Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.

Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.

This tinted lithograph of “Mission and Plain of San Fernando” was originally drawn by an expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate VI following page 74 in the "Geological Report by W. P.
Description (Brief)
This tinted lithograph of “Mission and Plain of San Fernando” was originally drawn by an expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate VI following page 74 in the "Geological Report by W. P. Blake (1826-1910), Geologist and Minerologist to the Expedition," as part of Volume V, Part II of the "Report of Lieutenant R. S. Williamson (1825-1882), Corps of Topographical Engineers, Upon the Routes in California to Connect with the Routes Near the Thirty-fifth and Thirty-second Parallels" by Lieutenant R. S. Williamson ... in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) in Washington, D.C.
Location
Currently not on view
date made
1856
publisher
U.S. War Department
printer
Tucker, Beverley
author
Williamson, Robert Stockton
Blake, William Phipps
original artist
Koppel, Charles
graphic artist
unknown
publisher
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.10729.38
accession number
62261
This tinted lithograph of “Mirage on the Colorado River” was prepared after an original sketch by ah expedition geologist and artist William P. Blake (1826-1910). It was printed as Plate XII in Volume V, Part II following page 250 in the "Geological Report by W. P.
Description
This tinted lithograph of “Mirage on the Colorado River” was prepared after an original sketch by ah expedition geologist and artist William P. Blake (1826-1910). It was printed as Plate XII in Volume V, Part II following page 250 in the "Geological Report by W. P. Blake, Geologist and Minerologist to the Expedition," as part of Volume V, Part II of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1856
publisher
U.S. War Department
printer
Tucker, Beverley
expedition leader
Williamson, Robert Stockton
author
Blake, William Phipps
original artist
Blake, William Phipps
graphic artist
unknown
publisher
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.10729.32
accession number
62261
This tinted lithograph of “Great Basin from the Summit of Tejon Pass” was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate V in Volume V, Part II following page 50 in the "Geological Report by W. P.
Description (Brief)
This tinted lithograph of “Great Basin from the Summit of Tejon Pass” was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate V in Volume V, Part II following page 50 in the "Geological Report by W. P. Blake, Geologist and Minerologist to the Expedition," as part of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1856
publisher
U.S. War Department
printer
Tucker, Beverley
author
Williamson, Robert Stockton
original artist
Koppel, Charles
Koppel, Charles
graphic artist
unknown
publisher
U.S. Army Corps of Engineers Topographic Command
original artist
Koppel, Charles
ID Number
GA.10729.33
accession number
62261
Made in Fort Wayne Indiana, this gasoline pump sold "Red Crown" gasoline, a brand produced by Standard Oil of Indiana.
Description
Made in Fort Wayne Indiana, this gasoline pump sold "Red Crown" gasoline, a brand produced by Standard Oil of Indiana. Consumers could see how much gas was pumped as the arrow moved around the face dial.
As Americans began to drive gasoline-fueled cars in large numbers, oil companies and gasoline stations created technologies and systems to fulfill the demands of consumers. By the 1930s, pumps were the recognizable ancestors of the ones we use today.
Date made
1930
date made
1932
distributor
Amoco
maker
Wayne Oil Tank & Pump Company
ID Number
TR.326809
accession number
265699
catalog number
326809
This panbone, or section of the back of a sperm whale’s jaw, served as the canvas for a whaleman’s freehand drawing of a busy whale hunt off the coast of the volcanic island of Ternate, one of the Spice Islands in Indonesia and the world’s main source of cloves until the 18th cen
Description
This panbone, or section of the back of a sperm whale’s jaw, served as the canvas for a whaleman’s freehand drawing of a busy whale hunt off the coast of the volcanic island of Ternate, one of the Spice Islands in Indonesia and the world’s main source of cloves until the 18th century.
In the lower left, a woman reaches out for her whaleman, who symbolically stands across the sea with one hand over his heart and a harpoon in the other. In her background is a tranquil domestic scene, probably their home. In the center, a fenced precinct labels the main scene. Above, on the right are the named whalers Margaret of London and Sophia of Nantucket. The remainder of the lively scene portrays seven whaleboats chasing a pod of six whales.
