Work

The tools, rules, and relationships of the workplace illustrate some of the enduring collaborations and conflicts in the everyday life of the nation. The Museum has more than 5,000 traditional American tools, chests, and simple machines for working wood, stone, metal, and leather. Materials on welding, riveting, and iron and steel construction tell a more industrial version of the story. Computers, industrial robots, and other artifacts represent work in the Information Age.

But work is more than just tools. The collections include a factory gate, the motion-study photographs of Frank and Lillian Gilbreth, and more than 3,000 work incentive posters. The rise of the factory system is measured, in part, by time clocks in the collections. More than 9,000 items bring in the story of labor unions, strikes, and demonstrations over trade and economic issues.

In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events.
Description (Brief)
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel came from the Franklin Engine Company No. 12 of Philadelphia, Pennsylvania that was active as a hand engine company from 1792 until 1863 when it acquired a steam fire engine. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. The painting “Franklin with Loaf of Bread” is attributed to David Rent Etter and dates to around 1830. The painting depicts the young Benjamin Franklin’s arrival in Philadelphia in 1723. As recounted in his autobiography, he mistakenly bought more bread than he could eat and gave the extra loaves to a poor woman and child. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. By invoking Franklin, volunteer firemen linked themselves to the progenitor of their trade, as well as someone who played a key role in the Revolution and securing America’s freedom. This painting and its companion piece (object 2005.0233.0307) would have adorned either side of the company’s engine.
Location
Currently not on view (screws)
Currently not on view
Date made
ca 1830
depicted
Franklin, Benjamin
artist attribution
Etter, David Rent
ID Number
2005.0233.0018
accession number
2005.0233
catalog number
2005.0233.0018
This patent model demonstrates an invention for a double bed-and-platen power press with a frisket at each end and is considered an unnumbered patent. The bed was raised by toggles beneath against the fixed platen.
Description (Brief)
This patent model demonstrates an invention for a double bed-and-platen power press with a frisket at each end and is considered an unnumbered patent. The bed was raised by toggles beneath against the fixed platen. This patent provided the basis for the single-ended Adams Power Press, a well-loved iron machine later produced by R. Hoe & Co. In the 1870s it was still considered to produce finer letterpress work than any other machine on the market. It was pre-eminently a book press. Isaac Adams (1803-1883), with no schooling but ample inventive genius, introduced his power press at the age of 25 and derived his living from its success.
Date made
1830
ca 1830
patent date
1830-10-04
maker
Adams, Isaac
ID Number
GA.11024
accession number
48865
catalog number
GA*11024
GA.11024
patent number
6178X
This is a patent model of a typecasting machine, assigned patent number 632. This is patentee David Bruce's first patent for a typecasting machine, provided the basis for a generation of pivotal casters.
Description (Brief)
This is a patent model of a typecasting machine, assigned patent number 632. This is patentee David Bruce's first patent for a typecasting machine, provided the basis for a generation of pivotal casters. The model is damaged.
Description
This is a patent model of a typecasting machine, assigned patent number 632. This is patentee David Bruce's first patent for a typecasting machine, provided the basis for a generation of pivotal casters. The model is damaged.
Location
Currently not on view
Date made
March 17, 1838
Patent Date March 17, 1838
ca 1838
date made
ca 1838
patent date
March 17, 1838
maker
Bruce, Jr., David
Bruce, Jr., David
ID Number
GA.89797.000632
patent number
000632
accession number
089797
catalog number
GA*89797.000632
This patent model demonstrates an invention for a machine to smooth the sides of type; the invention was granted patent number 631.
Description (Brief)
This patent model demonstrates an invention for a machine to smooth the sides of type; the invention was granted patent number 631. In the inventor's opinion, this foot-driven machine allowed the operator to rub around sixty thousand types in a day, in conditions of less "unhealthiness" than the usual. The model is missing its treadle.
Location
Currently not on view
date made
ca 1838
patent date
1838-03-10
maker
Bruce, Jr., David
ID Number
GA.89797.000631
patent number
000631
accession number
089797
catalog number
GA*89797.000631
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T.
