Government, Politics, and Reform - Overview
George Washington, Thomas Jefferson, and Abraham Lincoln are all represented in the Museum's collections—by a surveying compass, a lap desk, and a top hat, among other artifacts. But the roughly 100,000 objects in this collection reach beyond the possessions of statesmen to touch the broader political life of the nation—in election campaigns, the women's suffrage movement, labor activity, civil rights, and many other areas. Campaign objects make up much of the collection, including posters, novelties, ballots, voting machines, and many others. A second group includes general political history artifacts, such as first ladies' clothing and accessories, diplomatic materials, ceremonial objects, national symbols, and paintings and sculptures of political figures. The third main area focuses on artifacts related to political reform movements, from labor unions to antiwar groups.
"Government, Politics, and Reform - Overview" showing 5 items.
Lincoln Funeral Pall, April 25, 1865
- Description
- Black silk cloth used to drape over Lincoln’s coffin while his body lay in state in Cleveland, Ohio, on April 25, 1865. The same cloth later covered the coffin of President James A. Garfield, who in 1881 became the second president to be assassinated.
- Gift of the Lake County Historical Society, 1962
- Location
- Currently not on view
- associated date
- 1865-04-25
- 1881
- associated person
- Lincoln, Abraham
- Garfield, James A.
- ID Number
- PL*242158.10
- catalog number
- 242158.10
- accession number
- 242158
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1883 Vickery Sisters' Crazy-patch Parlor Throw
- Description
- This crazy-patched parlor throw was made by two sisters who lived in Fall River, Mass. The only information known about them is their last name, Vickery, and that neither sister married. A date of 1883 is embroidered on one silk patch.
- Their needlework is an example of the crazy-patch work that was very popular in the United States from 1870 to 1900.
- This type of quilt was not necessarily made for bedding, and more often was a project designed to be displayed over a chair or sofa in the parlor. The crazy-patchwork throws were constructed of pieces of silk, satin, velvets, and ribbon, and enhanced with fancy embroidery stitches. A wide range of appliquéd, embroidered, or painted motifs provided additional interest.
- This parlor throw consists of many crazy-patched and embroidered parallelograms that were assembled into ten 4 ½-inch vertical strips. The strips were joined and framed by a 2 ½-inch black velvet ribbon border with 1 ¾-inch gold satin ribbon tabs, imposing order on disorderly crazy-patches. Felted appliquéd motifs of flowers and birds adorn several patches. Other patches contain motifs such as fans, butterflies, horseshoes, or spider webs, all frequently found on crazy-patchwork. “Kate Greenaway” figures, another popular motif of the era, are embroidered on several patches. Kate Greenaway (1846-1901) was a popular writer and illustrator of children’s books. Her distinctive style for drawing children was widely copied and appears on various decorative arts of the time.
- Commemorative ribbons were often saved and then used for crazy-patchwork. A silk ribbon souvenir bookmark with an image of Lincoln and the inscription: “THE LATE LAMENTED PRESIDENT LINCOLN” (“T. Stevens Coventry” on the back) is prominent on this parlor throw. It is a modified version of a ribbon the Thomas Stevens Company of Coventry, U.K., made for Lincoln’s second inauguration in 1865.
- Thomas Stevens revitalized silk ribbon weaving in Coventry by adapting the jacquard weaving process to produce woven pictures. Custom-designed ribbons, badges, bookmarks, etc., might have portraits, text, or local scenes incorporated in the weave. The term “Stevengraph” is often used to describe the products. These were marketed at the time as “Stevens’ Patent Illuminated Book Markers.” Although only part of the ribbon is visible on this throw, similar ribbons are further inscribed: “ASSASSINATED AT WASHINGTON / 14 APRIL 1865 I HAVE SAID NOTHING BUT WHAT I AM WILLING TO LIVE BY, AND IF IT BE THE PLEASURE OF ALMIGHTY GOD, TO DIE BY. (A. LINCOLN)”
- While there is little information about the Vickery sisters at this time, their needlework project contains many items of interest. It is a worthwhile contribution to the Collection.
