Textiles

The 50,000 objects in the textile collections fall into two main categories: raw fibers, yarns, and fabrics, and machines, tools, and other textile technology. Shawls, coverlets, samplers, laces, linens, synthetics, and other fabrics are part of the first group, along with the 400 quilts in the National Quilt Collection. Some of the Museum's most popular artifacts, such as the Star-Spangled Banner and the gowns of the first ladies, have an obvious textile connection.

The machinery and tools include spinning wheels, sewing machines, thimbles, needlework tools, looms, and an invention that changed the course of American agriculture and society. A model of Eli Whitney's cotton gin, made by the inventor in the early 1800s, shows the workings of a machine that helped make cotton plantations profitable in the South and encouraged the spread of slavery.

Abbie Corey Brackett is said to have woven this cotton and wool overshot coverlet on the Corey farm in Plainfield, Connecticut, in the early 19th century. It is woven in two sections, each forty inches wide.
Description
Abbie Corey Brackett is said to have woven this cotton and wool overshot coverlet on the Corey farm in Plainfield, Connecticut, in the early 19th century. It is woven in two sections, each forty inches wide. The center seam of this single-woven coverlet is sewn with linen thread. The attached fringe is eight inches deep, and made of hand-knotted wool. In the 18th and 19th centuries, very few women were involved in weaving anything as complicated as a coverlet. However, women were involved in spinning fiber into yarn. They would take the yarn to a professional weaver and pay him to make them a coverlet. The coverlet might have been used immediately or it could be put into the maker's dowry, or hope chest, for use after marriage.
Location
Currently not on view
date made
1800-1825
owner; possible maker
Brackett, Abbie Corey
ID Number
TE.T9125
catalog number
T09125.000
accession number
169638
According to information given with the donation in 1945, this quilt originally belonged to Abbie Corey Brackett. Abbie Corey [Corah] married Ichabod Brackett, a hired man on the Corey family farm in Plainfield, Conn., in 1816.
Description
According to information given with the donation in 1945, this quilt originally belonged to Abbie Corey Brackett. Abbie Corey [Corah] married Ichabod Brackett, a hired man on the Corey family farm in Plainfield, Conn., in 1816. “All her father, Squire Joshiah Corey would allow her to take from home, were the two quilts, which she made. He allowed her nothing more. The Coreys were Scotch.” While this may have explained the other “quilt,” a woven coverlet, this particular quilt dates from about 1825-1835.
The quilt top consists of lengths of a single glazed, roller-printed cotton. The “Pillar Print” design is in red and brown, with an olive drab color added by surface roller. The combination of architectural and floral elements was particularly popular from 1825 to 1835 in American household furnishing fabrics. The quilt has a plain-weave white cotton lining and cotton fiber filling. Concentric diamonds and a quilting pattern variously known as “Rob Peter and Pay Paul,” or “Lafayette Orange Peel” or “Dolly Madison’s Workbox,” quilted at six stitches per inch, complete the quilt.
Records indicate that Abigail Corey was born about 1789. She married Ichabod Brackett (about 1790-1862) 3 February 1816. Sadly, after his death, Abigail is listed on the 1870 census as “Nabby Brackett” born about 1787 and living in Dudley, Worcester, Mass., as a pauper. On the 1880 census she is listed as Abigail Brackett and an “inmate” in Dudley. The donor received this quilt and a woven coverlet from a friend of her mother’s, Mrs. Hattie Vinton Wright, who was the great-granddaughter of Abbie Corey Brackett. When the items arrived at the Museum in 1945, they were deemed “excellent examples representing types not duplicated in the collections.”
Location
Currently not on view
date made
1825-1835
maker
Brackett, Abbie Corey
ID Number
TE.T09126
accession number
169638
catalog number
T09126

Our collection database is a work in progress. We may update this record based on further research and review. Learn more about our approach to sharing our collection online.

If you would like to know how you can use content on this page, see the Smithsonian's Terms of Use. If you need to request an image for publication or other use, please visit Rights and Reproductions.