Japanese pine and maple and sometimes sycamore. In 1880, proceeding with a Westernization policy, the Japanese government had instituted teacher training programs for lessons in piano, organ, and violin. There is a printed label inside the instrument:

Kiso Suzuki Violin Co., Ltd
Copy of Antonius Stradivarus 1720
Anno 1973 ¾ No.7 Japan
[Kiso Suzuki Trademark]

Masakichi Suzuki established the Suzuki violin manufacturing firm in Nagoya in 1887, adding guitars and mandolins to the firm's production in 1903. The firm received an award at the Japan-British Exhibition in London in 1910, and Masakichi was further cited in 1917 by the Japanese government with a Medal of Honor for his accomplishments in the violin industry. At this time his company was producing thousands of violins each year.

The “S” logo is employed in the label of this ¾ violin with semi-transparent, dark reddish-brown varnish and ink representation of purfling. The fittings are of dark hardwood, with the fingerboard also stained black to give the appearance of ebony. The spruce and maple are probably local Japanese woods, with interior linings and blocks of a light material similar to basswood.

Location
Currently not on view
date made
1973
maker
Suzuki Violin Co., Ltd.
ID Number
1987.0583.06
catalog number
1987.0583.06
accession number
1987.0583
This trombone was made by Meinl & Lauber in Gartenberg, Germany, around 1969-1970. It is an E-flat alto slide trombone. The trombone is made of brass. It is a reproduction instrument patterned after an instrument by Michael Nagel in 1656, Nurnberg.
Description

This trombone was made by Meinl & Lauber in Gartenberg, Germany, around 1969-1970. It is an E-flat alto slide trombone. The trombone is made of brass. It is a reproduction instrument patterned after an instrument by Michael Nagel in 1656, Nurnberg. This trombone is inscribed:

MICHAEL NAGEL NURNBERG
KOPIE
MEINL & LAUBER
GARTENBERG
BAYERN

Location
Currently not on view
date made
1969-1970
maker
Meinl & Lauber
ID Number
MI.70.16
catalog number
70.16
accession number
287861
This special award was presented to Duke Ellington by the NAACP (National Association for the Advancement of Colored People), in 1970. It is two cast bronze hands holding a globe, on a resin and wood block, with an engraved metal plate.
Description

This special award was presented to Duke Ellington by the NAACP (National Association for the Advancement of Colored People), in 1970. It is two cast bronze hands holding a globe, on a resin and wood block, with an engraved metal plate. The plate is engraved:

NAACP IMAGE AWARD 1970
HE’S THE DUKE TO THOSE
OF US WHO LOVE HIM
BUT HE IS THE KING OF MUSIC

Location
Currently not on view
presentation date
1970
presenter
National Association for the Advancement of Colored People
recipient
Ellington, Duke
ID Number
1989.0369.148
accession number
1989.0369
catalog number
1989.0369.148
This violin case was made by an undetermined maker, possibly Japan, late 1970s. It is made of wood covered with black leatherette, metal fittings, plastic handle, and orange-yellow plush interior. Accessioned with Suzuki violin (1987.0583.05).Currently not on view
Description
This violin case was made by an undetermined maker, possibly Japan, late 1970s. It is made of wood covered with black leatherette, metal fittings, plastic handle, and orange-yellow plush interior. Accessioned with Suzuki violin (1987.0583.05).
Location
Currently not on view
date made
late 1970s
ID Number
1987.0583.05.01
catalog number
1987.0583.05.01
accession number
1987.0583
Carl and Pearl Butler pose for photographs with fans.Currently not on view
Description
Carl and Pearl Butler pose for photographs with fans.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Butler, Pearl
Butler, Carl
maker
Horenstein, Henry
ID Number
2003.0169.090
accession number
2003.0169
catalog number
2003.0169.090
This harmonica was made by Hohner in Germany, 1976. It is a limited edition Bicentennial Hohner model in the key of C, with 10 single holes and 20 reeds. The harmonica has a red plastic comb with gold tone and enameled, curved metal cover plates riveted to the top and bottom.
Description

This harmonica was made by Hohner in Germany, 1976. It is a limited edition Bicentennial Hohner model in the key of C, with 10 single holes and 20 reeds. The harmonica has a red plastic comb with gold tone and enameled, curved metal cover plates riveted to the top and bottom. Accessioned with original plastic case. It is embossed:

BICENTENNIAL

HOHNER
HARMONICA
M. HOHNER MADE IN GERMANY

Hohner made these harmonicas for the United States Bicentennial in 1976.

