Natural Resources

Lithograph of

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.

Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.

Topic: Transportation

Lithograph of bird species "Centurus uropygialis"

This colored lithograph of "Centurus uropyglialis [Baird], now Melanerpes uropyglialis" or Gila Woodpecker, is believed to have been originally drawn by C. B. R. Kennerly (1830-1861) and H. B. Mollhausen (1825-1905), then drawn on stone by William E.
Description
This colored lithograph of "Centurus uropyglialis [Baird], now Melanerpes uropyglialis" or Gila Woodpecker, is believed to have been originally drawn by C. B. R. Kennerly (1830-1861) and H. B. Mollhausen (1825-1905), then drawn on stone by William E. Hitchcock (ca 1822-ca 1906), lithographed by Bowen & Company of Philadelphia (ca 1840-1870), and likely hand colored by Bowen firm colorists or Lavinia Bowen (ca 1820- ca 1872).
The image was published as Plate XXXVI in the Zoological Report, Volume X, Part VI, No. 3, following page 35 in C. B. R. Kennerly's "Report Upon the Birds of the Route" (near the 35th Parallel explored by Lieutenant Whipple in 1853 and 1855). The report was published in the volume “Reports and Surveys to Ascertain the Most Practable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean ... 1853, 1856, Volume X," printed in 1859 by Beverley Tucker of Washington, D.C.
Location
Currently not on view
date of book publication
1859
1859
author
Whipple, Amiel Weeks
Ives, Joseph Christmas
original artist
Kennerley, Caleb Burwell Rowan
publisher
U.S. War Department
printer
Nicholson, A. O. P.
publisher
U.S. Army Corps of Engineers Topographic Command
original artist
Mollhausen, H. B.
ID Number
GA.16332.089
catalog number
16332.089
accession number
1930.110179

Lithograph of bird species "Buteo elegans"

This colored lithograph of Buteo elegans [Cassin] (Red-shouldered Hawk) is believed to have been drawn on stone by William E.
Description (Brief)
This colored lithograph of Buteo elegans [Cassin] (Red-shouldered Hawk) is believed to have been drawn on stone by William E. Hitchcock (ca 1822-ca 1906), lithographed by Bowen & Company of Philadelphia (ca 1840-1870), and likely hand colored by Bowen firm colorists or Lavinia Bowen (ca 1820- ca 1872).
The image was published as Plate II in the Zoological Report, Volume X, Part IV, No. 2 in A. L. Heermann's "Report Upon the Birds Collected on the Survey (between San Francisco and Fort Yuma, California)", following page 80. The report was published in the larger volume “Report of Explorations in California for Railroad Routes to Connect with the Routes near the 35th and 32nd Parallels of North Latitude" by Lieutenant R. S. Williamson, Corps of Topographical Engineers. The volume was printed in 1859 by Beverly Tucker of Washington, D.C.
Location
Currently not on view
date of book publication
1859
publisher
U.S. War Department
printer
Nicholson, A. O. P.
publisher
U.S. Army Corps of Engineers Topographic Command
author
Williamson, Robert Stockton
Heerman, Dr. A. L.
ID Number
GA.16332.067
catalog number
16332.067
accession number
1930.110179

Lithograph of bird species "Carpodacus cassinii and Melospiza fallax"

