A Happy Party

Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
This hand colored print is a pleasant bucolic outdoor scene of eleven people gathered in the country. A girl on a swing is pushed by two boys, a young girl is collecting flowers while three children are looking on, a young couple is seated by a tree while an older woman and a young boy are looking on from the left. All are wearing fancy clothing consisting of feathers, lace, embroidery, large hats, and short stockings.
This print was produced by the lithographic firm E.B. & E.C. Kellogg. Edmund Burke Kellogg and Elijah Chapman Kellogg were brothers of the founder of the Kellogg lithography firm, Daniel Wright Kellogg. After D.W. Kellogg moved west, his two brothers took over the family lithography firm in 1840 and changed the name to E.B. & E.C. Kellogg. The youngest of the four Kellogg brothers, these two were responsible for the continued success of the family firm. These two brothers were also involved in the eventual partnerships between the company and Horace Thayer in 1845 or 1846, John Chenevard Comstock in 1848 and William Henry Bulkeley in 1867.
Currently not on view
Object Name
Object Type
date made
ca 1845
E.B. and E.C. Kellogg
Physical Description
hand-colored (image production method/technique)
ink (overall material)
paper (overall material)
image: 8 1/2 in x 13 in; 21.59 cm x 33.02 cm
overall: 10 in x 14 in; 25.4 cm x 35.56 cm
place made
United States: Connecticut, Hartford
ID Number
catalog number
accession number
Clothing & Accessories
Domestic Furnishings
Peters Prints
See more items in
Home and Community Life: Domestic Life
Peters Prints
Data Source
National Museum of American History, Kenneth E. Behring Center
Credit Line
Harry T. Peters "America on Stone" Lithography Collection
maker referenced
Peters, Harry T.. America on Stone
Welsh, Peter C. and Caroline. The Genteel Female

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