#
Science & Mathematics

The Museum's collections hold thousands of objects related to chemistry, biology, physics, astronomy, and other sciences. Instruments range from early American telescopes to lasers. Rare glassware and other artifacts from the laboratory of Joseph Priestley, the discoverer of oxygen, are among the scientific treasures here. A Gilbert chemistry set of about 1937 and other objects testify to the pleasures of amateur science. Artifacts also help illuminate the social and political history of biology and the roles of women and minorities in science.

The mathematics collection holds artifacts from slide rules and flash cards to code-breaking equipment. More than 1,000 models demonstrate some of the problems and principles of mathematics, and 80 abstract paintings by illustrator and cartoonist Crockett Johnson show his visual interpretations of mathematical theorems.

"Science & Mathematics - Overview" showing 2381 items.

Page 5 of 239

## Painting -

*Hippias' Curve*- Description
- This painting is a construction of Crockett Johnson, relating to a curve attributed to the ancient Greek mathematician Hippias. This was one of the first curves, other than the straight line and the circle, to be studied by mathematicians. None of Hippias's original writings survive, and the curve is relatively little known today. Crockett Johnson may well have followed the description of the curve given by Petr Beckmann in his book
*The History of Pi*(1970). Crockett Johnson's copy of Beckmann’s book has some light pencil marks on his illustration of the theorem on page 39 (see figure).

- Hippias envisioned a curve generated by two motions. In Crockett Johnson's own drawing, a line segment equal to OB is supposed to move uniformly leftward across the page, generating a series of equally spaced vertical line segments. OB also rotates uniformly about the point O, forming the circular arc BQA. The points of intersection of the vertical lines and the arc are points on Hippias's curve. Assuming that the radius OK has a length equal to the square root of pi, the square AOB (the surface of the painting) has area equal to pi. Moreover, the height of triangle ASO, OS, is √(4 / pi), so that the area of triangle ASO is 1.

- The painting has a gray border and a wood and metal frame. The sections of the square and of the regions under Hippias's curve are painted in various pastel shades, ordered after the order of a color wheel.

- This oil painting is #114 in the series. It is signed on the back: HIPPIAS' CURVE (/) SQUARE AREA = (/) TRIANGLE " = 1 = [ . .] (/) Crockett Johnson 1973.

- Location
- Currently not on view

- date made
- 1973

- referenced
- Hippias

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.76

- accession number
- 1979.1093

- catalog number
- 1979.1093.76

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Painting -

*Construction of a Heptagon*- Description
- This is one of three very similar Crockett Johnson paintings closely related to the construction of a side of an inscribed regular heptagon which the artist published in
*The Mathematical Gazette*in 1975. The paper presents a way of producing an isosceles triangle with angles in the ratio 3:3:1, so that the smallest angle in the triangle is π / 7. This angle is then inscribed in a large circle, and intercepts an arc length of π/7. A central angle of the same circle intercepts twice the angle, that is to say 2π/7, and the corresponding chord the side of an inscribed heptagon.

- Crockett Johnson described the construction of his isosceles triangle in the diagram shown. The horizontal line segment below the circle on the painting corresponds to unit length BF in the figure, and the largest triangle in the painting is triangle is ABF in the figure, with vertex angle equal to one seventh of pi. This angle is inscribed in the large circular arc KDC. The side of the heptagon is the chord KC.

- This version of Crockett Johnson's construction of a heptagon is #115 in the series. It has a dark blue background and a wood and metal frame. The painting is an oil or acrylic on masonite. The work is unsigned. See also #108 (335571) and #117 (1979.1093.79).

- References: Crockett Johnson, “A Construction for a Regular Heptagon,”
*Mathematical Gazette*, 1975, vol. 59, pp. 17–21.

- Location
- Currently not on view

- date made
- ca 1975

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.77

- accession number
- 1979.1093

- catalog number
- 1979.1093.77

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Painting -

*Construction of Heptagon*- Description
- This painting represents one of Crockett Johnson's early constructions of a heptagon. It shows a large purple circle, a pink triangle superimposed, and two smaller circles. Crockett Johnson's diagram for the painting is shown. Two equal circles are constructed, with the center of the first on the second and conversely (circles with centers C and D in the diagram), and a line segment drawn that includes their points of intersection. Then, in Crockett Johnson's words, "Against a straight edge controlling their alignment the sought points B, U, and E, are determined by the adjustment of compass arcs BC from U and EC from B. Angles FBC, CBD, DBE, and BAF are π/ 7." Detailed examination of the triangles in the drawing shows that this is indeed the case.

