Music & Musical Instruments

The Museum's music collections contain more than 5,000 instruments of American and European heritage. These include a quartet of 18th-century Stradivari stringed instruments, Tito Puente's autographed timbales, and the Yellow Cloud guitar that belonged to Prince, to name only a few. Music collections also include jukeboxes and synthesizers, square-dancing outfits and sheet music, archival materials, oral histories, and recordings of performances at the museum. The vast Sam DeVincent Collection of Illustrated Sheet Music is a remarkable window into the American past in words, music, and visual imagery. The Duke Ellington and Ruth Ellington Boatwright collections contain handwritten music compositions, sound recordings, business records, and other materials documenting the career of this renowned musician. In various ways, our collections find expression in performances of the Smithsonian Chamber Players, the Smithsonian Jazz Masterworks Orchestra, and in other public programs.

This certificate was for instruments made by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).Currently not on view
Description
This certificate was for instruments made by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.002
catalog number
66.196.002
accession number
271968
This banjo was made by The A.C. Fairbanks Company of Boston, Massachusetts in 1899.
Description

This banjo was made by The A.C. Fairbanks Company of Boston, Massachusetts in 1899. It is a Five-String Banjo, Regent model, serial #18151, with a metal clad wood rim and maple neck, 28 brackets, ebony fingerboard with mother-of-pearl inlay, 22 frets, pearwood headstock with mother-of-pearl inlay, four ivory (one replacement) and one wood tuning peg. There is an engraved metal plate on the dowel stick:

The A.C.FAIRBANKS Co
MAKERS
- BOSTON, MASS. –

Albert Conant Fairbanks began making banjos in 1868 with William A. Cole, a well-known Boston banjo player and teacher. Around 1888, the A.C. Fairbanks Co., Fairbanks was joined by David L. Day. Six years later, Fairbanks sold his interest in the company to businessmen Cummings & Dodge. In 1904, the Vega Co. acquired the business and continued to produce popular banjos made by Fairbanks.

Location
Currently not on view
date made
1899
maker
A. C. Fairbanks Co.
ID Number
1999.0296.01
serial number
18151
accession number
1999.0296
catalog number
1999.0296.01
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No. 4, “Silver Threads Among the Gold.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No. 4, “Silver Threads Among the Gold.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.007
maker number
No. 4
catalog number
66.196.007
accession number
271968
This violin was made by Edmund F. Bryant of Boston, Massachusetts in 1912.Currently not on view
Description (Brief)
This violin was made by Edmund F. Bryant of Boston, Massachusetts in 1912.
Location
Currently not on view
Date made
1912
maker
Bryant, Edmund F.
ID Number
1995.0247.01
accession number
1995.0247
catalog number
1995.0247.01
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have.
Description
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have. When Horenstein photographed Parton, she already had twenty albums to her name. But the crossover hit, "Here You Come Again," made her a superstar in 1977.
Location
Currently not on view
negative
1972
print
2003
Associated Name
Parton, Dolly
maker
Horenstein, Henry
ID Number
2003.0169.103
accession number
2003.0169
catalog number
2003.0169.103
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.54, “School Days.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.54, “School Days.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.055
catalog number
66.196.055
accession number
271968
maker number
No. 54
This clarinet was made by John Ashton in Boston, Massachusetts around 1825 to 1834. It is a 5-keyed clarinet in C, made of boxwood with ivory ferrules and brass keys. This clarinet is stamped:[eagle]J.
Description

This clarinet was made by John Ashton in Boston, Massachusetts around 1825 to 1834. It is a 5-keyed clarinet in C, made of boxwood with ivory ferrules and brass keys. This clarinet is stamped:

[eagle]
J. ASHTON
BOSTON
C

John Ashton was a music publisher and dealer of musical instruments at 197 Washington Street in Boston Massachusetts from around 1819 to 1844. This clarinet was likely made by a nearby wind instrument maker for sale in Ashton’s store.

Location
Currently not on view
date made
1825-1834
maker
Ashton, John
ID Number
MI.73.39
catalog number
73.39
accession number
304540
This banjo was made by the Vega Instrument Company Inc. of Boston, Massachusetts, in 1965.
Description

This banjo was made by the Vega Instrument Company Inc. of Boston, Massachusetts, in 1965. It is a Four-String Tenor Banjo, "Vega-Vox IV" model, serial #A-125768, maple neck with mahogany inlay, carved heel, 19-fret ebony fretboard with 8 square pearl inlays, headstock with “Vega” and star motif, gold-tone tuners with white plastic buttons, gold-tone metal hardware, Tu-ba-phone tone ring with “barbell” cutouts, and resonator with “De-Luxe Vegavox” star, with flowers and intricate designs.

As listed in a 1964 Vega banjo flyer, the Vega-Vox IV banjos are custom-built on special order only. This model banjo sold for $930.00 plus $75.00 extra for the carved neck.

