National Quilt Collection

"Quilt": A cover or garment made by putting wool, cotton or other substance between two cloths and sewing them together. An American Dictionary of the English Language, by Noah Webster, LL.D., New York 1828. 

The National Quilt Collection incorporates quilts from various ethnic groups and social classes, for quilts are not the domain of a specific race or class, but can be a part of anyone’s heritage and treasured as such. Whether of rich or humble fabrics, large in size or small, expertly crafted or not, well-worn or pristine, quilts in the National Quilt Collection provide a textile narrative that contributes to America’s complex and diverse history. The variety and scope of the collection provides a rich resource for researchers, artists, quilt-makers and others. 

Part of the Division of Home and Community Life textiles collection, the National Quilt Collection had its beginnings in the 1890s. Three quilts were included in a larger collection of 18th- and 19th-century household and costume items donated by John Brenton Copp of Stonington, Connecticut. From this early beginning, the collection has grown to more than 500 quilts and quilt-related items, mainly of American origin, with examples from many states, including Alaska and Hawaii. Most of the contributions have come to the Museum as gifts, and many of those are from the quilt-makers’ families. The collection illustrates needlework techniques, materials, fabric designs and processes, styles and patterns used for quilt-making in the past 250 years. The collection also documents the work of specific quilt-makers and commemorates events in American history. 

Learn more about the quilt collection and step behind the scenes with a video tour.

Charlotte Merritt Roe embroidered her name as well as the place (Virgil) and date (1806) on this pieced child’s quilt. Charlotte Merritt was born in 1774 in Rye, Westchester County, New York. She married John Elting Roe in 1796.
Description
Charlotte Merritt Roe embroidered her name as well as the place (Virgil) and date (1806) on this pieced child’s quilt. Charlotte Merritt was born in 1774 in Rye, Westchester County, New York. She married John Elting Roe in 1796. In 1797 Charlotte and her husband settled in Virgil, New York. They stayed on to rear five children. This quilt, made for one of their children, was passed down through the family before being donated to the Museum in 1984.
An anecdote in Stories of Cortland County by Bertha E. Blodgett, Cortland, New York, published in 1932, relates the arrival of Charlotte and John Roe in Virgil.
“In the spring of 1797 John E. Roe . . . came up the river and prepared a log cabin in Virgil. He . . . peeled bark for a roof and agreed with a man to put it on . . . then went down the Tioughnioga to get his wife, bringing her in a sleigh from Oxford . . . .
When they came to the river at a place called Messengerville, they saw Mr. Chaplin’s house on the opposite bank. It was winter and the river was high, and the canoe that had been used in crossing was carried away. Mr. Chaplin’s hog trough was secured, and Mrs. Roe was safely carried over on it . . . whole day was consumed in negotiating the road over the hill to Virgil . . . when they arrived they were surprised to find their house without a covering and the snow deep on the floor . . . .
In after years, Mrs. Roe enjoyed telling the story of her experience . . . and she always ended by saying, ‘And what do you think! The horses were so hungry that they ate the seats out of my nice rush-bottomed chairs.”
Location
Currently not on view
Date made
1806
quilter
Roe, Charlotte
ID Number
1984.0092.01
catalog number
1984.0092.01
accession number
1984.0092
According to family information, this mid-nineteenth-century appliquéd quilt belonged to Hephzibah Jenkins Townsend of Charleston, South Carolina. The central focus of this quilt, a “Tree of Life” motif, is decorated with appliquéd peacocks and other birds.
Description
According to family information, this mid-nineteenth-century appliquéd quilt belonged to Hephzibah Jenkins Townsend of Charleston, South Carolina. The central focus of this quilt, a “Tree of Life” motif, is decorated with appliquéd peacocks and other birds. The branches, flowers, birds, and butterflies are cut from different block-printed cottons. An 8½-inch border is printed with several floral stripes on one piece of cloth. The overall diagonal grid quilting pattern is very closely worked at 13 stitches per inch.
