Religion

One hallmark of the American experience captured in the Museum's collections is the nation's broad diversity of religious faiths. Artifacts range from Thomas Jefferson's Bible to a huge "Sunstone" sculpture carved for a Mormon temple in Illinois in 1844 to a household shrine from the home of a Pueblo Indian in the 1990s. Furniture, musical instruments, clothing, cooking ware, and thousands of prints and figures in the collections have all played roles in the religious lives of Americans. The most comprehensive collections include artifacts from Jewish and Christian European Americans, Catholic Latinos, Protestant Arab Americans, Buddhist and Christian Asian Pacific Americans, and Protestant African Americans. One notable group is the Vidal Collection of carved figures known as santos and other folk religious material from the practice of Santeria in Puerto Rico.

Currently not on view
Location
Currently not on view
ID Number
1996.0111.34
accession number
1996.0111
catalog number
1996.0111.34
A bulto (three-dimentional sculpture) of San Rafael, the archangel, patron of travelers, source of spiritual and physical health, and protector against monsters. Often, attributes for San Rafael inculde pilgrim’s dress, a fish and a staff.
Description (Brief)
A bulto (three-dimentional sculpture) of San Rafael, the archangel, patron of travelers, source of spiritual and physical health, and protector against monsters. Often, attributes for San Rafael inculde pilgrim’s dress, a fish and a staff. This image of San Rafael holds two fish (peces o truchas) and a cross (cruz) made of cedar. The chip-carved decoration on the base, attributes, hair and clothing typifies the 20th c. Cendova Style, begun by the artist’s father, Jose Dolores Lopez in 1917. The clothing has very small, etched lines to add decoration and some dimension to the clothing. Overall, the sculpture is geometiric in design. The santo is signed in black ink and given an area of origin on the underside of the pine base. The santo is identifies, dated and given the area of origin in blue ink also, by the artist, on the underside of the pine base. The base is curved inward on all four sides. Referenced in Briggs, Charles L. The Woodcarvers of Cordova, New Mexico, 1980; Wrath, William, ed. , Hispanic Crafts of the Southwest, 1977. This bulto was presented by NMAH in 1983 by Dan Sheehy of the National Endowment of the Arts/Folk Art Program. In 1982, George Lopez participated in the Office of Folklife Program’s Annual Festival of American Folklife and was awarded a National Hertitage Fellowship by the NEA Folk Art Program. It was available for sale to local, national nd international patrons.
Location
Currently not on view
Date made
1951 - 1961
originator (author or composer, etc.)
Lopez, George T.
maker
Lopez, George T.
ID Number
1983.0774.01
accession number
1983.0774
catalog number
1983.0774.01
Charcoal sketch on paper of German dugouts and shelters built on the side of a hill near Varennes, France. Shell-torn buildings are visible at the top of the hill at center. Railroad tracks run next to the hill at right.
Description
Charcoal sketch on paper of German dugouts and shelters built on the side of a hill near Varennes, France. Shell-torn buildings are visible at the top of the hill at center. Railroad tracks run next to the hill at right. On the left at the top of a set of stairs is apparently a makeshift cemetery with several crosses for gravestones. People can be seen walking among the various shelters and dugouts on the hill.
Location
Currently not on view
date made
1918-10
associated date
1917 - 1918
associated person
War Department
Peixotto, Ernest Clifford
artist
Peixotto, Ernest Clifford
ID Number
AF.25834
catalog number
25834
accession number
64592
Currently not on view
Location
Currently not on view
ID Number
2000.0002.070
accession number
2000.0002
catalog number
2000.0002.070
Currently not on view
Location
Currently not on view
ID Number
2000.0002.004
accession number
