Popular Entertainment

This Museum's popular entertainment collections hold some of the Smithsonian's most beloved artifacts. The ruby slippers worn by Judy Garland in The Wizard of Oz reside here, along with the Muppet character Kermit the Frog, and props from popular television series such as M*A*S*H and All in the Family. But as in many of the Museum's collections, the best-known objects are a small part of the story.

The collection also encompasses many other artifacts of 19th- and 20th-century commercial theater, film, radio, and TV—some 50,000 sound recordings dating back to 1903; posters, publicity stills, and programs from films and performances; puppets; numerous items from World's Fairs from 1851 to 1992; and audiovisual materials on Groucho Marx, to name only a few.

In "The Wizard of Oz", Dorothy's journey from Kansas to Oz is symbolized by a shift from black and white to Technicolor.
Description
In "The Wizard of Oz", Dorothy's journey from Kansas to Oz is symbolized by a shift from black and white to Technicolor. This camera was one of several used to film the Oz scenes.
Invented in 1932, the Technicolor camera recorded on three separate negatives--red, blue and green--which were then combined to develop a full-color positive print. The box encasing the camera, a "blimp," muffled the machine's sound during filming.
The Early Color Cinema Equipment Collection [COLL.PHOTOS.000039] includes equipment, media and ephemera related to color motion pictures from the birth of the cinema to the mid twentieth century. This collection is comprised of 5 motion picture cameras, 3 movie projectors, more than 34 pieces of editing and other apparatus, more than 60 pieces of early color film and two notebooks illustrating the Technicolor process.
Reproducing natural color on film had been an industry goal since the earliest days of motion picture production, but it took several decades to perfect a technology for making movies in color. Motion picture directors often toned or hand-tinted monochromatic film in the industry’s early days to add life and emotion to their productions. Though movie producers continued to use toning and tinting, these costly and inefficient processes could never produce the full range of color that movie cameras failed to record. Therefore, innovators increasingly focused on the use of color filters during capture and projection to reproduce color detail.
Danish-American inventor August Plahn built and patented a camera and projector that split motion picture images through three color lenses using 70mm film. When the film, with three images printed across its width, was projected through the same colored filters, movies’ natural color was restored. The collection includes forty five short lengths of processed film and documents related to Plahn’s work as well as one camera, three projector heads and over seventy-five pieces of apparatus used by the engineer.
While Plahn had little success marketing his inventions, the Boston-based Technicolor Corporation effectively marketed their similar technology to become the industry standard. The color cinema collection includes four Technicolor cameras as well as over twenty-five pieces of equipment related to the Technicolor process and a book of photographs illustrating Technicolor film processing in a train car.
The Society of Motion Picture Engineers, the industry’s leading trade group, donated examples of a number of other early color film technologies, including Prizma, Kelley-line screen, Krayn Screen, Naturalcolor, Multicolor and Morgana color processes.
This finding aid is one in a series documenting the PHC’s Early Cinema Collection [COLL.PHOTOS.000018]. The cinema-related objects cover the range of technological innovation and popular appeal that defined the motion picture industry during a period in which it became the premier form of mass communication in American life, roughly 1885-1930. See also finding aids for Early Sound Cinema [COLL.PHOTOS.000040], Early Cinema Equipment [COLL.PHOTOS.000037], Early Cinema Film and Ephemera [COLL.PHOTOS.000038] and the Gatewood Dunston Collection [COLL.PHOTOS.000021].
Location
Currently not on view (running boards)
date made
1937
maker
Technicolor Corporation
ID Number
PG.008166
catalog number
8166
maker number
Patent No: 2,000,058
accession number
260112
Black polyester and cotton jacket with red polyester lining. Size Medium. With white piped trim at shoulders. Knit cuffs, neck and waist. Zipper front. 2 open front pockets and one zipped sleeve pocket.
Description (Brief)

Black polyester and cotton jacket with red polyester lining. Size Medium. With white piped trim at shoulders. Knit cuffs, neck and waist. Zipper front. 2 open front pockets and one zipped sleeve pocket. Hot pink and white thread lettering on front left side and back and red and green rose on back. The front of the jacket is embroidered:

Willie

(applied on the back of the jacket):

Willie
and Family
on the Road Again

Inspired by Live Aid, the international benefit concert for Ethiopian famine victims, Willie Nelson and other singers established Farm Aid in 1985 to support family farmers in the United States.