Hephzibah (Hepzibah – Hepsaba – Hepsibah) Jenkins was the daughter of Capt. Daniel Jenkins, a Revolutionary War officer, and Hephzibah Frampton. She was born about 1780 in Charleston, South Carolina. Her mother died in childbirth, while her father was imprisoned by the British during the Revolutionary War. Before her death, Hephzibah’s mother seems to have arranged to have two trusted family slaves take Hephzibah to Edisto Island, a difficult journey at that time, to stay with the Townsend family. The little girl grew up at Bleak Hall, the Townsend family home on Edisto Island. Sometime before 1801 she married Daniel Townsend (1759-1842) and they raised a large family on the island. Hephzibah was said to have been beautiful, and gifted with a brilliant mind, a strong will, and a sense of justice.
During her stay on Edisto Island, Hephzibah was inspired by the preaching of Richard Furman, an influential Baptist minister who led the church from 1787 to 1825. He was well known for his leadership, promotion of education, and mission work in South Carolina and elsewhere. After becoming a Baptist in 1807, Hephzibah utilized her talents and organizational abilities to found, in 1811, the first mission society in South Carolina, the Wadmalaw and Edisto Female Mite Society. Their fund raising efforts succeeded, and $122.50 was contributed to the missionary fund in 1812, motivating women to organize societies in other Baptist churches. A few years later, about 1815, this society was responsible for building tabby ovens made from a mixture of sand, lime, oyster shells, and water. There the women baked bread and pastries which were sold to raise money to support mission work and build a church.
Hephzibah is also credited with founding the Edisto Island Baptist Church, which was constructed in 1818. While Baptists had worshipped on Edisto Island from the late seventheenth century, it was Hephzibah whose efforts built the first Baptist church on the island. She died in 1847 and is buried in the church cemetery.
Initially, the Edisto Island Baptist Church accommodated both the island’s white planters and their enslaved African Americans. During the Civil War the building was occupied by Union troops. After the war, when most of the plantation families left, it was turned over to the black membership and continues to this day as an African American church. Both the ovens and the church foundation were made of tabby, an early building material consisting of sand, lime, oyster shells, and water. The Hephzibah Jenkins Townsend Tabby Oven Ruins and the Edisto Island Baptist Church are both on the National Register of Historic Places.
Location
Currently not on view
date made
1840-1850
maker
unknown
ID Number
TE.T16009
accession number
298698
catalog number
T16009
This white-work child's quilt belonged to Ann Bender Snyder in the 1840s, whether it was intended for her own child is not known. Forty years later Ann Bender Snyder gave the quilt to her god daughter, Nina Knode, as a baptismal gift when she was six months old.
Description
This white-work child's quilt belonged to Ann Bender Snyder in the 1840s, whether it was intended for her own child is not known. Forty years later Ann Bender Snyder gave the quilt to her god daughter, Nina Knode, as a baptismal gift when she was six months old. Nina Knode Heft always felt that it was a "museum piece" and that "after she was gone nobody would be interested in taking care of [it] in the same manner as she had." William Heft, Nina Knode's husband, followed his wife's wishes and donated it in her name to the Museum in 1940.
The all white cotton quilt has a center medallion consisting of a basket of fruit above the quilted initials "A B S" enclosed in a feathered vine. This in turn is surrounded by an undulating vine bearing grapes, flowers, and pineapples. Stems and straight lines are stuffed with cotton roving. The border has a zigzag row of pointed oval leaves. Three sides of the quilt are edged with a 3-inch netted fringe.
Ann Bender was born in about 1830, and married Oliver H. Snyder on 15 September 1847. In 1848 they had a daughter, Alice, who died at age five in 1853. Both Ann and Oliver Snyder lived in Funkstown, Maryland. Both died in 1887 and are buried in the Funkstown Public Cemetery.
