National Numismatic Collection - Introduction
The National Numismatic Collection (NNC) of the Smithsonian Institution is one of the largest numismatic collections in the world and the largest in North America. With over 1.6 millioin objects, the NNC contains many great rarities in coins and currency, from the earliest coins created 2,700 years ago up to the latest innovations in electronic monetary exchange, as well as fascinating objects such as beads, wampum, dentalia, and other commodities once used as money.
The collection emphasizes the development of money and medals in the United States. The core of the U.S. collection, consisting of more than 18,000 items, including coins of great rarity, came to the Smithsonian in 1923 from the United States Mint. Exceptional rarities include the Brasher half doubloon, the 1849 double eagle (first of the gold 20 dollar pieces), and two 1877 fifty dollar patterns. Other rarities are include the 1913 Liberty head nickel as well as all three types of the 1804 dollar, and two of three known examples of the world's most valuable coin, the 1933 double eagle, the third of which recently sold for 7.6 million dollars. Learn more about the collection.
Below you will find a selection of over 350 objects from the collection. We are working to expand and improve online access to additional objects in the near future, so stay tuned.
"National Numismatic Collection - Introduction" showing 15 items.
Page 1 of 2
20.00 Dollar, Twenty Dollar Coin, 1907
- Description
- In 1905, President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a design that many consider the most beautiful American coin ever conceived. Work on the production version of the coin progressed through the winter and spring of 1907. Sadly, the artist himself now suffered from cancer, and would die of the disease at the beginning of August.
- It was left to his assistant, Henry Hering, to finish the work his master had begun. And Hering would be dogged every step of the way by a jealous competitor, Mint Chief Engraver Charles E. Barber.
- Towards the end of December 1907, this new, very beautiful gold coin entered circulation. It was closely based on Saint-Gaudens's original concept, complete with the forward-striding Liberty and the eagle in flight. But Henry Hering had lowered the relief by a small but crucial extent. The coin still could not be struck, once, on a high-speed press. But it could be struck, thrice, on a slower-speed machine.
- Under Hering's directions, and over Barber's objections, slightly more than twelve thousand "high relief" double eagles were minted in Philadelphia during the final weeks of 1907. Saint-Gaudens, Henry Hering, and Theodore Roosevelt had proved that a high-relief American coin could be made. Having won the battle, Roosevelt may have tired of the war. He had a good deal else on his mind, including upcoming elections, and the voyage of America's Great White Fleet around the world.
- Location
- Currently not on view
- Date made
- 1907
- obverse designer
- Saint-Gaudens, Augustus
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1979.1263.00803
- catalog number
- 1979.1263.00803
- accession number
- 1979.1263
- catalog number
- 01553
- Data Source
- National Museum of American History, Kenneth E. Behring Center
20.00 Dollar, Saint-Gaudens Double Eagle (High Relief), 1907
- Description
- In 1905, President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a design that many consider the most beautiful American coin ever conceived. Work on the production version of the coin progressed through the winter and spring of 1907. Sadly, the artist himself now suffered from cancer, and would die of the disease at the beginning of August.
- It was left to his assistant, Henry Hering, to finish the work his master had begun. And Hering would be dogged every step of the way by a jealous competitor, Mint Chief Engraver Charles E. Barber.
- Towards the end of December 1907, this new, very beautiful gold coin entered circulation. It was closely based on Saint-Gaudens's original concept, complete with the forward-striding Liberty and the eagle in flight. But Henry Hering had lowered the relief by a small but crucial extent. The coin still could not be struck, once, on a high-speed press. But it could be struck, thrice, on a slower-speed machine.
- Under Hering's directions, and over Barber's objections, slightly more than twelve thousand "high relief" double eagles were minted in Philadelphia during the final weeks of 1907. Saint-Gaudens, Henry Hering, and Theodore Roosevelt had proved that a high-relief American coin could be made. Having won the battle, Roosevelt may have tired of the war. He had a good deal else on his mind, including upcoming elections, and the voyage of America's Great White Fleet around the world.
- In 1905, inspired by the high relief of ancient Greek coins, President Theodore Roosevelt asked eminent sculptor Augustus Saint-Gaudens to redesign American coinage. Saint-Gaudens died in 1907, but not before giving the nation what many consider to be the most artistic American coin ever made – the Saint-Gaudens double eagle.
- Location
- Currently not on view
- Date made
- 1907
- obverse designer
- Saint-Gaudens, Augustus
- mint
- U.S. Mint, Philadelphia
- ID Number
- NU*166178.0006
- accession number
- 166178
- catalog number
- 43817
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 20 Dollars, 1907
- Description
- In 1905, President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a design for what many consider the most beautiful American coin ever conceived. Unfortunately, the coin required multiple strikes to produce, even when its ultra-high relief design was reduced to a lower relief.
- Deciding how to modify the coin so it could be produced in large quantities with a single strike in a high speed press was left to the Mint's Chief Engraver, Charles E. Barber. In effect, he told President Roosevelt to make a choice. He could have artistry in small quantities or mediocrity in large amounts.