The artist has managed to convey loneliness between loved ones, great distance from home, an exotic and remote tropical locale, and a busy whale hunt on a single stretch of whalebone.
Date made
mid 19th Century
depicted
late 18th century
ID Number
DL.057605A
catalog number
57605A
accession number
2009.0206
As Hurricane Katrina approached in August 2005, over 80 percent of the residents of New Orleans fled the city during the mandatory evacuation. Thousands of residents, however, could not or would not leave.Currently not on view
Description
As Hurricane Katrina approached in August 2005, over 80 percent of the residents of New Orleans fled the city during the mandatory evacuation. Thousands of residents, however, could not or would not leave.
Location
Currently not on view
Associated Date
2005
fabricator
New Orleans Department of Public Works
ID Number
2005.0284.01
accession number
2005.0284
catalog number
2005.0284.01
This pen-and-ink comic art drawing by Rube Goldberg from 1924 features the concept of using “windy” political speeches as free energy.Rube Goldberg (1883-1970) was an engineer before he was a comic artist.
Description (Brief)
This pen-and-ink comic art drawing by Rube Goldberg from 1924 features the concept of using “windy” political speeches as free energy.
Rube Goldberg (1883-1970) was an engineer before he was a comic artist. After receiving an engineering degree, he started his career designing sewers for the City of San Francisco, but then followed his other interest and took a job as a sports cartoonist for the San Francisco Chronicle. After moving to New York in 1907 Goldberg worked for several newspapers, producing a number of short-lived strips and panels—many of which were inspired by his engineering background, including his renowned invention cartoons. In the late 1930s and 1940s he switched his focus to editorial and political cartoons and in 1945 founded the National Cartoonists Society. The Reuben, comic art’s most prestigious award, is named after him.
Location
Currently not on view
date made
1924-10-31
original artist
Goldberg, Rube
ID Number
GA.23492
catalog number
23492
accession number
299186
The obverse of this large sperm whale tooth is carved with the image of a strange warship of unknown type, as though the scrimshaw artist had never seen a real vessel in the water but was perhaps using an illustration for inspiration.The vessel sits deep in the water, but the top
Description
The obverse of this large sperm whale tooth is carved with the image of a strange warship of unknown type, as though the scrimshaw artist had never seen a real vessel in the water but was perhaps using an illustration for inspiration.
The vessel sits deep in the water, but the top of the rudder is showing. Nine gunports adorn the starboard (right) side of the vessel, but the ports are compressed into horizontal slits close to the waterline, where they would have flooded in even moderate seas. The sails are all rigged but have deep cutouts along the bottom edges, and all the rigging lines are slack. Each of the three masts has a fighting top, and each mast is capped with a long, fluttering pennant reminiscent of a medieval jousting tournament. The ship is framed with a rope motif and beneath is the name "Eliza 1863" in an ornate beribboned panel.
The reverse is decorated more conventionally, with an eagle with spread wings atop a shield containing stars and stripes. A ribbon below proclaims "United States of America" and a pennant above the eagle says "Mighty Eagle". Around the top of the tooth is written "NEW LONDON".
Location
Currently not on view
date made
19th-20th century
ID Number
1978.0052.14
accession number
1978.0052
catalog number
1978.52.14
Pound for pound, ambergris was the most valuable product produced by the whale. It was—and is—also the rarest and most enigmatic whale product.
Description
Pound for pound, ambergris was the most valuable product produced by the whale. It was—and is—also the rarest and most enigmatic whale product. An opaque, waxy substance from a sperm whale’s intestines, it was found occasionally in the stomachs of whales being processed on whale ships. More commonly, it was found floating on the surface of the world’s oceans or washed up on the shore in pieces that could weigh several hundred pounds. It was used by western cultures as a fixative to prolong the scent of perfumes into the later 20th century.
But why it is formed—and from which end of a sperm whale it is expelled—remains unknown. Fragments of squid beaks are often found inside the pieces, and some scientists believe that ambergris forms around the sharp, indigestible squid beaks to prevent irritating or cutting a whale’s intestines. Others consider it the cetacean equivalent of human gallstones.
ID Number
1991.0083.01
catalog number
1991.0083.01
accession number
1991.0083
The skipjack is the last in a long line of sailing craft designed for work in the Chesapeake Bay oyster industry.