Location
Currently not on view
date made
1965
maker
Vega Instrument Co., Inc.
ID Number
1998.0074.01
catalog number
1998.0074.01
accession number
1998.0074
serial number
A-125768
This music box disc was made by Lloyd G. Kelley, successor to the Regina Music Box Company, in Hanover, Massachusetts, 1950s. It is Regina Disc #1225 – “Push Dem Clouds Away” by Percy Gaunt.
Description

This music box disc was made by Lloyd G. Kelley, successor to the Regina Music Box Company, in Hanover, Massachusetts, 1950s. It is Regina Disc #1225 – “Push Dem Clouds Away” by Percy Gaunt. This disc is playable in a Regina Disc Music Box that can accommodate a 15-1/2” diameter disc.

This disc features the following patents:

U. S. Patent #417649, dated December 17, 1889, by Oskar Paul Lochmann for a music plate for mechanical instruments.

U. S. Patent #500374, dated June 27, 1893, by Gustav A. Brachhausen and Paul Riessner for a note-plate for music boxes.

Location
Currently not on view
date made
1950s
ID Number
MI.73.01.18.20
catalog number
73.01.18.20
accession number
301414
maker number
1225
patent number
500374
417649
This sheet music is for the song, “If I’m Not At the Roll Call (Kiss Mother “Goodbye For Me)”,” by George L. Boyden. It was published by Garton Brothers in Boston, Massachusetts in 1918.The cover art for this sheet music was made by American artist Edward H.
Description

This sheet music is for the song, “If I’m Not At the Roll Call (Kiss Mother “Goodbye For Me)”,” by George L. Boyden. It was published by Garton Brothers in Boston, Massachusetts in 1918.

The cover art for this sheet music was made by American artist Edward H. Pfeiffer (1868-1932). Pfeiffer was active from 1892 to the early 1930s, creating cover art for over 100 music publishers.

Location
Currently not on view
publishing date
1918
publisher
Garton Brothers
ID Number
1988.0693.05
accession number
1988.0693
catalog number
1988.0693.05
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.65, “When You Play in the Game of Love.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.65, “When You Play in the Game of Love.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.065
catalog number
66.196.065
accession number
271968
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.24, “At the Beach or the Golden Hula.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.24, “At the Beach or the Golden Hula.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.025
maker number
No. 24
catalog number
66.196.025
accession number
271968
This square piano was made by Stewart & Chickering in Boston, Massachusetts around 1823-1824. Seven square pianos made during the three years of the partnership between James Stewart and Jonas Chickering are known to exist.
Description (Brief)
This square piano was made by Stewart & Chickering in Boston, Massachusetts around 1823-1824. Seven square pianos made during the three years of the partnership between James Stewart and Jonas Chickering are known to exist. This piano has a compass of FF-c4, an English double action, leather hammers, double-strings throughout, 1 pedal (missing): dampers, an iron string plate frame, and a mahogany case.
Location
Currently not on view
date made
1823-1824
maker
Stewart & Chickering
ID Number
MI.315718
catalog number
315718
accession number
58488
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.97, “Rosy O'Grady.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.97, “Rosy O'Grady.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.097
catalog number
66.196.097
accession number
271968
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.104, “Mistress Mary, Quite Contrary.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.104, “Mistress Mary, Quite Contrary.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.104
catalog number
66.196.104
accession number
271968
This sheet music is for the song “Glory, Hallelujah” published by the Oliver Ditson Company in 1861.
Description
This sheet music is for the song “Glory, Hallelujah” published by the Oliver Ditson Company in 1861. The cover calls it “The popular refrain of Glory Hallelujah,” otherwise known as the tune of “The Battle Hymn of the Republic,” and the tune had many lyrics written to it during the Civil War. The lyrics of this song read, “John Brown’s body lies a mould’ring in the grave” as well as verses about pet lambs, hanging Jefferson Davis, and being a soldier in the Army of the Lord. The cover notes that the sung was “sung by the Federal Volunteers throughout the Union.”
Location
Currently not on view
publishing date
1861
lyricist
Howe, Julia Ward
composer
Steffe, William
publisher
Oliver Ditson & Co.
ID Number
1983.0235.03
accession number
1983.0235
catalog number
1983.0235.03
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.123, “'Good Night.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.123, “'Good Night.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.123
catalog number
66.196.123
accession number
271968
This sheet music is for the song “Jenny Lind's Favorite Polka” that was composed by Anton Wallerstein in 1846. G.P. Reed of Boston, Massachusetts published the sheet music. Jenny Lind was a Swedish opera singer nicknamed “The Swedish Nightingale,” who was so popular that P.T.
Description (Brief)
This sheet music is for the song “Jenny Lind's Favorite Polka” that was composed by Anton Wallerstein in 1846. G.P. Reed of Boston, Massachusetts published the sheet music. Jenny Lind was a Swedish opera singer nicknamed “The Swedish Nightingale,” who was so popular that P.T. Barnum offered her $1,000 a performance to come and tour America in 1850. Anton Wallerstein composed this polka to honor Lind.
date made
1846
publisher
G. P. Reed
ID Number
1983.0424.087
accession number
1983.0424
catalog number
1983.0424.087
This flute was made by Verne Q. Powell Flutes Inc. in Maynard, Massachusetts, in 2006. It is a Boehm System Signature model flute, serial #SIG-1560, made of sterling silver. The flute is engraved:[Powell logo]Verne Q.
Description

