Domestic Furnishings - Overview
Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.
The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.
"Domestic Furnishings - Overview" showing 31 items.
Page 1 of 4
Lepus Texianus, Aud. & Bach.
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of a brown hare with mottled markings crouched among low grasses.
- Location
- Currently not on view
- date made
- 1848
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2742
- catalog number
- 60.2742
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Grandpapa's Pet
- Description (Brief)
- Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
- These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class, and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
- This is a lithotint; interior scene of a seated older man with his cane and a dog sleeping near his feet. A standing child is facing him. Simple furnishings include a bench, chest or bureau, and a chair. A plant, shovel and saw are also depicted.
- The inscription indicates that the print was drawn specifically for Miss Leslie's Magazine and published in April 1843, in the year the periodical debuted. This print was considered the first true lithotint produced in the US, the result of a partnership and experiments between artist/ draftsman John H. Richard and printer/lithographer Peter S. Duval in 1841/1842. The print was described in Miss Leslie's as a product of both art and technology and considered a great breakthrough in publishing. It was printed in color from one stone.
- Location
- Currently not on view
- date made
- 1843
- artist
- Richard, John H.
- lithographer
- Duval, Peter S.
- ID Number
- DL*60.2226
- catalog number
- 60.2226
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Tarandus Furcifer, Agassiz
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of two male reindeer on boulders, with forested foothills in the background. One is in summer pelage (coat) the other in winter pelage (coat).
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2734
- catalog number
- 60.2734
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Canis Lupus, Linn (Var Albus)
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of a white male wolf crouching in a clearing and chewing on a bone.
- Location
- Currently not on view
- date made
- 1845
- printer
- Bowen, John T.
- artist; publisher
- Audubon, John James
- ID Number
- DL*60.2735
- catalog number
- 60.2735
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Feles Concolor, Linn
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of a brown male cougar standing over his felled prey. Forested mountains in the background.
- Location
- Currently not on view
- date made
- 1846
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2736
- catalog number
- 60.2736
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Ovibos Moschatus, Gmel
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of two male musk oxen standing on a grassy plateau with rocky mountains in the background.
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2737
- catalog number
- 60.2737
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Myodes Hudsonius, Rich
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of a large white lemming and a smaller brown lemming crouching on boulders amidst wildflowers.
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2738
- catalog number
- 60.2738
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Aplodontia Leporina, Rich
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of brown sewellel (a short-furred animal with fanged teeth) crouching on boulders beside a lake.
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2739
- catalog number
- 60.2739
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Sorex Palustris Rich
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of two shrews scampering across boulders toward a pond. Boulders are surrounded by wildflowers on the right and barren trees on the left.
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2740
- catalog number
- 60.2740
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Capra Americana, Blainville
- Description (Brief)
- This hand-colored lithograph was produced for “Viviparous Quadrupeds of North America,” the Imperial folio edition, published between 1845 and 1848. The work was a field study of North American mammals. It included 150 stone lithographs produced in three volumes of 50 prints per volume. The lithographs were based on watercolor drawings by John James Audubon and after 1846, son John Woodhouse Audubon, who completed the series due to the elder Audubon’s failing eyesight and declining health. Another son, Victor Gifford Audubon, assisted with the drawings backgrounds. The lithographs were printed on non-watermarked heavy white paper and coloring was applied by hand before the prints were bound. Reverend John Bachman was a naturalist of note, as well as John James Audubon’s friend and father of both daughter-in-laws, so he provided the accompanying letterpress narrative. It made the production truly a family affair. The slightly later Octavo edition contained 155 prints of smaller size.
- This unbound lithographic plate depicts a hand-colored image of two white goats, one standing and one lying, on a rocky cliff in a mountainous setting.
- Location
- Currently not on view
- date made
- 1847
- artist
- Audubon, John Woodhouse
- printer
- Bowen, John T.
- publisher
- Audubon, John James
- ID Number
- DL*60.2741
- catalog number
- 60.2741
- accession number
- 228146
- Data Source
- National Museum of American History, Kenneth E. Behring Center