Description
The traditional American leather firefighter’s helmet with its distinctive long rear brim, frontpiece, and crest adornment was first developed around 1821-1836 in New York City. Henry T. Gratacap, a New York City luggage maker by trade, is often credited as the developer of this style of fire helmet. Gratacap created a specially treated leather helmet with a segmented “comb” design that led to unparalleled durability and strength. The elongated rear brim (also known as a duckbill or beavertail) and frontpiece were 19th century innovations that remain the most identifiable feature of firefighter’s helmets. The body of the helmet was primarily designed to deflect falling debris, the rear brim prevented water from running down firefighters’ backs, and their sturdy crowns could aid, if necessary, in breaking windows.
This black leather helmet dates to the 19th century. The hat has eight combs and is painted black overall. A metal eagle’s head mounted to the crown of the helmet serves as a frontpiece holder. The black leather frontpiece reads “CITIZEN/3”. An ivy-vine scroll pattern is stamped around the brim of the helmet, with the initials “U.F.I.” painted in gold with red shading on the rear brim. The United Firemen’s Insurance Company was organized by thirty-two fire and hose brigades in Philadelphia in 1860.
Location
Currently not on view
date made
1836
maker
Julstone
ID Number
2005.0233.0222
accession number
2005.0233
catalog number
2005.0233.0222
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This speaking trumpet was presented by the Philadelphia Engine Company No. 18 of Boston to Philadelphia’s Washington Engine Company in 1832. The trumpet is made of brass, with a tin mouthpiece and an upper half sheathed in leather. A purple cord with tassels is attached near the mouthpiece, though it is of a later date than the trumpet itself. The brass trumpet is missing its bell, but the shaft is engraved with the inscription “Presented by the Philadelphia Engine Co. No. 18 of Boston to the Washington Engine Co. of Philadelphia, 1832." The Philadelphia Engine Company was founded in 1825 on Beacon Street, near Boston Common. Soon after this trumpet was made, the company changed its name to Lafayette and eventually disbanded in 1851. The Washington Engine Company was founded in Philadelphia in 1796 and would remain active until the city changed over to a municipal fire department in 1872.
Location
Currently not on view
date made
1832
maker
unknown
ID Number
2005.0233.0821
accession number
2005.0233
catalog number
2005.0233.0821
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This metal speaking trumpet was in use in Philadelphia, Pennsylvania around 1838. The trumpet has two rounded bands on the upper and lower portion of the shaft. Two rings protrude from the rounded bands that would have been strung with a cord to create a handle or strap. There is an inscription in the center of the trumpet that reads “United States Hose Co. / 14 / Chief Director.” The United States Hose Company Number 14 was located on 423 Buttonwood Street in Philadelphia. The company was organized in 1826 and operated until 1871 when Philadelphia’s paid firefighting department was established.
Location
Currently not on view
date made
ca 1838
maker
unknown
ID Number
2005.0233.0897
accession number
2005.0233
catalog number
2005.0233.0897
This patent model demonstrates an invention for a platen-printing press; the invention was granted patent number 1315. On the press, the feeding, inking and printing actions were directed by grooves on a driving cylinder.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a platen-printing press; the invention was granted patent number 1315. On the press, the feeding, inking and printing actions were directed by grooves on a driving cylinder.
Location
Currently not on view
date made
ca 1839
patent date
1839-09-07
maker
Schuebly, William
Schuebly, Thomas
ID Number
GA.89797.001315
accession number
089797
patent number
001315
catalog number
GA*89797.001315
This patent model demonstrates an invention for a crank-driven guillotine paper cutter; the invention is considered an unnumbered patent.Currently not on view
Description (Brief)
This patent model demonstrates an invention for a crank-driven guillotine paper cutter; the invention is considered an unnumbered patent.
Location
Currently not on view
date made
ca 1834
patent date
1834-02-28
maker
Ames, J.
ID Number
1997.0198.17
catalog number
1997.0198.17
accession number
1997.0198
patent number
8030X
This model was submitted to the U.S. Patent Office with the application for the patent issued to William H. Baker and Samuel H. Baldwin, of Cohoes, New York, August 21, 1839, no.
Description
This model was submitted to the U.S. Patent Office with the application for the patent issued to William H. Baker and Samuel H. Baldwin, of Cohoes, New York, August 21, 1839, no. 1295.
This is an early example of a steam engine in which two cams turn together in a closed casing so that steam admitted to the casing will force apart abutments on the cams and cause the cams and the shafts on which they are mounted to turn. This engine may also be used as a pump.
Reference:
This description comes from the 1939 Catalog of the Mechanical Collections of the Division of Engineering United States Museum Bulletin 173 by Frank A. Taylor.
