Domestic Furnishings - Overview
Washboards, armchairs, lamps, and pots and pans may not seem to be museum pieces. But they are invaluable evidence of how most people lived day to day, last week or three centuries ago. The Museum's collections of domestic furnishings comprise more than 40,000 artifacts from American households. Large and small, they include four houses, roughly 800 pieces of furniture, fireplace equipment, spinning wheels, ceramics and glass, family portraits, and much more.
The Arthur and Edna Greenwood Collection contains more than 2,000 objects from New England households from colonial times to mid-1800s. From kitchens of the past, the collections hold some 3,300 artifacts, ranging from refrigerators to spatulas. The lighting devices alone number roughly 3,000 lamps, candleholders, and lanterns.
"Domestic Furnishings - Overview" showing 207 items.
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1840 - 1860 "LeMoyne Star" Pieced Quilt
- Description
- The pieces that are used to make the 71 “LeMoyne Star” blocks on this quilt create a useful record. They represent an assortment of fabrics used for ordinary mid-19th century clothes. Brown, tan, grey, and rust-colored fabrics, most twill-woven cotton/wool, were used to piece the blocks. These alternate with 6 ½-inch squares of brown and grey striped cotton/wool fabric. The quilt is lined with a plain-weave, cotton warp/wool weft fabric. Brown carded wool serves as the filling. The quilting pattern consists of parallel diagonal lines 1 ½-inch apart, quilted at 3-4 stitches per inch.
- The machine- and hand-woven textile examples might not otherwise have been preserved if not used to craft this quilt.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- unknown
- ID Number
- 1979.0167.01
- catalog number
- 1979.0167.01
- accession number
- 1979.0167
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1760 Eve Van Cortlandt's Quilted Counterpane
- Description
- Eve Van Cortlandt's fine white linen quilted counterpane is one of the earliest dated American quilts in existence. The date, "1760" and her initials, "E V C," are embroidered in blue silk cross-stitch on the quilt lining. Quilted with white linen thread, a delicate pattern of flowers, feathery stems, and low open baskets surround a central quatrefoil medallion. The design is set off by a background of quilted parallel lines just one-eighth inch apart.
- Eve was born on May 22, 1736, to Frederick Van Cortlandt and Francena Jay each from families of wealthy and prominent New York landowners. She made her quilt for her dower chest while living in the family home. In 1761, Eve married the Honorable Henry White, a businessman and a member of the King’s Council of the Royal Colony of New York. He became president of the New York Chamber of Commerce in 1772 and remained loyal to the King of England during the Revolution.
- When the British evacuated New York in 1783, Henry moved his family to England. Henry White died in London in 1786, and Eve returned to America as a widow, most likely to be near two of her children who lived in New York. Of their five children, two sons were in the British service and remained in London, as did one daughter. Eve died in 1836 at the age of one hundred, having witnessed a century of historic events. Since 1897, the family home in Van Cortlandt Park in the Bronx has been a museum.
- Location
- Currently not on view
- Date made
- 1760
- quilter
- Van Cortlandt, Eve
- ID Number
- 1979.0184.01
- catalog number
- 1979.0184.01
- accession number
- 1979.0184
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1784 Overshot Coverlet
- Description
- The weaver and original owner of this very complex, well worn, single-woven, linen, cotton and wool, overshot coverlet, dated 1784, are unknown. The letters “E M” and the date are woven into the coverlet on the lower right hand side, using a hand technique. We do not know if
- “E M” stands for name of the owner or the weaver. In the 18th century it was not unusual for textiles to be marked with the initials of the owner, but it was usually done with embroidery. The initials identified the coverlet as the woman's property. Women could own and inherit "moveable" property.
- The overall patterns used in this coverlet are “Rose” and “Tables,” and there are two shades of indigo blue used in a band effect. The coverlet was woven in two sections, and then sewn together. The original size of the sections and the coverlet as a whole are unknown, as there are no original edges present. This coverlet was found in Massachusetts. In the18th century, a young woman might commission the weaving of a coverlet or receive one as a gift, and put it in her dowry (hope chest) saving it for use after marriage.
