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Vernon Dalhart. side 1: The John T. Scopes Trial; side 2: Bryan's Last Fight (Silvertone 3134).
78 rpm. Both tracks were originally recorded in 1925 and released on Gennett 3134.

Silvertone Records was a record label sold by the Sears-Roebuck Company in their stores and through mail-order. The discs were manufactured mainly by Columbia Records, with some made by Paramount Records and Gennett Records, from 1916-1928 and 1940-1941.

This button is from The Jazz Club of Sarasota festival in Sarasota, Florida, in 1995. This button is made of pink paper with black printing covered with a clear film, on a heart-shaped metal button with a pin back. The button is printed:

1995 Patron
the jazz club
of Sarasota
15th Anniversary
"A Sentimental Journey"

The Jazz Club of Sarasota was founded by retired advertising executive Hal Davis. The club started as a casual get-together of jazz enthusiasts listening to music in the home of Hal and Evelyn Davis. By 1980, the club held its first concert featuring American jazz guitarist John Paul “Bucky” Pizzarelli (1926-2020) and his son John. The Jazz Club continued to expand its scope and reach to include a yearly program of concerts and lectures as well as school residency and scholarship programs.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Original artwork, of page 19, from the book Howdy Doody's Lucky Trip, written by Edward Kean with illustrations by Harry McNaught, and published by Simon & Schuster in New York, New York, in 1953.

In addition to Howdy Doody's Lucky Trip, Harry McNaught illustrated several Little Golden Books, including the Wizard of Oz series from the 1950s, the popular Animal Babies and several Big Golden Books on nature and science. More recently, he created the images for two Little Golden Books on the characters from the Muppets.

From 1947 to 1960, the Howdy Doody Show was the leading children’s TV program in the United States. The creator of the Howdy Doody character, “Buffalo” Bob Smith, first performed him as a radio character. When the show transitioned to TV, Frank Paris created the new puppet, but left the show (with the puppet) in 1948 to disputes over merchandising rights. Velma Dawson created the now ubiquitous Howdy Doody that debuted in 1949. This Howdy Doody became popular spokes character, hawking sponsored products on the show or in print.

This music box disc was made by Mermod Freres, in St. Croix, Switzerland, around 1896-1898. It is Stella Disc #513 - "Cymbeline Waltzes," by Joseph Clauder. This disc is playable in Mermod Freres music box models, #63, #84, #126, #168, and #268, which can accommodate 17-1/4” diameter discs.

According to the accession correspondence, the music box and accompanying discs were purchased by the donor in Worcester, Massachusetts, July 25. 1901

This button is made of wood, with teal and black ink, and a safety pin glued on the back. The button is printed:

HI !
I CAN’T
REMEMBER
YOUR NAME
EITHER

side 1: Joe Sullivan Quartet. Panama; side 2: Joe Sullivan. The Chimes (Disc 6004), from the album, Joe Sullivan Quartet (Disc 701).
78 rpm.

Album cover illustration was by David Stone Martin (born David Livingstone Martin, 1913-1992). Martin was an American artist best known for his illustrations on jazz album covers for labels including Mercury, Asch, Disc, and Dial. Many of his commissions were from Martin’s longtime friend, American jazz record producer and concert promoter Norman Granz (1918-2001).

Original artwork, of page 24, for the book, Gaston and Josephine, written by Georges Duplaix with illustrations by Feodor Rojankovsky, and published by Simon & Schuster in New York, New York, in 1949.

At an early age, Latvian-born Feodor Rojankovsky (1891-1970) discovered his passion for drawing and was captivated with animals an d the natural world. He entered the Moscow Academy of Fine Arts but was drafted into the Russian Army during World War I, where he worked as a sketch artist documenting the war. In 1927, he moved to Paris to continue his study of art and became interested in fashion, theatrical set design and illustrating children’s books.

Rojankovsky’s keen sense of observation and his vivid imagination, coupled with his love for nature, was a major source of inspiration for his artwork. Flat, richly detailed, colorful illustrations evoked the fanciful drawings of the folklore tradition of European fairy tales. When the Nazi influence spread through Europe, Rojankovsky fled to the United States. His talents were quickly recognized and, like many of the other Golden Book illustrators, he was hired to work for the Artists and Writers Guild in New York. He created illustrations for numerous Little Golden Books, including The Three Bears and Farm Favorites.

Most of Feodor Rojankovsky’s characters were animals who took on human traits and characteristics. Gaston and Josephine are two French pigs who decide to run away from their home in the French countryside. The story follows their escapades as they make their way to the docks to board an ocean liner and embark on their journey to the United States.