Natural Resources

Lithograph of

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.

Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.

Topic: Transportation

Shipbuilder's Half Hull Model, Whaleship Jireh Swift

Half hull ship models were carved by shipwrights to a shape negotiated with the future owners of the ship.
Description
Half hull ship models were carved by shipwrights to a shape negotiated with the future owners of the ship. Once finished, the builder lifted the curved shape of the outer hull off the model and scaled it up to the dimensions of the full-sized ship on the floor of the molding loft. Then the ship’s timbers were cut to fit the lines drawn on the floor and lifted into position in the ship’s framework.
African American shipwright and former slave John Mashow built the whaler Jireh Swift in 1853 at Dartmouth, Mass. near New Bedford. The vessel measured 122 feet in length and 454 tons. Its first voyage was to the northern Pacific and lasted nearly four years. The ship collected 45 barrels of sperm oil, 2,719 barrels of whale oil and 14,900 lbs of whalebone. Swift’s second voyage, to the same grounds, lasted more than four years and netted much more oil and bone for her owners. Nearly three years into her third voyage, on 22 June 1865 she was captured in the Arctic by the Confederate raider Shenandoah and burned, for a loss of more than $40,000.
Date made
1853
maker
Mashow, John
ID Number
TR.076323
catalog number
076323
accession number
015358

Ship Model, Chesapeake Bay Log Canoe

This model of a Chesapeake Bay log canoe was built in 1880 and displayed at the Great International Fisheries Exhibition in London in 1883. It shows a two-masted log canoe with a mustard-colored hull.
Description
This model of a Chesapeake Bay log canoe was built in 1880 and displayed at the Great International Fisheries Exhibition in London in 1883. It shows a two-masted log canoe with a mustard-colored hull. Although this model may look more like a recreational sailboat than a traditional paddling canoe, its roots can be traced back to the dugouts built and used by American Indians. Native Americans along the bay used dugouts, made by hollowing out a single tree trunk, to spear fish, gather oysters, and travel from one village to another. Europeans adopted the log-canoe technology shortly after arriving in the region in the early 1600s. By the start of the 18th century, colonists had modified the standard, single-log dugout, by hewing and shaping several logs and fitting them together to enlarge the craft. They added masts and sails, providing the means to travel farther and giving the vessels their distinctive appearance.
Despite the widespread use of frame-and-plank shipbuilding techniques around the Chesapeake, watermen continued building and using log canoes well into the 20th century. The canoes were ideal for oyster tonging in the many protected creeks and rivers that flow into the bay. This model includes a pair of hand tongs of the sort made by local blacksmiths for oystermen. A waterman would anchor his canoe over an oyster bed and lower the tongs into the water. With a scissoring motion, he would rake the tongs together until the iron basket was full and ready to be lifted onboard.
In terms of construction, the log canoe is the forerunner to the bugeye, which is essentially an enlarged canoe built of seven or nine logs with a full deck added over the hold. While log canoes are no longer used in commercial fishing, they can still be seen in special sailboat races on the Eastern Shore of the Chesapeake.
date made
1880
Date made
1875
ID Number
TR.25003
catalog number
025003
accession number
4586

Pacific Steam Whaleship Orca

The steam whaler Orca was built at San Francisco in 1882 specifically for the Pacific and Arctic whale fisheries.
Description
The steam whaler Orca was built at San Francisco in 1882 specifically for the Pacific and Arctic whale fisheries. By the late 19th century, the Atlantic whale was too scarce due to overhunting, and whaling had moved almost completely to distant western waters to exploit the remaining whales.
Measuring 177 feet in length and 628 tons, Orca had a 280-HP steam engine for propulsion. It also had a full suit of auxiliary sails for backup and fuel conservation. When built, Orca was the largest auxiliary steam whaler in the United States.
The bark-rigged vessel was heavily built and braced, with a strongly raked bow to work in the Arctic ice pack. The heavy timbers and bow shape allowed it to be driven up onto the ice, where its weight helped to break through. Orca’s propeller had two blades so it could be aligned vertically with the stern timbers when not in use in order to protect it from the ice.
Information collected by Mystic Seaport Museum in Mystic, Conn. indicates that Orca, along with many other Pacific whalers, resorted to shanghaiing, or acquiring crewmen from agents ashore who forced potential crewmen onto their ships in various ways. With around two dozen whaleships clearing San Francisco each year for the Pacific whaling grounds, the need for crewmen was great.
Date made
1894
reference material
Mystic Seaport Museum
ID Number
TR.076237
catalog number
076237
accession number
028022