Location
Currently not on view
date made
1839
patent date
1839-08-21
inventor
Baldwin, Samuel H.
Baker, William H.
ID Number
ER.308647
accession number
89797
catalog number
308647
patent number
1,295
This patent model demonstrates an invention for a web perfecting rotary press which was granted patent number 468. Flat forms of type were arranged around the surface of two type cylinders to form polygons.
Description (Brief)
This patent model demonstrates an invention for a web perfecting rotary press which was granted patent number 468. Flat forms of type were arranged around the surface of two type cylinders to form polygons. The web of paper was printed on both sides at this press, then sent to a drying machine still in the web, and finally cut into sheets. The inventor is named "Trench" on the patent drawings and "French" on the specification.
Location
Currently not on view
date made
ca 1837
patent date
1837-11-20
maker
French, Thomas
ID Number
GA.11026
catalog number
GA*11026
accession number
49064
patent number
000468
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass and tin trumpet was presented to William Weeks of the Washington Engine Company of Philadelphia, Pennsylvania from the Washington Club of Boston in 1832. The upper portion of the trumpet is constructed of tin, and the bottom of the trumpet is polished brass. There is an inscription on the brass section that reads “From the Washington Club of Boston / to Wm. Weeks Esqr. / of the Washington Engine Co. Philadelphia 1832 / Go on Washee." The name “Washee” (also “Washy’s”) is the nickname of the Washington Engine Company No. 14, organized in 1796. It operated as a hand engine fire company and acquired a steam fire engine in 1865. The company served as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. A volunteer fireman and member of the city militia, William Weeks was a printer and publisher by profession.
Location
Currently not on view
date made
ca 1832
maker
unknown
ID Number
2005.0233.0881
accession number
2005.0233
catalog number
2005.0233.0881
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This brass and tin work trumpet was used in the eastern United States around 1832. The upper portion of the trumpet is tin and covered in leather to create a grip, while the lower portion is made of brass. One ring is attached to the bottom of the trumpet to allow a cord to be attached .The initials “D.F.D.” are engraved on the lower half of the trumpet, possibly standing for the Delaware Fire Department.
Location
Currently not on view
date made
ca 1832
maker
unknown
ID Number
2005.0233.0861
accession number
2005.0233
catalog number
2005.0233.0861
Currently not on view
Location
Currently not on view
Date made
1825 - 1835
fashion
19th century
ID Number
CS.287645.001
catalog number
287645.001
This model was submitted to the U.S. Patent Office with the application for the patent granted to William A. Lighthall, of Albany, New York, April 14, 1838, no.
Description
This model was submitted to the U.S. Patent Office with the application for the patent granted to William A. Lighthall, of Albany, New York, April 14, 1838, no. 696.
The engine is designed primarily for boat propulsion and permits the use of a horizontal steam cylinder installed low within the boat in combination with a beam working vertically as in a beam engine.
The model is diagrammatic in form, is made of wood, and is not complete. The engine represented is essentially a beam engine laid upon its side so that the cylinder is horizontal and the beam is supported vertically. The patent drawing shows the cylinder placed directly upon the keelson of a boat with the beam held so that the lower end is at the approximate level of the center of the cylinder. A long connecting rod attached to the upper end of the beam reaches back over the cylinder to a crank on the engine shaft, which is located above the cylinder and back of it.
Reference:
This description comes from the 1939 Catalog of the Mechanical Collections of the Division of Engineering United States Museum Bulletin 173 by Frank A. Taylor.
Location
Currently not on view
date made
1838
patent date
1838-04-14
inventor
Lighthall, William A.
ID Number
MC.308639
catalog number
308639
patent number
696
accession number
89797
This patent model demonstrates an invention for a bed-and-platen power press with two friskets which carried paper under the platen alternately. The platen was drawn down by toggles against a fixed bed; it was to be powered by man, steam, horse, or water.
Description (Brief)
This patent model demonstrates an invention for a bed-and-platen power press with two friskets which carried paper under the platen alternately. The platen was drawn down by toggles against a fixed bed; it was to be powered by man, steam, horse, or water. The invention is considered an unnumbered patent.
