National Quilt Collection - Videos
The National Quilt Collection, part of the Division of Home and Community Life's Textile Collection at the National Museum of American History, had its beginnings in the 1890s. Three quilts were included in a larger collection of 18th- and 19th- century household and costume items from one Stonington, Connecticut family. From this early beginning, the Collection has grown to more than 400 quilts and quilt-related items, mainly of American origin. Most of the contributions have come to the Museum as gifts, many from the quilt-makers' families. The quilts are part of a lasting material record of the American experience, and are preserved in perpetuity for all Americans. As few of the quilts are on exhibition at any given time, this film provides an overview, in quilt storage, of the behind-the-scenes activities of the staff and volunteers as they work with this rich and interesting collection.
Quilts were made primarily by women, and have played a large part in revealing evidence of the circumstances of their lives: economic levels, the goods available to them and their increasing consumerism, their thrift and extravagance, the opportunity for self-expression in an acceptable activity, their schooling and family education and instruction, their group activities, personal identity and reward, and skills.
Some of the quilts reflect very personal interests and concerns; others express political and societal concerns such as patriotism, anti-slavery sentiments, war and peace. Many quilts in the collection have inscriptions that leave us a textile record expressing the interests and feelings of the makers. Others provided the makers an opportunity for artistic expression in a practical endeavor.
Altogether, the collection shows the progression and notable phases in American quilt-making; provides a history of materials available to the quilt makers and of the techniques practiced; illustrates many social, cultural, technological, and economic influences affecting quilts made and used in America; and contributes to the illumination of American life, family, community, and country.
The Division of Home and Community Life continues its long term mission to maintain and develop research-based collections that document and preserve American stories through family, community, biographical/individual oral histories and other materials. The quilt collection, for the most part, represents the middle class and affluent of the eastern half of the country, rather than a potpourri of the widely diverse population of the nation. We should like to encourage viewers to come forward with quilts and other needlework, to donate or to be recorded, with histories that contribute to our awareness of the rich diversity of the people who came to live here, the traditions they brought and carry on, and the ways in which they adopted the endeavors already here. Please contact us at bowmand@si.edu.
Videos
This virtual tour was made possible by a grant from Patty Stonesifer and Michael Kinsley through The Seattle Foundation.
The gift was made in honor of Mrs. Frances Quigley.
Smithsonian National Quilt Collection: An Overview
Smithsonian National Quilt Collection: Quilt Scene Investigation
In the Textile Analysis Lab, Kathy Dirks demonstrates how technical analyses of quilts with scientific equipment is used for identification and verification
Smithsonian National Quilt Collection: Quilt Care
Kathy Dirks shows the quilt storage room, and the cabinets and materials used in housing the collection.
Smithsonian National Quilt Collection: Machine Quilting
Barbara Janssen shows the patent model of a Grover & Baker sewing machine and explains how the stitch it produced helped to determine the probable date of a quilt in the collection.
Smithsonian National Quilt Collection: Civil War Sunday School Quilt
Virginia Eisemon discusses the history of a quilt made by a Maine Sunday school class for the benefit of hospitalized Union soldiers
Smithsonian National Quilt Collection: Lydia Finnell's Star Quilt
Sheryl DeJong identifies the techniques and stitches in a late 19th-century crazypatch quilt and discusses the availability of materials, patterns, and instructions at the time.
Links
NMAH Collections Site
Quilts, Counterpanes and Throws: A Selection from the National Collection
NMAH quilts in the general Smithsonian Collections
"National Quilt Collection - Videos" showing 162 items.
Page 5 of 17
1840 - 1860 Newman Family's "Tulip" Applique Quilt
- Description
- The uncomplicated quilting and simple tulip motifs rendered in red and green make this a striking example of mid-19th century quilting. The quilt is from donor Mary Newman's family, long-time residents of Somerset, Kentucky.
- The pieced tulips are appliquéd on 16 ½-inch blocks, which are set diagonally. They alternate with plain white blocks of the same dimensions. The tulips are quilted with close parallel lines, filling the shape and following the outlines. The background is 3/8-inch straight grid quilting.
