National Numismatic Collection - Online Exhibitions
Where Money and History Meet
Learn more about the National Numismatic Collection (NNC) through online exhibitions about topics such as: Byzantium; the coinage of Spain; he Double Eagle; life in Ancient Greece; the Coins of the Demareteion Master; outstanding U.S. rarities; Russian coins and medals; Native Americans, women, and African–Americans on early United States bank notes; and the evolution of American money.
Legendary Coins & Currency
This exhibition explores rare and historically significant artifacts from the National Numismatic Collection—more than half of which have never been on view, or not for many years. Coins, bills, medals, and captivating oddities—such as pattern designs, fake coins, and homemade clam shell money from the Great Depression—are on display.
"National Numismatic Collection - Online Exhibitions" showing 48 items.
Page 1 of 5
Pismo Beach, California, 1 Dollar, 1933 (clamshell)
- Description
- When the Depression and resulting banking crisis hit their community, the residents of the coastal town of Pismo Beach, California picked an unusual but logical medium of exchange. The pismo is a species of clam with a very thick shell, then found in large numbers along the California coast and prized as a food.
- A town named after the bivalves suggests an adequate supply of their shells. Perhaps with tongue in cheek, the merchants and officials of Pismo Beach (who were often the same people) decided to make the best of a bad situation, and to make the humble clam shell into an object of trade. This they did. The Chamber of Commerce and no fewer than eleven merchants issued clamshell scrip.
- Each piece was numbered, and each piece was signed on the front and on the back. As with the stamp notes of the Midwest, it was necessary to sign each clamshell on the back in order to keep it in circulation. No formal requirements may have existed, but informal pressure certainly would have endorsed the practice.
- Restwell Cabins issued "notes" in three denominations: twenty-five cents, fifty cents, and one dollar. The larger the amount, the larger the shell. The issue may have been partly intended as a spoof, or for sale to tourists, in the manner of German notgeld around 1920. Redemption would never be a problem because collectors would want to keep these pieces in their cabinets or trade them with their friends.
- But it was also intended partly as a real, if unique, circulating medium. The Restwell Cabins issue bore the motto, "IN GOD WE TRUST." Each piece was numbered, and each was signed on the front and on the back. This specimen is dated March 8, 1933. This was in the middle of Roosevelt's national banking holiday, and it is exactly the time when we might expect to see people take money into their own hands.
- Location
- Currently not on view
- maker
- Restwell Cabins
- ID Number
- 1979.1263.00468
- accession number
- 1979.1263
- catalog number
- 1979.1263.00468
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Pismo Beach, California, 50 Cents, 1933 (clamshell)
- Description
- When the Great Depression and resulting banking crisis hit their community, the residents of the California coastal town of Pismo Beach picked an unusual but logical medium of exchange. The pismo is a species of clam with a very thick shell, then found in large numbers along the California coast and prized as a food.
- A town named after clams suggests an adequate supply of their shells. Perhaps with tongue in cheek, the merchants and officials of Pismo Beach (who were often the same people) decided to make the best of a bad situation, and to make the humble pismo shell into an object of trade. This they did. The Chamber of Commerce and no fewer than eleven merchants issued clamshell scrip. Restwell Cabins issued "notes" in three denominations: twenty-five cents, fifty cents, and one dollar.
- The larger the amount, the larger the shell. The issue may have been partly intended as a spoof, or for sale to tourists, in the manner of German notgeld around 1920. Redemption would never be a problem because collectors would wish to keep such pieces in their cabinets or trade them with their friends. But it was also intended partly as a real, if unique, circulating medium. The Restwell Cabins issue bore the motto, "IN GOD WE TRUST."
- Each piece was numbered, and each piece was signed on the front and on the back. As with the stamp notes of the Midwest, it was necessary to sign each clamshell on the back in order to keep it in circulation. No formal requirements may have existed, but informal pressure certainly would have endorsed the practice.
- This specimen is dated March 8, 1933. This was in the middle of Roosevelt's national banking holiday, and it is exactly the time when we might expect to see people take money into their own hands.
