Popular Entertainment

Mack Allen. side 1: A Warning to Boys; side 2: A Warning to Girls (Harmony 729-H)
78 rpm

Mack Allen is a pseudonym on Harmony for Vernon Dalhart.

Harmony Records was a division of Columbia Records from 1925 to 1932. It was a budget label that was comprised of original recordings identical to that of Columbia’s other budget labels, Velvet Tone Records and Diva Records.

Jelly Roll Morton. side 1: Honky Tonk Blues I; side 2: Honky Tonk Blues II (Circle 87/88), from the album, Jelly Roll Morton, Volume 12: I'm the Winin' Boy (Circle Limited Edition #306).
78 rpm.

This recording is part of a limited edition 45 twelve-inch record set, The Saga of Mr. Jelly Lord. The set is comprised of interviews and musical performances of musician Ferdinand "Jelly Roll" Morton (1890-1941) recorded by American ethnomusicologist Alan Lomax (1915-2002) at the Coolidge Auditorium, Library of Congress, from May 23, 1938 to December 14, 1938. In the interviews, Morton recounts his experiences, both in New Orleans and on the road, as a popular musician of the early twentieth century.

The Saga of Mr. Jelly Lord limited edition record set was issued by Circle Sound Inc., incrementally with two albums every three months, beginning in late 1947. The recordings were pressed on red vinylite. Album design and typography for this set was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Oak Ridge Quartet. side 1: No Tears in Heaven; side 2: Old Time Religion (Capitol 48023), from the album, Songs from The Grand Ole Opry (Capitol AD 86).
78 rpm.

The cover art for this album was made by Carlos Andreson. Andreson, also as Anderson, (1905-1978) was an American painter, lithographer, and teacher. A native of Salt Lake City, Utah, Andreson studied at the University of Utah, then subsequently in Los Angeles, New York, Paris, and Berlin. In 1933, Andreson returned to the United States, creating paintings and drawings of early pioneer life for the Works Progress Administration (WPA) and teaching at Utah Arts Center. After the start of WWII, Anderson was commissioned by Abbott Laboratories to paint medical subjects at the stateside Naval hospitals. Andreson moved to San Francisco after the war where he produced artwork for the Oakland Army Base.

various artists. The Hot Ones! (Columbia Special Products XTV 88513).
33-1/3 rpm

This record was made by Columbia Special Products for the Johnson Brothers Motor Company. It features previously released recordings and was used as a promotional tool for the Johnson Seahorse outboard motor in the 1960s.

Claude Bolling's French Blues Stars. side 1: You Rascal You; side 2: Nobody Knows the Way I Feel This Mornin' (Circle J-1046), from the album, Claude Bolling Jazz Band (Circle S-18).
78 rpm.

This album was designed was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Paul Robeson. side 1: The Purest Kind of a Guy; side 2: Joe Hil (Columbia 17357-D), from the album. Songs of Free Men (Columbia M-534).
78 rpm. Both tracks were recorded in 1942. This album was released in 1943.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Frankie Carle. side 1: Stumbling; side 2: Estelle (Columbbia 35571), from the album, At the Piano...Frankie Carle (Columbia C-23).
78 rpm.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.

Jelly Roll Morton. side 1: Aaron Harris [conclusion] [track 1] Robert Charles [part 1] [track 2]; side 2: Robert Charles [conclusion] (Circle JM-35/36), from the album Jelly Roll Morton, Volume 5: Bad Man Ballads (Circle Limited Edition #306).
78 rpm.

This recording is part of a limited edition 45 twelve-inch record set, The Saga of Mr. Jelly Lord. The set is comprised of interviews and musical performances of musician Ferdinand "Jelly Roll" Morton (1890-1941) recorded by American ethnomusicologist Alan Lomax (1915-2002) at the Coolidge Auditorium, Library of Congress, from May 23, 1938 to December 14, 1938. In the interviews, Morton recounts his experiences, both in New Orleans and on the road, as a popular musician of the early twentieth century.

The Saga of Mr. Jelly Lord limited edition record set was issued by Circle Sound Inc., incrementally with two albums every three months, beginning in late 1947. The recordings were pressed on red vinylite. Album design and typography for this set was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Teddy Wilson and his Orchestra featuring Billie Holiday. side 1: Easy Living; side 2: When You're Smiling (Columbia 36208), from the album, Hot Jazz Classics - Teddy WIlson-Billie Holiday (Columbia C-61).
78 rpm. Side 1 was originally recorded in 1937 and released on Brunswick 7911. Side 2 was originally recorded in 1938 (second master). This album was released in 1947.

The cover art for this album was made by Alex Steinweiss. Alexander “Alex” Steinweiss (1917-2011) was an American artist and graphic designer. He was the first art director of Columbia Records, expanding the use of album covers and cover art. Steinweiss created album cover art from 1938 to 1973.