Location
Currently not on view
Date made
1841
quilter
Snyder, Ann Bender
ID Number
TE.T08434
accession number
157749
catalog number
T08434
Nancy Ward Butler made this quilt to commemorate the death of her granddaughter in 1842. Named for her grandmother, Nancy Adelaide Butler was born May 22 1840. She was the daughter of Calvin Butler (1818-1857), the quilt maker's son, and Mary A.
Description
Nancy Ward Butler made this quilt to commemorate the death of her granddaughter in 1842. Named for her grandmother, Nancy Adelaide Butler was born May 22 1840. She was the daughter of Calvin Butler (1818-1857), the quilt maker's son, and Mary A. Storey (1822-1909) whom he married in 1839. Nancy A. Butler died in February 1842 in Jamestown, N.Y. of scarlatina or scarlet fever, a serious and often fatal childhood disease at the time. In the nineteenth century, expressions of mourning were often part of the designs found on needlework and may have provided a way of working through grief as well as a memorial to a loved one.
"NANCY A. BUTLER. DIED. FEB. 3 * 1842 * AGED 20 mo" is appliquéd on this quilt with roller and discharge printed blue and white cotton. The two sawtooth borders are pieced. The ground and lining are white plain woven cotton and the filling is cotton. The center section is quilted in parallel diagonal lines ½ to ¾ inches apart, in the border is a flowering vine; both quilted 6 stitches to the inch. A similar quilt in the McClurg Museum Chautauqua County Historical Society was possibly also made by Nancy. It memorializes her youngest son, James Butler who died of typhus at the age of 20 in 1844 and a granddaughter, Cynthia Smith Sage, who died in 1845 of consumption at the age of 23. Both are buried in the Laona Cemetery.
Nancy Ward was born in 1779, daughter of Josiah Ward (1747/48-1825). Nancy Ward married James Butler (1780-1853) in 1802 in Buckland, Massachusetts. They settled in Chautauqua County, New York and raised their family, nine children, near Laona, New York. In 1855 Nancy Ward Butler was living in Jamestown, New York with her daughter Nancy Turner (1803-1889). They were both widowed. Nancy died in 1863.
Nancy A. Butler Werdell, the donor, writes; "I am the namesake of the child, 'Nancy A. Butler,' memorialized on the quilt made by my ancestor [great-great grandmother], Nancy Ward Butler."
She also commented about the quilt in Modern Maturity magazine in 1990; "Nancy was my great aunt! I inherited [the] quilt a number of years ago and donated it to the Smithsonian [1976]. I am so pleased that I have added to the folk history of our country in a small way. A quilt (or any prized treasure) preserved in the bottom of a trunk is a waste. Let's open our trunks and share our treasures." With the quilt, is a carefully printed, undated award; "Second Prize for the most Beautiful Quilt."
Location
Currently not on view
Date made
1842
quilter
Butler, Nancy Ward
ID Number
TE.T18333
catalog number
T18333
accession number
1977.0125
Elizabeth Coates Wileman made this pieced and appliquéd child's quilt in the mid-nineteenth century while living in Ohio. Sixteen blocks are pieced of red, green, yellow and white printed cottons in a Carpenter's Wheel pattern.
Description
Elizabeth Coates Wileman made this pieced and appliquéd child's quilt in the mid-nineteenth century while living in Ohio. Sixteen blocks are pieced of red, green, yellow and white printed cottons in a Carpenter's Wheel pattern. These blocks are set diagonally with blue and white printed cotton squares and triangles. Two appliquéd sawtooth edges, one red and one green, complete the 5½-inch border.
Esther Coates, a Quaker, was born in Coatesville, Pennsylvania in 1817. She married Abram G. Wileman in 1844 in Massillon, Ohio, they divorced in 1858. They had two children Flora born in 1850, who died as a young child and Erasmus Darwin born in 1854. The quilt was probably made for Flora. Abram G. Wileman, a physician and war hero, served in the Civil War and was killed in 1863. Esther studied medicine at Penn Medical University in Philadelphia and received her degree in 1855. She practiced medicine in New Jersey. Esther died in 1873 and is buried in the Drumore Friends Cemetery in Lancaster County, Pennsylvania. The quilt was donated to the Museum in 1964 by Dr. Lorin E. Kerr, Jr. the great grandson of Esther.
