Family & Social Life - Overview
Donations to the Museum have preserved irreplaceable evidence about generations of ordinary Americans. Objects from the Copp household of Stonington, Connecticut, include many items used by a single family from 1740 to 1850. Other donations have brought treasured family artifacts from jewelry to prom gowns. These gifts and many others are all part of the Museum's family and social life collections.
Children's books and Sunday school lessons, tea sets and family portraits also mark the connections between members of a family and between families and the larger society. Prints, advertisements, and artifacts offer nostalgic or idealized images of family life and society in times past. And the collections include a few modern conveniences that have had profound effects on American families and social life, such as televisions, video games, and personal computers.
"Family & Social Life - Overview" showing 1946 items.
Page 192 of 195
1851 Ellen Calder's Presentation Quilt
- Description
- Harrisburg, Pennsylvania friends of Ellen Winebrenner Calder presented this quilt to her in 1851. It was a farewell present for Ellen, a young bride, who was accompanying her husband, Rev. James K. Calder to Fuh-Chua, China. They worked under difficult circumstances in China for two years as missionaries for the Methodist Episcopal Church before returning to the United States. Ellen Calder, born in 1824, died in 1858 at Shippensburg, Pennsylvania. She is buried in the Harrisburg Cemetery.
- This cotton quilt consists of 36 blocks appliquéd with a fleur-de-lis motif often used by religious groups for presentation pieces. In the center circle of each block is penned a name and on many the place and date as well. Also penned on the quilt are a few pertinent religious inscriptions such as:
- "When on the bounding wave,
- Or in a Heathen land,
- May God in Mercy Save,
- And guide you by the hand.
- And when your labors cease,
- And you no more must roam,
- May you return in peace,
- To your beloved home."
- In the mid nineteenth century the album or autograph quilt was a popular token of affection, often presented to someone leaving the community for a long journey or a new home far away.
- Date made
- 1851
- user
- Calder, Ellen Winebrenner
- quilters
- unknown
- ID Number
- TE*T08114
- accession number
- 144655
- catalog number
- T08114
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1880 - 1890 Sophia Tilton's Parlor Throw
- Description
- Sophia M. Tilton decorated her patches on this parlor throw with a wide range of painted flowers. According to donor Helen T. Batchelder, her grandmother Sophia was inspired by wildflowers such as morning glories, violets, and clover on her farm, and the roses, pansies, and lilies in her garden. Sophia was also remembered as a china painter and she used similar motifs to decorate ceramics.
- China painting became a popular pastime in the United States in the 1870s. Pottery kilns developed by ceramicists such as Susan Frackelton who patented a “China-firing Apparatus” in 1886 and 1888, helped spur a large growth in both amateur and professional china painters. It is estimated that there were 20,000 professional china painters by 1900, many listed in city business directories. On this parlor throw, Sophia combined her needlework and painting skills to create her unique version of the crazy patchwork throw that was also very fashionable in the late 19th century.
- The silk fabrics and ribbons that comprise this throw were said to have been bought in Boston, possibly at Thresher Bros., as Sophia’s eldest son, Alfred, owned a drugstore nearby. The throw was made for Alfred and later given to his son, the donor’s father.
- A 5-inch border in the “Flying Geese” pattern frames the crazy-patchwork. The russet satin lining is decorated with bands of white silk feather-stitching framing a center rectangle outlined in herringbone-stitching. Within the rectangle is embroidered a spray of flowers and leaves in white silk. According to family tradition, it may have been designed by Sophia. The throw is edged with an orange silk cord.
- Sophia Moore Leavitt, the daughter of Thomas Moore Leavitt and Sally Dearborn, was born about 1820 in Stratham, Rockingham County, N. H. Sophia’s first name was given as “Survial,” possibly a nickname, in the letter of donation. She married Nathaniel D. Tilton January 4, 1846, in Newburyport, Massachusetts. They had four sons, Alfred, Charles, Edward, and Nathaniel and were living in Watertown, Middlesex, Mass., in 1870. By 1880 Sophia was widowed and living with her youngest son (17), Nathaniel D., in Auburn, Rockingham Co., N. H.. It would have been about this time that she made her crazy-patch throw.