- Location
- Currently not on view
- maker
- Restwell Cabins
- ID Number
- 1979.1263.00472
- catalog number
- 1979.1263.00472
- accession number
- 1979.1263
- catalog number
- 79.112.OC102F
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 1 Dollar, 1804 (Class One)
- Description
- The early dollars from the United States Mint were not instantly embraced by the public, which had become accustomed to the dollar's predecessor, the Spanish-American Piece of Eight. That coin contained slightly more silver than its new competitor.
- Then some entrepreneurs made an interesting discovery. They could buy American dollars, send them to the West Indies, and exchange them there at par for Spanish-American Pieces of Eight. Then they could bring the pesos home, turn them in to the Mint for melting, and make a profit by getting paid back in shiny new dollars.
- When the scheme was uncovered, it resulted in a thirty-year halt in dollar production, beginning in 1805. Some 19,570 dollars were coined in 1804, before the halt began. Interestingly, they weren't dated 1804, but 1803, thus avoiding the production of new dies. Although a common, cost-cutting policy at the early United States Mint, this act led to confusion years later, and to three legendary coins included in this exhibition.
- By the 1830s, American officials were actively exploring commercial opportunities elsewhere in the world. Seeking to influence foreign dignitaries, the Jackson administration instructed the Mint to create complete sets of specimen coins as gifts.
- The Philadelphia coiners did so for most other denominations without difficulty. But what to do about the silver dollar? They knew that 1804 dollars had been struck, but there didn't seem to be any survivors. So in November 1834, they created eight new 1804-dated dollars for the gift sets (later termed "class one" 1804 dollars).
- One of the eight became part of the set given to the Imam of Muscat, and another was sent to the King of Siam. And the other six? Within a few years, they escaped into private hands or entered circulation. And they became numismatic legends very quickly, for they had it all: mystery, intrigue, and tremendous rarity.
- Date made
- 1804
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1986.0836.0061
- catalog number
- 1986.0836.0061
- accession number
- 1986.0836
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 1 Dollar, 1804 (Class Two)
- Description
- If you look very closely at the reverse of this, the sole remaining "class two" 1804 dollar, you will discern a slight shifting of the relationship between the clouds and the lettering above them.
- This discrepancy, which distinguishes it from the "class one" and "class three" 1804 dollars, suggests that a new reverse die was employed to strike the coin. This new die was necessary because the old one had either been broken, rusted, or simply discarded after the coinage of 1834, when the class one dollars were struck.
- This coin was made a quarter-century later, by a group of enterprising coiners who had decided to go into the rarities business. In addition to making a new die, these midnight coiners had to have stock on which to use it. Instead of following the usual procedure of rolling out a strip of metal to the correct thickness, then blanking it to the correct size-a difficult and expensive process, they decided to start with an existing coin and overstrike it with the new die. That way the new coin would be of about the right weight and thickness. This coin shows traces of the original design: it began its life as a Swiss thaler dated 1857!
- When word got out about what was going on, the Mint Director swooped down on the miscreants. All their coins but this one were retrieved and ordered melted down. It remains: a somewhat tarnished, but still legendary rarity.
- Date made
- 1804
- mint
- U.S. Mint (unauthorized)
- ID Number
- 1986.0836.0062
- catalog number
- 1986.0836.0062
- accession number
- 1986.0836
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 10 Dollars, 1838
- Description
- The gold British sovereigns that James Smithson bequeathed to the United States were melted down and re-struck as American coins. Some of the gold went into the reissue of the ten-dollar piece, or eagle. There were other factors at work, of course, including two Acts of Congress that reduced the weight and fineness of all United States gold coins, in an effort to keep them in circulation.
- The resumption of eagle coinage was ordered in July 1838, and between seven and eight thousand of the coins, the first eagles struck since 1804, were minted at the beginning of December. Smithson's legacy played a role: the knowledge that a massive amount of bullion was on its way across the Atlantic fostered the decision to resume the eagle, the largest existing American denomination.
- Christian Gobrecht was responsible for the designs on the resumed eagle coinage. His left-facing Liberty sported a coronet (there is a copper cent, also by Gobrecht, with a nearly identical arrangement), while the rounded tip of the truncation points to the "1" in the date.
- A simple eagle with shield appears on the reverse. The obverse design was modified slightly in 1839, the truncation now being centered above the date. A handful of proofs, specimen coins of record or for VIPs, was also struck. Three have been reliably reported, and a fourth is rumored.