Location
Currently not on view
Date made
1850-1860
quilter
Wileman, Esther Coates
ID Number
TE.T13472
accession number
254704
catalog number
T13472
This lively pieced child’s quilt was made in the second half of the nineteenth century and the maker is not known. It was part of a donation to the Smithsonian by G. Ruth McHenry in 1961.
Description
This lively pieced child’s quilt was made in the second half of the nineteenth century and the maker is not known. It was part of a donation to the Smithsonian by G. Ruth McHenry in 1961. It may have been in the family of Jane Winter Price, who made a “Carpenter’s Wheel” quilt that is also in the Collection.
Green and white pinwheels within red circles surrounded by pieced chains of green pointed ovals give a sense of whirling animation to this small quilt. Inside the 1½-inch border are semicircles of printed cotton. White thread is used for the outline and concentric line quilting on the red circles and white ground. Green thread is used for the outline and concentric line quilting on pinwheels and chained ovals, and for the herringbone quilting in the border. All are quilted 9 stitches per inch. The use of color and the complex pieced pattern combine to make this child’s quilt dynamic.
Location
Currently not on view
date made
1850-1900
maker
unknown
ID Number
TE.T12701
accession number
238478
catalog number
T12701
In 1977 Laura M. Trexler donated this child’s quilt made by her great-grandmother in the mid-nineteenth century. According to family history it was made for Polly’s daughter, Lucetta (1851-1934). Lucetta was married to Amos D.
Description
In 1977 Laura M. Trexler donated this child’s quilt made by her great-grandmother in the mid-nineteenth century. According to family history it was made for Polly’s daughter, Lucetta (1851-1934). Lucetta was married to Amos D. Trexler (1845-1915) in the early 1870s and the quilt was used for all their children, the last born in 1890. They lived in Trexler, Pennsylvania, where the family had several businesses.
The “Log Cabin”-patterned quilt is composed of four 6½-inch blocks pieced with beige and fuchsia wool and wool/cotton fabrics. A 5-inch border in beige frames the four “Log Cabin” blocks. It is machine quilted with a chain stitch.
Maria (Polly) Kistler, daughter of John Kistler and Maria Brobst, was born October 20, 1824 in Lynn Township, Lehigh County, Pennsylvania. She married Daniel W. Fetherolf (b. 1821) in 1844. They farmed, and on the 1880 census were still living in Lynn Township. Maria (Polly) died in 1910 and is buried in the St. Jacobs Union Church Cemetery, Jacksonville, Lynn Township, Pennsylvania.
Location
Currently not on view
date made
1860-1870
maker
Fetherolf, Polly
ID Number
TE.T18384
accession number
1978.0619
catalog number
T18384
The maker of this child's quilt remains unknown. Well worn, it is pieced in the Tumbling Blocks pattern, also referred to as Cubework or Boxes.
Description
The maker of this child's quilt remains unknown. Well worn, it is pieced in the Tumbling Blocks pattern, also referred to as Cubework or Boxes. The placement of the four inch diamond shaped pieces cut from various roller-printed cottons creates an example of an optical illusion in textiles. The lining is a roller-printed check cotton in red and brown. The quilt was completed with outline quilting, six stitches /inch, and bound with a strip of printed cotton folded over the edge and machine-stitched. The quilt was donated to the Museum in 1968 by Mrs. Dorothy Walkley Faul. She provided the information that the quilt had been in the Walkley family who had settled in Southington, Connecticut, about 1630 and that the quilt was probably made in the 1860s.
Location
Currently not on view
Date made
1860-1880
quilter
unknown
ID Number
TE.T14533
catalog number
T14533
accession number
277119
This bedcovering and two matching pillowcases were made in China in the 1920s. Rev. Alexander Cunningham, a Presbyterian minister in China at the time, sent them to the United States on the birth of his nephew, James Cunningham, in 1926.
