Natural Resources - Overview
The natural resources collections offer centuries of evidence about how Americans have used the bounty of the American continent and coastal waters. Artifacts related to flood control, dam construction, and irrigation illustrate the nation's attempts to manage the natural world. Oil-drilling, iron-mining, and steel-making artifacts show the connection between natural resources and industrial strength.
Forestry is represented by saws, axes, a smokejumper's suit, and many other objects. Hooks, nets, and other gear from New England fisheries of the late 1800s are among the fishing artifacts, as well as more recent acquisitions from the Pacific Northwest and Chesapeake Bay. Whaling artifacts include harpoons, lances, scrimshaw etchings in whalebone, and several paintings of a whaler's work at sea. The modern environmental movement has contributed buttons and other protest artifacts on issues from scenic rivers to biodiversity.
"Natural Resources - Overview" showing 55 items.
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Environmental Button
- Description
- David Hill founded the Rare Animal Relief Effort (RARE), in 1973. RARE is well known for its “Save the Whales” campaigns and has helped to protect other at risk animal populations such as manatees and Saint Lucia parrots.
- ID Number
- 2003.0014.0968
- accession number
- 2003.0014
- catalog number
- 2003.0014.0968
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Framed Photograph of Pine Trees
- Description (Brief)
- These four photographs of pine trees are one of forty-nine framed black and white photographic prints bequeathed to the Smithsonian by William F. Bucher of Washington, D.C. Bucher, a cabinetmaker, framed each photograph in wood of the same species as the tree depicted in the print. The photos were displayed in a special exhibition, Our Trees and their Woods at the United States National Museum in 1931.
- The upper left photo shows a white pine tree in the Adirondack Mountains of New York that was taken by A. Varela. The upper right photo is a loblolly pine from North Carolina taken by “Lindsey.” The lower left photo is of a longleaf pine tree near Ocilla, Georgia taken by E. Block. The bottom right photo shows a balsam pine and white spruce that was taken by H.H. Chapman. All photographs come courtesy of the U.S. Forest Service. The frame is made from four woods; the top is made of white pine, the bottom is made of long leaf pine, the left hand side of common pine, and the right side is made of spruce.
- Location
- Currently not on view
- Date made
- 1926
- frame maker
- Bucher, William F.
- photographer
- Bucher, William F.
- U.S. Forest Service
- Lindsey
- Varela, A.
- Block, E.
- ID Number
- AG*115767.32
- catalog number
- AG*115767.32
- accession number
- 115767
- maker number
- 35
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Framed Photograph of Brazilian Walnut Logs
- Description (Brief)
- This photograph of Brazilian walnut wood is one of forty-nine framed black and white photographic prints bequeathed to the Smithsonian by William F. Bucher of Washington, D.C. Bucher, a cabinetmaker, framed each photograph in wood of the same species as the tree depicted in the print. The photos were displayed in a special exhibition, Our Trees and their Woods at the United States National Museum in 1931.
- The logs shown in this photograph were located in New York, New York. The Bureau of American Republics gave the image in the frame to William Bucher. The frame is made of Brazilian Walnut (Imbuya) veneer on spruce, and the back band is made of ebony.
- Location
- Currently not on view
- Date made
- 1915
- frame maker
- Bucher, William F.
- photographer
- Pan American Union
- ID Number
- AG*115767.44
- catalog number
- AG*115767.44
- accession number
- 115767
- maker number
- 49
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Engraved woodblock of "Climbing the Grand Canyon"
- Description
- This engraved woodblock of “Climbing the Grand Canyon” was prepared by F. S. King and the Government Printing Office in Washington, D.C.; the print was published in 1875 on page 98 of John Wesley Powell's Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution. Thomas Moran (1837-1926) was the original artist.
- Location
- Currently not on view
- date made
- 1875
- publisher
- Bureau of American Ethnology
- printer
- Government Printing Office
- author
- Powell, John Wesley
- original artist
- Moran, Thomas
- graphic artist
- King, Francis Scott
- maker
- V. W. & Co.
- ID Number
- 1980.0219.0474
- accession number
- 1980.0219
- catalog number
- 1980.0219.0474
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Engraved woodblock of the "View of Marble Canyon (from the Vermillion Cliffs)"
- Description
- This engraved woodblock of a “View of Marble Canyon (from the Vermillion Cliffs)” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 63 (p.180) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902). The image depicts the “Colorado River [and] the Eastern Kaibab Displacements, appearing as folds [and] faults.”