Location
Currently not on view
date made
ca 1834
patent date
1834-08-22
maker
Tufts, Otis
ID Number
GA.11025
catalog number
GA*11025
accession number
48865
patent number
8380X
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This highly polished brass work trumpet was used around 1835. The trumpet has a rounded band in the center, as well as a band around the mouthpiece and bell.
date made
1835
maker
unknown
ID Number
2005.0233.0857
accession number
2005.0233
catalog number
2005.0233.0857
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations.
Description (Brief)
As more American volunteer fire fighting companies began to form during the late 18th century, a need emerged for better organized efforts in combating conflagrations. Engineers and officers would use “speaking trumpets” to amplify their voices over the noise and commotion of a fire scene to direct the company in effectively fighting the blaze. Two trumpet variants are reflected in the collection: plain and functional “working” trumpets that were actively used at fires, and highly decorated “presentation” trumpets. Presentation trumpets were awarded to firefighters in honor of their service, or between fire companies during visits, competitions, and musters.
This trumpet was presented to the Weccacoe Fire Company of Camden, New Jersey by the citizens of Camden, New Jersey in 1837. The trumpet is in two sections, the shaft has a crenulated edge at the base with a raised leaf band. The trumpet has a stippled background overall, with raised floral engravings throughout. A shield bears the inscription “Presented to Weccacoe Fire Company by Citizens of Camden, N.J. October 5th 1837.” Below the inscription is an image of a fire house (possibly Weccacoe’s) engraved in an oval cartouche. The trumpet has two hooks that would have been used to attach a cord. The Weccacoe Fire Company operated in Camden, New Jersey from 1800 to 1854.
Location
Currently not on view
date made
ca 1837
maker
unknown
ID Number
2005.0233.0828
accession number
2005.0233
catalog number
2005.0233.0828
This salt-glazed, ovoid stoneware cooler was made by Eleazer Orcutt and Horace Humiston in Troy, New York. It has two large handles and features a classical figure with a lyre in relief surrounded by a series of impressed medallions highlighted in cobalt blue.
Description
This salt-glazed, ovoid stoneware cooler was made by Eleazer Orcutt and Horace Humiston in Troy, New York. It has two large handles and features a classical figure with a lyre in relief surrounded by a series of impressed medallions highlighted in cobalt blue. The cooler was probably made for an individual or firm named A. Drown in Canaan, New York.
The presence of nearby stoneware clays gave rise to the New York state salt-glazed stoneware tradition that, by the early 1800s, developed in villages and towns along the Hudson River. Shipped upriver, the clay returned downstream after being transformed into useful ceramic vessels. With the Erie Canal completion in 1825, stoneware production extended its range to meet the increased flow of perishable goods from the Great Lakes region.
Stoneware clay, when fired to a temperature of about 2100 degrees F, vitrifies into highly durable ceramic material that holds liquids and keeps perishable contents cool. Stoneware potters in America, many of them immigrants from Germany and the Netherlands, maintained their European tradition of throwing coarse salt into the kiln. The salt melts in the heat and forms a pitted glassy surface on the vessels, which would otherwise be a dull grey.
The production of these sturdy salt-glazed containers declined following improvements in tinning and canning perishable foodstuffs. In the late 1850s, the glass Mason canning jar entered the market, after which the potteries lost much of the demand for food storage containers that sustained so much of their production.
date made
about 1832
maker
Orcutt, Eleazer
Humiston, Horace
ID Number
CE.300894.017
catalog number
300894.17
accession number
300894
These small metal badges, most often made of copper, were produced in Charleston, South Carolina between 1800 and the Civil War. They were worn by slaves working in the city; slaves living and working on the rural plantations were not required to wear them.
Description
These small metal badges, most often made of copper, were produced in Charleston, South Carolina between 1800 and the Civil War. They were worn by slaves working in the city; slaves living and working on the rural plantations were not required to wear them. The badges only identified the type of work they were permitted to do. Neither the slave owner nor the slave’s name were engraved into the badges. These three are marked for servant, porter, and mechanic. Other categories were fisher and fruiterer. Slave owners would purchase a badge from the City of Charleston. The wages earned by a hired-out slave belonged to their owners. However, evidence exists that wages earned in excess of what was owed to their owner could be retained by the slave, if the owner allowed it. The badges were typically sewn to clothing and gave the wearer more freedom of movement within the city than would be given to a slave working on a plantation. Badges were dated and were issued annually and became a source of tax revenue for the city. Cost for tags in 1865 ranged from $10 to $35 with the number peaking at about 5,000 in 1860. Ironically, slave badges which may be looked at as tagging a human as if property, may actually be evidence of relative freedom of movement within Charleston and a means of income for a slave and his or her family.