- Location
- Currently not on view
- Date made
- 1838
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1985.0441.0292
- catalog number
- 1985.0441.0292
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 5 Dollars, 1838
- Description
- This coin may be one of those minted from the bequest that James Smithson left to the United States for the creation of the Smithsonian Institution. James Smithson was born in 1765 as the illegitimate son of Sir Hugh Smithson, later known as Sir Hugh Percy, Baronet, 1st Duke of Northumberland, K.G., and Elizabeth Hungerford Keate. Elizabeth Keate had been married to James Macie, and so Smithson first bore the name of James Lewis Macie.
- His mother later married Mark Dickinson, by whom she had another son. When she died in 1800, he and his half-brother inherited a sizable estate. He changed his name at this time from "Macie" to "Smithson."
- James Smithson died June 27, 1829, in Genoa, Italy. His will left his fortune to his nephew, son of his half-brother, but stipulated that if that nephew died without children (legitimate or illegitimate), the money should go "to the United States of America, to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men." The nephew, Henry Hungerford Dickinson, died without heirs in 1835, and Smithson's bequest was accepted in 1836 by the United States Congress.
- James Smithson never visited the United States, and the reason for his generous bequest is unknown. The gift was the foundation grant for the Smithsonian Institution. The British gold coins in Smithson's bequest were quickly carried to the Philadelphia Mint, where they were melted down and recycled into American gold coins.
- Most of the new coins were half eagles or five-dollar pieces. On the obverse, they have a left-facing Liberty head, her hair bound with a ribbon; on the reverse is a simple, unexceptional eagle with denomination.
- The original design was the product of a German immigrant named John Reich, substantially altered by a second artist named William Kneass, tweaked again by another German immigrant, Christian Gobrecht. James Smithson's gold, now recycled into new, Americ
- Location
- Currently not on view
- Date made
- 1838
- mint
- U.S. Mint, Philadelphia
- ID Number
- 1985.0441.0293
- catalog number
- 1985.0441.0293
- accession number
- 1985.0441
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 5 Dollars, 1838
- Description
- To process the gold and silver being mined in new locations, the federal government passed legislation to open three new branch mints in 1835: in Charlotte, North Carolina; Dahlonega, Georgia; and New Orleans, Louisiana. The first two would only strike coins from local gold. The third would mint coins from silver as well as from gold, because those two metals were pouring into the Crescent City from Latin America.
- All three branch facilities opened their doors in 1838. The New Orleans Mint was a success from the very beginning. The other two suffered growing pains but finally reached full production in the 1850s. All three closed during the Civil War, but New Orleans eventually reopened in 1879 and remained a major player in the country's monetary system until the first decade of the twentieth century. Charlotte and Dahlonega stayed closed.
- A way was sought to distinguish the products of these new mints from those of the original one. Philadelphia had never marked its coins-there had been no need, with no other coiners in existence. But now a way was devised to show which coins came from where.
- A mint mark, consisting of a single letter, would be placed on each of the products of the branch Mints-an O for New Orleans, a D for Dahlonega, and a C for Charlotte. The mint marks briefly appeared on the coins' obverse, but then they were relegated to the reverse, where they remained.
- Collectors call the 1838 Charlotte half eagle a "one-year type": coins of this design with the obverse mint mark were only struck during that single year. There were about seventeen thousand of them, compared with over a quarter million at Philadelphia.
- Location
- Currently not on view
- Date made
- 1838
- mint
- U.S. Mint, Charlotte
- ID Number
- 1984.1046.0372
- accession number
- 1984.1046
- catalog number
- 1984.1046.0372
- Data Source
- National Museum of American History, Kenneth E. Behring Center
United States, 20 Dollars, 1849 (Pattern)
- Description
- The California gold rush quickly gave the United States not one new gold coin, but two: a tiny gold dollar at the lower end of the monetary spectrum, and a large double eagle, or twenty-dollar coin, at the upper end. Why did Americans need more gold denominations?
- So much gold was now coming out of California that it was actually lowering the value of that metal against silver. Bullion dealers began buying up silver dollars and half dollars for melting and export, for they were now worth more than face value as bullion. A Congressman from North Carolina had an idea: If gold dollars were struck, to pass at par with the silver ones, it might ease some of the pressure on silver coinage.