Location
Currently not on view
date made
1976
maker
Hohner, M.
ID Number
1988.0783.109
accession number
1988.0783
catalog number
1988.0783.109
Flo Lacey. side 1: What's Expected of Me Now; side 2: Bluebird (Krugerrand AUM 101)45 rpmCurrently not on view
Description (Brief)
Flo Lacey. side 1: What's Expected of Me Now; side 2: Bluebird (Krugerrand AUM 101)
45 rpm
Location
Currently not on view
date made
1977
recording artist
Howard, Trustin
Lacey, Flo
maker
Krugerrand Records
ID Number
2000.3053.3225
nonaccession number
2000.3053
catalog number
2000.3053.3225
label number
AUM 101
The first accordion was built in Germany in 1822. It took close to one hundred years before it was introduced into country music.Currently not on view
Description
The first accordion was built in Germany in 1822. It took close to one hundred years before it was introduced into country music.
Location
Currently not on view
negative
1977
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.027
accession number
2003.0169
catalog number
2003.0169.027
This harmonica was made by Nippon Gakki Co., Ltd., in Japan, around 1972. It is a Virtuoso model, with 24 double holes and 48 reeds. This harmonica has a brown plastic comb with metal cover plates attached to the top and bottom with screws.
Description

This harmonica was made by Nippon Gakki Co., Ltd., in Japan, around 1972. It is a Virtuoso model, with 24 double holes and 48 reeds. This harmonica has a brown plastic comb with metal cover plates attached to the top and bottom with screws. It is engraved:

VIRTUOSO
NIPPON GAKKI CO. LTD.
NO.24

(and):

[logo] YAMAHA
NIPPON GAKKI CO., LTD.
MADE IN JAPAN

Location
Currently not on view
Date made
ca 1972
maker
Nippon Gakki Co. Ltd.
ID Number
1988.0783.327
accession number
1988.0783
catalog number
1988.0783.327
Currently not on view
Location
Currently not on view
date made
1977
recording artist
Presley, Elvis
manufacturer
RCA
ID Number
1996.3034.06170
catalog number
1996.3034.06170
nonaccession number
1996.3034
label number
PB-10998
This button is from the Spring Jazzfest at Griswold’s Old School House, in Claremont, California, in 1978. It is made of white paper with blue ink covered with a clear film, on a two-piece metal button with a pin back.
Description

This button is from the Spring Jazzfest at Griswold’s Old School House, in Claremont, California, in 1978. It is made of white paper with blue ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

GRISWOLD'S OLD SCHOOL HOUSE
1978
[image of trumpet]
SPRING
JAZZFEST
650
SUPPORTED BY THE UNITED JAZZ CLUBS OF SO. CALIF.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1978
user
Levin, Floyd
ID Number
2011.3086.015
nonaccession number
2011.3086
catalog number
2011.3086.015
This amplifier and speaker was made by Yamaha (Nippon Gakki Co., Ltd.) in Hamamatsu, Japan, in the late 1960s – early 1970s. It is a guitar amplifier/speaker model TA-60, serial #202290.
Description
This amplifier and speaker was made by Yamaha (Nippon Gakki Co., Ltd.) in Hamamatsu, Japan, in the late 1960s – early 1970s. It is a guitar amplifier/speaker model TA-60, serial #202290. This speaker has a unique wedge shape and features Yamaha's Flexion or “Natural Sound” speakers. There are 4 channel input jacks, reverb tremolo jack, and signal output jack. On the top there are 4 control knobs for each channel (volume, bass, middle , and treble). Channel 1 has also a reverb unit with tremolo depth and frequency of reverb controllers. There are 2 foot-operated buttons to control the reverb. Accessioned with a black vinyl cover.
Location
Currently not on view
Date made
late 1960s - early 1970s
maker
Nippon Gakki Co., Ltd.
ID Number
1987.0123.01
accession number
1987.0123
catalog number
1987.0123.01
This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1977. It is made of red paper with black ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:UNITEDJAZZ CLUBSOF SO.
Description

