Camera-ready comic art drawing for Gasoline Alley

Description (Brief)
This pen-and-ink drawing, prepared for the Gasoline Alley newspaper comic strip, shows character Walt Wallet being scolded for trying to walk Effie home. She waves goodbye, but Wallet sees little hope in her attentions.
Richard Arnold "Dick" Moores (1909-1986) worked as an assistant to Chester Gould on the Dick Tracy comic strip early in his career. Moores continued to work on other strips and branched out into animation and comic book illustration, working on titles such as Mickey Mouse, Scamp, Donald Duck, and Alice in Wonderland. In 1956 Frank King asked Moores to assist on the daily strip Gasoline Alley, which Moores took over completely after King’s retirement in 1959. When the Sunday artist for Gasoline Alley retired in 1975, Moores took over that work as well, and continued drawing the strip until his death in 1986.
Gasoline Alley (1918- ) originated on a black-and-white Sunday page for The Chicago Tribune called The Rectangle, a collaborative page with contributions by different artists. One corner of "The Rectangle," drawn by Frank King, was devoted to the discussions between four men about their cars, an impetus for the name of the strip Gasoline Alley. Within a year the strip began appearing in the daily newspapers. Gasoline Alley, whose original characters included Walt, Doc, Avery, Bill, and Skeezix, is noted for its use of characters who have continued to age naturally.
Currently not on view
Object Name
Object Type
date made
graphic artist
Moores, Dick
King, Frank
Tribune Printing Company
Physical Description
paper (overall material)
ink (overall material)
overall: 18.5 cm x 54.8 cm; 7 5/16 in x 21 9/16 in
ID Number
catalog number
accession number
Family & Social Life
Cultures & Communities
Popular Entertainment
Comic Art
See more items in
Culture and the Arts: Graphic Arts
Comic Art
Data Source
National Museum of American History, Kenneth E. Behring Center
Credit Line
Newspaper Comics Council, Inc., New York, NY

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