Popular Entertainment

This Museum's popular entertainment collections hold some of the Smithsonian's most beloved artifacts. The ruby slippers worn by Judy Garland in The Wizard of Oz reside here, along with the Muppet character Kermit the Frog, and props from popular television series such as M*A*S*H and All in the Family. But as in many of the Museum's collections, the best-known objects are a small part of the story.

The collection also encompasses many other artifacts of 19th- and 20th-century commercial theater, film, radio, and TV—some 50,000 sound recordings dating back to 1903; posters, publicity stills, and programs from films and performances; puppets; numerous items from World's Fairs from 1851 to 1992; and audiovisual materials on Groucho Marx, to name only a few.

Currently not on view
Location
Currently not on view
date made
1944
depicted (sitter)
Spivak, Charlie
maker
RCA Corporation
ID Number
1989.0041.05
accession number
1989.0041
catalog number
1989.0041.05
The Southernaires. side 1: Couldn't Hear Nobody Pray; side 2: Steal Away to Jesus (Decca 2856), from the album, The Southernaires in a Recital of Spirituals (Decca 83).78 rpm.Currently not on view
Description
The Southernaires. side 1: Couldn't Hear Nobody Pray; side 2: Steal Away to Jesus (Decca 2856), from the album, The Southernaires in a Recital of Spirituals (Decca 83).
78 rpm.
Location
Currently not on view
recording date
1939
recording artist
Southernaires
manufacturer
Decca
ID Number
1996.0320.05286
maker number
2856
83
accession number
1996.0320
catalog number
1996.0320.05286
side 1: Benny Goodman and his Orchestra. side 1: St. Louis Blues; side 2: Nick La Rocca and the Original Dixieland Band. Clarinet Marmalade (Victor 25411).78 rpm.Currently not on view
Description (Brief)
side 1: Benny Goodman and his Orchestra. side 1: St. Louis Blues; side 2: Nick La Rocca and the Original Dixieland Band. Clarinet Marmalade (Victor 25411).
78 rpm.
Location
Currently not on view
recording date
1936
recording artist
Benny Goodman and his Orchestra
La Rocca, Nick
Original Dixieland Band
manufacturer
Victor
ID Number
1988.0698.1063
catalog number
1988.0698.1063
accession number
1988.0698
collector/donor number
G35
maker number
25411
This snare drum was made by Walberg & Auge in Worcester, Massachusetts, around 1903-1910. It has a stained wood shell and skin heads. The hoops are made of wood and have 14 sets of metal hooks for rope which is laced through leather ears, used to tighten the hoops.
Description (Brief)

This snare drum was made by Walberg & Auge in Worcester, Massachusetts, around 1903-1910. It has a stained wood shell and skin heads. The hoops are made of wood and have 14 sets of metal hooks for rope which is laced through leather ears, used to tighten the hoops. The drum has a metal screw device to activate the gut snares.

There is a cast metal plate on the top hoop that is marked:

WALBERG & AUGE
W AND A
WORCESTER, MASS. USA

This drum was used by William T. Armstrong (1879-1965), orchestra leader and musician in vaudeville and silent film theaters. Armstrong grew up in South River, New Jersey and began playing drums at the age of 14. He continued his musical career through the mid-1910s, after which, Armstrong began work in banking and finance. This artifact is part of a collection of drums, sound effect instruments, and other percussion instruments used by Armstrong.

Location
Currently not on view
date made
1903-1910
ID Number
1984.0335.03
accession number
1984.0335
catalog number
1984.0335.03
side 1: Benny Goodman and his Orchestra. St. Louis Blues; side 2: Nick La Rocca and The Original Dixieland Band. Clarinet Marmalade (Victor 25411).78 rpm.Currently not on view
Description (Brief)
side 1: Benny Goodman and his Orchestra. St. Louis Blues; side 2: Nick La Rocca and The Original Dixieland Band. Clarinet Marmalade (Victor 25411).
78 rpm.
Location
Currently not on view
recording date
1936
recording artist
Benny Goodman and his Orchestra
La Rocca, Nick
Original Dixieland Band
composer
Handy, W. C.
Ragas, H. W.
Shields, Larry
manufacturer
Victor
ID Number
1993.0102.087
catalog number
1993.0102.087
accession number
1993.0102
maker number
25411
This music roll was made by Aeolian Organ and Music Company, in New York, New York, around 1895-1900. It is Roll #702, playable in a Celestina or Mandolina model roller organ. This roll sold for 90 cents.
Description

