Natural Resources

The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.

Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.

The image on this lithographic stone was prepared to print an image in the publication "United States Exploring Expedition, During the Years 1838, 1839, 1840, 1841, 1842," Volume 10, "Geology - Atlas," 1849.
Description (Brief)
The image on this lithographic stone was prepared to print an image in the publication "United States Exploring Expedition, During the Years 1838, 1839, 1840, 1841, 1842," Volume 10, "Geology - Atlas," 1849. The image depicts "Australian Fossils, Plate 4." The images was prepared by the lithographic firm Sarony & Major after illustrations by James Dwight Dana.
Description
The firm of Sarony & Major of Philadelphia, working between 1846 and 1857, prepared this lithographic printing stone after a drawing by Expedition Mineralogist James Dwight Dana (1813–1895) depicting Australian fossils. The lithographic illustration was published as Plate 4 in U.S. Exploring Expedition Volume X, Geology, by James D. Dana, 1849.
Location
Currently not on view
Date made
1849
publisher
Wilkes, Charles
original artist
Dana, James Dwight
graphic artist
Sarony & Major
printer
Sherman, Conger
ID Number
1999.0145.458
accession number
1999.0145
catalog number
1999.0145.458
Robert Havell Jr.'s 1835 engraving for John James Audubon's publication the Birds of America, was published in Britain between 1827 and 1838 as a series of large folio engravings.
Description (Brief)
Robert Havell Jr.'s 1835 engraving for John James Audubon's publication the Birds of America, was published in Britain between 1827 and 1838 as a series of large folio engravings. The Museum's Graphic Arts Collection includes seven of the original copper plates and prints from several editions of the work.
The Birds of America was published in several formats. The first large folio edition was intended for wealthy patrons or institutions. Later editions, produced in the United States for a more general audience, included text and smaller, less costly lithographic illustrations.
Audubon introduced new species and new artistic forms. His dramatic images of birds, pictured life-size in animated poses with realistic backgrounds, represented a departure from the conventions of natural history illustration. His artistic ingenuity, as reproduced in engravings and lithographs, won new audiences for the subject of nature study, eventually leading to the organization of Audubon societies.
Location
Currently not on view
Date made
1835
referenced
Havell, Jr., Robert
Audubon, John James
original artist
Audubon, John James
graphic artist
Havell, Jr., Robert
ID Number
2006.0021.01
accession number
2006.0021
catalog number
2006.0021.01
Camera-ready pen and ink drawings by Rube Goldberg for his comic series Bill, Boob McNutt, and Boob McNutt's Geography dated June 10, 1934.
Description
Camera-ready pen and ink drawings by Rube Goldberg for his comic series Bill, Boob McNutt, and Boob McNutt's Geography dated June 10, 1934. Goldberg drew for the Bill series between 1931 and 1934, for the Boob McNutt series between 1915 and 1934, and for the Boob McNutt's Geography series in 1934.
Bill tries to promote his product Thinneroo to overweight baseball players and inadvertently causes the batter's bat to become thinner and to break. Boob McNutt's Jelly Roll Bus Line takes passengers to what he thinks is Washington, D.C. Boob's Geography comic cell gives clues to the identity of a U.S. state.
Location
Currently not on view
Date made
June 10, 1934
publisher
Star Company
original artist
Goldberg, Rube
ID Number
2006.0226.41
catalog number
2006.0226.41
accession number
2006.0226

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