Ivory and Bone Yarn Swift

Swifts, or yarn-winders, were used in the home in place of an extra pair of hands. They held skeins of yarn or thread while it was being wound onto spools or rewound into measured lengths.
Description
Swifts, or yarn-winders, were used in the home in place of an extra pair of hands. They held skeins of yarn or thread while it was being wound onto spools or rewound into measured lengths. This is a particularly large example, which fastened to the edge of a table with the clamp on the bottom.
date made
19th century
maker
unknown
ID Number
TE.T03311.000
catalog number
T03311.000
accession number
59652

Chart Book, Upper Mississippi River

This book of navigation charts for the Upper Mississippi River was published in 1972 by the U.S. Army Engineer Division, North Central Corps of Engineers, in Chicago. It was owned and used by Capt.
Description
This book of navigation charts for the Upper Mississippi River was published in 1972 by the U.S. Army Engineer Division, North Central Corps of Engineers, in Chicago. It was owned and used by Capt. Jack Libbey, a river pilot from Lansing, Iowa, who steered tows on the Mississippi for over 25 years. He piloted many types of tows, but among the largest he handled on a routine basis were those made up of 15 barges, each measuring 200’ long, 35’ wide, and carrying about 1600 tons of cargo. Overall, these tows measured 1200’ long and 105’ wide, and took a great deal of skill and knowledge to pilot safely.
The chart book reflects Libbey’s working knowledge of the Mississippi River, still the nation’s major conduit for transporting grain and other bulk commodities. To become a pilot, Libbey was trained, tested, and licensed by the U.S. Coast Guard. But like virtually all river pilots (including Mark Twain in the 1850s), he learned the ways of the river and the skills of the pilot from his elders and from experience.
That experience is revealed on these worn and weathered charts. Virtually every page has Libbey’s own markings and notations. In bold, red ink, he meticulously printed the names of major aids to navigation on both sides of the river, as well as the distance in miles from each marker to Cairo Point, the confluence of the Ohio and the Mississippi Rivers. Libbey’s handwriting stands out from the official markings and mapmakers’ symbols, and suggests the complex history of life along the river. Names like Winnebago, Muscatine, Maquoketa Levee, Zollicoffer, Pomme de Terre, and Wabasha reflect the region’s many cultural layers.
Captain Libbey also made navigational notes on the pages as a way of reminding himself to take special care in tricky situations. Steering under bridges in the shallow waters separating Iowa and Illinois inspired a number of notes, such as this one from December 10, 1975, concerning the Atchison, Topeka and Santa Fe Railway and Highway Bridge near Fort Madison, Iowa: “SB [Steering bridge] Keep stern on light and head on tank. When pilot house passes black bouy [sic] bring jackstaff around to 3rd pier out from channel span. Hold until red bouy below bridge opens up ½ way. Keep jackstaff on red bouy and stern 100 yds over from first Miss stacks. Slow ahead until lined up.”
Captain Libbey discussed being a pilot in an interview for the Smithsonian’s Festival of American Folklife in 1996. He said, “ . . . you’re moving at a pretty good clip, you have all this momentum, and you can’t just steer it on a dime. And what we do, we send the deckhands out to talk us through the bridge . . . . That’s why you have marks also, so you know, you can kind of double check what they’re saying to you. Very, very important. And that’s what makes a good pilot . . . is being able to get through the bridges.”
Date made
1972
river pilot, owned and used chart book
Libbey, Jack
trained Captain Libbey
United States Coast Guard
publisher
U. S. Army Engineer Division, North Central Corps of Engineers
ID Number
2006.0103.03
accession number
2006.0103
catalog number
2006.0103.03

Oil Painting or Overpainted Print, Capturing a Sperm Whale

The most dangerous part of a dangerous job was working in the actual whaleboat, first chasing and then capturing and killing the prey.This picture is a copy or an overpainted example of a famous print first issued in 1835, believed to be the first indigenous American whaling prin
Description
The most dangerous part of a dangerous job was working in the actual whaleboat, first chasing and then capturing and killing the prey.
This picture is a copy or an overpainted example of a famous print first issued in 1835, believed to be the first indigenous American whaling print. It is derived from a sketch by whaleman Cornelius Hulsart, who lost an arm on the whaler Superior and subsequently became an artist.
The original print was one of a pair produced to raise money for Hulsart, and it was dedicated to Superior's owners N. & W.W. Billings of New London, Connecticut. It is a fairly accurate portrayal of the danger in approaching and killing a wounded, enraged whale. As shown by the red, bloody whale spout, the whalers have struck the prey’s lungs or arteries, but the animal was still strong enough to break a boat in half and flip a crewman into the water.
date or original painting
1835
whaleman and artist
Hulsart, Cornelius
owner of the ship Superior
N & W. W. Billings
ID Number
DL.65.0876
catalog number
65.0876
accession number
256396