- According to the donor at the time of donation in 1951, “Needless to say, her four sons considered it a masterpiece and I suppose it was, of the period . . . . It will be very pleasant to think of it in your department where many people can enjoy it instead of having it laid away in a trunk . . . . I give it to the museum in return for the inspiration and stimulation it has given me.” A granddaughter’s generous donation allows others to see and be inspired by her grandmother Sophia’s “masterpiece.”
- Location
- Currently not on view
- date made
- 1880-1890
- maker
- Tilton, Survial Leavitt
- ID Number
- TE*T11009
- accession number
- 192928
- catalog number
- T11009
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1880 - 1895 Commemorative Ribbon Parlor Throw
- Description
- Although this crazy-patched parlor throw is characteristic of the many made in the last part of the 19th century, its many souvenir ribbons, extravagant embroidery, painted patches, typical period motifs, and a multitude of silk and velvet fabric samples combine to make it unique. Thirteen printed campaign and club ribbons dating from 1884 to1890 support Grover Cleveland as president and commemorate organizations such as the Iroquois or Americus Clubs. A “Kate Greenaway” ribbon also adorns the throw. Kate Greenway (1846-1901) was a famous English children’s book illustrator whose images appear on other quilts in the Collection.
- Twelve large crazy-patched blocks, varying in size, were assembled to make this throw. It has a light blue cotton lining, which is machine-seamed, with a cotton filling. The black satin border is machine stitched with black silk. The embroidery on the throw includes the following stitches: French knot, feather, chain, straight, stem, detached chain, herringbone, and buttonhole. Embroidery stitches cover all the seams and decorate some of the patchwork pieces. There is no binding. Instead the top and lining are machine-seamed face to face on three sides, turned right side out, and the fourth side is whipped by hand. It is tied every 12 1/2 inches with light blue silk.
- The quilt was donated by Arthur Wallace Dunn Jr. in memory of his father. Arthur Wallace Dunn Sr. (1859-1926) was a newspaper political correspondent and author who often toured the country with presidential candidates. One of the printed ribbons “Reporter National Democratic Convention 1888” may have held particular significance for him. Another patch is embroidered with the name, “Lillian.” Arthur Wallace Dunn Sr. married Lillian J. Nash in 1890. Perhaps his wife made this throw, incorporating ribbons her husband had collected as souvenirs.
- Location
- Currently not on view
- date made
- 1880-1895
- maker
- unknown
- ID Number
- TE*T12899
- accession number
- 245700
- catalog number
- T12899
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1897 - 1929 Edna Force Davis's Wool Crazy-patchwork Parlor Throw
- Description
- In 1897, the year this quilt was begun, women's fashion was for long skirts as seen in the corner block of Edna Force Davis’s elaborately embroidered parlor throw. Over thirty years later in 1929, when Edna finished her project, the fashion had changed and skirts were now much shorter, as her embroidered figure on the opposite corner block indicates. In 1965 Hazel Davis, Edna’s daughter, donated her mother's wool parlor throw on which Hazel's own initials, “HLD,” appear.
- Edna used wool for the many patches on this throw. She basted patches to an interlining of ticking; the edge of each patch was folded under, and joined with embroidery using wool yarns. The parlor throw was further embellished with many floral motifs. Other designs include birds, butterflies, sleeping babies, an anchor and chain, a rabbit, fans, and spider webs. Many of these were popular designs; others may have had meaning. Two motifs, an Odd Fellows symbol and a violin, were included---Edna’s husband played the violin and was a member of the Independent Order of Odd Fellows, a benevolent fraternal organization.
- Most of the embroidery is done with wool, mainly a soft 2-ply wool often referred to as “zephyr yarn.” Edna used satin, chain, stem, back, French knot, daisy, straight, weaving, seed, buttonhole, herringbone, and cross stitches to achieve her designs. “Edna Force Davis” is prominently embroidered in the border, completed in the 1920s, that frames the crazy-patch center. The lining is pink wool.
- While many of the motifs and stitches are typical of fancy needlework of the period, Edna personalized her parlor throw with original designs, significant dates, and initials, as well as an embroidered verse. Phrases and short verses that had special meaning, such as the one below, are frequently inked or embroidered on needlework objects.
- “There is so much good in the worst of us,
- And so much bad in the best of us,
- That it scarcely behooves any of us
- To talk about the rest of us.”
- This verse is often attributed to Edward W. Hoch (1849-1925), the seventeenth governor of Kansas, who merely printed it in the Record Marion, Kansas, of which he was editor. It appears in early 20th-century poetry books and anthologies and its origins are not known.