Location
Currently not on view
date made
1980
user
Nelson, Willie
ID Number
1983.0551.01
accession number
1983.0551
catalog number
1983.0551.01
The black comedy film Dr. Stangelove echoed public concerns about the cataclysmic potential of faulty communication systems, unstable leaders, the bomb, and nuclear annihilation.
Description
The black comedy film Dr. Stangelove echoed public concerns about the cataclysmic potential of faulty communication systems, unstable leaders, the bomb, and nuclear annihilation.
date made
ca 1964
maker
Columbia Pictures
ID Number
2013.3088.01
nonaccession number
2013.3088
catalog number
2013.3088.01
This Patron badge is from the Los Angeles Classic Jazz Festival, in 1994. The button is a made of speckled gold paper with black lettering covered with a clear film, on a round two-piece metal button with a pin back. There is a black ribbon attached to the back of the button.
Description

This Patron badge is from the Los Angeles Classic Jazz Festival, in 1994. The button is a made of speckled gold paper with black lettering covered with a clear film, on a round two-piece metal button with a pin back. There is a black ribbon attached to the back of the button. The button is printed:

LOS ANGELES
CLASSIC
JAZZ
FLOYD
LEVIN
FESTIVAL
1994

(the ribbon is printed):

PATRON

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1994
user
Levin, Floyd
ID Number
2011.3086.130
nonaccession number
2011.3086
catalog number
2011.0386.130
This button is from the San Diego Jazz Party, in 1992. The button is a made of white paper with black and red ink covered with a clear film, on a round two-piece metal button with a pin back. The button serves as an attendee identifier to the SDJP.
Description

This button is from the San Diego Jazz Party, in 1992. The button is a made of white paper with black and red ink covered with a clear film, on a round two-piece metal button with a pin back. The button serves as an attendee identifier to the SDJP. The button is printed:

SAN DIEGO JAZZ PARTY
No 0370
1992

The San Diego Jazz Party (SDJP) is an annual weekend-long event featuring public live performances of traditional jazz music. It is a non-profit organization that also provides scholarships for young jazz musicians at the high school or college level. The SDJP was originally presented in Downtown San Diego by Bill and Beverly Muchnic, in 1988.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1992
user
Levin, Floyd
ID Number
2011.3086.099
nonaccession number
2011.3086
catalog number
2011.3086.099
This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1980. It is made of white paper with red ink covered with a clear film, on a two-piece metal button with a pin back.
Description

This button is from the Queen Mary Jazz Festival in Long Beach, California, in 1980. It is made of white paper with red ink covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

UNITED JAZZ CLUBS OF SOUTHERN CALIFORNIA
1980
5TH ANNUAL
QUEEN [crown] MARY
JAZZ FESTIVAL
SUN. NOV.30, 1980
TO
HELP
OURKIDS!
$7.50
DONATION
VARIETY CLUB OF SOUTHERN CALIFORNIA TENT 25