- The “Tulip” quilt came to the Museum in 1936. At the time Edith B. Newman wrote, “I have a very beautiful [quilt] . . . early handmade and very artistic . . . which I inherited from my husband’s family. . . . I am growing old and have no immediate heirs who might appreciate it. . . . [It should] bear the name of my deceased husband’s sister [Mary] as its donor.”
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- TE*T07886
- accession number
- 141830
- catalog number
- T07886
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Sophia Denty's Floral Appliqued Quilt Top
- Description
- According to family information, shortly after the quilt maker, Sophia Denty, married she moved into a house built in 1729 located in Fairfax, Northern Virginia. The house at the time had an old English garden that Sophia had always admired and it was supposedly the inspiration for the patterns she chose for this quilt top.
- Twenty-five 17¼-inch blocks were appliquéd with red and green flowers and leaves in sprays, wreaths, and vases. Embroidery enhances a few of the stems. Two blocks have appliquéd star designs and one has appliquéd pineapples. Plain-weave cottons in plain colors were used. The 8¼-inch border is appliquéd with a meandering vine bearing leaves and buds. The blocks were joined after 1840. The color scheme, red-and-green, and standard designs are typical for many mid-nineteenth-century quilts.
- Sophia Barker was born on January 26, 1813, in Fairfax, Virginia. She married James Compton Denty on July 10, 1832. They lived in Northern Virginia with their eight children. Sophia died February 19, 1886 and is buried in the Pohick Church in Accotink, Fairfax, Virginia. Emeline Denty Talbott donated her grandmother’s quilt top to the Smithsonian in 1972.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- Denty, Sophia Barker
- ID Number
- TE*T15351
- catalog number
- T15351
- accession number
- 293862
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 "LeMoyne Star" Pieced Quilt
- Description
- The pieces that are used to make the 71 “LeMoyne Star” blocks on this quilt create a useful record. They represent an assortment of fabrics used for ordinary mid-19th century clothes. Brown, tan, grey, and rust-colored fabrics, most twill-woven cotton/wool, were used to piece the blocks. These alternate with 6 ½-inch squares of brown and grey striped cotton/wool fabric. The quilt is lined with a plain-weave, cotton warp/wool weft fabric. Brown carded wool serves as the filling. The quilting pattern consists of parallel diagonal lines 1 ½-inch apart, quilted at 3-4 stitches per inch.
- The machine- and hand-woven textile examples might not otherwise have been preserved if not used to craft this quilt.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- 1979.0167.01
- catalog number
- 1979.0167.01
- accession number
- 1979.0167
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Hasbrouck Family's Applique Counterpane
- Description
- This counterpane, with a version of the “Tree of Life” motif, portrays a vignette of family life in the mid-nineteenth century. It was said to have been made for the Hasbrouck family by an Englishwoman. In the 1870 and 1880 censuses, Mary Ward, who was born in Ireland, lived with them and worked as a domestic servant. Perhaps the counterpane was made by her or Elisabeth Tompson, who is listed as part of the Hasbrouck household on the 1860 census. In 1975, the Smithsonian acquired the counterpane from Josiah and Ellen Hasbrouck’s grand-daughter, Margaret Blauvelt Hasbrouck Elliot.
- Block- and roller-printed dress and furnishing cottons from 1800 to 1845 are used for the design. The ground is white cotton stamped or printed “Fine Sheeting” with the number “31” in a wreath of leaves, and a vase of flowers on a platform. Embroidered details on the counterpane are worked in both silk and cotton. The border is appliquéd with a flowering vine, and the counterpane is edged with appliquéd scallops.
- Josiah Hasbrouck was born in 1830. He married Ellen Jane Blauvelt in 1856, and had five sons, the first of whom died in infancy. They lived in Esopus, Port Ewen, Ulster County, New York, where Josiah Hasbrouck was a physician. The idyllic scene may have represented Josiah and Ellen Hasbrouck and their four sons Walter, John, Gilbert, and Josiah enjoying the banks of the nearby Hudson River.
- Location
- Currently not on view
- Date made
- 1840-1860
- quilter
- unknown
- ID Number
- TE*T17737
- accession number
- 319091
- catalog number
- T17737
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Catherine Byer's Pieced and Appliqued Quilt
- Description
- Inked leaves and a bird frame the inscription: “Eby – Byers Catherine Byers” and the place, “Chambersburg.” Below Chambersburg is noted "1837," but in a different color ink---possibly a later addition? Did Catherine make this quilt?