- Location
- Currently not on view
- date made
- 1875
- publisher
- Bureau of American Ethnology
- printer
- Government Printing Office
- author
- Powell, John Wesley
- graphic artist
- Nichols, H. H.
- block maker
- V. W. & Co.
- ID Number
- 1980.0219.1355
- catalog number
- 1980.0219.1355
- accession number
- 1980.0219
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Engraved woodblock of a "Bird’s-eye view of cliffs of erosion"
- Description
- This engraved woodblock of the “Bird’s-eye view of cliffs of erosion” was prepared and printed by the Government Printing Office in Washington, D.C.; the image was published in 1875 as Figure 74 (p.162) in The Exploration of the Colorado River of the West by John Wesley Powell (1834-1902). Henry Hobart Nichols (1838-1887) engraved the illustration which “depicts the Shin-ar’-ump Cliffs, Vermillion Cliffs, and Gray Cliffs, in order from right to left.”
- Location
- Currently not on view
- date made
- 1875
- printer
- Government Printing Office
- publisher
- Bureau of American Ethnology
- author
- Powell, John Wesley
- graphic artist
- Nichols, H. H.
- block maker
- V. W. & Co.
- ID Number
- 1980.0219.1562
- accession number
- 1980.0219
- catalog number
- 1980.0219.1562
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Environmental Button
- Description
- The group "Bike for a Better City" encouraged New York commuters and lawmakers to view bicycling as a means for everyday transportation. The organization, founded in 1970 by Barry Fishman and Harriet Green, called for the establishment of special bike lanes to make city biking safer.
- maker
- Fishman, Barry
- ID Number
- 2003.0014.0051
- catalog number
- 2003.0014.0051
- accession number
- 2003.0014
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Niagara Falls Original Turbines
- Description
- Using this extremely fine wood model as part of its technical proposal, the Swiss firm Faesch & Piccard won the contract to design the original turbines for the Niagara Falls power station. The actual turbines were built by the I. P. Morris Company of Philadelphia and were installed in 1895, the year the Adams Station went on line. The hydroelectric power generation facility at Niagara Falls gained international acclaim for its ability to efficiently convert a portion of the Falls' awe-inspiring natural energy into electricity. This was the world's first large-scale central electric power station, demonstrating how falling water (or other power sources) could be used successfully to supply electricity over an extended geographical area.
- For additional information
- date made
- 1895
- ID Number
- 315850
- accession number
- 221414
- catalog number
- 315850
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Engraved woodblock of "Marble Canyon"
- Description
- This engraved woodblock of "Marble Canyon” was prepared by engraver Edward Bookhout (1844-1886) and the Government Printing Office in Washington, D.C.; the print was published in 1875 as Figure 26 (p.77) in Report of the Exploration of the Colorado River of the West and Its Tributaries. Explored in 1869, 1870, 1871, and 1872, under the direction of the Secretary of the Smithsonian Institution by John Wesley Powell (1834-1902). Thomas Moran (1837-1926) accompanied Powell on his expedition and drew the original image.
- Location
- Currently not on view
- date made
- 1875
- original artist
- Moran, Thomas
- publisher
- Bureau of American Ethnology
- printer
- Government Printing Office
- author
- Powell, John Wesley
- graphic artist
- Bookhout, Edward
- block maker
- V. W. & Co.
- ID Number
- 1980.0219.0259
- catalog number
- 1980.0219.0259
- accession number
- 1980.0219
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Engraved woodblock of an "Australian grave and carved trees"
- Description
- This engraved woodblock of an “Australian grave and carved trees” was prepared by the Government Printing Office in Washington, D.C.; the image was published as Figure 37 (p.76) in an article by Garrick Mallery (1831-1894) entitled “Pictographs of the North American Indians: a preliminary paper” in the Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian, 1882-83.
- Location
- Currently not on view
- date made
- 1886
- publisher
- Bureau of American Ethnology
- printer
- Government Printing Office
- author
- Mallery, Garrick
- block maker
- J. J. & Co.
- ID Number
- 1980.0219.1206
- catalog number
- 1980.0219.1206
- accession number
- 1980.0219
- Data Source
- National Museum of American History, Kenneth E. Behring Center