The Angler

Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
This hand colored print is of an outdoor scene of a man and woman seated by a creek. She is reading and he is fishing. Monument and urn, church spires and two cows are in the background. A fishing creel is at the man's feet.
This print was produced by the lithographic firm of Kelloggs & Comstock. In 1848, John Chenevard Comstock developed a partnership with E.B. and E.C. Kellogg. In 1850, Edmund Burke Kellogg left the firm, leaving his brother Elijah Chapman Kellogg and J.C. Comstock to run the lithography firm as Kellogg and Comstock. The short-lived partnership disbanded in 1851. It was not until 1855 that Edmund Burke Kellogg rejoined his brother E.C. Kellogg and continued the success of the family’s Lithography firm.
Currently not on view
date made
ca 1852
Ensign, Thayer and Company
Kelloggs & Comstock
place made
United States: Connecticut, Hartford
Physical Description
hand-colored (image production method/technique)
ink (overall material)
paper (overall material)
image: 8 in x 12 3/4 in; 20.32 cm x 32.385 cm
overall: 10 in x 14 in; 25.4 cm x 35.56 cm
ID Number
catalog number
accession number
maker number
Credit Line
Harry T. Peters "America on Stone" Lithography Collection
Courtship, love
See more items in
Home and Community Life: Domestic Life
Domestic Furnishings
Peters Prints
Data Source
National Museum of American History