- Catherine Byers, born in 1805, was the daughter of Frederick Byers and Anna Eby of Pa. Catherine married James Crawford (1799-1872). They raised their children and lived on the family homestead in Franklin County, Pa. Catherine died in 1892. Both came from families who were early settlers of Pennsylvania, some of whom had fought in the Revolutionary War.
- Thirty-six pieced blocks, each with a center square of dark blue printed cotton and three appliquéd leaves at each corner create a unique pattern. The central focus is the 9 ¾-inch-block with the inked drawing and inscription. The quilt is framed by a 6-inch border and is quilted at 10 stitches per inch. As no information was included with the quilt, it is difficult to know who made the quilt and the significance of the date.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- Byers, Catherine
- ID Number
- 1980.0253.01
- catalog number
- 1980.0253.01
- accession number
- 1980.0253
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Paulding Family's "Tyger" Quilt
- Description
- “I have a quilt that has been in my husband’s family for generations . . . It is supposed to have been slept under by Martha Washington . . .” was the claim when it was offered in 1974. While the quilt was probably made in the mid-19th-century, the fabric that was used made the quilt exceptional. It is a copperplate-printed cotton produced in 1785 by Bromley Hall, England’s largest eighteenth-century textile printing firm.
- Copperplate-printing is a process, developed after 1760, by which a pattern is etched on a flat plate, color applied by brush with the excess removed by a scraper, and then the plate and fabric passed through a flat printing press. The pattern found on the fabric of this quilt is labeled “Tyger” in the Bromley Hall pattern book. It features a wide variety of classical and pastoral motifs such as two boys riding leopards, architectural ruins, a dancing shepherdess, peacocks, parrots, sunflowers, and dragonflies, among many others.
- Both the front and back of this quilt are composed of pieces of fabric copperplate-printed in brown. Each side has its own lining (one of cotton, one of linen), with a layer of cotton wadding between the two linings. A block-printed border is used for edging both layers and the two sides are whipstitched together. Most likely the "Tyger" fabric and block-printed trim were from an early set of bed furniture. The quilting consists of widely-spaced Vs, worked in crooked lines with uneven stitches, plus or minus four stitches per inch.
- The quilt was from the William Paulding family of New York . William Paulding Jr. (1770-1854) was a lawyer and active in politics. He served in the War of 1812, and as mayor of New York City 1824-1826. In 1838 Paulding, along with architect Alexander Jackson Davis, designed and built a country villa named “Knoll” (“Pauldings Folly” by his critics). The house is known today as “Lyndhurst” in Tarrytown, N. Y. A National Trust Historic Site, it remains one of the extravagant examples of 19th-century Gothic Revival mansions along the Hudson River.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- TE*T17289
- accession number
- 314087
- catalog number
- T17289
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Hexagon Silk Quilt
- Description
- Using an elaborate silk quilt, such as this hexagon example, in the parlor gave the accomplished needlewoman an opportunity to show off her work. This unknown maker displayed both her design and needlework skills as evidenced in the intricate pieced work, embroidery, and quilting on both quilts which were combined to make one.
- The large star shapes on the top quilt are composed of 1-3/8-inch silk hexagons. Each shape is contained within a ring of black hexagons, further set off by another circle of stars made of 5/8-inch diamonds. In contrast, the center focus is a rose, embroidered in chenille yarn, on black velvet. This is echoed by the 4-1/2-inch black velvet border embroidered in a rosebud vine pattern. It is completed with a cotton filling and red cotton lining, and quilted with outline stitching on the hexagons and diamonds.
- A second quilt is made of red silk with cotton filling and a printed cotton lining. It too is quilted, using red silk thread, in diagonal grid, feather plume, and circle quilting patterns. The quilting on both is 14 to 15 stitches per inch. The two complete quilts are stitched together around the edges and finished with a green binding.