This colored lithograph of "Carpodacus cassinii [Baird] and Melospiza fallax [Baird]" (now "Carpodacus assinii" (Cassin's finch) and "Melospiza melodia fallax (Song sparrow) is believed to have been originally drawn by C. B. R. Kennerly (1830-1861) and H. B.
Description (Brief)
This colored lithograph of "Carpodacus cassinii [Baird] and Melospiza fallax [Baird]" (now "Carpodacus assinii" (Cassin's finch) and "Melospiza melodia fallax (Song sparrow) is believed to have been originally drawn by C. B. R. Kennerly (1830-1861) and H. B. Mollhausen (1825-1905), then drawn on stone by William E. Hitchcock (ca 1822-ca 1906), lithographed by Bowen & Company of Philadelphia (ca 1840-1870), and likely hand colored by Bowen firm colorists or Lavinia Bowen (ca 1820- ca 1872).
The image was published as Plate XXVII in the Zoological Report, Volume X, Part VI, No. 3, following page 35 in C. B. R. Kennerly's "Report Upon the Birds of the Route" (near the 35th Parallel explored by Lieutenant Whipple in 1853 and 1855). The report was published in the volume “Reports and Surveys to Ascertain the Most Practable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean ... 1853, 1856, Volume X." The volume was printed in 1859 by Beverley Tucker of Washington, D.C.
Location
Currently not on view
date of section
1853-1854
date of book publication
1859
printer
Nicholson, A. O. P.
author
Whipple, Amiel Weeks
Ives, Joseph Christmas
original artist
Kennerley, Caleb Burwell Rowan
publisher
U.S. War Department
U.S. Army Corps of Engineers Topographic Command
original artist
Mollhausen, H. B.
Mollhausen, H. B.
ID Number
GA.16332.081
catalog number
16332.081
accession number
1930.110179

Lithograph of "Cascades of the Columbia"

This tinted lithograph of “Cascades of the Columbia" was produced by Sarony, Major & Knapp (fl. 1857-1867) after an original sketch by John Mix Stanley (1814-1872). It was printed as Plate XLV in Volume XII, Book I, following page 155, in the "General Report" by Isaac I.
Description (Brief)
This tinted lithograph of “Cascades of the Columbia" was produced by Sarony, Major & Knapp (fl. 1857-1867) after an original sketch by John Mix Stanley (1814-1872). It was printed as Plate XLV in Volume XII, Book I, following page 155, in the "General Report" by Isaac I. Stevens (1818-1862) in the "Report of Explorations for a Route for the Pacific Railroad near the 47th and 49th Parallels of North Latitude, from St. Paul, Minnesota, to Puget Sound," 1855.
The volume was published as part of the "Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean," published as a twelve volume set in the mid-1850s to 1860. Volume 12 was printed in 1860 by Thomas H. Ford (1814-1868).
Location
Currently not on view
date of book publication
1860
graphic artist
Sarony, Major, & Knapp
original artist
Stanley, John Mix
graphic artist
Sarony, Major, & Knapp
original artist
Stanley, John Mix
author
Stevens, Isaac Ingalls
printer
Ford, Thomas H.
graphic artist
Sarony, Major, & Knapp
publisher
U.S. War Department
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.24834
catalog number
24834
accession number
1978.0612

Lithograph of "South End of S. Inez Mountains & S. Buenaventura Valley"

This tinted lithograph of “South End of S. Inez Mountains & S. Buenaventura Valley" was produced after an original sketch by engineer and surveyor A. H. Campbell (1826-1899).
Description (Brief)
This tinted lithograph of “South End of S. Inez Mountains & S. Buenaventura Valley" was produced after an original sketch by engineer and surveyor A. H. Campbell (1826-1899). It was printed as Plate II in Volume VII, Part I, following page 6, in the "General Report," part of the "Report of Explorations for Railroad Routes from San Francisco Bay to Los Angeles, California, West of the Coast Range, and from the Pimas Villages on the Gila to the Rio Grande, Near the 32nd Parallel of North Latitude," by Lieutenant John G. Parke, Corps of Topographical Engineers, Assisted by Albert H. Campbell, Civil Engineer, 1854-1855."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1857
graphic artist
A. Hoen & Co.
original artist
Campbell, A. H.
publisher
U.S. War Department
author
Parke, J. G.
publisher
U.S. Army Corps of Engineers Topographic Command
graphic artist
A. Hoen & Co.
ID Number
GA.16332.048
catalog number
16332.048
accession number
1930.110179

Chromolithograph of "Los Angeles"