- If he chose the first, Americans would have beautiful money that few would ever see. If he opted for the second, Americans would have as much money as they needed, even though it might be merely pretty rather than beautiful. Roosevelt likely felt he had little choice: the purpose of coinage is commercial first, anything else second. And so one can imagine him being upset, but accepting low relief to facilitate an increase in production.
- The first of the redesigned coins was struck in December 1907. It was easily distinguished from earlier versions: not only was there a radical difference in the coins' relief, but even the date had been altered. Saint-Gaudens's ultra high relief and Hering's high relief coins bore the date in Roman numerals (MCMVII). Barber's version featured Arabic numerals (1907). Thus amended, the new double eagles would continue to be struck through the beginning of 1933.
- Location
- Currently not on view
- Date made
- 1907
- obverse designer
- Saint-Gaudens, Augustus
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1985.0441.1266
- catalog number
- 1985.0441.1266
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, Ten Dollars, Pattern, 1907
- Description
- United States Mint, Philadelphia. Saint-Gaudens created three pattern ten dollar pieces, almost identical with each other. This variety (which may have been the first one created) featured very sharp "wire" rims. About five hundred were struck. That raises the question of whether the coin is to be considered a pattern or something minted for circulation, but in very limited quantities. [reference no. Judd 1774]
- Location
- Currently not on view
- Date made
- 1907
- mint
- U.S. Mint, Philadelphia
- ID Number
- NU*283645.0881
- accession number
- 283645
- catalog number
- 68.159.0323
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, Ten Dollars, 1907
- Description
- United States Mint, Philadelphia. Charles Barber retouched Augustus Saint-Gaudens's designs after the latter died in mid-1907. Barber had the good sense to leave well enough alone--in the case of the ten dollar piece. What we have here is a relatively common coin (nearly a quarter-million were struck at the end of 1907), in a distinctly uncommon state of preservation. This coin has essentially remained untouched for nearly a century.
- Against President Theodore Roosevelt's objections, the motto IN GOD WE TRUST was added to the reverse in mid-1908. Thus amended, eagles with these designs were produced through early 1933.
- Location
- Currently not on view
- Date made
- 1907
- mint
- U.S. Mint, Philadelphia
- ID Number
- NU*255927.1429
- accession number
- 255927
- catalog number
- NU85754.02
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 20 Dollars, 1908 (Matte Proof)
- Description
- In 1905 President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a design that many consider the most beautiful American coin ever conceived. The Mint's Chief Engraver, Charles E. Barber, opposed the project, but ultimately developed a low-relief version of the Saint-Gaudens design that became the standard American $20 coin.
- Barber was not averse to experimentation. He simply believed it had to be kept within fairly close bounds, and under the Mint's control. It would also help if there was profit involved. Instead of experimenting with relief, Barber tried modifying the finish of the Saint-Gaudens coin design. In one test, a "Roman Gold" finish was devised, imparting a glowing, golden surface to coins that would otherwise have a slight reddish sheen about them, from the copper added to the mixture to make the coins wear better.
- No records of how this special finish was applied have survived; but a good guess would be that a light layer of pure gold dust was applied to both surfaces of the coin blank before striking. The force of the press would bond the dust to the blank as the blank was coined. In another test that yielded the coin shown here, Barber developed a "Matte" finish. In this case, the coin was likely struck first (more than once, in order to fully bring up what relief there was), and then "pickled," or etched in dilute acid.
- The result was a coin of a vaguely medallic appearance, without all the work entailed in multiple striking. In addition to testing a concept, this experiment was directed at producing a few specialized coins that could be sold to collectors at inflated prices.
- Location
- Currently not on view
- Date made
- 1908
- mint
- U.S. Mint, Philadelphia
- maker
- Saint-Gaudens, Augustus
- ID Number
- 1985.0441.1285
- catalog number
- 1985.0441.1285
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 10 Dollars, 1908
- Description
- In 1905, President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a concept that many consider the most beautiful American coin ever conceived.
- In addition to this $20 Dollar coin, Saint-Gaudens also redesigned the $10 coin, or eagle, but did not live to see this effort through to completion. With Saint-Gaudens's passing, the eagle project was entrusted to Chief Engraver Barber.
- There was little he could do to bowdlerize the artist's original: Saint-Gaudens had put most of his efforts for high relief coinage into the double eagle. His ten-dollar piece offered modest innovations in terms of its relief, but it didn't awake Barber's opposition to the extent that the double eagle design had. The redesigned eagle was struck through early 1933, essentially in the form in which Saint-Gaudens had created it.
- There was one innovation in mid-1908. Theodore Roosevelt frowned on the inclusion of the motto "In God We Trust," on American money. He said religion and commerce didn't mix. So neither the new double eagle nor the new eagle bore the traditional inscription for the first year or so. But Roosevelt would soon be on his way out of office and the motto was reinstituted on both coins. This coin is one of the earlier "godless" ones. When the motto returned, it appeared before the eagle's breast on the reverse.
