Popular Entertainment

This Museum's popular entertainment collections hold some of the Smithsonian's most beloved artifacts. The ruby slippers worn by Judy Garland in The Wizard of Oz reside here, along with the Muppet character Kermit the Frog, and props from popular television series such as M*A*S*H and All in the Family. But as in many of the Museum's collections, the best-known objects are a small part of the story.

The collection also encompasses many other artifacts of 19th- and 20th-century commercial theater, film, radio, and TV—some 50,000 sound recordings dating back to 1903; posters, publicity stills, and programs from films and performances; puppets; numerous items from World's Fairs from 1851 to 1992; and audiovisual materials on Groucho Marx, to name only a few.

Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music.
Description
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music. Over the years, Harris has had a profound impact on contemporary popular and country music.
Location
Currently not on view
negative
1980
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.034
accession number
2003.0169
catalog number
2003.0169.034
Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II.
Description
Pearl Butler accepts a song request from a young fan. Pearl (1927-1998) and Carl Butler (1927-1992) were part of the honky-tonk and bluegrass music movements before World War II. After their 1962 hit, "Don't Let Me Cross Over," the Butlers became one of the most popular male-female vocal teams in country music.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.076
accession number
2003.0169
catalog number
2003.0169.076
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style.
Description
Henry Horenstein photographed Hank Williams Jr., the son of legendary singer Hank Williams, leaving his tour bus. Williams Jr. (b. 1949) spent his early career singing his father's songs in his own style. After a 1974 suicide attempt and a mountain climbing accident in 1975, he revamped his own image, modeling it after rowdy southern rockers. Later he was considered part of the Outlaw Country Movement.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.074
accession number
2003.0169
catalog number
2003.0169.074
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.Currently not on view
Description
At Tootsie's Orchid Lounge, musicians could hang out, perform and hope for a chance to be discovered.
Location
Currently not on view
negative
1974
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.111
catalog number
2003.0169.111
accession number
2003.0169
Currently not on view
Location
Currently not on view
ID Number
2006.0248.23
catalog number
2006.0248.23
accession number
2006.0248
An intergenerational crowd leaves the Ryman Auditorium after a show. The "WSM" stands for "We Shield Millions," the motto for the insurance company that originally funded the Grand Ole Opry.Currently not on view
Description
An intergenerational crowd leaves the Ryman Auditorium after a show. The "WSM" stands for "We Shield Millions," the motto for the insurance company that originally funded the Grand Ole Opry.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.060
accession number
2003.0169
catalog number
2003.0169.060
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians.
Description
In the 1970s and 1980s, photographer Henry Horenstein documented the lives and performances of country and bluegrass musicians. The time marked the end of an era of less commercialism and closer relationships between fans and musicians. It was a time when the casual atmosphere of outdoor venues was popular, and the music fans could often meet their favorite musicians in the parking lots or other areas of the grounds. In this image, taken in 1972 at Indian Ranch in Webster, Massachusetts, bluegrass musician and singer Joe Val (1926-1985) plays a Gibson mandolin in a picnic area. He is accompanied by other guitarists and is being watched by fans. Val (born Joseph Valiante) was an accomplished mandolinist and guitarist who played both traditional and progressive bluegrass in his band, the New England Bluegrass Boys.
Location
Currently not on view
negative
1972
1972
maker
Horenstein, Henry
ID Number
2003.0169.072
accession number
2003.0169
catalog number
2003.0169.072
Norman Blake (b. 1938) ranks as one of the major bluegrass guitarists of the 1970s. Proficient with a variety of instruments, he played as a sideman to June Carter, Bob Dylan, and other artists.
Description
Norman Blake (b. 1938) ranks as one of the major bluegrass guitarists of the 1970s. Proficient with a variety of instruments, he played as a sideman to June Carter, Bob Dylan, and other artists. He played with Joan Baez in the recording of her hit, "The Night They Drove Old Dixie Down."
Location
Currently not on view
negative
1974
print
2003
Associated Name
Blake, Norman
maker
Horenstein, Henry
ID Number
2003.0169.100
accession number
2003.0169
catalog number
2003.0169.100
Concession stands provided refreshments for park vistors.Currently not on view
Description
Concession stands provided refreshments for park vistors.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.088
accession number
2003.0169
catalog number
2003.0169.088
A man listens to music at the Hillbilly Ranch bar.Currently not on view
Description
A man listens to music at the Hillbilly Ranch bar.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.067
accession number
2003.0169
catalog number
2003.0169.067
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.Currently not on view
Description
Fans gather around the stage to hear the husband and wife team of Carl and Pearl Butler at the Lone Star Ranch Music Park.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.077
accession number
2003.0169
catalog number
2003.0169.077
Carl and Pearl Butler pose for photographs with fans.Currently not on view
Description
Carl and Pearl Butler pose for photographs with fans.
Location
Currently not on view
negative
1973
print
2003
Associated Name
Butler, Pearl
Butler, Carl
maker
Horenstein, Henry
ID Number
2003.0169.090
accession number
2003.0169
catalog number
2003.0169.090
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture.
Description
With her camera, Lisa Law documented history in the heart of the counterculture revolution of the 1960s as she lived it, as a participant, an agent of change and a member of the broader culture. She recorded this unconventional time of Anti-War demonstrations in California, communes, Love-Ins, peace marches and concerts, as well as her family life as she became a wife and mother. The photographs were collected by William Yeingst and Shannon Perich in a cross-unit collecting collaboration. Together they selected over two hundred photographs relevant to photographic history, cultural history, domestic life and social history.