This tinted lithograph of “Los Angeles" was produced by Thomas Sinclair (1805-1881) after an original sketch by expedition artist Charles Koppel (fl. 1853-1865).
Description (Brief)
This tinted lithograph of “Los Angeles" was produced by Thomas Sinclair (1805-1881) after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate X in Volume V, Part I, following page 34, in the "General Report," part of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1856
publisher
U.S. War Department
printer
Tucker, Beverley
author
Williamson, Robert Stockton
original artist
Koppel, Charles
graphic artist
unknown
publisher
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.10729.36
accession number
62261

Chromolithograph of "Metamorphic Rocks-Borders of the Desert"

This tinted lithograph of “Metamorphic Rocks - Borders of the Desert" was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate XIII in Volume V, Part II, following page 235, in the "Geological Report by W. P.
Description (Brief)
This tinted lithograph of “Metamorphic Rocks - Borders of the Desert" was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate XIII in Volume V, Part II, following page 235, in the "Geological Report by W. P. Blake, Geologist and Minerologist to the Expedition," as part of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1856
publisher
U.S. War Department
printer
Tucker, Beverley
graphic artist
unknown
original artist
Koppel, Charles
author
Blake, William Phipps
Williamson, Robert Stockton
publisher
U.S. Army Corps of Engineers Topographic Command
original artist
Koppel, Charles
ID Number
GA.10729.37
accession number
62261

Chromolithograph of "Fort Massachusetts at the Foot of the Sierra Blanca Valley of San Luis"

This tinted lithograph of “Fort Massachusetts at the Foot of the Sierra Blanca Valley of San Luis" was produced by Thomas Sinclair (1805-1881), Philadelphia, after a sketch by John Mix Stanley (1814-1872) and an original sketch by expedition artist R. H. Kern (1821-1853).
Description
This tinted lithograph of “Fort Massachusetts at the Foot of the Sierra Blanca Valley of San Luis" was produced by Thomas Sinclair (1805-1881), Philadelphia, after a sketch by John Mix Stanley (1814-1872) and an original sketch by expedition artist R. H. Kern (1821-1853). It was printed as a plate in Volume II following page 38, in the "Report of Explorations for a Route for the Pacific Railroad, by Captain J. W. Gunnison (1812-1853), Topographical Engineers, Near the 38th and 39th Parallels of North Latitude, from the Mouth of the Kansas River, Missouri to the Sevier Lake in the Great Basin" by Lieutenant E. G. Beckwith (1818-1881), Third Artillery.
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1855 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1855
engraver
Stanley, John Mix
artist
Kern, Richard H.
printer
Sinclair, T.
publisher
U.S. War Department
author
Beckwith, Edward Griffin
Gunnison, John Williams
printer
Tucker, Beverley
publisher
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.10729.27
accession number
62261

Chromolithograph of "Colorado Desert and Signal Mountain"

This tinted lithograph of “Colorado Desert and Signal Mountain" was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865).
Description (Brief)
This tinted lithograph of “Colorado Desert and Signal Mountain" was produced after an original sketch by expedition artist Charles Koppel (fl. 1853-1865). It was printed as Plate XI in Volume V, Part I, following page 40, in the "General Report," part of the “Routes in California, to Connect with the Routes near the Thirty–Fifth and Thirty–Second Parallels, Explored by Lieutenant R. S. Williamson, Corps of Topographical Engineers, in 1853."
The volume was printed as part of the "Reports of Explorations and Surveys, to ascertain the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean" in 1856 by A. P. O. Nicholson (1808-1876) of Washington, D.C.
Location
Currently not on view
date made
1856
original artist
Koppel, Charles
publisher
U.S. War Department
author
Williamson, Robert Stockton
printer
Tucker, Beverley
graphic artist
unknown
publisher
U.S. Army Corps of Engineers Topographic Command
ID Number
GA.10729.26
accession number
62261