- Edna Force was born July 27, 1871, in Hunterdon County, N. J. She married James Bennett Davis (1865-1935) of Fairfax County, Va., on February 15, 1893. They had two children, Hazel and Carl, and lived in Fairfax, Va. Edna died January 12, 1952, and is buried in the Pohick Cemetery, also in Fairfax. Her needlework skills and design sense make this crazy-patch parlor throw a unique addition to the Collection.
- Location
- Currently not on view
- date made
- 1897-1929
- maker
- Davis, Edna Force
- ID Number
- TE*T13779
- accession number
- 263526
- catalog number
- T13779
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1842 Nancy Ward Butler's "Tombstone" Quilt
- Description
- Nancy Ward Butler made this quilt to commemorate the death of her granddaughter in 1842. Named for her grandmother, Nancy Adelaide Butler was born May 22 1840. She was the daughter of Calvin Butler (1818-1857), the quilt maker's son, and Mary A. Storey (1822-1909) whom he married in 1839. Nancy A. Butler died in February 1842 in Jamestown, N.Y. of scarlatina or scarlet fever, a serious and often fatal childhood disease at the time. In the nineteenth century, expressions of mourning were often part of the designs found on needlework and may have provided a way of working through grief as well as a memorial to a loved one.
- "NANCY A. BUTLER. DIED. FEB. 3 * 1842 * AGED 20 mo" is appliquéd on this quilt with roller and discharge printed blue and white cotton. The two sawtooth borders are pieced. The ground and lining are white plain woven cotton and the filling is cotton. The center section is quilted in parallel diagonal lines ½ to ¾ inches apart, in the border is a flowering vine; both quilted 6 stitches to the inch. A similar quilt in the McClurg Museum Chautauqua County Historical Society was possibly also made by Nancy. It memorializes her youngest son, James Butler who died of typhus at the age of 20 in 1844 and a granddaughter, Cynthia Smith Sage, who died in 1845 of consumption at the age of 23. Both are buried in the Laona Cemetery.
- Nancy Ward was born in 1779, daughter of Josiah Ward (1747/48-1825). Nancy Ward married James Butler (1780-1853) in 1802 in Buckland, Massachusetts. They settled in Chautauqua County, New York and raised their family, nine children, near Laona, New York. In 1855 Nancy Ward Butler was living in Jamestown, New York with her daughter Nancy Turner (1803-1889). They were both widowed. Nancy died in 1863.
- Nancy A. Butler Werdell, the donor, writes; "I am the namesake of the child, 'Nancy A. Butler,' memorialized on the quilt made by my ancestor [great-great grandmother], Nancy Ward Butler."
- She also commented about the quilt in Modern Maturity magazine in 1990; "Nancy was my great aunt! I inherited [the] quilt a number of years ago and donated it to the Smithsonian [1976]. I am so pleased that I have added to the folk history of our country in a small way. A quilt (or any prized treasure) preserved in the bottom of a trunk is a waste. Let's open our trunks and share our treasures." With the quilt, is a carefully printed, undated award; "Second Prize for the most Beautiful Quilt."
- Location
- Currently not on view
- Date made
- 1842
- quilter
- Butler, Nancy Ward
- ID Number
- TE*T18333
- catalog number
- T18333
- accession number
- 1977.0125
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Ship Model, SS Frisia
- Description
- This model is a cutaway of the German steamship Frisia. Originally launched as the Alsatia, the Frisia was a transatlantic passenger ship, with room for 820 passengers. Built in 1872 by Caird & Co. in Scotland, Frisia was owned by the Hamburg-American Line. Rigged for both sail and steam power, the Frisia could make the Atlantic crossing in about 12 days.
- Many of the passengers who traveled aboard the Frisia were immigrants bound for America. In 1876, a group of some 70 Russian immigrants boarded the Frisia in Hamburg, Germany. Originally from Kratzke, a city in Russia near the Volga River, these men, women, and children left their homes with hopes of owning farmland in the United States. Upon arriving in New York, the Kratzke immigrants traveled west and settled in Russell County, Kansas, in October 1876. Although life was hard on the prairie, most immigrants did not return to their homeland. More Russian immigrants arrived in December 1876, and together they founded the Bender Hill community in Kansas.