- Location
- Currently not on view
- date made
- 1883
- maker
- Vickery Sisters
- ID Number
- TE*T14434
- catalog number
- T14434
- accession number
- 274324
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1888 Prohibition Amendment Parlor Throw
- Description
- “Memorial to the Constitutional Prohibition Amendment 1888” is this quilt's painted inscription, found on a red satin triangle on a corner of the lining. In 1888 the Prohibition Party was beginning to achieve national strength in the presidential elections.
- Founded in 1869, for the purpose of prohibiting the sale and manufacture of liquor, the Prohibition Party finally achieved the goal in 1919 with the ratification of the 18th Amendment. The 18th Amendment was repealed in 1933 by the 21st Amendment. Although the party still exists, it does not have the following it had in the late 19th and early 20th centuries. This parlor throw was made at the height of the Prohibition Party’s popularity.
- A 14-inch center block of red velvet with painted water lilies is framed by two rows of painted or embroidered 7-inch satin blocks. The use of three colors (amber, blue and black), set alternately, provides a balanced overall aesthetic. An 8 ¼-inch red velvet border completes the throw. The lining is red satin, machine-quilted in a triple diagonal grid. Five of the black satin squares have painted religious inscriptions: “Hope;” a Bible with “Tried and Proved;” “Rest in the Lord and wait patiently for Him;” Be of the same mind one toward another;” and, a cross with “Et Teneo et Teneor.” The last, meaning "I hold and am held," may have referred to the motto of a Baptist college founded by Charles Haddon Spurgeon in the 1860s. The floral and bird motifs, the spider web, and others are similar to those found on crazy patchwork of the late 19th century.
- Although the maker is not known, the sentiments expressed are indicative of the types of inscriptions on decorative items that might be found in many homes during that era.
- Location
- Currently not on view
- date made
- 1888
- maker
- unknown
- ID Number
- TE*T11462
- accession number
- 211904
- catalog number
- T11462
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Lewis Latimer Patent Drawing
- Description
- Electricity pioneer Lewis Latimer drew this component of an arc lamp, an early type of electric light, for the U.S. Electric Lighting Company in 1880.
- The son of escaped slaves and a Civil War veteran at age sixteen, Latimer trained himself as a draftsman. His technical and artistic skills earned him jobs with Alexander Graham Bell and Thomas Edison, among others. An inventor in his own right, Latimer received numerous patents and was a renowned industry expert on incandescent lighting.
- Location
- Currently not on view
- Date made
- 1880
- maker
- Latimer, Lewis H.
- ID Number
- 1983.0458.21
- accession number
- 1983.0458
- catalog number
- 1983.0458.21
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Fox and Geese Game Board
- Description
- This 9-inch square board with 32 holes was made for playing Fox and Geese, a game of strategy between two players. The 19 pegs representing geese and a single longer peg for the fox are long gone from this particular board made in Gloucester, Massachusetts. Fox and Geese was among the games played by fishermen during idle times on sailing schooners working in the North Atlantic fisheries. This board was part of a display on “Habits of Fishermen,” at the International Fisheries Exhibition in London in 1883. Other games in the display, all from Gloucester, included cards, a checkerboard, backgammon, and a diamond puzzle.
- The rules of play for Fox and Geese are simple: one player controls the fox, while the other controls the geese. The fox can move in a straight line in any direction and, as it jumps over geese, the geese are removed from the board. To win, the fox must break through the entire line of geese. The geese are only allowed to move forward or sideways. To win, they must corner the fox so it cannot move.
- The Oxford English Dictionary cites a 1633 reference to the game from a play called Fine Companion by Shackerley Marmion: “Let him sit in the shop . . . and let him play at fox and geese with the foreman.” The game was played in colonial America and, with minor variations, well into the 19th and 20th centuries.
- This game board was one of several items donated to the Smithsonian by Capt. George Merchant Jr., of Gloucester.
- Date made
- 1883
- ID Number
- AG*057950
- catalog number
- 057950
- accession number
- 12158
- Data Source
- National Museum of American History, Kenneth E. Behring Center