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1980
user
Levin, Floyd
ID Number
2011.3086.005
nonaccession number
2011.3086
catalog number
2011.3086.005
Laurindo Almeida. Guitar From Ipanema (Capitol T-2197).33-1/3 rpmCurrently not on view
Description (Brief)
Laurindo Almeida. Guitar From Ipanema (Capitol T-2197).
33-1/3 rpm
Location
Currently not on view
recording date
1964
recording artist
Almeida, Laurindo
manufacturer
Capitol
ID Number
1978.0670.802
maker number
T-2197
accession number
1978.0670
catalog number
1978.0670.802
Cliffie Stone. side 1: Bake Them Hoecakes Brown; side 2: The Gal I Ledt Behind Me (Capitol 20100). from the album, Square Dances (Capitol BD 44).78 rpm.Currently not on view
Description (Brief)
Cliffie Stone. side 1: Bake Them Hoecakes Brown; side 2: The Gal I Ledt Behind Me (Capitol 20100). from the album, Square Dances (Capitol BD 44).
78 rpm.
Location
Currently not on view
date made
1947
recording artist
Stone, Cliffie
maker
Capitol
ID Number
1989.0207.17
accession number
1989.0207
catalog number
1989.0207.17
maker number
20100
BD-44
This button celebrates Eubie Blake. It is made of paper with a purple background with white print, on a two-piece metal button with a straight-style pin back.
Description

This button celebrates Eubie Blake. It is made of paper with a purple background with white print, on a two-piece metal button with a straight-style pin back. Attached to the bottom of the button is a badge made of a yellow paper card with red printing and a yellow strip of paper with black printing encapsulated in plastic. A spring-style metal clip is attached to the back of the badge. Both the pin and badge appear to have been connected and worn as a set. The button is printed:

I'M JUST
WILD
ABOUT
EUBIE!

Printed on the badge:

SOUTHERN CALIFORNIA
[image of trumpet]
HOT JAZZ SOCIETY
Floyd Levin

The Southern California Hot Jazz Society was founded in 1950. The idea for this jazz society, originated in 1949 by Floyd Levin on his Jazz on Parade radio program. Considered as one of the oldest jazz clubs in the United States, SCJHS was a non-profit organization that promoted Dixieland or “Hot Jazz” music originating from New Orleans in the early 20th century. In 2016, SCHJS ceased its operations.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
user
Levin, Floyd
ID Number
2011.3086.149
nonaccession number
2011.3086
catalog number
2011.3086.149
Blue leather cover, marked "Autographs" in gold, with first several pages used. Many signed with "San Francisco" and the date.
Description
Blue leather cover, marked "Autographs" in gold, with first several pages used. Many signed with "San Francisco" and the date. Seems to have been used at the end of a school term: "I have often looked upon it as the wost condition of man's destiny, that persons are so often torn asunder just as they become happy in each others society".
Location
Currently not on view
date made
ca 1883
ID Number
1979.1182.25
accession number
1979.1182
catalog number
1979.1182.25
Diana Ross. side 1: Theme from Mahogany (Do You Know Where You're Going To) [mono]; side 2: Theme from Mahogany (Do You Know Where You're Going To) [stereo] (Motown M1377F)45 rpm. Accessioned with original printed sleeve.
Description (Brief)

Diana Ross. side 1: Theme from Mahogany (Do You Know Where You're Going To) [mono]; side 2: Theme from Mahogany (Do You Know Where You're Going To) [stereo] (Motown M1377F)
45 rpm. Accessioned with original printed sleeve. Pressed on gold colored vinyl.

This song was featured in the 1975 Motown Productions and Paramount Pictures film Mahogany, directed by Berry Gordy and starred Diana Ross, Billy Dee Williams, Jean-Pierre Aumont, and Anthony Perkins.

