The Ferris Collection of Prints - Introduction

The Museum’s Graphic Arts Collection, the oldest print-collecting unit in the Smithsonian, focuses on the technical and social history of printmaking to document how prints are made and used. Smithsonian art museums collect works on paper selected for aesthetic reasons, but the National Museum of American History (formerly the Museum of History and Technology) takes a broad view of visual culture.
Our prints illustrate technical developments and cultural changes. They represent all kinds of graphic works that have influenced American society. The collection has always included examples from many periods and countries, fine-art prints as well as popular and commercial graphic art, together with the plates, blocks, and tools used to produce prints. In 1996 the Museum presented an exhibition on 150 years of Smithsonian print collecting, Building a National Collection.
One of the largest print collections ever received by the Smithsonian was donated by the Ferris family between 1927 and 1932. Stephen James Ferris (1835–1915), a Philadelphia painter and etcher, collected over 2,000 European and American prints, both reproductive and original, representing old master and contemporary printmakers. The collection incorporated a variety of artistic subjects, compositions, and styles. Ferris may well have mined it for inspiration for his own work, but he was also deeply interested in art for its own sake. He and his family and friends would have simply enjoyed studying the images.
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"The Ferris Collection of Prints - Introduction" showing 45 items.
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Portrait of Gerome Ferris
- Description
- Stephen Ferris drew this pencil portrait of his son Gerome as a Christmas present for his new daughter-in-law, Annette Ryder Ferris, in 1894. Gerome and Annette were married in May of that year.
- In 1927 Gerome Ferris made the first donation to the Smithsonian of prints, drawings, and photographs that he and his father had collected, and his widow made a second donation in 1932.
- Location
- Currently not on view
- date made
- Christmas, 1894
- 1894
- original artist
- Ferris, Stephen James
- ID Number
- GA*16656
- catalog number
- GA*16656
- accession number
- 119780
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Thomas Moran
- Description
- In 1876 Stephen Ferris made several pencil studies, showing his brother-in-law, artist Thomas Moran. The two men had known each other before Ferris’s marriage to Moran’s sister, Elizabeth Anastasia Moran, in 1862. Ferris had arrived in Philadelphia in 1856 and was recorded in 1861 as sharing a studio with Thomas Moran and Samuel Sartain, whose father, John Sartain, demonstrated the technique of etching for Moran and Ferris.
- Thomas Moran’s etched work and that of his wife, Mary Nimmo Moran, is well represented in the NMAH Graphic Arts collection. A number of their prints came as gifts from the Ferris family.
- Location
- Currently not on view
- date made
- 1876
- original artist
- Ferris, Stephen James
- ID Number
- GA*16662
- catalog number
- GA*16662
- accession number
- 119,780
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Curator of the Alhambra
- Description
- Stephen Ferris made this pencil sketch of a distinguished, pensive older man he called the “Curator of the Alhambra” during his two-month stay in Granada, Spain, in 1881. A watercolor in the NMAH Ferris Collection of an almost identical gentleman is identified as the “Keeper of the Tore de la Vela,” the watchtower of the fortified citadel in the Alhambra complex. While Ferris, a portrait artist, was exploring the wonders of the Alhambra, he was also busy sketching people he met.
- Location
- Currently not on view
- date made
- 1881
- original artist
- Ferris, Stephen James
- ID Number
- GA*16683
- accession number
- 119780
- catalog number
- GA*16683
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of Abigail Dean
- Description
- In 1875 on a visit to Rock Island, Illinois, Stephen Ferris sketched his niece Abigail (or Abbie) in pencil. Abbie was one of five siblings in the family of Ferris’s sister, Althea Ferris Dean. Abbie continued to live in Rock Island, remained single, and taught school. In one census, she was listed as a drawing teacher. Ferris himself taught for many years at the Philadelphia School of Design for Women (now Moore College of Art and Design).
- Location
- Currently not on view
- date made
- 1875-08-05
- 1875
- original artist
- Ferris, Stephen James
- ID Number
- GA*16684
- catalog number
- GA*16684
- accession number
- 119,780
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Portrait of a Mexican Girl
- Description
- In 1881 Stephen Ferris and his son, Gerome, sailed to Spain aboard the S. S.Washington to visit places associated with Spanish painter Mariano Fortuny. During the journey, Stephen Ferris, a portrait artist by profession, claimed he had sketched everyone on board. Although many of these drawings had been pronounced “excellent,” he discarded all but this one in pencil of Srta. Delores Arrojo de Mexico, “a Mexican Indian girl, a real picturesque subject which I intend to paint sometime with fruit and flowers and a good size in oil then etch it.” We do not know whether Ferris ever etched or painted her.
- Location
- Currently not on view
- date made
- 1881-05-16
- 1881
- original artist
- Ferris, Stephen James
- ID Number
- GA*16685
- catalog number
- GA*16685
- accession number
- 119,780
- Data Source
- National Museum of American History, Kenneth E. Behring Center