Description
The skipjack is the last in a long line of sailing craft designed for work in the Chesapeake Bay oyster industry. First built in the late 1800s, this sloop-rigged, single masted vessel was easy to maneuver even in light winds, and its V-shaped hull allowed oystermen to work in shallow waters. This model represents the Gertrude Wands, a skipjack built by John Branford on the Eastern Shore of Maryland in 1899. It is named after a little girl who lived in the community of Inverness.
Like bugeyes, skipjacks were built for oyster dredging under sail. But unlike the round-bottomed bugeye, the skipjack had a V-shaped hull, which was easier to build and did not require the huge logs of the traditional bugeye. Skipjacks were also smaller than bugeyes, ranging in size from 25 to 50 feet.
By the early 20th century, skipjacks had replaced bugeyes and were the main dredging craft on the bay. An 1865 Maryland law restricting dredging to sail-powered vessels ensured the continued use of sailing craft for oystering. Only in 1967 was the law amended to allow the use of a gasoline-powered push boat on Mondays and Tuesdays of each week. A push boat is shown on davits at the stern (back) of this model.
Maryland’s skipjacks are the last commercial fishing boats operating under sail in North America. In 1985, the skipjack was named Maryland’s official state boat. With the steep decline of the oyster population in the Chesapeake Bay, most skipjacks have become floating classrooms for public education programs about the bay. Several have been donated to museums for preservation. Still, many people who live in the Chesapeake region harbor a sense of longing and nostalgia for the days when the large white sails of skipjacks filled the horizon.
date made
1968
date Gertrude Wands was built
1899
built Gertrude Wands
Branford, John
ID Number
TR.328687
accession number
276670
catalog number
328687
Currently not on view
Location
Currently not on view
Date made
1825 - 1835
fashion
19th century
ID Number
CS.287645.001
catalog number
287645.001
Pie crimpers or jagging wheels are among the most common scrimshaw items carved by American 19th century whalemen. They were useful, as well as decorative kitchen implements.
Description
Pie crimpers or jagging wheels are among the most common scrimshaw items carved by American 19th century whalemen. They were useful, as well as decorative kitchen implements. The fluted wheel was used to cut dough or seal the top of a pie crust to the sides before baking.
This example’s shaft is in the form of a snake or sea serpent, with a tongue in the shape of a three-tine fork. The fork was used to decorate or poke holes in the upper pie crust to vent the steam created by baking.
date made
19th century
Associated Date
19th century
ID Number
DL.388597
catalog number
388597
accession number
182022
“Straight edges” or rulers were used aboard ships as writing guides on the unlined pages of letters, journals and logbooks.
Description
“Straight edges” or rulers were used aboard ships as writing guides on the unlined pages of letters, journals and logbooks. The back side of this long stick is marked in 2-1/4, 4-1/2 and 9-inch sections, indicating another usage, probably by the ship’s cooper to measure the level of liquid (water, wine, beer or whale oil) in his wooden casks.
date made
1800s
collected
1960-07-26
ID Number
DL.61.0049
catalog number
61.49
accession number
231930
catalog number
61.0049
For much of the nineteenth century, ladies' fashion required very small waists. The most common way to achieve this was to wear a tight laced corset, which could be adjusted according to the specific garment it accompanied.
Description
For much of the nineteenth century, ladies' fashion required very small waists. The most common way to achieve this was to wear a tight laced corset, which could be adjusted according to the specific garment it accompanied. Like this example, many of them were handmade to fit an individual, although they were also available in shops.
One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman's loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved's feelings.
One side of this whalebone busk contains three cityscapes, two of which have busy ports with lots of shipping. The other side has eight vertical pictures, topped by a full frontal portrait of a beautiful young woman. She may represent the recipient of this busk. Below her is a city scene with multiple church steeples over a flag in a precinct. A multi-colored circular geometric pattern is at the center, above a garden scene over a delicate basket of flowers. Next is a three-masted warship, and at the bottom is a large rural villa overlooking a walled garden. Can these pictures be woven into a story?
date made
mid-nineteenth century
mid-1800s
fashion
19th century
ID Number
DL.374478
catalog number
374478
accession number
136263
For much of the 19th century, ladies’ fashion required very small waists. The most common way to achieve this was to wear a tightly laced corset, which could be adjusted according to the specific dress it accompanied.
