Face Vessel

Description
Between the late 1600s and the Civil War, the rapid growth of the southern plantation economy and a sparse white population led to increasing reliance on the labor of enslaved blacks. Most were agricultural laborers, but a significant number were craftspeople. Among these skilled slaves were a small number of potters working in the Edgefield District of South Carolina. Anecdotal and archeological evidence has been used to establish that enslaved potters were making face vessels in the Edgefield area before the Civil War.
The origins of the southern face vessel tradition are largely un-documented. Some enslaved black potters in South Carolina certainly began making face vessels in the mid 1800s, possibly inspired by African burial rituals or as charms used in religious ceremonies. The contrasting eyes and teeth on most of the slave-made face vessels are kaolin clay, a key ingredient in the manufacture of porcelain. The Edgefield area of South Carolina was known in the 1700s and 1800s for its rich supply of kaolin.
A number of face vessels have been linked stylistically to slaves at Thomas Davies’ Palmetto Firebrick Works, which operated in the mid-1860s, and Lewis Miles’s Stoney Bluff and Miles Mill potteries operating from about 1837-1894. As late as 1900, ceramics historian Edwin A. Barber felt it was necessary to state that face vessels similar to these were not made in Africa, as was supposed by some collectors, but by enslaved blacks at Edgefield potteries.
This face vessel came to the Museum as part of the Van Alstyne Collection of American Folk Art. Eleanor and Mabel Van Alstyne collected more than 300 examples of American folk art over a period of about 40 years. The name “Joe Banford,” written in the clay on this piece, may refer to the person depicted or to the person for whom the jug was made.
Location
Currently not on view
date made
mid 1800s
maker
unknown
place made
United States: South Carolina, Edgefield
Physical Description
ceramic, stoneware, coarse (overall material)
wood (overall material)
Measurements
overall: 9 in x 7 in; 22.86 cm x 17.78 cm
ID Number
CE.65.1065
catalog number
65.1065
accession number
256396
Credit Line
The Eleanor and Mabel Van Alstyne Collection of American Folk Art
See more items in
Home and Community Life: Ceramics and Glass
Cultures & Communities
Domestic Furnishings
Face Vessels
Data Source
National Museum of American History, Kenneth E. Behring Center

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