2000.0002
catalog number
2000.0002.004
Currently not on view
Location
Currently not on view
ID Number
2000.0002.064
accession number
2000.0002
catalog number
2000.0002.064
Currently not on view
Location
Currently not on view
ID Number
2000.0002.069
accession number
2000.0002
catalog number
2000.0002.069
Mezzotint after painting by Rembrandt once in the Gallery at Houghton Hall, Norfolk, England. Now in the State Hermitage Museum, St. Petersburg. Print removed from George P. Marsh’s copy of The Houghton Gallery, vol. 2.
Description
Mezzotint after painting by Rembrandt once in the Gallery at Houghton Hall, Norfolk, England. Now in the State Hermitage Museum, St. Petersburg. Print removed from George P. Marsh’s copy of The Houghton Gallery, vol. 2. Marsh probably wrote the numeral 33 in pencil in the lower right margin. Notation on mounting sheet indicates the print was taken out for framing in 1894. SI Secretary's Library stamp embossed in lower left margin.
Location
Currently not on view
date made
1781
original artist
Rembrandt van Rijn
publisher
Boydell, John
engraver
Murphy, John
ID Number
1978.0534.03.35
accession number
1978.0534
catalog number
1978.0534.03.35
Currently not on view
Location
Currently not on view
ID Number
2000.0002.049
accession number
2000.0002
catalog number
2000.0002.049
Currently not on view
Location
Currently not on view
ID Number
2000.0002.111
accession number
2000.0002
catalog number
2000.0002.111
Currently not on view
Location
Currently not on view
date made
1914
ID Number
CL.385824A
accession number
176775
catalog number
385824A
Currently not on view
Location
Currently not on view
ID Number
2000.0002.046
accession number
2000.0002
catalog number
2000.0002.046
Currently not on view
Location
Currently not on view
ID Number
2000.0002.028
accession number
2000.0002
catalog number
2000.0002.028
Currently not on view
Location
Currently not on view
date made
1996
ID Number
1996.0198.01
accession number
1996.0198
catalog number
1996.0198.01
Currently not on view
Location
Currently not on view
ID Number
1997.0401.21
accession number
1997.0401
catalog number
1997.0401.21
Currently not on view
Location
Currently not on view
ID Number
2000.0002.036
accession number
2000.0002
catalog number
2000.0002.036
Currently not on view
Location
Currently not on view
ID Number
2000.0002.106
accession number
2000.0002
catalog number
2000.0002.106
Currently not on view
Location
Currently not on view
ID Number
1997.0401.50
accession number
1997.0401
catalog number
1997.0401.50
Currently not on view
Location
Currently not on view
ID Number
2000.0002.128
accession number
2000.0002
catalog number
2000.0002.128
Currently not on view
Location
Currently not on view
ID Number
2000.0002.071
accession number
2000.0002
catalog number
2000.0002.071
Currently not on view
Location
Currently not on view
ID Number
2000.0002.005
accession number
2000.0002
catalog number
2000.0002.005
Currently not on view
Location
Currently not on view
ID Number
1996.0111.01
accession number
1996.0111
catalog number
1996.0111.01
Currently not on view
Location
Currently not on view
ID Number
2000.0002.138
accession number
2000.0002
catalog number
2000.0002.138
This reed organ was made by Estey Organ Company, in Brattleboro, Vermont, around 1935-1940. It is a portable or “Chaplain’s” reed organ, serial number 491204. There is a printed label inside the lid:ESTEY ORGAN COMPANYManufacturersBRATTLEBORO, VERMONT, U.S.A.No.
Description

This reed organ was made by Estey Organ Company, in Brattleboro, Vermont, around 1935-1940. It is a portable or “Chaplain’s” reed organ, serial number 491204. There is a printed label inside the lid:

ESTEY ORGAN COMPANY
Manufacturers
BRATTLEBORO, VERMONT, U.S.A.
No. 491204
1782

(decal on music desk):

Location
Currently not on view
date made
1935 -1940
maker
Estey Organ Company
ID Number
1998.0031.01
catalog number
1998.0031.01
accession number
1998.0031
serial number
491204

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.