Description
This bedcovering and two matching pillowcases were made in China in the 1920s. Rev. Alexander Cunningham, a Presbyterian minister in China at the time, sent them to the United States on the birth of his nephew, James Cunningham, in 1926. Twenty 7¾-inch square blocks of white and blue cottons are framed by a white border. The white squares have appliquéd figures depicting various childhood activities such as fishing, juggling, leaping, and ball play. The animated appliquéd figures are made of overlapping blue circles, and all wear hats.
Alexander Cunningham was born March 13, 1861, in Murrayville, Illinois. He graduated from Illinois State Normal University in 1887 and McCormick Theological Seminary in 1890. In that same year he married Mary E. Neely, and they left for China to become missionaries. Assigned to the Presbyterian North China Mission, they were active missionaries in China from 1890 to 1933, and after retirement continued to live in China until 1940. After fifty years as missionaries, they returned to California on the eve of World War II. Alexander Cunningham died in Los Angeles, California, on September 20, 1943. This appliquéd bedcovering with matching pillowcases may be the product of a mission where Rev. Alexander Cunningham served.
Location
Currently not on view
Date made
1926
quilter
unknown
ID Number
1986.0676.01
catalog number
1986.0676.01
accession number
1986.0676
This is one of two matching appliqued pillowcases and a bedcover that were made in China in the 1920s. Rev. Alexander Cunningham, a Presbyterian minister in China at the time, sent them to the United States on the birth of his nephew, James Cunningham, in 1926.
Description
This is one of two matching appliqued pillowcases and a bedcover that were made in China in the 1920s. Rev. Alexander Cunningham, a Presbyterian minister in China at the time, sent them to the United States on the birth of his nephew, James Cunningham, in 1926. Both pillowcases are white with a single blue square at each end. On either side of each blue square is a figure of a boy with a ball, a bird, a cat, and a dog; all are made of overlapping blue circles.
Alexander Cunningham was born March 13, 1861, in Murrayville, Illinois. He graduated from Illinois State Normal University in 1887 and McCormick Theological Seminary in 1890. In that same year he married Mary E. Neely, and they left for China to become missionaries. Assigned to the Presbyterian North China Mission, they were active missionaries in China from 1890 to 1933, and after retirement continued to live in China until 1940. After fifty years as missionaries, they returned to California on the eve of World War II. Alexander Cunningham died in Los Angeles, California, on September 20, 1943. This appliquéd pillowcase with the matching bedcover may be the product of a mission where Rev. Alexander Cunningham served.
Location
Currently not on view
Date made
1926
quilter
unknown
ID Number
1986.0676.02
catalog number
1986.0676.02
accession number
1986.0676
This bassinet quilt with a framed center design is made of high-quality plain blue and white cotton feed sack fabrics.
Description
This bassinet quilt with a framed center design is made of high-quality plain blue and white cotton feed sack fabrics. Dorothy Overall of Caldwell, Kansas, a contestant in many sewing events in the 1950s and 1960s, pieced and appliquéd this quilt on a Pfaff sewing machine she had won in a contest. In 1959 she won the National Cotton Bag Sewing Contest that included a vacation trip to Hollywood as part of the prize.
According to Dorothy, cotton feed sack fabric was light enough for summer, almost as nice as percale and the colors didn’t fade. Cotton sacks for flour, animal feed and other commodities were produced in many colors and prints. Flour and feed companies found that their sales were often influenced by the popularity of their sacks which were used for clothes and household items.
Location
Currently not on view
date made
1950-1969
quilter
Overall, Dorothy
ID Number
1992.0102.07
accession number
1992.0102
catalog number
1992.0102.07
The popularity of the 1937 Walt Disney movie, Snow White and the Seven Dwarfs, based on a German fairy tale, inspired this quilt pattern. The movie has been re-released many times.