- Location
- Currently not on view
- date made
- 1784
- maker
- unknown
- ID Number
- 1979.0723.1
- accession number
- 1979.0723
- catalog number
- 1979.0723.1
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Overshot Coverlet 1787
- Description
- The date 1787 and the letters “M S” are woven into a corner of this cotton, linen, and wool, single-woven overshot coverlet. The center seam indicates the coverlet was woven in two sections that were sewn together. One section is an inch smaller than the other. The pattern could be a variation of “Kings Flower” pattern or “Roses and Tables.” This Coverlet was found in New York State. It is not known if “M S” are the initials of the weaver or the owner, both of whom are unknown. In the 18th century, household textiles were prized possessions, and it was not unusual for them to be marked with the owner’s initials and the date. However, the marking was usually done with embroidery.
- Location
- Currently not on view
- date made
- 1787
- maker
- unknown
- ID Number
- 1979.0723.2
- accession number
- 1979.0723
- catalog number
- 1979.0723.2
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1840 - 1860 Catherine Byer's Pieced and Appliqued Quilt
- Description
- Inked leaves and a bird frame the inscription: “Eby – Byers Catherine Byers” and the place, “Chambersburg.” Below Chambersburg is noted "1837," but in a different color ink---possibly a later addition? Did Catherine make this quilt?
- Catherine Byers, born in 1805, was the daughter of Frederick Byers and Anna Eby of Pa. Catherine married James Crawford (1799-1872). They raised their children and lived on the family homestead in Franklin County, Pa. Catherine died in 1892. Both came from families who were early settlers of Pennsylvania, some of whom had fought in the Revolutionary War.
- Thirty-six pieced blocks, each with a center square of dark blue printed cotton and three appliquéd leaves at each corner create a unique pattern. The central focus is the 9 ¾-inch-block with the inked drawing and inscription. The quilt is framed by a 6-inch border and is quilted at 10 stitches per inch. As no information was included with the quilt, it is difficult to know who made the quilt and the significance of the date.
- Location
- Currently not on view
- date made
- 1840-1860
- maker
- Byers, Catherine
- ID Number
- 1980.0253.01
- catalog number
- 1980.0253.01
- accession number
- 1980.0253
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Linen Overshot Coverlet 1790
- Description
- Elizabeth Deuel is said to have made this single-woven, all linen coverlet in1790, in the Saratoga region of New York State. Her name and the date are cross-stitched into the lower edge of the coverlet just above the fringe. A search of the 1790 census of the area produced no one with the surname Deuel. More research is needed to determine where Miss Deuel lived, and if she was the weaver or the owner of this coverlet. In the 18th century, it was common for household textiles to be marked with the initials or name of the owner and the date. The average colonial home did not have a great number of household textiles, and they were considered important possessions. This coverlet was woven in two sections that were then sewn together.
- Location
- Currently not on view
- date made
- late 18th century
- 1790
- weaver or owner
- Deuel, Elizabeth
- maker or owner of coverlet
- Deuel, Elizabeth
- ID Number
- 1981.0274.005
- accession number
- 1981.0274
- catalog number
- 1981.0274.05
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Rose of Sharon Coverlet
- Description
- The weaver of this single-woven overshot coverlet is unknown. It is made entirely of wool, and was probably woven in the late 18th or early 19th century. The pattern used is similar to the patterns known as “Rose of Sharon” and “Freeman’s Felicity.” It was woven in two sections and sewn together. The lower edge has an applied fringe, while the one on the side is a self fringe. In the 18th and early 19th centuries, it was common for women to spin fiber into yarn, and take the yarn to a professional weaver for use in a coverlet. In the late 18th and early 19th centuries, household textiles were precious belongings, frequently listed in household inventories right along with furniture and tools.
- Location
- Currently not on view
- date made
- 1790-1810
- late 18th century
- early 19th century
- maker
- unknown
- ID Number
- 1981.0274.008
- accession number
- 1981.0274
- catalog number
- 1981.0274.08
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1800 - 1850 Pieced Quilt
- Description
- The 17-inch center block of this 18th-century quilt is appliquéd with a charming array of floral, geometric, and heart-shaped designs. It is surrounded by five pieced borders.
- Block-printed, copperplate-printed, Indian-painted, and roller-printed techniques are represented in the fabrics that were used for piecing. Plain-woven and pattern-woven white cottons are also evident. The 8 ½-inch blocks that make up the borders are pieced in a variety of patterns popular in the first half of the 19th century. It has a cotton filling and is quilted, 7 stitches/inch.