- The colors of the painting highlight the circles, lines, and arcs central to the construction, and the largest of the resulting isosceles triangles with vertex angle π/7 is shown in bold shades of pink. The short line called CF in the drawing (as well as line segments CD and DE, which are not shown), is the length of the side of a heptagon inscribed in a circle centered at B with radius BF.

- The oil on masonite work is #116 in the series. It has a gray background and a wood and metal frame. It is inscribed on the back: CONSTRUCTION OF HEPTAGON (/) . . .(8) (/) Crockett Johnson 1973.

- Location
- Currently not on view

- date made
- 1973

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.78

- accession number
- 1979.1093

- catalog number
- 1979.1093.78

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Painting -

*Construction of Heptagon*- Description
- Three very similar paintings in the Crockett Johnson collection are closely related to the the construction of a side of an inscribed regular a heptagon which he published in
*The Mathematical Gazette*in 1975. The paper presents a way of producing an isosceles triangle with angles in the ratio 3:3:1, so that the smallest angle in the triangle is π/ 7. This angle is then inscribed in a large circle, and intercepts an arc length of π/7. A central angle of the same circle intercepts twice the angle, that is to say 2π/7, and the corresponding chord the side of an inscribed heptagon. Crockett Johnson described the construction of his isosceles triangle in the diagram reproduced. The horizontal line segment below the circle on the painting corresponds to unit length BF in the figure, and the triangle is ABF. Three of the four light-colored sections of the painting highlight important points in the construction. The critical steps are drawing a perpendicular bisector to the line segment BF, marking off an arc of radius equal to the √(2) with center F, and measuring the unit length AO along a marked straightedge that passes through B and intersects the perpendicular bisector at A. Finally, one finds the side of the regular inscribed heptagon.

*Construction of Heptagon*is #117 in the series. The oil painting on masonite is in shades of purple, cream, turquoise, and black. It has a black wood and metal frame. The work is unsigned. The surface appears damaged, perhaps from water. See also #115 (1979.1093.77) and #108 (335571).

- Reference: Crockett Johnson, “A Construction for a Regular Heptagon,”
*Mathematical Gazette*, 1975, vol. 59, pp. 17–21.

- Location
- Currently not on view

- date made
- ca 1975

- painter
- Johnson, Crockett

- ID Number
- 1979.1093.79

- accession number
- 1979.1093

- catalog number
- 1979.1093.79

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Dollond Refracting Telescope with Divided Glass Micrometer

- Description
- This brass telescope has an achromatic objective of 2.75 inches aperture, a finder, several eyepieces, two telescoping braces, two control rods, a split objective micrometer, a brass equatorial mount, and a wooden tripod. The tube is 43.5 inches long. The faceplate at the eye end is marked “DOLLOND * LONDON.” For storage, the telescope fits into a mahogany box with a hinged lid.

- This seems to be an example of the brass telescope “of 3½ feet focal length, with an aperture of 2¾ inches, two eye tubes for Land Objects, and two tubes for Astronomical purposes” that George Dollond was offering in the 1830s. That instrument could be had with either a brass stand for use on a table, or “a mahogany folding stand, to be used on the Floor.” It could, moreover, be “supported in the centre of Gravity, and applied to a socket that may be turned to any latitude, so that the Telescope may have an Equatorial Motion” The complete outfit cost £50. The micrometer would be extra.

- The Dollond family began working as opticians in London in 1750, and gained fame in 1758 when John Dollond introduced his design for achromatic lenses. John Dollond was also responsible for the split objective micrometer.

- Ref: “A Description of a Contrivance for Measuring Small Angles, by Mr. John Dollond; Communicated by Mr. J. Short, F.R.S.,”
*Philosophical Transactions of the Royal Society of London*48 (1753): 178-181.

- “An Explanation of an Instrument for measuring small Angles, the first Account of which was read before the Royal Society May 10, 1753. By Mr. John Dollond,”
*Philosophical Transactions of the Royal Society of London*48 (1754): 551-564.

