Photography

The millions of photographs in the Museum's collections compose a vast mosaic of the nation's history. Photographs accompany most artifact collections. Thousands of images document engineering projects, for example, and more record the steel, petroleum, and railroad industries.

Some 150,000 images capture the history, art, and science of photography. Nineteenth-century photography, from its initial development by W. H. F. Talbot and Louis Daguerre, is especially well represented and includes cased images, paper photographs, and apparatus. Glass stereographs and news-service negatives by the Underwood & Underwood firm document life in America between the 1890s and the 1930s. The history of amateur photography and photojournalism are preserved here, along with the work of 20th-century masters such as Richard Avedon and Edward Weston. Thousands of cameras and other equipment represent the technical and business side of the field.

Currently not on view
Location
Currently not on view
date made
1968
maker
Erwitt, Elliott
ID Number
PG.72.13.36
accession number
2001.0310
catalog number
72.13.36
Currently not on view
Location
Currently not on view
date made
1961-02-03
maker
Avedon, Richard
ID Number
PG.66.64.041A
accession number
264003
catalog number
66.64
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture.
Description
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Location
Currently not on view
date made
1967
date printed
1998
maker
Law, Lisa
ID Number
1998.0139.068
catalog number
1998.0139.068
accession number
1998.0139
Currently not on view
Location
Currently not on view
date made
1965
maker
Avedon, Richard
ID Number
PG.67.102.020N
Currently not on view
Location
Currently not on view
date made
1968
maker
Harbutt, Charles
ID Number
PG.72.14.088
Currently not on view
Location
Currently not on view
date made
1965
maker
Metzker, Ray K.
ID Number
PG.69.0205.01
catalog number
69.205.1
accession number
288848
Currently not on view
Location
Currently not on view
date made
1965
ID Number
PG.67.102.034N
Currently not on view
Location
Currently not on view
Date made
ca 1960s
photographer
Uzzle, Burk
ID Number
PG.72.12.040
accession number
2003.0044
catalog number
72.12.40
Currently not on view
Location
Currently not on view
Date made
ca 1960s
photographer
Uzzle, Burk
ID Number
PG.72.12.017
accession number
2003.0044
catalog number
72.12.17
Currently not on view
Location
Currently not on view
date made
1969
maker
Plowden, David
ID Number
1986.0711.0696
accession number
1986.0711
catalog number
1986.0711.0696
Currently not on view
Location
Currently not on view
date made
1969
maker
Powers, Mark James
ID Number
2013.0222.32
catalog number
2013.0222.32
accession number
2013.0222
Currently not on view
Location
Currently not on view
date made
1963-03
maker
Farber, Daniel
ID Number
PG.007960
accession number
258905
catalog number
7960
Currently not on view
Location
Currently not on view
Date made
ca 1960s
photographer
Uzzle, Burk
ID Number
PG.72.12.049
accession number
2003.0044
catalog number
72.12.49
Currently not on view
Location
Currently not on view
date made
1968
maker
Powers, Mark James
ID Number
2013.0222.35
catalog number
2013.0222.35
accession number
2013.0222
Currently not on view
Location
Currently not on view
Date made
ca 1960s
photographer
Uzzle, Burk
ID Number
PG.72.12.061
accession number
2003.0044
catalog number
72.12.61
Currently not on view
Location
Currently not on view
date made
1969
maker
Alinder, James
ID Number
PG.73.32.02
catalog number
73.32.2
accession number
309843
Will Connell (1898-1961) was an influential photographer, teacher, and author in Southern California known for his often-satirical “modern pictorialist” style, commercial photography work, and mentorship of a generation of photographers.
Description
Will Connell (1898-1961) was an influential photographer, teacher, and author in Southern California known for his often-satirical “modern pictorialist” style, commercial photography work, and mentorship of a generation of photographers. The National Museum of American History’s Photographic History collection received a donation of 11 prints of various subjects from Connell’s wife in 1963. This donation was followed by another, from Connell’s son, in 1977, comprised of the 49 prints published in In Pictures.