- The fine quilting, the use of a variety of silks and velvets, and the intricate work all contribute to this impressive example of needlecraft from the later part of the 19th century.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- TE*T12917
- accession number
- 246047
- catalog number
- T12917
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Ann's "Quilt"
- Description
- “This quilt was made in 1840 by Ann, a colored slave girl 16 yrs. old, who wove and spun and took care of all linen on the plantation of Capt. and Mrs. William Womack (Aunt Patsy and Uncle Billy) in Pittsylvania Co. Virginia. Grandma Adams made her home with Aunt Patsy after mother’s death and inherited her large estate.” So wrote Mrs. Womack’s great-niece, Florence Adams Dubois in a note included in the 1976 donation.
- Little is known of the quiltmaker, Ann. She is probably mentioned in William Womack’s will November 1, 1849, “. . . to my beloved wife Martha Womack during her natural life the following Negro slaves to wit, Ann . . . “
- Thirty 14-inch blocks appliquéd with a crossed tulip motif are set with a 2-inch tan sashing. A 5/8-inch orange cotton bias strip is seamed to the front, and whipped to the back along three sides. The fourth side has a 1 ½-inch straight strip of cotton seamed to the front, and whipped to the back. While the blocks may have been made in the 1840s, the bedcover was probably assembled some time later.
- Location
- Currently not on view
- date made
- 1840-1860
- ID Number
- TE*T18124
- accession number
- 323485
- catalog number
- T18124
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Clarissa Penn's Silk Quilt
- Description
- Attached to this quilt when it was donated in 1975 was a note: “Made of Wedding and ‘Second Day’ dresses belonging to Mrs. William Penn (nee Clarissa Tarleton,) of St. Mary’s County, Maryland. (Circa 1800).” While many of the fabrics in this quilt are from the mid-19th century, the pale yellow and pearl-grey silks are possibly of an earlier date. They show wear and darning. Clara Tarlton married William Penn on March 7, 1809, in St Mary’s County, Maryland. Perhaps years later she fashioned this quilt using some of her wedding trousseau.
- The pale yellow eight-pointed star in the center is set off by a purple ground and peach border. Seven more colorful borders frame the center. Meandering and feathered vines, bowknots, and flowers, as well as diagonal grid and parallel line patterns used for the quilting, further delineate the borders. The quilt has been relined with glazed cotton, replacing the original lining of grey-green wool. The quilting was originally done in yellow and ivory silk. Later quilting utilized various colors of silk thread, and was quilted through both linings. The adept use of color enhances the geometric balance of this quilt which preserved the fabric mementoes of a special event.
- While it is not known that Clarissa was a Quaker, the quilt is typical of Quaker silk quilts of the early 19th century. These were made of solid colors, often expensive silks and/or remnants of wedding dresses. Quilts such as Clarissa’s were treasured as decorative and commemorative items and subsequently well cared for.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- TE*T17738
- accession number
- 319017
- catalog number
- T17738
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1841 Ann Bender Snyder's Child's Quilt
- Description
- This white-work child's quilt belonged to Ann Bender Snyder in the 1840s, whether it was intended for her own child is not known. Forty years later Ann Bender Snyder gave the quilt to her god daughter, Nina Knode, as a baptismal gift when she was six months old. Nina Knode Heft always felt that it was a "museum piece" and that "after she was gone nobody would be interested in taking care of [it] in the same manner as she had." William Heft, Nina Knode's husband, followed his wife's wishes and donated it in her name to the Museum in 1940.
- The all white cotton quilt has a center medallion consisting of a basket of fruit above the quilted initials "A B S" enclosed in a feathered vine. This in turn is surrounded by an undulating vine bearing grapes, flowers, and pineapples. Stems and straight lines are stuffed with cotton roving. The border has a zigzag row of pointed oval leaves. Three sides of the quilt are edged with a 3-inch netted fringe.
- Ann Bender was born in about 1830, and married Oliver H. Snyder on 15 September 1847. In 1848 they had a daughter, Alice, who died at age five in 1853. Both Ann and Oliver Snyder lived in Funkstown, Maryland. Both died in 1887 and are buried in the Funkstown Public Cemetery.
- Location
- Currently not on view
- Date made
- 1841
- quilter
- Snyder, Ann Bender
- ID Number
- TE*T08434
- accession number
- 157749
- catalog number
- T08434
- Data Source
- National Museum of American History, Kenneth E. Behring Center
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