This music roll was made by Aeolian Organ and Music Company, in New York, New York, around 1895-1900. It is Roll #702, playable in a Celestina or Mandolina model roller organ. This roll sold for 90 cents. The tune list for this roll is as follows:

Watch on the Rhine
Deutschland über alles
Das Zerbrochene Ringlein
Die Drei Reiter
Die Gute Kamerad
Der Tannenbaum

Location
Currently not on view
date made
1895-1900
ID Number
MI.73.02a.06
accession number
301352
catalog number
73.02a.06
This button is from the Dixieland Jazz Festival in Lake Havasu City, Arizona, in 1991. This round button has a light green background and black printing covered with a clear film, on a two-piece metal button with a pin back.
Description

This button is from the Dixieland Jazz Festival in Lake Havasu City, Arizona, in 1991. This round button has a light green background and black printing covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

RAMADA LONDON BRIDGE RESORT
4th
Annual
DIXIELAND
JAZZ FESTIVAL
1991
LAKE HAVASU CITY, AZ

The Dixieland Jazz Festival is an annual event held in Lake Havasu City, Arizona, home of the reconstructed “New” London Bridge built in the 1830s. The bridge was purchased by Missouri entrepreneur Robert P. McCullough from the City of London in 1968, and installed in Lake Havasu City, a city he founded.

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

Location
Currently not on view
date made
1991
user
Levin, Floyd
ID Number
2011.3086.092
nonaccession number
2011.3086
catalog number
2011.3086.092
Original artwork for the book, Two Little Miners, written by Margaret Wise Brown with illustrations by Richard Scarry, and published by Simon & Schuster in New York, New York, in 1949. Two Little Miners is part of the Little Golden Books Civic Series.
Description (Brief)

Original artwork for the book, Two Little Miners, written by Margaret Wise Brown with illustrations by Richard Scarry, and published by Simon & Schuster in New York, New York, in 1949. Two Little Miners is part of the Little Golden Books Civic Series. These books introduced young children to the everyday working man, fundamental occupations and essential public service jobs such as policeman, fireman and postman.

Scarry's physical depiction of the two miners and some of the elements depicted in the home scenes are reminiscent of immigrants from southern Europe. According to the online resource, eWV: The West Virginia Encyclopedia, “individuals of Italian extraction constitute one of the most important ethnic groups in West Virginia’s population. Most of these Italian Americans date their connection with the state to ancestors who were recruited during the early years of the 20th century to serve the labor needs of West Virginia’s rapidly developing industrial economy. With more than 17,000 Italian immigrants in the state by 1910, they made up 30 percent of West Virginia’s foreign-born population.”

“The great majority of Italian immigrants were employed in the coal industry as pick-and-shovel miners. West Virginia mines were among the most mechanized in this country, but miners born in America or northern Europe generally operated the new machines and usually earned better money, while their counterparts from less favored regions did the handwork.”

Better known for his animal characters and the Busytown series, Richard Scarry (1919-1994) was one of the most prolific 20th-century authors and illustrators of children’s books. He attended the School of the Museum of Fine Arts in Boston until he was drafted into the army during World War II. After the war, Scarry worked as a freelance artist and contracted with Simon & Schuster to work on the Little Golden Book series. His first illustrations appeared in Two Little Miners, a 1949 story written by Margaret Wise Brown. Scarry’s most popular Little Golden Book was Best Word Book Ever, published in 1963. He published more than 500 children’s books, most depicting animals who took on human characteristics.