Connell was born in McPherson, Kansas, but moved to California soon after. As a young man in Los Angeles, Connell came into contact with the thriving California camera clubs of the 1910s and 1920s, and more importantly, the burgeoning Hollywood film industry. After a brief stint in the U.S. Army Signal Corps at the end of the first World War, Connell worked a variety of odd jobs while experimenting in amateur photography. Several motion picture studios hired Connell to photograph actors and actresses in the 1920s and 1930s, and he soon became a professional.
Connell’s glamour shots of stars such as Myrna Loy, as well as his growing body of art photography, reveal pictorialist influence, and his work was often exhibited at salons and exhibitions throughout the United States. In the 1930s, Connell began working as a photographer for magazines including the Saturday Evening Post, Colliers, Time, and Vogue, started teaching photography at Art Center College, and continued work at the Los Angeles studio he opened in 1925. Connell spent the rest of his life in Los Angeles, teaching, judging work, producing commercial work, and writing, notably, his "Counsel by Connell" column in US Camera, which he authored for 15 years.
His first book, In Pictures, was published in 1937. Now considered a classic work of satire, the book featured montaged, often surreal images that mocked the Hollywood studio system and a public enamored with the motion picture industry. The photographs were published alongside a fictional account of a meeting of Hollywood moguls, written by several of Connell’s friends in the business. While the images appear to be a marked departure from Connell’s earlier soft-focus pictorialism, the sharp, poignant photographs nevertheless retain that movement’s emphasis on composition and communication of a message. In Pictures also pays homage to the film industry where the photographer cut his teeth – many of the images feature close-ups, characteristic stage lighting, and influence of the glamour of Hollywood’s Golden Age.
Connell, in his work and teaching until his death in 1961, is cited as an influence on an entire generation of photographers, including Dr. Dain Tasker (COLL.PHOTOS.000031). His 1949 book About Photography outlined an artistic philosophy that stressed a straight-forward, communicative style of photography and expressed the author’s belief that even the most commercial work can have artistic merit. A 1963 monograph in US Camera featured fond remembrances from friends Ansel Adams and Dorothea Lange, among others, who praised Connell for his warm personality and unique work.
Related Collections:
Dain Tasker collection, Photographic History Collection, NMAH
Will Connell collection, California Museum of Photography, University of California, Riverside, California
Will Connell papers, University of California, Los Angeles, Los Angeles, California
Los Angeles County Museum of Art, Los Angeles, California
Art Center School Archives, Pasadena, California
date made
1920-1961
maker
Connell, Will
ID Number
COLL.PHOTOS.000020
accession number
1981.0549
2007.0088
catalog number
77.94.1-77.94.49
8077a, 8077b, 8077d-8077l
date made
1944-1961
maker
Ruohomaa, Kosti
ID Number
PG.007388
catalog number
7388
accession number
252971
Currently not on view
Location
Currently not on view
Date made
1966
maker
Arbus, Diane
ID Number
PG.69.149.5
accession number
298691
catalog number
69.149.5
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture.
Description
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Location
Currently not on view
date made
1967
date printed
1998
maker
Law, Lisa
ID Number
1998.0139.057
catalog number
1998.0139.057
accession number
1998.0139
Currently not on view
Location
Currently not on view
date made
1965
maker
Avedon, Richard
ID Number
PG.67.102.018N
Currently not on view
Location
Currently not on view
date made
1944-1961
maker
Ruohomaa, Kosti
ID Number
PG.007304
catalog number
7304
accession number
252971
Currently not on view
Location
Currently not on view
date made
1965
maker
Farber, Daniel
ID Number
PG.76.01.7
catalog number
76.1.7
accession number
319916
Currently not on view
Location
Currently not on view
date made
1960
maker
Farber, Daniel
ID Number
PG.71.116.11
catalog number
71.116.11

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