Law’s portraiture and concert photographs include Bob Dylan, The Beatles, Lovin Spoonful and Peter, Paul and Mary. She also took several of Janis Joplin and her band Big Brother and the Holding Company, including the photograph used to create the poster included in the Smithsonian’s American Art Museum’s exhibition 1001 Days and Nights in American Art. Law and other members of the Hog Farm were involved in the logistics of setting up the well-known musical extravaganza, Woodstock. Her photographs include the teepee poles going into the hold of the plane, a few concert scenes and amenities like the kitchen and medical tent. Other photographs include peace rallies and concerts in Haight-Ashbury, Coretta Scott King speaking at an Anti-War protest and portraits of Allen Ginsburg and Timothy Leary. From her life in New Mexico the photographs include yoga sessions with Yogi Bhajan, bus races, parades and other public events. From life on the New Buffalo Commune, there are many pictures of her family and friends taken during meal preparation and eating, farming, building, playing, giving birth and caring for children.
Ms. Law did not realize how important her photographs were while she was taking them. It was not until after she divorced her husband, left the farm for Santa Fe and began a career as a photographer that she realized the depth of history she recorded. Today, she spends her time writing books, showing her photographs in museums all over the United States and making documentaries. In 1990, her video documentary, “Flashing on the Sixties,” won several awards.
A selection of photographs was featured in the exhibition A Visual Journey: Photographs by Lisa Law, 1964–1971, at the National Museum of American History October 1998-April 1999.
Location
Currently not on view
date made
1965
maker
Law, Lisa Bachelis
ID Number
1998.0139.022
accession number
1998.0139
catalog number
1998.0139.22
Currently not on view
Location
Currently not on view
ID Number
2016.0032.110
accession number
2016.0032
catalog number
2016.0032.110
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.Currently not on view
Description
Tootsie's Orchid Lounge offered a place where hopeful musicians could put their demo 45s in the jukebox.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
Horenstein, Henry
ID Number
2003.0169.109
catalog number
2003.0169.109
accession number
2003.0169
Currently not on view
Location
Currently not on view
date made
1969
depicted (sitter)
Hendrix, Jimi
maker
Powers, Mark James
ID Number
2013.0222.20
catalog number
2013.0222.20
accession number
2013.0222
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have.
Description
Rebecca "Dolly" Parton (b. 1946) was the subject of Henry Horenstein's first published photograph. It appeared in Boston After Dark (now the Boston Phoenix). He had an hour to meet and photograph Parton, a lengthy sitting photographers today rarely have. When Horenstein photographed Parton, she already had twenty albums to her name. But the crossover hit, "Here You Come Again," made her a superstar in 1977.
Location
Currently not on view
negative
1972
print
2003
Associated Name
Parton, Dolly
maker
Horenstein, Henry
ID Number
2003.0169.103
accession number
2003.0169
catalog number
2003.0169.103
Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.Currently not on view
Description
Jean Shepard (b.1933) joined the Grand Ole Opry in 1956. Beginning with her first solo top ten single, "A Satisfied Mind" in 1955, Shepard's pure country voice led to hit after hit.
Location
Currently not on view
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.051
accession number
2003.0169
catalog number
2003.0169.051
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.Currently not on view
Description
Billy Bird, seen here autographing a paper plate, played with Ernest Tubb (1920-2001) and was a pioneer of the electric guitar.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.075
accession number
2003.0169
catalog number
2003.0169.075
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s.
Description
The youngest of the three Carter Sisters, Anita began performing with Mother Maybelle and the Carter Family at age four. She performed with her mother and sisters throughout her career, though she found success of her own during the 1950s. Anita (1933-1999) was the first to record the song "Ring of Fire," written by her sister June (1929-2003). It later became a hit for her brother-in-law Johnny Cash.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.078
accession number
2003.0169
catalog number
2003.0169.078
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita.
Description
Maybelle Carter (1909-1978) was an original member of the performing Carter Family. After the breakup of that group in 1943, she formed a new act, known as Mother Maybelle and the Carter Sisters, with daughters Helen (1927-1998) shown here on accordian, June and Anita. Maybelle was an influential presence, particularly as the originator of a style of guitar playing emulated by Leadbelly, Woodie Guthrie, and many other musicians.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.079
accession number
2003.0169
catalog number
2003.0169.079
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television.
Description
For much of his career, Ernest Tubb, the "Texas Troubadour" was considered the ultimate honky tonk vocalist and stylist. Inspired by Jimmie Rodgers in the 1920s, Tubb sustained a musical career that at times also branched into film and television. No artist toured as much, or for as long as Ernest Tubb, who worked 150 to 200 shows each year between the early 1960s and 1982. No artist was kinder to his fans, and no fans were more loyal to their star. Ernest Tubb had one national fan club with a single president for its entire existence between 1944 and its deactivation in the early 1990s.
Location
Currently not on view
negative
1973
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.084
accession number
2003.0169
catalog number
2003.0169.084
Many acts in country music were built around brother duos and family members.Currently not on view
Description
Many acts in country music were built around brother duos and family members.
Location
Currently not on view
negative
1972
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.007
accession number
2003.0169
catalog number
2003.0169.007
The Johnson Mountain Boys was a traditional bluegrass band formed in the Washington, D.C. suburbs in the 1970s. Its members were vocalist, banjoist, and guitarist Dudley Connell, David McLauglin, fiddler Eddie Stubbs, and bassist Larry Robbins.
Description
The Johnson Mountain Boys was a traditional bluegrass band formed in the Washington, D.C. suburbs in the 1970s. Its members were vocalist, banjoist, and guitarist Dudley Connell, David McLauglin, fiddler Eddie Stubbs, and bassist Larry Robbins. Connell worked for Smithsonian Folkways for a time and Stubbs went on to host the Grand Ole Opry.
Location
Currently not on view
negative
1981
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.030
accession number
2003.0169
catalog number
2003.0169.030

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