Description
The popularity of the 1937 Walt Disney movie, Snow White and the Seven Dwarfs, based on a German fairy tale, inspired this quilt pattern. The movie has been re-released many times. In 1972 Lehman Brothers published a pattern, “Snow White and the Seven Dwarves,” that is very similar to this quilt. It was advertised as “a perfect quilt for your favorite child. White bearded dwarves [sic] dressed in bright suits, and colorful trees and flowers surround Snow White and the cottage.”
From the early 20th century, kit quilts have been available in the market to save time and/or provide the quilter with assistance in design or color choices. This quilt was made from a kit as evidenced by stamped lines that are still visible along some edges.
The quilt is appliquéd with motifs that include a stylized cottage, trees, and dwarfs, and, of course, Snow White. All of the dwarfs have coral-colored caps and boots, blue tights, yellow shirts, green vests, and white beards. Details are embroidered with satin, outline, daisy, and French knot stitches. The figures are outlined in quilting stitches, 4 stitches per inch. The 7 ½-inch border is quilted with flowers and diagonal lines. The “Snow White and the Seven Dwarves” pattern, based on a well-known children’s story and animated movie, made a special quilt to brighten a child’s room.
Location
Currently not on view
date made
1975-1995
ID Number
1996.0013.01
accession number
1996.0013
catalog number
1996.0013.01
Of Scottish or American origin, this child’s quilt was used in the donor’s family. The quilt is constructed with thirty-five 4-5/8" blocks pieced of printed and plain triangles.
Description
Of Scottish or American origin, this child’s quilt was used in the donor’s family. The quilt is constructed with thirty-five 4-5/8" blocks pieced of printed and plain triangles. The fabrics have stripe, geometric, and floral motifs block-printed in rose and brown with penciled blue accents. The quilt is framed by a 4-1/4" border, block-printed with birds, flowers, thistles, and striped edges.
Location
Currently not on view
date made
1790-1810
maker
unknown
ID Number
1985.0771.01
catalog number
1985.0771.01
accession number
1985.0771
Mary Dickson Watson, quilted and corded the pink silk crepe baby carriage cover to match a pillow cover (1989.0268.03) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers.
Description
Mary Dickson Watson, quilted and corded the pink silk crepe baby carriage cover to match a pillow cover (1989.0268.03) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers. Surrounding the center are squares outlined by corded quilting, some containing a flower, some empty. Additionally, a narrow pink silk ribbon is used as a tie in eight places.
Mary Way Dickson was born about 1840. She married Alexander Watson in 1859. Their daughter, Mary Dickson Watson, was born about 1865 in Pittsburgh, Pennsylvania. She married Adam Wilson in 1897 and it was for their daughter, Mary Dickson Wilson, that the pillow and baby carriage cover were made. On the 1900 census, Mary Dickson Watson, was living with them in Pittsburgh, Pennsylvania. The recipient of the silk carriage and pillow cover later married Joseph Phipps. The items remained in the family until they were donated to the Collection in 1989.
Location
Currently not on view
date made
1900
maker
Watson, Mary Way Dickson
ID Number
1989.0268.02
catalog number
1989.0268.02
accession number
1989.0268
Mary Dickson Watson, quilted and corded the pink silk crepe pillow cover to match a baby carriage cover (1989.0268.02) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers.
Description
Mary Dickson Watson, quilted and corded the pink silk crepe pillow cover to match a baby carriage cover (1989.0268.02) that she made for her granddaughter, Mary Dickson Wilson, born in 1900. The quilting in the center quatrefoil depicts two rabbits with a butterfly and flowers. Each corner has a square outlined by corded quilting containing a flower.
Mary Way Dickson was born about 1840. She married Alexander Watson in 1859. Their daughter, Mary Dickson Watson, was born about 1865 in Pittsburgh, Pennsylvania. She married Adam Wilson in 1897 and it was for their daughter, Mary Dickson Wilson, that the pillow and carriage cover were made. In the 1900 census, Mary Dickson Watson, was living with them in Pittsburgh, Pennsylvania. The recipient of the silk carriage and pillow cover later married Joseph Phipps. The items remained in the family until they were donated to the Collection in 1989.