- George Dollond,
*A Catalogue of Optical, Mathematical, Philosophical Instruments*(London, ca. 1830).

- Gloria Clifton, “Dollond Family,” in
*Oxford Dictionary of National Biography*.

- Location
- Currently not on view

- date made
- probably 1760s

- maker
- Dollond

- ID Number
- 1979.1110.01

- accession number
- 1979.1110

- catalog number
- 79.1110.1

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Semicircular Protractor Retailed by Post

- Description
- This semicircular brass protractor is divided by single degrees and marked by tens from 0° to 180° in both the clockwise and counterclockwise directions. The bottom edge is indented so that a pencil or pricker may be placed at the origin point. The protractor bears three marks: POSTS; MADE IN GERMANY; and a fleur-de-lis pointing to the origin. The Frederick W. Post Company, a Chicago mathematical instruments dealer established in 1893, used the type style found on this protractor in the 1920s and 1930s. However, the brass protractor depicted in Post's 1936 catalog is not indented on its lower edge, and it shows an eagle under the maker's mark.

- William J. Ellenberger (1908–2008) donated this object. He studied electrical and mechanical engineering at the George Washington University between 1925 and 1934. He then worked for the Potomac Electric Power Company and the National Bureau of Standards. During World War II, Ellenburger served in the U.S. Army Signal Corps. He was a civilian construction management engineer for the army from 1954 to 1968, when he became a private consultant.

- References: Frederick W. Post Company,
*Dependable Drawing Materials*, 18th ed. (Chicago, 1936), 195; "The G[eorge] W[ashington] Engineering Hall of Fame 2006 Inductees," http://www.seas.gwu.edu/ifaf/hall_of_fame_inductees_2006.php.

- Location
- Currently not on view

- date made
- 1920-1940

- maker
- Frederick Post Co.

- ID Number
- 1981.0933.18

- accession number
- 1981.0933

- catalog number
- 1981.0933.18

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Semicircular Protractor

- Description
- This semicircular brass protractor is divided by single degrees and marked by tens from 10° to 170° in both the clockwise and counterclockwise directions. The origin point is marked with an arrow. A 2-1/2 inch ruler, divided by sixteenths of an inch, runs along the lower edge of the protractor. The letters U.S.A. are engraved above the right end of the ruler. No maker's mark is present.

- Location
- Currently not on view

- date made
- ca 1930

- ID Number
- 1981.0933.19

- accession number
- 1981.0933

- catalog number
- 1981.0933.19

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Keuffel & Esser Model 1868 Semicircular Protractor

- Description
- By the 20th century, the makers of drawing instruments transitioned to new and inexpensive materials, particularly for objects intended for student use. This semicircular xylonite protractor is divided by half-degrees and marked by tens from 0° to 180° in both the clockwise and counter-clockwise directions. An upside-down T marks the origin point. The maker's mark forms a circle to the left of the origin point: KEUFFEL & ESSER Co (/) N.Y. Above the origin point is the K&E product number (1868) and diameter in inches (6). The company logo, the top half of an eagle, is to the right of the origin point. Underneath the logo are the words TRADE MARK. There is a hole just above the maker's mark to the left of the origin point. Perhaps the hole enabled the owner to store the protractor in a notebook.

- K&E marketed this protractor at least as early as 1909. It was intended to replace protractors made of horn. By 1936, K&E gave the instrument a new product number, 1276-6. This example of the protractor is yellowed and slightly warped.

- Alfred John Betcher (1887–1971) used this protractor, perhaps at the University of Minnesota (1906) or at West Point (1907–1911). He was commissioned as a captain, served at posts in New York, Vermont, and Kentucky, and retired in 1939 at the rank of lieutenant-colonel. In 1940, he was elected mayor of Canajoharie, N.Y.

- Reference:
*Catalogue of Keuffel & Esser*(New York, 1909), 214. Biographical information in accession file.

- Location
- Currently not on view

- date made
- 1909-1936

- maker
- Keuffel & Esser Co.