This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1977. It is made of red paper with black ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

UNITED
JAZZ CLUBS
OF SO. CALIF.
2nd ANNUAL
JAZZ FESTIVAL
ON THE
QUEEN MARY
OCT. 30, 1977

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1977
user
Levin, Floyd
ID Number
2011.3086.022
nonaccession number
2011.3086
catalog number
2011.3086.022
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.Currently not on view
Description
Fred's Lounge was a well-known honky-tonk in the heart of Cajun country. The bar opened at 7 a.m. on Saturday mornings to host the droves of visitors who came to hear the local bands that played from 9 a.m. to 2 p.m.
Location
Currently not on view
negative
1977
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.039
accession number
2003.0169
catalog number
2003.0169.039
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music.
Description
Bartender Wanda Lohman, known as "Miss Wanda," worked at Tootsie's Orchid Lounge from 1960 to 1984. The walls of Tootsie's became a kind of community scrapbook. Tootsie, like her patrons, was a fan of country music. She collected autographs, posters, record albums, and photographs. Patrons, family, and friends contributed their comments and added photos.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.107
catalog number
2003.0169.107
accession number
2003.0169
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television.
Description
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television. No artist toured as much, or for as long as Ernest Tubb, who worked 150 to 200 shows each year between the early 1960s and 1982. No artist was kinder to his fans, and no fans were more loyal to their star. Ernest Tubb had one national fan club with a single president for its entire existence between 1944 and its deactivation in the early 1990s.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.086
accession number
2003.0169
catalog number
2003.0169.086
Tom Robinson Band. side 1: 2-4-6-8 Motorway [stereo]; side 2: 2-4-6-8 Motorway [mono] (Harvest 4533)45 rpm. Accessioned with original printed sleeve.Currently not on view
Description (Brief)
Tom Robinson Band. side 1: 2-4-6-8 Motorway [stereo]; side 2: 2-4-6-8 Motorway [mono] (Harvest 4533)
45 rpm. Accessioned with original printed sleeve.
Location
Currently not on view
date made
1977
ID Number
1996.3034.06606
catalog number
1996.3034.06606
nonaccession number
1996.3034
label number
4533
Photographer Henry Horenstein stands with Mother Maybelle Carter for photograph.Currently not on view
Description
Photographer Henry Horenstein stands with Mother Maybelle Carter for photograph.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Horenstein, Henry
Carter, Mother Maybelle
maker
Horenstein, Henry
Rosenburg, Lewis
ID Number
2003.0169.093
accession number
2003.0169
catalog number
2003.0169.093
Aretha Franklin. Young, Gifted and Black (Atlantic SD 7213).33-1/3 rpm.
Description (Brief)
Aretha Franklin. Young, Gifted and Black (Atlantic SD 7213).
33-1/3 rpm.
date made
1972
recording artist
Franklin, Aretha
manufacturer
Atlantic
ID Number
2018.0195.01
accession number
2018.0195
catalog number
2018.0195.01
maker number
SD 7213
This medallion was presented to Ella Fitzgerald by The National Academy of Recording Arts & Sciences (NARAS), in 1976. It is made of cast bronze. Jazz vocalist Ella Fitzgerald received this medallion in appreciation from NARAS as a co-presenter with Mel Tormé.
Description

This medallion was presented to Ella Fitzgerald by The National Academy of Recording Arts & Sciences (NARAS), in 1976. It is made of cast bronze. Jazz vocalist Ella Fitzgerald received this medallion in appreciation from NARAS as a co-presenter with Mel Tormé. Although they were not official performers on the awards show, Fitzgerald and Tormé gave a memorable impromptu vocal performance on live television. The medallion is cast:

NATIONAL ACADEMY of RECORDINGS and SCIENCES
[grammophone in center]
IN APPRECIATION
ELLA FITZGERALD
”THE GRAMMY AWARDS SHOW”
TELECAST 1976

Location
Currently not on view
presentation date
1976
recipient
Fitzgerald, Ella
presenter
National Academy of Recording Arts and Sciences
ID Number
1996.0342.082
accession number
1996.0342
catalog number
1996.0342.082

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