Patent Models: Graphic Arts - Introduction
Introduction
Of the 10,000 patent models held in this Museum, some 400 models are housed in and relate to the Graphic Arts Collection. These include models prepared for the printing, type, paper, and bookbinding trades.
The following Introduction is copied directly from Elizabeth M. Harris, Patent Models in the Graphic Arts Collection (Washington, D.C.: The National Museum of American History, Smithsonian Institution, 1997). This publication is illustrated with line drawings.
Black and white photographs of many of the 400 plus patent models in the Graphic Arts Collection were taken in the 1960s. We hope the publication of these photographs will also assist the public in better understanding the Collection.
“Until 1880, the U.S. Patent Office required most inventors to submit a model with their application for patent protection. The Patent Office thus became the keeper of a huge collection, one that suffered several catastrophes over the years. In 1836 a fire at Blodgett's Hotel, where the Patent Office was housed, destroyed all existing models—about 10,000 items—as well as the records of some specifications. After the fire new patents, hitherto unnumbered, were numbered in a consecutive series. In 1840 an effort was made to restore models and specifications lost in the fire. Some 2845 were restored (and numbered in a new X... series), but there were gaps that could not be filled and remain blank to this day. In 1887 a second fire started in a loft in the Patent Office where 12,000 rejected models were stored. It spread rapidly, destroying or damaging 114,000 more models out of the total collection of around 200,000. Of these, 27,000 were eventually restored, while 87,000 were lost.
The first patent models now in the Graphic Arts Division came to the Smithsonian in 1908—a group of eleven models transferred by the Patent Office. In 1926 Congress decided to dispose of the remaining Patent Office collection, which then consisted of some 150,000 models. About 10,000 pieces came to the Smithsonian's U.S. National Museum.
The largest single group within that transfer—about 4,000—consisted of models for the textiles industry. More than 300 were for the printing trades. Other printing models have arrived since 1926, singly or in small groups.”
For more information about the Museum’s patent model collection, see Patent Model Index, Guide to the Collections of the National Museum of American History.
"Patent Models: Graphic Arts - Introduction" showing 2 items.
Patent Model for Bed-and-Platen Printing Press
- Description (Brief)
- This patent model demonstrates an invention for a double bed-and-platen power press with a frisket at each end and is considered an unnumbered patent. The bed was raised by toggles beneath against the fixed platen. This patent provided the basis for the single-ended Adams Power Press, a well-loved iron machine later produced by R. Hoe & Co. In the 1870s it was still considered to produce finer letterpress work than any other machine on the market. It was pre-eminently a book press. Isaac Adams (1803-1883), with no schooling but ample inventive genius, introduced his power press at the age of 25 and derived his living from its success.
- Location
- Currently not on view
- Date made
- 1830
- ca 1830
- patent date
- 1830-10-04
- maker
- Adams, Isaac
- ID Number
- GA*11024
- accession number
- 48865
- catalog number
- GA*11024
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Patent Model for Bed-and-Platen Printing Press
- Description (Brief)
- This patent model demonstrates an invention for a bed-and-platen power press with two friskets which carried paper under the platen alternately. The platen was drawn down by toggles against a fixed bed; it was to be powered by man, steam, horse, or water. The invention is considered an unnumbered patent.
- Location
- Currently not on view
- date made
- ca 1834
- patent date
- 1834
- maker
- Tufts, Otis
- ID Number
- GA*11025
- catalog number
- GA*11025
- accession number
- 48865
- Data Source
- National Museum of American History, Kenneth E. Behring Center