Meissen underglaze blue rinsing bowl

Description
MARKS: Crossed swords and “13” in underglaze blue; “3” incised.
PURCHASED FROM: Adolf Beckhardt, The Art Exchange, New York, 1947.
This rinsing bowl is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the collector and dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychoanalysis and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in the German States, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
Early in Meissen’s history Johann Friedrich Böttger’s team searched for success in underglaze blue painting in imitation of the Chinese and Japanese prototypes in the Dresden collections. Böttger’s porcelain, however, was fired at a temperature higher than Chinese porcelain or German stoneware. As in China, the underglaze blue was painted on the clay surface before firing, but when glazed and fired the cobalt sank into the porcelain body and ran into the glaze instead of maintaining a clear image like the Chinese cobalt blue painted porcelains. The Elector of Saxony and King of Poland Augustus II was not satisfied with the inferior product. Success in underglaze blue painting eluded Böttger’s team until Johann Gregor Höroldt (1696-1775) appropriated a workable formula developed by the metallurgist David Köhler (1673-1723). Success required adjustment to the porcelain paste by replacing the alabaster flux with feldspar and adding a percentage of porcelain clay (kaolin) to the cobalt pigment. Underglaze blue painting became a reliable and substantial part of the manufactory’s output in the 1730s.
Meissen introduced the “strawflower pattern” (Strohblumenmuster) as a simplified design based on Far Eastern floral prototypes in the 1740s. It was less expensive to produce and was popular with middle-class consumers. Much imitated by other manufactories it is now associated with the Danish Royal Copenhagen manufactory. The pattern is applied over molded ribbing which is usually found on the interior or exterior of vessels with the “strawflower”design.
The bowl was part of a tea service and its function was to collect the rinsing water from a tea bowl or cup before replenishing with fresh tea.
On underglaze blue painting at Meissen see Pietsch, U., Banz, C., 2010, Triumph of the Blue Swords: Meissen Porcelain for Aristocracy and Bourgoisie 1710-1815, pp. 22-23.
J. Carswell, 1985, Blue and White: Chinese Porcelain and its impact on the Western World.
Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 260-261.
Location
Currently not on view
Object Name
bowl
date made
second half of the 18th century
maker
Meissen Manufactory
Physical Description
painted in underglaze cobalt blue (overall color)
ceramic; hard-paste porcelain (overall material)
Measurements
overall: 3 1/4 in x 6 5/8 in; 8.255 cm x 16.8275 cm
overall: 3 1/4 in x 6 5/8 in; 8.255 cm x 16.8275 cm
ID Number
1987.0896.01
catalog number
1987.0896.01
accession number
1987.0896
collector/donor number
606
subject
Manufacturing
See more items in
Home and Community Life: Ceramics and Glass
Domestic Furnishings
Art
The Hans C. Syz Collection
Data Source
National Museum of American History, Kenneth E. Behring Center
Credit Line
Hans C. Syz Collection

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