Description
For much of the 19th century, ladies’ fashion required very small waists. The most common way to achieve this was to wear a tightly laced corset, which could be adjusted according to the specific dress it accompanied. Like this example, many corsets were handmade to fit an individual, although they were also available in shops.
One of the most intimate pieces of scrimshaw a whaleman could produce was a bone or baleen busk, or corset stiffener. These were carved and given to a crewman’s loved one, who then inserted it into a matching sleeve on her corset as a unique memento of her beloved’s feelings.
Each of these busks has a cityscape etched into one side. The other side of one has eight pictures, topped by a portrait of a beautiful young woman. The other has a plaintive love poem on the back.
date made
mid-1800s
collected
1951-06-29
fashion
19th century
ID Number
TR.388604
catalog number
TR*388604
accession number
182022
Women and ships were the most popular subjects for scrimshaw carved by crewmen on long, slow whaling voyages.
Description
Women and ships were the most popular subjects for scrimshaw carved by crewmen on long, slow whaling voyages. In this deeply engraved example, a beautifully coiffed and fashionable young lady, possibly in mourning dress, has pulled a locket from her bodice and is gazing at the image of a smiling young man. The curls of her girlish hairstyle would indicate that she is unmarried, although the traditional ring finger of her left hand is not shown. The mid-19th-century date of this tooth is suggested by the style of the dress.
Date made
ca 1840
maker
unknown
ID Number
TR.374506
catalog number
374506
accession number
136263
Every whaling voyage began with assembling a crew from whatever labor pool was available in a port city at a particular time. In New Bedford in late May 1876, 31 men signed to work aboard the 106-foot bark Bartholomew Gosnold for its next voyage.
Description
Every whaling voyage began with assembling a crew from whatever labor pool was available in a port city at a particular time. In New Bedford in late May 1876, 31 men signed to work aboard the 106-foot bark Bartholomew Gosnold for its next voyage. Less than half were from the United States; the rest were from Portugal, England, Ireland, Germany, France and Scotland. The two Frenchmen and one of the eight Portuguese were listed as blacks; the remaining men were of light or brown complexion. Four each of the crew were in their forties and thirties; 16 were in their twenties, and six were in their teens. Three of these teenagers, all from the New Bedford area, were only 16 years old when they shipped out.
date made
1876-05
ID Number
TR.103009.03
catalog number
103009.03
accession number
12006
Starting in 1790, American merchant ships larger than 150 tons and with more than 10 crew members were required to have medicine chests with contents assembled by an “apothecary of known reputation.” These had to be accompanied by instructions for the administration of each medic
Description
Starting in 1790, American merchant ships larger than 150 tons and with more than 10 crew members were required to have medicine chests with contents assembled by an “apothecary of known reputation.” These had to be accompanied by instructions for the administration of each medicine. Most commonly, either the captain or first mate administered pharmaceutical products to any crew in need.
This example has labels from the ports of Baltimore, Maryland; Mamaroneck, New York, and Halifax, Nova Scotia, indicating it was replenished more than once over its useful life.
Date made
19th Century
maker
Gray Telephone Pay Station Co.
ID Number
MG.302606.154
catalog number
302606.154
accession number
302606
Carved from the teeth of captured sperm whales, whale stamps were used to record the type of whale and number of barrels of oil they yielded.The stamps were inked onto the page of whaleship logbooks or sailors’ journals, with an empty space in the whale’s body for writing in the
Description
Carved from the teeth of captured sperm whales, whale stamps were used to record the type of whale and number of barrels of oil they yielded.
The stamps were inked onto the page of whaleship logbooks or sailors’ journals, with an empty space in the whale’s body for writing in the number of barrels. This example in the form of a sperm whale is decorated with steel pin heads and a turned handle.
date made
1800s
ID Number
1978.0052.06
accession number
1978.0052
catalog number
1978.52.6
Part of the navigator’s tool kit, parallel rules were used to transfer compass points, course lines and other directional information across large charts without change. This large wooden set has a carved ivory whale inlaid into its surface, with a brass tack for the whale’s eye.