- His bill was introduced late in January 1849. At the last minute, a provision was added for an entirely new coin, a double eagle. Thus amended, the bill became law on March 3, 1849. The production of gold dollars swung into action fairly quickly, and coinage had gotten under way by early May.
- But the double eagles took longer. James B. Longacre, the artist selected to design the new large coin, encountered initial opposition from Mint officials, and it was late December before the first two pattern double eagles could be struck. One disappeared long ago, leaving this as the only surviving gold pattern from 1849.
- Location
- Currently not on view
- Date made
- 1849
- mint
- U.S. Mint, Philadelphia
- obverse designer
- Longacre, James Barton
- reverse designer
- Longacre, James Barton
- ID Number
- 1986.0836.0064
- catalog number
- 1986.0836.0064
- accession number
- 1986.0836
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Massachusetts, Pine Tree Shilling, "1652" (struck 1667-1674)
- Description
- As early as 1650, the colony of Massachusetts Bay was a commercial success. But an inadequate supply of money put its future development in jeopardy. England was not inclined to send gold and silver coins to the colonies, for they were in short supply in the mother country.
- Taking matters into their own hands, Boston authorities allowed two settlers, John Hull and Robert Sanderson, to set up a mint in the capital in 1652. The two were soon striking silver coinage-shillings, sixpences, and threepences. Nearly all of the new coins bore the same date: 1652.
- This was the origin of America's most famous colonial coin, the pine tree shilling. The name comes from the tree found on the obverse. It may symbolize one of the Bay Colony's prime exports, pine trees for ships' masts. Massachusetts coinage not only circulated within that colony, but was generally accepted throughout the Northeast, becoming a monetary standard in its own right.
- Why the 1652 date? Some believe that it was intended to commemorate the founding of the Massachusetts mint, which did occur in 1652. Others believe the choice was a reflection of larger political events. Coinage was a prerogative of the King. In theory, these colonists had no right to strike their own coins, no matter how great their need.
- But in 1652, there was no king. King Charles had been beheaded three years previously, and England was a republic. The people in Massachusetts may have cleverly decided to put that date on their coinage so that they could deny any illegality when and if the monarchy were reestablished.
- This "1652" shilling is likely to have been minted around 1670. In 1682, the Hull/Sanderson mint closed after closer royal scrutiny of the operation.
- Location
- Currently not on view
- Date made
- 1652
- maker
- Massachusetts Bay Colony
- ID Number
- 1982.0798.0009
- catalog number
- 1982.0798.0009
- accession number
- 1982.0798
- catalog number
- 82.48.09
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait Medal of James Smithson
- Description
- James Smithson was born in 1765, the illegitimate son of Sir Hugh Smithson, later known as Sir Hugh Percy, Baronet, 1st Duke of Northumberland, K.G., and Elizabeth Hungerford Keate. Elizabeth Keate had been married to James Macie, and so Smithson first bore the name of James Lewis Macie.
- His mother later married Mark Dickinson, by whom she had another son. When she died in 1800, he and his half-brother inherited a sizable estate. He changed his name at this time from Macie to Smithson. James Smithson died June 27, 1829, in Genoa, Italy. His will left his fortune to his nephew, son of his half-brother, but stipulated that if that nephew died without children (legitimate or illegitimate), the money should go "to the United States of America, to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men."
- The nephew, Henry Hungerford Dickinson, died without heirs in 1835, and Smithson's bequest was accepted in 1836 by the United States Congress. Smithson never visited the United States, and the reason for his generous bequest is unknown. But his gift was the foundation grant for the Smithsonian Institution.
- In 1817, while living in Genoa, Italy, Smithson commissioned a gifted Italian sculptor named Antonio Canova to create his portrait in the form of this medal. Smithson evidently approved of Canova's efforts: he scratched his name on the other, otherwise blank side of his medal. It is still visible today, very faint after the passage of nearly two centuries.
- Location
- Currently not on view
- date made
- 1817
- maker
- Paris Mint
- obverse engraver
- Tiolier, Nicholas P.
- ID Number
- 1991.0009.0393
- catalog number
- 1991.0009.0393
- accession number
- 1991.0009
- Data Source
- National Museum of American History, Kenneth E. Behring Center
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