This flute was made by Verne Q. Powell Flutes Inc. in Maynard, Massachusetts, in 2006. It is a Boehm System Signature model flute, serial #SIG-1560, made of sterling silver. The flute is engraved:

[Powell logo]
Verne Q. Powell [signature]
SIG-1560
MADE IN USA

This flute was previously owned and used by American jazz saxophone and flute player James Moody (1925-2010). He played in the U.S. Army Air Corp segregated band, and after his discharge in 1946, Moody performed with Dizzy Gillespie. Throughout his career, Moody performed and recorded with other jazz musicians, including Milt Jackson, Art Farmer, Dexter Gordon, Max Roach, and Charles Mingus. Moody as leader of his own ensembles, performed and recorded from 1949 until his death in 2010.

date made
2006
user
Moody, James
maker
Verne Q. Powell Flutes Inc.
ID Number
2016.0340.02
accession number
2016.0340
catalog number
2016.0340.02
serial number
SIG-1560
This flugelhorn was made by Isaac Fiske in Worcester, Massachusetts, around 1870-1880. It is a flugelhorn in E-Flat, made of nickel-plated brass, with 3 string-action rotary valves.
Description

This flugelhorn was made by Isaac Fiske in Worcester, Massachusetts, around 1870-1880. It is a flugelhorn in E-Flat, made of nickel-plated brass, with 3 string-action rotary valves. While this instrument was probably sold as a cornet, its bore indicates a combination flugelhorn/cornet, but more like a flugelhorn. This flugelhorn is engraved:

ISAAC FISKE
MAKER
WORCESTER MASS

Isaac Fiske (1820-1894) established his firm in 1842 in Worcester, Massachusetts. In 1887, on his retirement, Fiske sold his company to G.C. Conn.

Location
Currently not on view
date made
1870-1880
maker
Fiske, Isaac
ID Number
MI.66.459
catalog number
66.459
accession number
264379
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.36, “The Glow Worm.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No.36, “The Glow Worm.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.037
catalog number
66.196.037
accession number
271968
maker number
No. 36
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No. 1, “America.” It is made of paper with printed playing instructions.
Description
This music chart was made for the Bosstone Grand Autoharp by the Bosstone Co. in East Boston, Massachusetts, around 1924-1926. This music chart is for the tune No. 1, “America.” It is made of paper with printed playing instructions. The chart is placed under the strings and used as a template for playing the instrument. Accessioned with Bosstone Autoharp (Cat. #MI.66.196).
Location
Currently not on view
date made
1924-1926
ID Number
MI.66.196.005
maker number
No. 1
catalog number
66.196.005
accession number
271968
This upright piano was made by John Osborne (or Osborn) in Boston, Massachusetts around 1820. This is one of the earliest known American-made upright pianos. An Osborne upright, serial number 153, is in Old Sturbridge Village, Massachusetts.
Description
This upright piano was made by John Osborne (or Osborn) in Boston, Massachusetts around 1820. This is one of the earliest known American-made upright pianos. An Osborne upright, serial number 153, is in Old Sturbridge Village, Massachusetts. This piano is serial number 152 and has a compass of FF-f4, sticker action, leather hammers, double-strings, but pin block is drilled for triple-strings AA#-f4, 2 pedals: keyboard shift and dampers, wood frame, straight-strung, and a mahogany case with a silk front.
Location
Currently not on view
date made
1819-1821
maker
Osborne, John
ID Number
MI.299858
catalog number
299858
accession number
61285
This cornet was made by C. G. Conn in Worcester, Massachusetts in 1898. It is a B-flat/A cornet, serial #51787, made of silver plated brass with gold highlights, and has 3 Périnet piston valves with mother-of-pearl buttons and sculpted guides on the quick change slide.
Description

This cornet was made by C. G. Conn in Worcester, Massachusetts in 1898. It is a B-flat/A cornet, serial #51787, made of silver plated brass with gold highlights, and has 3 Périnet piston valves with mother-of-pearl buttons and sculpted guides on the quick change slide. The bell of the cornet is ornately engraved with a floral design. The cornet is accessioned with a period wooden case covered with black leather and lined with purple plush, and accessories. This cornet is engraved:

MADE
BY
CONN
WORCESTER
MASS.

The second valve on the cornet is stamped “PAT. JUNE [/] 15, 1886,” which refers to United States Patent #343888 granted to Charles G. Conn for “Improvements in Cornets, and other Piston-Valve Musical Instruments.”

Location
Currently not on view
date made
1898
maker
C. G. Conn
ID Number
1985.0017.07
accession number
1985.0017
catalog number
1985.0017.07

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