Ship's Surgical Kit

This wooden surgical case with brass fittings has three main compartments, one of which is a tray that lifts out from the lower case. The interior of the case is molded so that each instrument has its own compartment. The entire interior is lined with purple velvet.
Description (Brief)
This wooden surgical case with brass fittings has three main compartments, one of which is a tray that lifts out from the lower case. The interior of the case is molded so that each instrument has its own compartment. The entire interior is lined with purple velvet. The exterior of the lid has an oval escutcheon which is marked, "U.S.A./ Hosp. Dept." The set includes 45 instruments, three of which are not original to the set. At least six instruments are missing, including four knives and a bandage scissors.
During the Civil War the United States Army contracted with several surgical instrument makers, including Herman Hernstein to provide surgical sets for the Union troops.
As a young boy in Germany Hermann Hernstein was apprenticed to a surgical instrument maker. He came to the United States in 1841 and settled in New York City. Within a few years, he had established his own shop.
According to Edmonson much of Hernstein’s inventory was imported from Europe.
Description
Surgical kits were not required on merchant vessels, but the larger and better-equipped ships often carried them. These were used for everything from pulling teeth to the amputation of limbs, and everything in between. Like the medicine chests, these kits too were often sold with simple pamphlets, with instructions and diagrams on how to use them in emergencies. The captain or first mate most commonly carried out any needed procedures.
date made
1862-1865
maker
Hermann Hernstein & Son
ID Number
1977.1103.01
accession number
1977.1103
catalog number
1977.1103.01

Environmental Button

The group "Bike for a Better City" encouraged New York commuters and lawmakers to view bicycling as a means for everyday transportation.
Description
The group "Bike for a Better City" encouraged New York commuters and lawmakers to view bicycling as a means for everyday transportation. The organization, founded in 1970 by Barry Fishman and Harriet Green, called for the establishment of special bike lanes to make city biking safer.
Location
Currently not on view
maker
Fishman, Barry
ID Number
2003.0014.0051
catalog number
2003.0014.0051
accession number
2003.0014

Environmental Button

This button was likely produced in reaction to an oil embargo that occurred in 1973-1974. The embargo caused gas shortages, leading to higher prices and gas rationing, and resulted in long lines at the gas pumps.
Description
This button was likely produced in reaction to an oil embargo that occurred in 1973-1974. The embargo caused gas shortages, leading to higher prices and gas rationing, and resulted in long lines at the gas pumps. This button suggests one possible response to the embargo.
Location
Currently not on view
maker
Badge-A-Minit
ID Number
2003.0014.0013
accession number
2003.0014
catalog number
2003.0014.0013

Environmental Button

This button was used to encourage students at Kent State University in Ohio to ride the campus bus in order to minimize auto pollution.Currently not on view
Description
This button was used to encourage students at Kent State University in Ohio to ride the campus bus in order to minimize auto pollution.
Location
Currently not on view
ID Number
2003.0014.0036
accession number
2003.0014
catalog number
2003.0014.0036

Environmental Button

This button urges people to find alternatives to driving, such as using public transportation, riding bicycles, or walking.Currently not on view
Description
This button urges people to find alternatives to driving, such as using public transportation, riding bicycles, or walking.
Location
Currently not on view
ID Number
2003.0014.0060
catalog number
2003.0014.0060
accession number
2003.0014

Bill, Boob McNutt, and Boob McNutt's Geography

Camera-ready pen and ink drawings by Rube Goldberg for his comic series Bill, Boob McNutt, and Boob McNutt's Geography dated June 10, 1934.
Description
Camera-ready pen and ink drawings by Rube Goldberg for his comic series Bill, Boob McNutt, and Boob McNutt's Geography dated June 10, 1934. Goldberg drew for the Bill series between 1931 and 1934, for the Boob McNutt series between 1915 and 1934, and for the Boob McNutt's Geography series in 1934.
Bill tries to promote his product Thinneroo to overweight baseball players and inadvertently causes the batter's bat to become thinner and to break. Boob McNutt's Jelly Roll Bus Line takes passengers to what he thinks is Washington, D.C. Boob's Geography comic cell gives clues to the identity of a U.S. state.
Location
Currently not on view
Date made
June 10, 1934
publisher
Star Company
original artist
Goldberg, Rube
ID Number
2006.0226.41
catalog number
2006.0226.41
accession number
2006.0226

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