Location
Currently not on view
Date made
1949
maker
Scarry, Richard
ID Number
1992.0634.072.04
accession number
1992.0634
catalog number
1992.0634.072.04
Frank Luther and Zora Layman.
Description
Frank Luther and Zora Layman. side 1: Christmas Day in the Morning [track 1] They Come with Blissful Sing [track 2] Baby's Night [track 3]; side 2: Gos Rest Ye Merry, Gentlemen [track 1] Old Christmas [track 2] Cradle Song of the Virgin [track 3] (Decca 2863), from the album, Christmas in Song, Volume 1 (Decca 94).
78 rpm.
Location
Currently not on view
recording date
1939
recording artist
Luther, Frank
Layman, Zora
manufacturer
Decca
ID Number
1996.0320.05175
maker number
2863
94
accession number
1996.0320
catalog number
1996.0320.05175
This roller organ roll was made by an undetermined maker in the United States, abour 1885. It is roll #81 - "We Shall Meet Beyond the River." This roll is playable in 20-note roller organs.This roller organ roll features U. S. Patent #333390, dated July 14, 1885, by Henry B.
Description

This roller organ roll was made by an undetermined maker in the United States, abour 1885. It is roll #81 - "We Shall Meet Beyond the River." This roll is playable in 20-note roller organs.

This roller organ roll features U. S. Patent #333390, dated July 14, 1885, by Henry B. Morris for a barrel for mechanical musical instruments.

Location
Currently not on view
date made
ca 1885
user
Meggers, Edith R.
ID Number
MI.74.11a.03
accession number
314637
catalog number
74.11a.03
Diana Ross. side 1: Theme from Mahogany (Do You Know Where You're Going To) [mono]; side 2: Theme from Mahogany (Do You Know Where You're Going To) [stereo] (Motown M1377F)45 rpm. Accessioned with original printed sleeve.
Description (Brief)

Diana Ross. side 1: Theme from Mahogany (Do You Know Where You're Going To) [mono]; side 2: Theme from Mahogany (Do You Know Where You're Going To) [stereo] (Motown M1377F)
45 rpm. Accessioned with original printed sleeve. Pressed on gold colored vinyl.

This song was featured in the 1975 Motown Productions and Paramount Pictures film Mahogany, directed by Berry Gordy and starred Diana Ross, Billy Dee Williams, Jean-Pierre Aumont, and Anthony Perkins.

Location
Currently not on view
date made
1975
recording artist
Ross, Diana
manufacturer
Motown
ID Number
1996.3034.06750
catalog number
1996.3034.06750
nonaccession number
1996.3034
label number
M1377F
This music box disc was made by Lloyd G. Kelley, successor to the Regina Music Box Company, in Hanover, Massachusetts, 1950s. It is Regina Disc #1444 – Zampa - Overture, by Ferdinand Hérold,.
Description

This music box disc was made by Lloyd G. Kelley, successor to the Regina Music Box Company, in Hanover, Massachusetts, 1950s. It is Regina Disc #1444 – Zampa - Overture, by Ferdinand Hérold,. This disc is playable in a Regina Disc Music Box that can accommodate a 15-1/2” diameter disc.

This disc features the following patents:

U. S. Patent #417649, dated December 17, 1889, by Oskar Paul Lochmann for a music plate for mechanical instruments.

U. S. Patent #500374, dated June 27, 1893, by Gustav A. Brachhausen and Paul Riessner for a note-plate for music boxes.

Location
Currently not on view
date made
1950s
ID Number
MI.73.01.18.18
catalog number
73.01.18.18
accession number
301414
maker number
1444
patent number
500374
417649
Sidney Bechet's Blue Note Jazz Men. side 1: Salty Dog; side 2: Weary Blues (Blue Note 49).78 rpm.Currently not on view
Description (Brief)
Sidney Bechet's Blue Note Jazz Men. side 1: Salty Dog; side 2: Weary Blues (Blue Note 49).
78 rpm.
Location
Currently not on view
recording date
1945
recording artist
Sidney Bechet's Blue Note Jazz Men
manufacturer
Blue Note
ID Number
1978.0670.769
maker number
49
accession number
1978.0670
catalog number
1978.0670.769
Currently not on view
Location
Currently not on view
Date made
1984
ID Number
2005.3021.060
nonaccession number
2005.3021
catalog number
2005.3021.060
This sheet music is for the song, “They’re All Good American Names,” with words by William Jerome and music by Jean Schwartz. It was published by Jerome H. Remick and Co. in New York, New York in 1911.
Description
This sheet music is for the song, “They’re All Good American Names,” with words by William Jerome and music by Jean Schwartz. It was published by Jerome H. Remick and Co. in New York, New York in 1911. There is an inset image of Jerome and Schwartz on the cover.
Location
Currently not on view
publishing date
1911
publisher
Jerome H. Remick & Co.
ID Number
1988.0538.17
accession number
1988.0538
catalog number
1988.0538.17
Currently not on view
Location
Currently not on view
date made
1986
ID Number
2016.0032.080
accession number
2016.0032
catalog number
2016.0032.080
Benny Goodman and his Orchestra. side 1: More Than You Know; side 2: Superman (Columbia 55002).78 rpm.Currently not on view
Description
Benny Goodman and his Orchestra. side 1: More Than You Know; side 2: Superman (Columbia 55002).
78 rpm.
Location
Currently not on view
recording date
1940
recording artist
Benny Goodman and his Orchestra
manufacturer
Columbia
ID Number
1981.0566.199
maker number
55002
accession number
1981.0566
catalog number
1981.0566.199
Benny Goodman and his Orchestra. side 1: More Than You Know; side 2: Superman (Columbia 55002).78 rpm.Currently not on view
Description (Brief)
Benny Goodman and his Orchestra. side 1: More Than You Know; side 2: Superman (Columbia 55002).
78 rpm.
Location
Currently not on view
recording date
1940
recording artist
Bryan, Mike
Bernstein, Arthur
Yaeger, Harry
Goodman, Benny
Williams, Cootie
Benny Goodman and his Orchestra
Forest, Helen
Martin, Skippy
Bivona, Gus
Snyder, Bob
Henderson, Jack
Auld, George
Fila, Alec
Maxwell, Jimmy
Goodman, Irving
McGarity, Lou
Cutshall, Bob
Layton, Bernie
manufacturer
Columbia
ID Number
1988.0698.2484
catalog number
1988.0698.2484
accession number
1988.0698
maker number
55002
collector/donor number
12-29
Currently not on view
Location
Currently not on view
date made
1958
referenced
Jerry Murad's Harmonicats
Grant, Earl
ID Number
2018.3010.154
nonaccession number
2018.3010
catalog number
2018.3010.154
Gene Autry. side 1: Mexicali Rose; side 2: South of the Border (Down Mexico Way) (Columbia 37185), from the album, Gene Autry's Western Classics (Columbia C 120).78 rpm.Currently not on view
Description
Gene Autry. side 1: Mexicali Rose; side 2: South of the Border (Down Mexico Way) (Columbia 37185), from the album, Gene Autry's Western Classics (Columbia C 120).
78 rpm.
Location
Currently not on view
recording date
1946
release date
1947
recording artist
Autry, Gene
manufacturer
Columbia
ID Number
1996.0320.05057
maker number
37185
C 120
accession number
1996.0320
catalog number
1996.0320.05057
Benny Goodman Quartet. side 1: Stompin' at the Savoy; side 2: Vibraphone Blues (Victor 25521).78 rpm.Currently not on view
Description (Brief)
Benny Goodman Quartet. side 1: Stompin' at the Savoy; side 2: Vibraphone Blues (Victor 25521).
78 rpm.
Location
Currently not on view
recording date
1936
recording artist
Benny Goodman Quartet
manufacturer
Victor
ID Number
1988.0698.1095
catalog number
1988.0698.1095
accession number
1988.0698
collector/donor number
G67
maker number
25521
Currently not on view
Location
Currently not on view
date made
1977
referenced
Lawrence, Steve
Gorme, Eydie
Berle, Milton
ID Number
2005.3021.102
nonaccession number
2005.3021
catalog number
2005.3021.102
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music.
Description
Working on assignment, Henry Horenstein photographed EmmyLou Harris (b. 1947) at her home. In the 1970s, Harris represented the generation of musicians who were influenced by traditional country, rock, and folk music. Over the years, Harris has had a profound impact on contemporary popular and country music.
Location
Currently not on view
negative
1980
print
2003
maker
Horenstein, Henry
ID Number
2003.0169.034
accession number
2003.0169
catalog number
2003.0169.034
Currently not on view
Location
Currently not on view
Date made
1985
ID Number
2005.3021.064
nonaccession number
2005.3021
catalog number
2005.3021.064

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