- ID Number
- 1982.0386.05

- accession number
- 1982.0386

- catalog number
- 1982.0386.05

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Isometric Protractor Presented to Alexander Leslie

- Description
- This brass drawing instrument consists of a narrow 10" arm joined to a base (4-1/8" by 1-1/16") with a thumbscrew. The arm may be placed in two positions: horizontally and at 150° (30° if measuring an angle opening to the right). Since it only measures 30° angles, this device is an isometric protractor. An isometric protractor is used to create three-dimensional drawings by depicting an object from an angle at which the scales on the three axes are equal. The technique was popular in the 19th century for its simplicity and ease of use. In the 20th century, isometric projections were typically created on specialized graph paper marked with triangles. In the 21st century, isometric engineering drawings and the isometric protractors used to prepare them are both created with computers.

- The base of this protractor is engraved with a presentation mark: TO (/) Alexander Leslie C. E. (/) FROM (/) Mortimer Evans. Leslie (1844–1893) was a civil engineer who was especially known for constructing waterworks in Scotland. From 1871, he partnered with his father, James Leslie (1801–1889), in Edinburgh. James was the nephew of the mathematician John Leslie. He trained under the architect William H. Playfair and worked with George and John (Jr.) Rennie early in his career. He was a founding member of the British Institution of Civil Engineers. Alexander was elected to the society in 1869. In 1871, he was elected to the British Association for the Advancement of Science, while Mortimer Evans became a member of that institution in 1876. Little is known of Evans or of when and why he presented this isometric protractor to Leslie. Evans lived in Glasgow in the 1870s and then moved to the Piccadilly area of London, where he patented a precursor of a motion picture camera (with William Friese-Greene) in 1889.

- The protractor is stored in a leather case lined with blue satin and blue velvet. The lid of the case has a protrusion to accommodate the thumbscrew.

- References: William Farish, "On Isometrical Perspective,"
*Transactions of the Cambridge Philosophical Society*1 (1822); William Ford Stanley,*Mathematical Drawing and Measuring Instruments*, 6th ed. (London, 1888), 268;*Catalog of Eugene Dietzgen Co.*, 12th ed. (Chicago, 1926), 41, 44; Institution of Civil Engineers, "Alexander Leslie,"*Minutes of the Proceedings*116 (1894): 366–368.

- Location
- Currently not on view

- date made
- ca 1870

- recipient
- Leslie, Alexander

- producer
- Evans, Mortimer

- ID Number
- 1983.0474.01

- accession number
- 1983.0474

- catalog number
- 1983.0474.01

- Data Source
- National Museum of American History, Kenneth E. Behring Center

## Elliptic Trammel

- Description
- This wooden model is a prime example of an elliptic trammel, often referred to as the Trammel of Archimedes. An oval shape, the ellipse is one of the four conic sections, the others being the circle, the parabola, and the hyperbola. Ellipses are important curves used in the mathematical sciences. For example, the planets follow elliptical orbits around the sun. Ellipses are required in surveying, engineering, architectural, and machine drawings for two main reasons. First, any circle viewed at an angle will appear to be an ellipse. Second, ellipses were common architectural elements, often used in ceilings, staircases, and windows, and needed to be rendered accurately in drawings. Several types of drawing devices that produce ellipses, called ellipsographs or elliptographs, were developed and patented in the late 19th and early 20th centuries.

- As one of the sliders travels toward the center along its track, the other slider travels outward along its track. By placing a pencil in the bracket at the end of the top beam, a complete ellipse can be drawn. The location of the sliders can be adjusted along the top beam by removing the carved pegs securing the sliders. This changes how far each of the sliders can travel along its track and thus changes the eccentricity of the ellipse. The eccentricity is a number between zero and one that describes how far from circular an ellipse is. A circle has eccentricity zero and an ellipse that is so long and thin that it becomes a line segment has eccentricity one.

- Trammels are the most common type of ellipsograph and were often made for use in teaching and as children’s toys. Videos of trammels in use and even designs for making your own can easily be found on the Internet. This trammel is fairly large---the beam measures 36 cm (14 ¼ in) long while the tracks measure 19 cm (7 ½ in) each. The opening for a writing device is fairly large and has a white residue, so this model may well have been used as a teaching device, possibly held against a blackboard to draw an ellipse using chalk. It has no markings and its maker is unknown, but it was most likely made in the late 19th century. It was a gift of Wesleyan University in Connecticut in 1984.

- Location
- Currently not on view

- date made
- ca 1900

- ID Number
- 1985.0112.227

- catalog number
- 1985.0112.227

- accession number
- 1985.0112

- Data Source
- National Museum of American History, Kenneth E. Behring Center

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