Music & Musical Instruments

The Museum's music collections contain more than 5,000 instruments of American and European heritage. These include a quartet of 18th-century Stradivari stringed instruments, Tito Puente's autographed timbales, and the Yellow Cloud guitar that belonged to Prince, to name only a few. Music collections also include jukeboxes and synthesizers, square-dancing outfits and sheet music, archival materials, oral histories, and recordings of performances at the museum. The vast Sam DeVincent Collection of Illustrated Sheet Music is a remarkable window into the American past in words, music, and visual imagery. The Duke Ellington and Ruth Ellington Boatwright collections contain handwritten music compositions, sound recordings, business records, and other materials documenting the career of this renowned musician. In various ways, our collections find expression in performances of the Smithsonian Chamber Players, the Smithsonian Jazz Masterworks Orchestra, and in other public programs.

Roscoe Holcomb (1911-1981) embodied the "high, lonesome sound" of traditional Appalachian songs. A banjo player and singer, he spent most of his life in the small town of Daisy, Kentucky, working for a living with no aspirations to become a star.
Description
Roscoe Holcomb (1911-1981) embodied the "high, lonesome sound" of traditional Appalachian songs. A banjo player and singer, he spent most of his life in the small town of Daisy, Kentucky, working for a living with no aspirations to become a star. Smithsonian folklorist John Cohen recorded Holcomb at home in 1959. That recording led to performances at bluegrass festivals and an international tour with the Stanley Brothers.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.028
accession number
2003.0169
catalog number
2003.0169.028
Talented on many instruments--guitar, fiddle, harmonica, drums--Clarence "Gatemouth" Brown (1924-2005) was one of the most versatile musicians of his time. Defying easy categorization, Gatemouth said he just wanted to play American music "Texas-style."Currently not on view
Description
Talented on many instruments--guitar, fiddle, harmonica, drums--Clarence "Gatemouth" Brown (1924-2005) was one of the most versatile musicians of his time. Defying easy categorization, Gatemouth said he just wanted to play American music "Texas-style."
Location
Currently not on view
negative
1976
print
2003
depicted (sitter)
Brown, Clarence
maker
Horenstein, Henry
ID Number
2003.0169.003
accession number
2003.0169
catalog number
2003.0169.003
Doc Watson (Arthel Lane Watson, b. 1923), blind since his early life, achieved national acclaim primarily as a result of his involvement in the folk song revival of the 1960s.
Description
Doc Watson (Arthel Lane Watson, b. 1923), blind since his early life, achieved national acclaim primarily as a result of his involvement in the folk song revival of the 1960s. Watson remained a powerful influence in many different forms of acoustic music, including blues, old time, country, and bluegrass. His, son Merle (1946-1985), frequently performed on guitar with him until his untimely death in a tractor accident.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.024
accession number
2003.0169
catalog number
2003.0169.024
Del McCoury's voice is known as one of the finest examples of traditional bluegrass's "high lonesome" sound. Delano Floyd McCoury (b.1939) got his first big break in 1963 when Bill Monroe hired McCoury's band to play a few shows.
Description
Del McCoury's voice is known as one of the finest examples of traditional bluegrass's "high lonesome" sound. Delano Floyd McCoury (b.1939) got his first big break in 1963 when Bill Monroe hired McCoury's band to play a few shows. McCoury briefly joined Monroe's band, but returned to a successful career with his own group. He was inducted into the Grand Ole Opry in 2004.
Location
Currently not on view
negative
1975
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.013
accession number
2003.0169
catalog number
2003.0169.013
Beginning in 1936, brothers Earl (1919-1998) and Bill Bolick (b. 1917), known for their intricate melodies on guitar and mandolin, influenced many other duet performers.
Description
Beginning in 1936, brothers Earl (1919-1998) and Bill Bolick (b. 1917), known for their intricate melodies on guitar and mandolin, influenced many other duet performers. The Blue Sky Boys retired in 1951, but returned to performing in 1962, drawn by the rising interest in folk and traditional country music.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.002
accession number
2003.0169
catalog number
2003.0169.002
Waylon Jennings's first single, the Cajun song "Jole Blon," was produced by Buddy Holly in 1958. Jennings (1937-2002) moved to a more hardcore country sound by the 1970s.
Description
Waylon Jennings's first single, the Cajun song "Jole Blon," was produced by Buddy Holly in 1958. Jennings (1937-2002) moved to a more hardcore country sound by the 1970s. Rejecting slick commercial conventions of the time and demanding more control of his music, Jennings's professional and personal lifestyle personified what became known as the Outlaw Country movement.
Location
Currently not on view
negative
1975
print
2003
depicted (sitter)
Jennings, Waylon
maker
Horenstein, Henry
ID Number
2003.0169.029
accession number
2003.0169
catalog number
2003.0169.029
Named after his Civil War ancestor, Stonewall Jackson (b. 1932) began performing professionally in the 1950s. Thanks to tour with Ernest Tubb, Jackson had a string of hits from the late 1950s to the mid-1960s.Currently not on view
Description
Named after his Civil War ancestor, Stonewall Jackson (b. 1932) began performing professionally in the 1950s. Thanks to tour with Ernest Tubb, Jackson had a string of hits from the late 1950s to the mid-1960s.
Location
Currently not on view
negative
1972
print
2003
depicted (sitter)
Jackson, Stonewall
maker
Horenstein, Henry
ID Number
2003.0169.008
accession number
2003.0169
catalog number
2003.0169.008
Dolly Parton joined Porter Wagoner and the Wagonmasters in 1967. She launched her solo career in 1974.Currently not on view
Description
Dolly Parton joined Porter Wagoner and the Wagonmasters in 1967. She launched her solo career in 1974.
Location
Currently not on view
negative
1972
print
2003
depicted (sitter)
Parton, Dolly
Wagoner, Porter
maker
Horenstein, Henry
ID Number
2003.0169.018
accession number
2003.0169
catalog number
2003.0169.018
Currently not on view
Location
Currently not on view
Date made
(negative), 2003 (print)
1974 (negative), 2003 (print)
Associated Name
Cline, Curley Ray
maker
Horenstein, Henry
ID Number
2003.0169.082
accession number
2003.0169
catalog number
2003.0169.082
Henry Horenstein photographed Ricky Skaggs (b. 1954) several times as a member of Emmylou Harris's Hot Band and as a memeber of J. D. Crowe & the New South.
Description
Henry Horenstein photographed Ricky Skaggs (b. 1954) several times as a member of Emmylou Harris's Hot Band and as a memeber of J. D. Crowe & the New South. A multi-talented singer and instrumentalist, Ricky Skaggs's success helped inspire the new traditionalist movement, and was largely responsible for a back-to-basics movement in country music.
Location
Currently not on view
negative
1980
print
2003
depicted (sitter)
Skaggs, Ricky
maker
Horenstein, Henry
ID Number
2003.0169.020
accession number
2003.0169
catalog number
2003.0169.020
Fans cover the hillside enjoying the performance of J.D. Crowe (b.1937) and his band, The New South.Currently not on view
Description
Fans cover the hillside enjoying the performance of J.D. Crowe (b.1937) and his band, The New South.
Location
Currently not on view
negative
n.d.
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.009
accession number
2003.0169
catalog number
2003.0169.009

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.