A Banjo Clock

Description
In 1802 Simon Willard (1753-1848) of Boston obtained a U.S. patent for a timepiece as original as it was successful. The banjo clock, nicknamed for its characteristic shape, established the independence of American clockmaking from European traditions. Its design was perfect from the beginning. Vast numbers have been manufactured without notable modification, and its production continues today.
Willard's banjo clock was a lightly built, compact wall timekeeper, about three feet tall, accurate and dependable. It was economical to produce, graceful in appearance, and usually lacked hour-striking and alarm mechanisms. Weight-driven, it contained a small brass movement similar to that of the Massachusetts shelf clock, but further reduced in size and weight. The movement had been calculated so that a small drop of the weight (only fifteen inches as compared to about six feet for a tall case clock) would keep it running for eight days. For ease of maintenance, its pendulum was hung in front of the movement, not behind, as in tall case or Massachusetts shelf clocks, an arrangement that American clockmakers soon widely adopted.
Several thousand banjo clocks were probably built in Simon Willard's own shop. But he also freely permitted his numerous clockmaking relatives, former apprentices, and other clockmakers to produce according to his design. The signature on the banjo clock pictured here is that of Willard's brother Aaron (1757-1844). The timepiece features an unusual alarm arrangement on top of the case. The mahogany case itself is singularly plain compared to Aaron Willard's brightly painted and gilded pieces.
Location
Currently not on view
Object Name
clock, banjo, A. Willard
Date made
ca 1830
maker
Willard, Aaron
Physical Description
wood (overall material)
Measurements
overall: 40 1/2 in x 10 1/2 in x 4 in; 102.87 cm x 26.67 cm x 10.16 cm
place made
United States: Massachusetts, Boston
ID Number
1984.0416.009
catalog number
1984.0416.009
accession number
1984.0416
subject
Domestic Furnishings
See more items in
Work and Industry: Mechanisms
Data Source
National Museum of American History, Kenneth E. Behring Center
Credit Line
Gift of James Arthur Collection, New York University

Visitor Comments

Add a comment about this object

Submit a comment or ask a question about this object using the form below. Submissions are moderated and may receive a curator response. Please note that we cannot evaluate or appraise your personal artifacts. For other questions or general inquiries please visit our FAQ or contact page.

Personal information will not be shared or result in unsolicited e-mail. See our privacy policy.

Image CAPTCHA
Enter the characters shown in the image.