Description
Part of the navigator’s tool kit, parallel rules were used to transfer compass points, course lines and other directional information across large charts without change. This large wooden set has a carved ivory whale inlaid into its surface, with a brass tack for the whale’s eye.
ID Number
1978.0052.08
accession number
1978.0052
catalog number
1978.52.31
Made of hard wood, bone, or ivory and tapering to a point, fids were used mostly for ropework, such as splicing. On deck, they were also used for breaking knots that might be frozen from overtightening, wet weather, or other conditions.
Description
Made of hard wood, bone, or ivory and tapering to a point, fids were used mostly for ropework, such as splicing. On deck, they were also used for breaking knots that might be frozen from overtightening, wet weather, or other conditions. In a pinch, one could also serve as a temporary belaying pin to tie off a line, or even as a weapon.
date made
1800s
ID Number
AG.025650
catalog number
025650
accession number
4798
Seam rubbers were part of a sail maker’s tool kit. They were used to smooth and flatten the seams of heavy canvas sailcloth, where two pieces were joined or the edges were hemmed before they were sewn.
Description
Seam rubbers were part of a sail maker’s tool kit. They were used to smooth and flatten the seams of heavy canvas sailcloth, where two pieces were joined or the edges were hemmed before they were sewn. This unusually large example was probably carved from the panbone, part of a whale’s jaw.
date made
1800s
ID Number
AG.025793
accession number
4957
catalog number
025793
Very little is known of Lewis Temple's early life. Born around 1800 to slave parents in Richmond, Virginia , by 1829 he had moved to New Bedford, Massachusetts, where he married.
Description
Very little is known of Lewis Temple's early life. Born around 1800 to slave parents in Richmond, Virginia , by 1829 he had moved to New Bedford, Massachusetts, where he married. By 1836, he had a blacksmith shop on a local wharf, where he made shipsmithing items like spikes, harpoons, rigging elements, cargo hooks, barrel hoop and other iron ship fittings.
Temple developed a simple but significant refinement to the harppon: the so-called Temple toggle iron or gig. This feature at the tip of a harpoon offered a more secure way to hook into a whale. Unfortunately, Temple never patented his idea, which swiftly achieved widespread application throughout the world's whale fisheries. He died in May 1854, unrecognized and in debt.
While Lewis Temple did not invent the toggle, his invention made it better. The first barb at the tip of the dart was designed to penetrate the whale's flesh, and the second barb also went straight in. A small wooden peg holding the lower barb in place would then break when the whale pulled away, allowing the barbed head to swivel away from the shaft. The new T-shape of the barb prevented the dart from pulling out of its wound.
date made
ca 1859
inventor
Temple, Lewis
ID Number
TR.330535A
catalog number
330535a
accession number
294088
This colored lithograph of "Buteo calurus [Cassin]," now "Buteo jamaicensis calurus" or Red-tailed Hawk, is believed to have been drawn on stone by William E.
Description (Brief)
This colored lithograph of "Buteo calurus [Cassin]," now "Buteo jamaicensis calurus" or Red-tailed Hawk, is believed to have been drawn on stone by William E. Hitchcock (ca 1822-ca 1906), lithographed by Bowen & Company of Philadelphia (ca 1840-1870), and likely hand colored by Bowen firm colorists or Lavinia Bowen (ca 1820- ca 1872).
The image was published as Plate XIV in the "Zoological Portion of the Reports by Lieutenant E. G. Beckwith, Third Artillery, upon the Route near the 38th and 39th Parallels, surveyed by Captain J. W. Gunnison, Corps of Topographical Engineers, and upon the route near the Forty–First Parallel, surveyed by Lieut. E. G. Beckwith, Third Artillery.” The report was published in volume X of the “Reports and Surveys to Ascertain the Most Practable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean ... 1853, 1856, Volume X," printed in 1859 by Beverley Tucker of Washington, D.C.
Location
Currently not on view
date on report
1854
date printed in book
1859
original artist
Cassin, John
publisher
U.S. War Department
author
Beckwith, Edward Griffin
publisher
U.S. Army Corps of Engineers Topographic Command
printer
Nicholson, A. O. P.
ID Number
GA.16332.017
accession number
1930.110179
catalog number
16332.017

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