- The Frisia was one of the last iron steamships of its era. Shortly afterwards, steel-hulled ships became standard. Following its run as an immigrant ship, the Frisia was renamed and sold to Italian owners who converted it into a coal carrier. In 1902, the SS Frisia, then known as the Arno, was scrapped in Italy.
- Date made
- ca 1975
- SS Frisia built
- 1872
- SS Frisia scrapped
- 1902
- made for
- Division of the History of Technology. Transportation
- built SS Frisia
- Caird & Co.
- owned SS Frisia
- Hamburg-American Line
- ID Number
- TR*336909
- catalog number
- 336909
- accession number
- 1979.0408
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Digi-Comp 1 Toy Computer
- Description
- In the mid-1960s, most children had never seen an electronic computer. However, they had heard stories of the power of these giant instruments and knew that they were associated with space flight. This toy brought the mathematical principles of the digital computer into the home. The manual describes several problems that could be set up, including a basic check out of whether the device was functioning properly, counting down from 7 to 1 in binary, logical riddles, and the game of NIM. There is a special piece that can be used to represent the logical operation "or." The toy was made by E.S.R., Inc. of Orange and Montclair, New Jersey. It sold for about $5.00.
- Location
- Currently not on view
- Date made
- 1965
- maker
- E.S.R., Incorporated
- ID Number
- 1978.0067.59
- catalog number
- 1978.0067.59
- accession number
- 1978.0067
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Bernice Palmer's Kodak Brownie camera
- Description
- Sometime around her 17th birthday, Canadian Bernice Palmer received a Kodak Brownie box camera, either for Christmas 1911 or for her birthday on 10 January 1912. In early April, she and her mother boarded the Cunard liner Carpathia in New York, for a Mediterranean cruise. Carpathia had scarcely cleared New York, when it received a distress call from the White Star liner Titanic on 14 April. It raced to the scene of the sinking and managed to rescue over 700 survivors from the icy North Atlantic. With her new camera, Bernice took pictures of the iceberg that sliced open the Titanic’s hull below the waterline and also took snapshots of some of the Titanic survivors. Lacking enough food to feed both the paying passengers and Titanic survivors, the Carpathia turned around and headed back to New York to land the survivors. Unaware of the high value of her pictures, Bernice sold publication rights to Underwood & Underwood for just $10 and a promise to develop, print, and return her pictures after use. In 1986, she donated her camera, the pictures and her remarkable story to the Smithsonian.
- date made
- ca 1912
- user
- Ellis, Bernice P.
- maker
- Eastman Kodak Company
- ID Number
- 1986.0173.38
- accession number
- 1986.0173
- catalog number
- 1986.0173.38
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Sunstone Capital
- Description
- Inspired by a vision described by Joseph Smith, the founder of the Church of Jesus Christ of Latter-day Saints (the Mormons), this celestial limestone carving was one of thirty that adorned a grand temple built at Nauvoo, Illinois, in the 1840s.
- In 1844 an anti-Mormon mob murdered Smith, destroyed the temple, and drove the congregation out of Nauvoo. The Mormon community relocated to Utah, where it flourished in the isolation of the West.
- Date made
- 1846
- associated dates
- 1844
- architect
- Weeks, William
- associated institution
- Church of Jesus Christ of Latter-day Saints
- associated person
- Smith, Joseph
- maker
- Weeks, William
- ID Number
- 1989.0453.01
- catalog number
- 1989.0453.01
- accession number
- 1989.0453
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1895 - 1896 Chinese American Man's Gown
- Description (Brief)
- Lee B. Lok (1869-1942) immigrated to San Francisco from Guangdong Province, China in 1881 and soon after moved to New York City's Chinatown where he worked in the Quong Yuen Shing & Co. store.
- Lee B. Lok ordered this gown from China to wear at the 1896 arrival ceremony in New York of Li Hongzhang, emissary of the Empress Dowager of China. Soon after Lee came to America he abandoned Chinese clothes for daily use and cut his queue. However on special occasions Lee wore clothing that identified him as Chinese. This Manchu style gown splits at the back, front, and both sides to allow for easy movement on horseback – a reflection of the Manchu people’s equestrian background.
- Location
- Currently not on view
- date made
- ca 1896
- maker
- unknown
- ID Number
- 1992.0620.24
- catalog number
- 1992.0620.24
- accession number
- 1992.0620
- Data Source
- National Museum of American History, Kenneth E. Behring Center