Scrimshaw Panbone Port Scene

The absence of much pinpricking in this elaborate panbone picture indicates a highly skilled scrimshaw artist who was able to sketch the fantastic port scene freehand.
Description
The absence of much pinpricking in this elaborate panbone picture indicates a highly skilled scrimshaw artist who was able to sketch the fantastic port scene freehand. The presence of palm trees indicates a warm climate, dominated by naval warships in a fortified harbor with its own lighthouse. Military camps dominate the land, and a smaller factory or mill town on the bottom of the scene is defended by a partial stockade.
The artist has left no clues for the specific location of this beautifully detailed landscape, although the palm trees suggest somewhere in the vicinity of the equator.
date made
19th century
1800s
ID Number
DL.374479
catalog number
374479
accession number
136263

Polychrome Scrimshaw Whale Tooth

Even whalemen with little or no artistic talent could carve highly detailed scenes, through use of the pinprick technique. In this method, a picture was cut from a contemporary magazine and then pasted or dampened to stick to the polished surface of a sperm whale's tooth.
Description
Even whalemen with little or no artistic talent could carve highly detailed scenes, through use of the pinprick technique. In this method, a picture was cut from a contemporary magazine and then pasted or dampened to stick to the polished surface of a sperm whale's tooth. A sharp pin was then pushed through the lines of the image, which was then removed. This left lines of dots; when these were connected with engraved lines, they formed a copy of the original picture. Most commonly, lamp black (soot) was then rubbed into the engraved lines to make them stand out from the background of the tooth, although colored pigments like those on this tooth also could be applied for variety. The high fashion of this lady's garments bracket a date just a few years after the end of the Civil War.
Date made
1865 - 1869
ID Number
DL.374502
catalog number
374502
accession number
136263

Sperm Whale Tooth Watch Stand

Scrimshaw known to have been made specifically for men is comparatively rare.
Description
Scrimshaw known to have been made specifically for men is comparatively rare. This unfinished tooth was hollowed out at the back to carry a gentleman’s pocket watch inside, perhaps set on a wardrobe, a bureau or a dressing table overnight.
Patriotic imagery was very popular on American scrimshaw. At the top is a large eagle in flight clutching arrows and an olive branch; the hole for the watch is framed by a simple scalloped line. The space at the bottom was probably reserved for the owner’s initials or possibly a date, and the two holes were likely drilled for ivory buttons. The piece was unfinished when it was donated in 1875 by J. H. Clark of Newport, R.I.
date made
19th century
Associated Date
collected
ID Number
DL.024905
catalog number
024905
accession number
4331

Bill

Camera-ready pen and ink drawings by Rube Goldberg for his two comic series Bill and Boob McNutt dated June 12, 1932.
Description
Camera-ready pen and ink drawings by Rube Goldberg for his two comic series Bill and Boob McNutt dated June 12, 1932. Goldberg drew for the Bill series between 1931 and 1934, and the Boob McNutt series between 1915 and 1934.
Bill and girlfriend Sally try to recover stolen jewels with the help of old Captain Jim. Boob and Mike and Ike are thought to have been killed while flying on the damaged dirigible.
Location
Currently not on view
Date made
June 12, 1932
original artist
Goldberg, Rube
publisher
Star Company
ID Number
GA.23496
accession number
1972.299186
catalog number
GA*23496

Whaler's Head Spade

Once a whale was caught, killed, and brought alongside the mother ship, the outer flesh and fat layer, or blubber, was peeled off the carcass.
Description
Once a whale was caught, killed, and brought alongside the mother ship, the outer flesh and fat layer, or blubber, was peeled off the carcass. Then the remains were drawn onto the vessel’s deck for further processing.
The heavy head spade was used for decapitating the whale, by chopping through the vertebrae at the base of the animal’s skull. Then the head and bone could be further processed.
ID Number
1990.0018.102
catalog number
1990.0018.102
accession number
1990.0018