Location
Currently not on view
date made
1900
maker
Watson, Mary Way Dickson
ID Number
1989.0268.03
catalog number
1989.0268.03
accession number
1989.0268
This miniature quilt may have been a doll’s quilt, a “first” quilt, or a display on a model quilting frame. Possibly made in Pennsylvania, it consists of twelve 1 to 1-and-1/2-inch blocks in the "Four-patch" pattern.
Description
This miniature quilt may have been a doll’s quilt, a “first” quilt, or a display on a model quilting frame. Possibly made in Pennsylvania, it consists of twelve 1 to 1-and-1/2-inch blocks in the "Four-patch" pattern. Quilted in a chevron pattern, 3-4 stitches per inch.
Location
Currently not on view
date made
1890-1900
maker
unknown
ID Number
1995.0011.08
accession number
1995.0011
catalog number
1995.0011.08
Ruth Jones Black Patrick was born January 31, 1905, She was an artist, teacher and illustrator, and began making this quilt, her first, in 1932 for her infant son. He was 20 years old when she finished it! In a 1971 newspaper interview, she is quoted thus, “. . .
Description
Ruth Jones Black Patrick was born January 31, 1905, She was an artist, teacher and illustrator, and began making this quilt, her first, in 1932 for her infant son. He was 20 years old when she finished it! In a 1971 newspaper interview, she is quoted thus, “. . . Edward was a little boy, I needed some sort of cover for his bed and thought I’d do something original. It was just going to be a small quilt . . . but it grew as he did—into twin bed size.” She made her own designs for her quilts, inspired by life, pictures in books, and quilt patterns of the time. Her unique quilts won ribbons at Alabama State Fairs.She married December 25, 1930, Herbert Edward Black(1906-1954), and she died November 25, 1999.
Location
Currently not on view
date made
1932-1952
maker
Patrick, Ruth Jones Black
ID Number
1998.0043.1
catalog number
1998.0043.01
accession number
1998.0043
Mary Winfield crafted this small quilt for her granddaughter, Julia A. Poole, of Dinwiddie Co., Virginia. Possibly it was intended as a doll quilt. The quilt is composed of 3-inch blocks, some pieced in the “Nine-patch” pattern, some plain.
Description
Mary Winfield crafted this small quilt for her granddaughter, Julia A. Poole, of Dinwiddie Co., Virginia. Possibly it was intended as a doll quilt. The quilt is composed of 3-inch blocks, some pieced in the “Nine-patch” pattern, some plain. Each plain block is quilted with a single flower or bird.
Mary W. Tucker was born about 1764 in Virginia. She married William Winfield III (1762-1837) on January 6th in either 1783 or 1787. She made another small quilt, also in the Collection, for the same granddaughter.
Location
Currently not on view
date made
1835-1850
maker
Winfield, Mary
ID Number
TE.T02139.00A
accession number
57609
catalog number
T02139A
Mary Winfield crafted this small pieced quilt of diamond-shaped blocks for her granddaughter, Julia A. Poole, of Dinwiddie Co., Virginia. Possibly it was intended as a doll quilt.
Description
Mary Winfield crafted this small pieced quilt of diamond-shaped blocks for her granddaughter, Julia A. Poole, of Dinwiddie Co., Virginia. Possibly it was intended as a doll quilt. Some of the diamond-shaped blocks are pieced in the “Nine-patch” pattern, others are plain white cotton.
Mary W. Tucker was born about 1764 in Virginia. She married William Winfield III (1762-1837) on January 6th in either 1783 or 1787. She made another small quilt, also in the Collection, for the same granddaughter.
Location
Currently not on view
date made
1840-1850
maker
Winfield, Mary
ID Number
TE.T02139.00B
accession number
57609
catalog number
T02139B

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