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This sheet music is for the composition, “Remember Me,” by Minna Brinkmann. It was published by Belwin, Inc. in New York, New York in 1929. This sheet music is No. 61 from the Belwin series Edition Beautiful, published from 1920s-1930s.

Belwin was formed in 1918 by music publishing employee Max Winkler (1888-1965), film-maker Max Winkler (1875-1961), and publisher of original composition and arrangements for silent cinema S.M. Berg. The name Belwin was created by combining the surnames of Berg and Winkler.

This sheet music is for the song “The Way You Look Tonight,” with music by Jerome Kern and lyrics by Dorothy Fields. It was published by Chappell and Co., Inc. in New York, New York in 1936.

"The Wat You Look Tonight" was featured in the 1936 RKO Radio Pictures musical comedy film Swing Time, directed by George Stevens and starred Fred Astaire and Ginger Rogers. The cover features a still from the film of stars Fred Astaire and Ginger Rogers.

This glockenspiel, also known as school bells, was made in the United States, around 1900 to 1910. It is made of 30 metal bells, two and a half octaves, with a wood frame.

his set of school bells was used by William T. Armstrong (1879-1965), orchestra leader and musician in vaudeville and silent film theaters. Armstrong grew up in South River, New Jersey and began playing drums at the age of 14. He continued his musical career through the mid-1910s, after which, Armstrong began work in banking and finance. This artifact is part of a collection of drums, sound effect instruments, and other percussion instruments used by Armstrong.

This button is from the New Year’s Jazz at Indian Wells event in Palm Springs, California. It is a round button with a green background with black printing, covered with a clear film, on a two-piece metal button with a pin back. The button is printed:

NEW YEAR'S JAZZ
[image of trumpet and bass players]
AT INDIAN WELLS
3 DAY PASS
Traditional
Jazz Party

Floyd Levin (1922-2007) was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. His numerous reviews, profiles, and articles were published in magazines such as Down Beat, Jazz Journal International, Metronome, and American Rag. He also authored Classic Jazz: A Personal View of the Music and the Musicians. Items in this collection (2011.3086) were acquired from Levin’s attendance at Jazz Festivals, conferences, and other music events.

This clock was made by Self Winding Clock Co., Inc. in New York, New York, late 1940s. It is a wall clock made of brown metal frame with white dial, black and red markings, black hour and minute hands, and red second hand. It has a clear plastic front. There is a dial at the bottom of the clock. Used by WANN (1190) radio station.

WANN (1190 AM) was a radio station based out of Annapolis, Maryland that primarily served the area's growing African American community. Morris Blum founded it in 1946, and it broadcast to the entire mid-Atlantic region. The station was home to disc jockey Charles "Hoppy" Adams starting in the early 1950s. Adams hosted weekly events at a local African American only beach, Carr's Beach, which were popular with the area's youth population.

WANN continued to program gospel, rhythm and blues, and public affairs features until 1992 when the station changed to a mainstream country format with the catchphrase “Bay Country 1190.” Around 1998, the station changed ownership and became WBIS, broadcasting a News Talk Information format.

This sheet music is for the song “Mister Five by Five,” by Don Raye and Gene De Paul. It was published by Leeds Music Corporation in New York, New York in 1942.

"Mister Five by Five" was featured in the 1942 Universal Pictures comedy film Behind the Eight Ball, directed by Edward F. Cline and starred Al Ritz, Jimmy Ritz, Harry Ritz, Carol Bruce, Dick Foran, Grace McDonald, Johnny Downs, and William Demarest.

Jelly Roll Morton. Jelly Roll Morton, Volume 2: Way Down Yonder... (Circle Limited Edition #306).
78 rpm. Album is for a 4-disc set comprised of JM-9, JM-10, JM-11, JM-12, JM-13, JM14. JM-15, and JM-16.

This is part of a limited edition 45 twelve-inch record set, The Saga of Mr. Jelly Lord. The set is comprised of interviews and musical performances of musician Ferdinand "Jelly Roll" Morton (1890-1941) recorded by American ethnomusicologist Alan Lomax (1915-2002) at the Coolidge Auditorium, Library of Congress, from May 23, 1938 to December 14, 1938. In the interviews, Morton recounts his experiences, both in New Orleans and on the road, as a popular musician of the early twentieth century.

The Saga of Mr. Jelly Lord limited edition record set was issued by Circle Sound Inc., incrementally with two albums every three months, beginning in late 1947. The recordings were pressed on red vinylite. Album design and typography for this set was by Jimmy Ernst (born Hans-Ulrich Ernst, 1920-1984), a German-born American painter.

Oak Ridge Quartet. side 1: No Tears in Heaven; side 2: Old Time Religion (Capitol 48023), from the album, Songs from The Grand Ole Opry (Capitol AD 86).
78 rpm.

The cover art for this album was made by Carlos Andreson. Andreson, also as Anderson, (1905-1978) was an American painter, lithographer, and teacher. A native of Salt Lake City, Utah, Andreson studied at the University of Utah, then subsequently in Los Angeles, New York, Paris, and Berlin. In 1933, Andreson returned to the United States, creating paintings and drawings of early pioneer life for the Works Progress Administration (WPA) and teaching at Utah Arts Center. After the start of WWII, Anderson was commissioned by Abbott Laboratories to paint medical subjects at the stateside Naval hospitals. Andreson moved to San Francisco after the war where he produced artwork for the Oakland Army Base.

This music roll was made by Mechanical Orguinette Company, in New York, New York, around 1895-1900. It is Roll #4013, playable in a Celestina or Mandolina model roller organ. This roll sold for $1.00. The tune list for this roll is as follows:

Yankee Doodle
When Johnny comes marching home
We won’t go home till morning
Upidee