Transportation - Overview

Americans have always been a people on the move—on rails, roads, and waterways (for travel through the air, visit the National Air and Space Museum). In the transportation collections, railroad objects range from tools, tracks, and many train models to the massive 1401, a 280-ton locomotive built in 1926. Road vehicles include coaches, buggies, wagons, trucks, motorcycles, bicycles, and automobiles—from the days before the Model T to modern race cars. The accessories of travel are part of the collections, too, from streetlights, gas pumps, and traffic signals to goggles and overcoats.
In the maritime collections, more than 7,000 design plans and scores of ship models show the evolution of sailing ships and other vessels. Other items range from scrimshaw, photographs, and marine paintings to life jackets from the Titanic.
"Transportation - Overview" showing 4 items.
Painting, Brig Peep O'Day
- Description
- This oil painting of the brig Peep O'Day is variously attributed to one of two 19th century British marine artists: either William Kimmins McMinn (1820-1898) or Joseph Heard (1799-1859). The vessel is shown in choppy water, approaching the North West Lightship off the English port of Liverpool; a local pilot schooner is approaching to drop off a pilot. Pilot boats were small, fast local craft that delivered pilots, or people with local knowledge of a port, to help navigate up to a wharf or anchorage.
- A popular ship name in the 19th century, Peep O'Day is a reference to a late 18th century Irish Protestant gang, who would raid the homes of Catholic weavers and destroy their machinery. The raids were carried out at dawn, or the peep of day. This brig was built in Waldoboro, Maine in 1848 as the Ella Fleming. A Civil War blockade runner in 1862, in the 1860s the vessel was purchased by a British ship owner and registered in Liverpool, England. The ship was later owned by several Irish owners and registered as a brigantine in 1898. It passed out of the registers in 1902.
- Location
- Currently not on view
- date made
- ca 1869
- maker
- Heard, Joseph
- McMinn, William Kimmins
- ID Number
- 2005.0279.006
- accession number
- 2005.0279
- catalog number
- 2005.0279.006
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Painting, Owen Potter
- Description
- Owen Potter was built by Jonathan Fell, in Workington, county of Cumberland (now Cumbria) in 1850. The ship was purchased by Potter Brothers & Co. It measured 148.8 feet and 780 tons. The Owen Potter was built for trade in the Far East and frequently traveled to Calcutta. The ship went missing in 1857.
- The painting is a portside and rear ¾ view of the ship. The ship's location in the painting is the North West Lightship, Liverpool Bay. In the central port profile the pilot jack is in the process of being hoisted to the fore masthead. The houseflag is depicted as a black horse on white ground, which confirms the ship owners as Potter Brothers & Co. Joseph Heard was born in 1799 in Whitehaven, Cumberland. Following a brief stay in London, Heard moved to Liverpool sometime after the mid 1820's. He shared a studio with his brother who painted portraits. Heard became extremely popular second only to Samuel Walters. Joseph died in 1859.
- Location
- Currently not on view
- date made
- 1850
- maker
- Heard, Joseph
- ID Number
- 2005.0279.024
- accession number
- 2005.0279
- catalog number
- 2005.0279.024
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Painting of the Lintin
- Description
- Lintin was built in 1834 on the Wear River in the city of Sunderland, England and owned by Porter. The ship was commanded by Captain J. Taylor, and weighed 558 tons. Lintin was later owned by Barton & Co. from 1846 to 1847 and captained by J. Gillman. Lintin was mostly involved in trade between Liverpool and Bombay.
- The painting shows a dual view of the Lintin arriving at Cape Town. The painting shows a house flag, a red background with a white circle, which indicates that the painting was created while she was still under the ownership of Barton & Co. The barque on the right is flying the same house flag. Artist Joseph Heard was born in 1799 in Whitehaven, Cumberland. Following a brief stay in London, Heard moved to Liverpool sometime after the mid 1820s. He shared a studio with his brother who painted portraits. Heard became extremely popular second only to Samuel Walters. Joseph died in 1859.
- Location
- Currently not on view
- date made
- 1846
- maker
- Heard, Joseph
- ID Number
- 2005.0279.026
- accession number
- 2005.0279
- catalog number
- 2005.0279.026
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Painting, Collier Brig Morton
- Description
- The Morton was built in 1825 by John Scott (1775-1842) in Whitehaven, England. It measured 72 feet 7 inches long and 152 tons. Ownership of Morton was divided into 64 shares. Isaac Bell held the most with 12/64. Documents show that William Bell, Isaac's brother, was made master of the ship from 1825 until his death in 1834. Other sources indicate that Thomas Kelly commanded the ship; this probably occurred after W. Bell's death. The Morton wrecked off Cape Breton in 1849. The painting shows the port side of the ship as it is entering the harbor with all of its sails set. Several other ships can be seen in the distance and seagulls are flying in the foreground. It is flying a flag on the foremast displaying the number 979. According to British marine painting authority A.S. Davidson in his book Marine Art and Liverpool, this probably indicates the master's membership number to a local Shipmasters Association. Membership benefits to such an organization included mutual help at sea and foreign ports, and allowances for dependents. British painter Joseph Heard (1799-1859) was known for his marine-themed paintings in the Romantic style. Born in Whitehaven, Cumberland, England he is believed to have received some lessons from a local portrait painter, John Clementson as a young man. He lived in London briefly in the mid-1820s, then moved to Whitehaven in 1826 and decided to pursue marine painting full time. In 1834, he and his brother Isaac, also a painter, moved to Liverpool where they shared a studio. Though eclipsed in popularity by Liverpool's other resident marine painter, Samuel Walters, Joseph Heard was successful as a marine artist. He remained in Liverpool until his death at age 60 in 1859.
- Location
- Currently not on view
- date made
- ca 1830-1840
- maker
- Heard, Joseph
- ID Number
- 2005.0279.047
- accession number
- 2005.0279
- catalog number
- 2005.0279.047
- Data Source
- National Museum of American History, Kenneth E. Behring Center