Date made
1833
ID Number
CL.309002.01
catalog number
309002.01
accession number
309002
The most dangerous part of a dangerous job was working in the actual whaleboat, first chasing and then capturing and killing the prey.This picture is a copy or an overpainted example of a famous print first issued in 1835, believed to be the first indigenous American whaling prin
Description
The most dangerous part of a dangerous job was working in the actual whaleboat, first chasing and then capturing and killing the prey.
This picture is a copy or an overpainted example of a famous print first issued in 1835, believed to be the first indigenous American whaling print. It is derived from a sketch by whaleman Cornelius Hulsart, who lost an arm on the whaler Superior and subsequently became an artist.
The original print was one of a pair produced to raise money for Hulsart, and it was dedicated to Superior's owners N. & W.W. Billings of New London, Connecticut. It is a fairly accurate portrayal of the danger in approaching and killing a wounded, enraged whale. As shown by the red, bloody whale spout, the whalers have struck the prey’s lungs or arteries, but the animal was still strong enough to break a boat in half and flip a crewman into the water.
date or original painting
1835
whaleman and artist
Hulsart, Cornelius
owner of the ship Superior
N & W. W. Billings
ID Number
DL.65.0876
catalog number
65.0876
accession number
256396
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events.
Description
In the nineteenth century, volunteer fire companies often commissioned paintings to decorate their hand-pumped fire engines for parades, competitions, and community events. Sometimes framed with elaborate carvings, they adorned the tall air chamber located at the middle or rear of a pumper. The paintings would often feature patriotic, heroic, or allegorical images to associate the volunteer companies with these lofty ideals.
This fire engine panel came from the Franklin Engine Company No. 12 of Philadelphia, Pennsylvania that was active as a hand engine company from 1792 until 1863 when it acquired a steam fire engine. It operated as a steam fire engine company until 1871 when Philadelphia’s paid firefighting department was established. The painting “Franklin at Desk” is attributed to David Rent Etter and dates to around 1830. The painting depicts Benjamin Franklin’s dictating his memoirs to his grandson. Benjamin Franklin was well known for organizing the first volunteer fire company in Philadelphia, and his image and his name were popular among the city’s fire companies. By invoking Franklin, volunteer firemen linked themselves to the progenitor of their trade, as well as someone who played a key role in the American Revolution. This painting and its companion piece (object 2005.0233.0018) would have adorned either side of the company’s engine.
Location
Currently not on view
date made
ca 1830
referenced
Duplessis, Joseph Siffred
Franklin, Benjamin
maker
unknown
ID Number
2005.0233.0305
accession number
2005.0233
catalog number
2005.0233.0305
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number.
Description (Brief)
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Lexington Fire, Life and Marine Insurance Company issued this zinc fire mark around 1836. Cast in the shape of an eagle, the mark is similar to the one that was used by the Insurance Company of North America. The Lexington Fire, Life and Marine Insurance Company operated from 1836 until around 1872.
Location
Currently not on view
date made
1836
maker
unknown
ID Number
2005.0233.0549
accession number
2005.0233
catalog number
2005.0233.0549
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number.
Description (Brief)
Beginning in the 1750s, some American insurance companies issued metal fire marks to policyholders to signify that their property was insured against fire damage. The fire marks bore the name and/or symbol of the insurer, and some included the customer’s policy number. The company or agent would then affix the mark to the policyholder’s home or business. For owners the mark served as proof of insurance and a deterrent against arson. For insurance companies the mark served as a form of advertising, and alerted volunteer firefighters that the property was insured.
The Pittsburgh Navigation and Fire Insurance Company of Pittsburgh, Pennsylvania issued this cast iron fire mark in 1832. The oval mark has raised text around the rim that reads “PITTSBURGH. NAV. &. FIRE/INSURANCE. CO.” and “INSURED” in the center. The Pittsburgh Navigation and Fire Insurance Company operated from 1832 until 1845 when losses suffered in the Great Fire of Pittsburgh forced it to merge with the Western Insurance Company.
Location
Currently not on view
date made
1832
maker
unknown
ID Number
2005.0233.0505
accession number
2005.0233
catalog number
2005.0233.0505

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