Whaler's Chopper

After the whale skin and attached fat, together called blubber, was hauled aboard the mother ship for processing in large strips, it was chopped into small pieces with different tools to expose more surface area to the melting heat of the boiling oil in the try-pot.
Description
After the whale skin and attached fat, together called blubber, was hauled aboard the mother ship for processing in large strips, it was chopped into small pieces with different tools to expose more surface area to the melting heat of the boiling oil in the try-pot. This chopper was one of those tools.
ID Number
1990.0018.085
catalog number
1990.0018.085
accession number
1990.0018

Whaleship Skimmer

After a whale’s blubber was melted down into oil in the try-pots, a few solids, like skin and gristle, remained floating on the surface of the oil. These were removed with a skimmer. The tool’s long handle helped keep the crew from being burned or splashed with hot oil.
Description
After a whale’s blubber was melted down into oil in the try-pots, a few solids, like skin and gristle, remained floating on the surface of the oil. These were removed with a skimmer. The tool’s long handle helped keep the crew from being burned or splashed with hot oil. The leftover oily pieces of flesh, or “fritters,” were then tossed under the pots and recycled into fuel to keep the fires burning.
date made
1880s
ID Number
1990.0018.066
catalog number
1990.0018.066
accession number
1990.0018

Whaler's Fluke Lance

The most dangerous act in the dangerous business of whaling was “spading flukes.” The whaleboat drew up close alongside a desperate, unpredictable whale on the water surface, and a crewman used a boat spade or fluke lance to sever the whale’s tail tendons.
Description
The most dangerous act in the dangerous business of whaling was “spading flukes.” The whaleboat drew up close alongside a desperate, unpredictable whale on the water surface, and a crewman used a boat spade or fluke lance to sever the whale’s tail tendons. This effectively immobilized the prey, for the whale couldn’t swim without its tail.
According to James Temple Brown, who wrote the 1883 catalog of the Smithsonian’s whaling collection, the fluke lance was exceedingly rare and was regarded as “a monstrosity by all the fraternity”. This rare inscribed example was used aboard the starboard whaleboat of the bark Sea Fox.
Date made
ca 1880-1889
authored whaling reference material
Brown, James Temple
maker
Driggs, James D.
ID Number
TR.056358
catalog number
056358
accession number
012298

Whaler's Shoulder or Darting Gun

By the later 19th century, guns had replaced most hand harpoons and lances, since they were far more efficient and deadly to the prey. They also could be shot from a safer distance from the prey than the hand tools could be wielded.
Description
By the later 19th century, guns had replaced most hand harpoons and lances, since they were far more efficient and deadly to the prey. They also could be shot from a safer distance from the prey than the hand tools could be wielded. The darting gun was one of the more popular types. Loaded with different darts, this versatile weapon could be used both for harpooning and killing whales.
This particular gun was displayed at the 1883 International Fisheries Exhibition in London, England. After the display ended, it was donated to the Smithsonian by its inventor, Capt. Eben Pierce of New Bedford, Mass.
date made
1880s
guns replaced hand tools
late 19th century
displayed at the International Fisheries Exhibition
1883
maker
Pierce, Eben
ID Number
TR.316550
catalog number
316550
accession number
66767

Whaler's Boarding Knife

The work of carving blubber from a whale carcass and hauling the long, narrow strips of flesh, called “blanket pieces,” aboard the ship onto the deck was called “boarding.” The boarding knife was an extremely sharp, double-edged sword blade at the end of a short wooden pole.
Description
The work of carving blubber from a whale carcass and hauling the long, narrow strips of flesh, called “blanket pieces,” aboard the ship onto the deck was called “boarding.” The boarding knife was an extremely sharp, double-edged sword blade at the end of a short wooden pole. It served a variety of purposes, from cutting a hole in the whale’s flesh for the blubber hook, to cutting the long strips of flesh into shorter sections for further processing.
These tools were kept extremely sharp to cut the whale’s flesh easily. With the decks and tools so slippery from the whale processing, using them was reserved for the ship’s officers.
date made
1876
collected
1876
ID Number
AG.026608
catalog number
026608
accession number
4927

