Religion

One hallmark of the American experience captured in the Museum's collections is the nation's broad diversity of religious faiths. Artifacts range from Thomas Jefferson's Bible to a huge "Sunstone" sculpture carved for a Mormon temple in Illinois in 1844 to a household shrine from the home of a Pueblo Indian in the 1990s. Furniture, musical instruments, clothing, cooking ware, and thousands of prints and figures in the collections have all played roles in the religious lives of Americans. The most comprehensive collections include artifacts from Jewish and Christian European Americans, Catholic Latinos, Protestant Arab Americans, Buddhist and Christian Asian Pacific Americans, and Protestant African Americans. One notable group is the Vidal Collection of carved figures known as santos and other folk religious material from the practice of Santeria in Puerto Rico.

This engraved woodblock of a “Zuni effigy” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1883 as Figure 463 (p.365) in an article by James Stevenson (1840-1888) entitled “Illustrated Catalogue of the Collections Obtained from the I
Description
This engraved woodblock of a “Zuni effigy” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1883 as Figure 463 (p.365) in an article by James Stevenson (1840-1888) entitled “Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico and Arizona in 1879” in the Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1880-81.
Location
Currently not on view
date made
1883
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Stevenson, James
ID Number
1980.0219.0141
catalog number
1980.0219.0141
accession number
1980.0219
This engraved woodblock of an “Indian mask from the northwest coast of America” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1884 as Plate XIII.20 (p.171) in an article by William Healey Dall (
Description
This engraved woodblock of an “Indian mask from the northwest coast of America” was prepared by Henry Hobart Nichols (1838-1887) and the Government Printing Office in Washington, D.C.; the print was published in 1884 as Plate XIII.20 (p.171) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Dall, William H.
graphic artist
Nichols, H. H.
block maker
N. J. Wemmer
ID Number
1980.0219.0165
catalog number
1980.0219.0165
accession number
1980.0219
This engraved woodblock for “Dancer holding up the great plumed arrow” was prepared by the Government Printing Office in Washington, D.C.; the print was published as Figure 54 (p.434) in an article by Dr.
Description
This engraved woodblock for “Dancer holding up the great plumed arrow” was prepared by the Government Printing Office in Washington, D.C.; the print was published as Figure 54 (p.434) in an article by Dr. Washington Matthews (1843-1905) entitled “The Mountain Chant: a Navajo ceremony” in the Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1883-84.
Location
Currently not on view
date made
1887
publisher
Bureau of American Ethnology
printer
Government Printing Office
block maker
A. P. J. & Co.
author
Matthews, Washington
ID Number
1980.0219.0438
accession number
1980.0219
catalog number
1980.0219.0438
This engraved woodblock of an “Aleut dancing or mortuary mask” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1884 as Plate XXVIII.71 (p.201) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain
Description
This engraved woodblock of an “Aleut dancing or mortuary mask” was prepared by the Government Printing Office in Washington, D.C.; the print was published in 1884 as Plate XXVIII.71 (p.201) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82.
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Dall, William H.
ID Number
1980.0219.0164
catalog number
1980.0219.0164
accession number
1980.0219
This engraved woodblock of the “Dance of the Nahikai” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Plate XII (p.438) in an article by Dr.
Description
This engraved woodblock of the “Dance of the Nahikai” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Plate XII (p.438) in an article by Dr. Washington Matthews (1843-1905) entitled “The Mountain Chant: a Navajo ceremony” in the Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1883-84. The illustration was engraved by Henry Hobart Nichols (1838-1887).
Location
Currently not on view
date made
1887
publisher
Bureau of American Ethnology
printer
Government Printing Office
graphic artist
Nichols, H. H.
author
Matthews, Washington
block maker
A. P. J. & Co.
ID Number
1980.0219.1539
accession number
1980.0219
catalog number
1980.0219.1539
This engraved woodblock of an “Indian mask from the northwest coast of America” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Plate XIV.23 (p.173) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Ce
Description
This engraved woodblock of an “Indian mask from the northwest coast of America” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Plate XIV.23 (p.173) in an article by William Healey Dall (1845-1927) entitled “On Masks, Labrets, and Certain Aboriginal Customs with an Inquiry into the Bearing of Their Geographical Distribution” in the Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1881-82. According to the annual report, the image shows a “dancing mask used by the Indians of Cape Flattery, Washington Territory” and was originally drawn by J.G. Swan (1818-1900).
Location
Currently not on view
date made
1884
publisher
Bureau of American Ethnology
printer
Government Printing Office
author
Dall, William H.
original artist
Swan, J. G.
ID Number
1980.0219.1011
catalog number
1980.0219.1011
accession number
1980.0219
This engraved woodblock of a “Dancer ‘swallowing’ the great plumed arrow” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 55 (p.434) in an article by Dr.
Description
This engraved woodblock of a “Dancer ‘swallowing’ the great plumed arrow” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 55 (p.434) in an article by Dr. Washington Matthews (1843-1905) entitled “The Mountain Chant: a Navajo ceremony” in the Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1883-84.
Location
Currently not on view
date made
1887
block maker
A.P.J. & Co.
printer
Government Printing Office
publisher
Bureau of American Ethnology
author
Matthews, Washington
ID Number
1980.0219.1112
catalog number
1980.0219.1112
accession number
1980.0219
Souvenir pennant with stamped image of a totem pole, one of a half dozen in the city of Seattle, Washington, this, the best known, in Pioneer Square; white on red ground; yellow left edge and ties.
Description (Brief)
Souvenir pennant with stamped image of a totem pole, one of a half dozen in the city of Seattle, Washington, this, the best known, in Pioneer Square; white on red ground; yellow left edge and ties. Used by donor.
For Native Americans in the Pacific Northwest, totem poles often serve to proclaim a clan's status. The figures carved into the poles represent a clan's ancestral history as well as its rights and privileges. The totem pole shown on this pennant stands near Pike Street Market in Seattle and, in manner shown here, serves a different purpose, to attract tourists.
Location
Currently not on view
ID Number
1979.1162.112
accession number
1979.1162
catalog number
1979.1162.112
Currently not on view
Location
Currently not on view
Date made
1991
depicted
Tekakwitha, Kateri
maker
unknown
ID Number
1991.3171.08
catalog number
1991.3171.08
nonaccession number
1991.3171

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