- The quilt is probably from southern New England, possibly Connecticut, where it was found. The many, many fabrics, different pieced block patterns, and appliquéd designs contribute to this sampler of 19th- century quilt making.
- Location
- Currently not on view
- date made
- 1800-1850
- maker
- unknown
- ID Number
- 1981.0417.04
- catalog number
- 1981.0417.04
- accession number
- 1981.0417
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1800 - 1815 Indigo Wool Quilt
- Description
- This example of an early 19th-century whole cloth quilt has an unusual design. Four sprays of large flowers, leaves, and clusters of berries begin in each of the corners and meet in the center of the quilt. They are framed by a wide scrolling vine with a 2 ½ -inch feathered band along the outer edge.
- The fabric for this quilt was dyed blue with indigo, one of the oldest dyes used for textiles. Glazing, a process involving the use of a hot press on wool fabric, resulted in a smooth, lustrous fabric surface.
- The motifs in the design are all outline quilted, 8-9 stitches/inch. The background, parallel diagonal lines quilted ¼-inch apart, further enhances the overall design. The lining is a tan and blue plaid wool/cotton fabric. There is no binding the front and lining are turned in and sewn with a running stitch.
- Location
- Currently not on view
- date made
- 1800-1815
- maker
- unknown
- ID Number
- 1981.1020.08
- catalog number
- 1981.1020.08
- accession number
- 1981.1020
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1825 - 1850 Mary Hise Norton's Silk Quilt
- Description
- Mary Hise Norton of Russellville, Kentucky, owned this elaborate silk quilt in the second quarter of the nineteenth century. Each of its thirty-six 14-inch stars is pieced using 32 diamond shapes cut from velvet and striped, checked, plaid, brocaded, and warp-printed silks. The stars are set off by 4-inch and 8-inch squares and 4 x 8-inch rectangles along the edges, all of plain green silk.
- The larger silk squares and the rectangles have quilted and stuffed motifs of flowers or foliage sprays, each a different design. Their backgrounds and the smaller squares are quilted in a diagonal grid. The pieced stars are outline-quilted, all at 12 stitches per inch.
- Mary Hise Norton’s quilt has been displayed at many venues and has won prizes, among them the 1917 McCracken County (Kentucky) Fair Blue Ribbon and in 1981 the Kentucky Heritage Quilt Society Prize.
- In 1981 the donor wrote: “Our family has a rare quilt . . . the preservation of my quilt is my primary consideration. The quilt has been saved and passed down through seven generations. When my grandmother died in 1930 it was taken from her trunk and stored in a cedar chest from then until the late 70’s . . . . It is a treasure that has been added to my life. It is too rare and old to be used on a bed, I have decided to donate it to [the] Museum.” The donor noted that her great-great-grandmother, Mary Hise Norton, was known for her “artistic worth.”
- The daughter of Frederick and Nancy Hise, Mary Hise was born in Westmoreland County, Pennsylvania, on March 12, 1797. She moved with her family to Russellville, Kentucky, about 1810. On April 11, 1813, she married William Norton. Born in Harrisburg, Pennsylvania, on September 2, 1781, William Norton also moved to Kentucky, settling in Russellville about 1810.The Nortons were the parents of six sons and three daughters and owned a blacksmith shop and iron store. They continued to live in Russellville, Kentucky, until William’s death in 1858 and Mary’s in 1878.
- According to David Morton, who in 1891 wrote The Nortons of Russellville, Kentucky, “William and Mary Norton journeyed together as husband and wife for nearly forty-five years, until they became so thoroughly assimilated as to think, talk, and even look alike . . . . Mrs. Norton was more robust in body and mind and more vivacious in temperament than her husband. She did her own thinking, had well-defined opinions and expressed them freely, loved to talk and talked well. A model housekeeper, she rose up while it was yet night and gave meat to her household, nor did her candle go out by night. She ate not the bread of idleness, and her children called her blessed; her husband also praised her. Much of the energy and financial skill evinced by her sons was derived by inheritance from her.”
- Location
- Currently not on view
- Date made
- 1825-1850
- date made
- Second quarter, 19th century
- quilter
- Norton, Mary Hise
- ID Number
- 1982.0392.01
- catalog number
- 1982.0392.01
- accession number
- 1982.0392
- Data Source
- National Museum of American History, Kenneth E. Behring Center