Bone Dice

Gambling usually was banned aboard whaling ships, on the grounds that it could cause too much strife among the crew.
Description
Gambling usually was banned aboard whaling ships, on the grounds that it could cause too much strife among the crew. But “bones” or dice were easily concealed from a ship’s officers, and crews found out-of-the way places to spend their free time wagering their earnings, tobacco or other assets.
date made
19th Century
ID Number
AG.024849.3
catalog number
24849.3
accession number
1875.4423

Whalebone and Bone Umbrella

The bony substance from the mouths of whales known as baleen is formed of keratin, like human hair and nails. It hangs in long, parallel sheets from the upper jaws of the blue, right, and minke whales, as well as other lesser-known species.
Description
The bony substance from the mouths of whales known as baleen is formed of keratin, like human hair and nails. It hangs in long, parallel sheets from the upper jaws of the blue, right, and minke whales, as well as other lesser-known species. Its hairy fringe filters food from seawater.
Dried out, baleen’s strength and flexibility made it ideal for buggy whips, corset busks, and umbrella ribs before the advent of plastic. A whale’s bone could actually be worth more than its oil. This man’s large umbrella has a wooden shaft, heavy hinged baleen ribs made in short sections, and an ivory handle. Marked “G. Hobbs, Barre,” it belonged to the donor’s grandfather, who lived in Barre, Massachusetts, until around the end of the Civil War.
Date made
ca 1835-1865
user
Hobbs, George
ID Number
AG.169283.01
accession number
169283
catalog number
169283.01

Whaler's Allen's Gun Harpoon

In the later 19th century, guns with explosive charges shooting the harpoons took the place of hand tools for catching and killing whales. They were much safer, for they could be shot at a whale from greater distances than a hand lance could be applied.
Description
In the later 19th century, guns with explosive charges shooting the harpoons took the place of hand tools for catching and killing whales. They were much safer, for they could be shot at a whale from greater distances than a hand lance could be applied. They also penetrated the whale’s skin deeper and were harder for the animal to dislodge.
Gun harpoons were also far more efficient, for the steam whalers could approach the prey directly and did not need labor-intensive whaleboats and their highly trained crews any longer.
Designed to be fired from a shoulder gun, this nonexplosive style of harpoon was invented by Oliver Allen of Norwich, Conn. to fasten to whales prior to killing.
date made
mid-1800s
harpoons replaced hand tools
late 19th century
patentee
Allen, Oliver
inventor
Allen, Oliver
ID Number
AG.056230
catalog number
056230
accession number
012333
patent number
5949

Whaler's Blubber Fork

Once a whale was killed and its blubber was cut up and hauled aboard the ship for processing, the chunks of flesh were moved around the slippery vessel with long-handled, two-tined blubber forks.
Description
Once a whale was killed and its blubber was cut up and hauled aboard the ship for processing, the chunks of flesh were moved around the slippery vessel with long-handled, two-tined blubber forks. These forks were used to pitch the pieces of minced blubber into the hot try-pots to boil it down into oil. The long handles prevented sore backs from too much bending over and protected the men from getting too close to the boiling oil.
date made
mid-1800s
ID Number
AG.055818
catalog number
055818
accession number
012285

Whaler's Whalebone Scraper

This odd tool was used to scrape the flesh off the bones from a freshly caught whale. It was the last step in processing the whale’s body before the bone was partially dried on deck and then stowed below in the cargo hold.
Description
This odd tool was used to scrape the flesh off the bones from a freshly caught whale. It was the last step in processing the whale’s body before the bone was partially dried on deck and then stowed below in the cargo hold. Once the ship was back in port, the bone was placed on end in large yards to dry further.
The bone and baleen—rows of bony strips in a whale’s upper jaw that filter food from seawater—from a whaling voyage could yield as much as $50,000, or even greater profits than the oil itself. Baleen served a wide variety of purposes from buggy whips to umbrella ribs to women’s corset stays.
date made
1880s
ID Number
AG.057778
catalog number
057778
accession number
012278

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