Location
Currently not on view
date made
1975
recording artist
Ross, Diana
manufacturer
Motown
ID Number
1996.3034.06750
catalog number
1996.3034.06750
nonaccession number
1996.3034
label number
M1377F
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music.
Description
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music. Over the years, Harris has had a profound impact on contemporary popular and country music.
Location
Currently not on view
negative
1980
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.034
accession number
2003.0169
catalog number
2003.0169.034
J. Stratton Shufelt. side 1: Overshadowed; side 2: The Old Ship Zion (Fellowship Music FM 019/020), from the album, Strat Sings (Fellowship Music 1).78 rpm.Currently not on view
Description
J. Stratton Shufelt. side 1: Overshadowed; side 2: The Old Ship Zion (Fellowship Music FM 019/020), from the album, Strat Sings (Fellowship Music 1).
78 rpm.
Location
Currently not on view
recording artist
Shufelt, J. Stratton
manufacturer
Fellowship Music
ID Number
1996.0320.05267
maker number
FM 019/020
FM 1
accession number
1996.0320
catalog number
1996.0320.05267
This button is from the Southern California Hot Jazz Society. It is made of off-white paper with orange and yellow ink covered with a clear film, on a two-piece metal button with a straight-style pin back.
Description

This button is from the Southern California Hot Jazz Society. It is made of off-white paper with orange and yellow ink covered with a clear film, on a two-piece metal button with a straight-style pin back. The button is printed:

SOUTHERN CALIFORNIA
[image of trumpet]
HOT JAZZ SOCIETY

The Southern California Hot Jazz Society was founded in 1950. The idea for this jazz society, originated in 1949 by Floyd Levin on his Jazz on Parade radio program. Considered as one of the oldest jazz clubs in the United States, SCJHS was a non-profit organization that promoted Dixieland or “Hot Jazz” music originating from New Orleans in the early 20th century. In 2016, SCHJS ceased its operations.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
user
Levin, Floyd
ID Number
2011.3086.186
nonaccession number
2011.3086
catalog number
2011.3086.186
This button is from the New Year’s Jazz at Indian Wells event in Palm Springs, California. It is a round button with a green background with black printing, covered with a clear film, on a two-piece metal button with a pin back.
Description

This button is from the New Year’s Jazz at Indian Wells event in Palm Springs, California. It is a round button with a green background with black printing, covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

NEW YEAR'S JAZZ
[image of trumpet and bass players]
AT INDIAN WELLS
3 DAY PASS
Traditional
Jazz Party

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
user
Levin, Floyd
ID Number
2011.3086.175
nonaccession number
2011.3086
catalog number
2011.3086.175
Currently not on view
Location
Currently not on view
date made
1985
recording artist
Newton-John, Olivia
manufacturer
MCA
ID Number
1996.3034.05603
catalog number
1996.3034.05603
label number
MCA-52686
nonaccession number
1996.3034
Oak Ridge Quartet. side 1: No Tears in Heaven; side 2: Old Time Religion (Capitol 48023), from the album, Songs from The Grand Ole Opry (Capitol AD 86).78 rpm.The cover art for this album was made by Carlos Andreson.
Description

Oak Ridge Quartet. side 1: No Tears in Heaven; side 2: Old Time Religion (Capitol 48023), from the album, Songs from The Grand Ole Opry (Capitol AD 86).
78 rpm.

The cover art for this album was made by Carlos Andreson. Andreson, also as Anderson, (1905-1978) was an American painter, lithographer, and teacher. A native of Salt Lake City, Utah, Andreson studied at the University of Utah, then subsequently in Los Angeles, New York, Paris, and Berlin. In 1933, Andreson returned to the United States, creating paintings and drawings of early pioneer life for the Works Progress Administration (WPA) and teaching at Utah Arts Center. After the start of WWII, Anderson was commissioned by Abbott Laboratories to paint medical subjects at the stateside Naval hospitals. Andreson moved to San Francisco after the war where he produced artwork for the Oakland Army Base.