- Location
- Currently not on view
- Date made
- 1908
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1985.0441.1286
- catalog number
- 1985.0441.1286
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 20 Dollars, 1906 (pattern)
- Description
- In 1905, President Theodore Roosevelt initiated a project to redesign American coinage and commissioned sculptor Augustus Saint-Gaudens to create the new designs. While the two had admirable goals, they committed the unpardonable bureaucratic sin--they had not "gone through channels." The Mint already had an artist, Charles E. Barber, and it would have been his job to redesign coinage if that was what the president wanted. Barber was unhappy with the president's new project, complained to anyone who'd listen, and finally decided to do something about it. He would design his own double eagle, and he would get it done before Saint-Gaudens completed his.
- Barber was in an unusual hurry. His single surviving pattern double eagle, shown here, is unusual in American numismatics, and one of the least successful artistically. For the obverse, Barber featured a Liberty head with a Phrygian cap and a laurel wreath, inspired by contemporary French artists. For his reverse, he recycled some of his own earlier work. Back in 1891, he had created a pattern half dollar, the obverse of which had featured Liberty with a sword and a Liberty cap on a pole. Liberty was guarding an eagle, the symbol of America. Now, this old design appeared on the reverse of the new coin. Thus Barber's proposal had two Liberties, one on each side. Roosevelt was unimpressed. Saint-Gaudens went on with his work, and Barber continued to fume.
- Location
- Currently not on view
- Date made
- 1906
- mint
- U.S. Mint, Philadelphia
- maker
- Barber, Charles
- ID Number
- 1985.0441.2095
- catalog number
- 1985.0441.2095
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 10 Dollars, 1907 (pattern)
- Description
- In 1905 President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to lead an effort to redesign American coinage. Saint-Gaudens developed a design that many consider the most beautiful American coin ever conceived. In addition to this $20 coin, Saint-Gaudens also redesigned this $10 coin, or eagle. Although the design has always been considered subordinate to his design for the $20 coin, it deserves close scrutiny. It bears witness to the labors of a gifted artist, working in ill health and under great pressure, and creating beauty almost at his final moment.
- Saint-Gaudens was working against time and knew it. By the time he turned his attention to the ten-dollar coin, he was already gravely ill, with only a few months to live. So he recycled some earlier ideas. He reused a head of Victory that he had originally created for the Sherman Monument in New York City, adding a war bonnet. The result was fanciful, and Saint-Gaudens's logical equation of Liberty with a Native American was no more convincing than Longacre's version on the Indian Head cent.
- But from an artistic point of view, it worked. The eagle on the reverse was also recycled, this time from President Roosevelt's inaugural medal. The coin shown here was struck in modest quantity-about thirty-two thousand pieces. However, all but forty-two were ultimately melted down.
- Location
- Currently not on view
- Date made
- 1907
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1985.0441.2097
- catalog number
- 1985.0441.2097
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 20 Dollars, 1907 (Ultra High Relief Pattern)
- Description
- In 1905, President Theodore Roosevelt asked sculptor Augustus Saint-Gaudens to redesign American coinage. As Saint-Gaudens began work on the project, there was never any possibility that he would restrict himself to well-traveled artistic paths. Playing it safe was against his nature and that of the president for whom he toiled.
- As a result of Saint-Gaudens's vision and Roosevelt's persistence, Americans got their most beautiful double eagle, one of the most artistic pieces of money ever struck. Instead of a head or a static, seated goddess, Saint-Gaudens's Lady Liberty strides towards us, the dawn at her back. She represents the morning of the Republic, full of possibilities and hope.
- She bears a torch in her right hand, an olive branch in her left: offerings of freedom and peace. The law said that Saint-Gaudens had to use an eagle for his reverse design, and so he did. But what an eagle! Nothing like it had ever been seen before. The naturalistic bird, in such high relief that it threatens to soar out of the circular space that seeks to enclose it, is all movement and grace.
- Saint-Gaudens and his patron surely knew that this coin was impossible to make in mass quantities. The high relief came at a high price: it took nine blows from the hydraulic coining press to strike each one. Charles E. Barber, the Mint's chief engraver, strenuously objected out of jealousy, but he had a point.
- This is no way to make money for mass circulation. But to Roosevelt and Saint-Gaudens, the chief engraver and other critics lacked vision. This ultra-high relief double eagle was intended to show what artistry and technology could do when afforded the chance. Fewer than two dozen of the ultra-high relief coins were minted, in February and March of 1907.
- Location
- Currently not on view
- Date made
- 1907
- mint
- U.S. Mint, Philadelphia
- maker
- Saint-Gaudens, Augustus
- ID Number
- NU*283645.1028
- catalog number
- NU*283645.1028
- accession number
- 283645
- Data Source
- National Museum of American History, Kenneth E. Behring Center
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