Location
Currently not on view
release date
1948
recording artist
Oak Ridge Quartet
manufacturer
Capitol
ID Number
1996.0320.05119
maker number
48023
AD 86
accession number
1996.0320
catalog number
1996.0320.05119
This button is from the Palm Springs Jazz Association in Palm Springs, California. It is made of white paper with black lettering with a clear film, on a two-piece metal button with a pin back.
Description

This button is from the Palm Springs Jazz Association in Palm Springs, California. It is made of white paper with black lettering with a clear film, on a two-piece metal button with a pin back. The button is printed:

PALM SPRINGS JAZZ ASSN.
AND
ALL THAT JAZZ

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
user
Levin, Floyd
ID Number
2011.3086.190
nonaccession number
2011.3086
catalog number
2011.3086.190
Album cover for Square Dances (Capitol BD-44).78 rpm. 4-disc set (includes 1989.0207.15 - .18)Currently not on view
Description (Brief)
Album cover for Square Dances (Capitol BD-44).
78 rpm. 4-disc set (includes 1989.0207.15 - .18)
Location
Currently not on view
date made
1947
recording artist
Stone, Cliffie
manufacturer
Capitol
ID Number
1989.0207.19
accession number
1989.0207
catalog number
1989.0207.19
maker number
BD-44
The Reivers. side 1: In Your Eyes; side 2: In Your Eyes (Capitol B-44091)45 rpm. Accessioned with original printed sleeve.Currently not on view
Description (Brief)
The Reivers. side 1: In Your Eyes; side 2: In Your Eyes (Capitol B-44091)
45 rpm. Accessioned with original printed sleeve.
Location
Currently not on view
date made
1987
manufacturer
Capitol
ID Number
1996.3034.06434
label number
B-44091
nonaccession number
1996.3034
catalog number
1996.3034.06434
Tex Ritter. side 1: I Love My Rooster; side 2: Texas Rangers (Capitol 20038). from the album, Children's Songs and Stories (Capitol BD-14).78 rpm.Currently not on view
Description
Tex Ritter. side 1: I Love My Rooster; side 2: Texas Rangers (Capitol 20038). from the album, Children's Songs and Stories (Capitol BD-14).
78 rpm.
Location
Currently not on view
release date
1945
recording artist
Ritter, Tex
manufacturer
Capitol
ID Number
1996.0320.05224
maker number
20038
BD-14
accession number
1996.0320
catalog number
1996.0320.05224
This harmonica was made by Hohner in Germany, about 1984. It is a Pocket Pal model in the key of C, with 10 single holes and 20 reeds. This harmonica has a black comb with metal cover plates attached to the top and bottom with screws and nuts.
Description

This harmonica was made by Hohner in Germany, about 1984. It is a Pocket Pal model in the key of C, with 10 single holes and 20 reeds. This harmonica has a black comb with metal cover plates attached to the top and bottom with screws and nuts. The harmonica is in a red mesh bag with a cassette tape, tied to a book "Country and Blues Harmonica for the Musically Hopeless" by Jon Gindick, illustrated by Barry Geller, and published by Klutz Press, Palo Alto, California, 1984. The harmonica is engraved:

POCKET PAL

Location
Currently not on view
date made
1984
maker
Hohner
ID Number
1988.0783.438
accession number
1988.0783
catalog number
1988.0783.438
This pressbook is for the 1958 Warner Bros. musical film Damn Yankees, directed by George Abbott and Stanley Donen and starred Gwen Verdon, Tab Hunter, and Ray Walston.
Description
This pressbook is for the 1958 Warner Bros. musical film Damn Yankees, directed by George Abbott and Stanley Donen and starred Gwen Verdon, Tab Hunter, and Ray Walston. This pressbook was distributed to movie theater owners for the purchase of posters and other material as marketing tools for promotion of this movie.
Location
Currently not on view
publishing date
1958
performing artist; depicted
Verdon, Gwen
publisher
Warner Brothers
ID Number
1986.0370.10
accession number
1986.0370
catalog number
1986.0370.10
Currently not on view
Location
Currently not on view
date made
1986
recording artist
Steve Miller Band
manufacturer
Capitol
ID Number
1996.3034.05323
label number
B-5704
nonaccession number
1996.3034
catalog number
1996.3034.05323

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.