Popular Entertainment - Overview
This Museum's popular entertainment collections hold some of the Smithsonian's most beloved artifacts. The ruby slippers worn by Judy Garland in The Wizard of Oz reside here, along with the Muppet character Kermit the Frog, and props from popular television series such as M*A*S*H and All in the Family. But as in many of the Museum's collections, the best-known objects are a small part of the story.
The collection also encompasses many other artifacts of 19th- and 20th-century commercial theater, film, radio, and TV—some 50,000 sound recordings dating back to 1903; posters, publicity stills, and programs from films and performances; puppets; numerous items from World's Fairs from 1851 to 1992; and audiovisual materials on Groucho Marx, to name only a few.
"Popular Entertainment - Overview" showing 3 items.
Evelyn Nesbit
- Description
- Rudolf Eickemeyer Jr. started taking photographs in 1884 while working at his father's engineering firm. In 1889, he joined the local camera club in Yonkers, New York, and began contributing articles on photographic chemistry, lighting, and technique to journals like the Photographic Times. He turned professional in 1896, relying on commercial work for financial support while continuing to develop his skills as an art photographer. Eickemeyer gained critical acclaim in America and Europe for his landscape and portrait photography.
- In 1901, Eickemeyer was hired by architect Stanford White to photograph Evelyn Nesbit, an aspiring model and performer. The resulting images helped establish Nesbit's career and are among the most recognized of Eickemeyer's body of work.
- Shortly before his death in 1932, Eickemeyer endowed a fund for the development of the Smithsonian's Section of Photography and donated a large portion of his personal collection.
- Date made
- 1901
- depicted
- Nesbit, Evelyn
- commissioned the portrait
- White, Stanford
- maker
- Eickemeyer, Jr., Rudolf
- ID Number
- PG*4135.B5.24
- accession number
- 128483
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Crayola Crayons
- Description
- Cherished by generations of child artists, Crayola crayons were invented in 1903 by the Binney & Smith Company of Easton, Pennsylvania. Using paraffin wax and nontoxic pigments, the company produced a coloring stick that was safe, sturdy, and affordable. The name "Crayola," coined by the wife of the company's founder, comes from "craie," French for "chalk," and "oleaginous," or "oily."
- This Crayola set for "young artists" was one of the earliest produced. Its twenty-eight colors include celestial blue, golden ochre, rose pink, and burnt sienna. The box is marked, "No. 51, Young Artists Drawing Crayons, for coloring Maps, Pictures" and contains twenty two of the original 28 crayons. Crayons are icons of American childhood that recall our collective memory for coloring both inside and outside the lines. Affordable and easily obtainable, they have transformed art education and fostered creativity in schools and homes, providing color to children for generations.
- Location
- Currently not on view
- Date made
- 1903
- maker
- Binney and Smith
- ID Number
- 2000.0073.41
- accession number
- 2000.0073
- catalog number
- 2000.0073.41
- Data Source
- National Museum of American History, Kenneth E. Behring Center
1905 Hulda and Ellen Larson's Pan-American Exposition Quilt
- Description
- Hulda Larson and her daughter Ellen made this quilt to commemorate the 1901 Pan-American Exposition held in Buffalo, N. Y. Souvenir stamped muslin squares were sold at the Exposition and later in stores to be embroidered and assembled for a quilt. Referred to as “penny squares” because they were often sold in packets of 50 for 50 cents, they became popular reminders of events and sights at the Exposition. Dated “May 1, 1905” this quilt incorporates many of those souvenir blocks.
- Fifty-six 7 ½-inch white blocks were outline-embroidered in red, many depicting buildings of the 1901 Pan-American Exposition. Hulda and Ellen used over 30 of these motifs for their quilt. A block labeled, “Wm McKinley Our Martyred President,” was designed after his assassination at the Exposition on September 6, 1901.
- The blocks also included embroidered portraits of Mrs. McKinley, , President Theodore Roosevelt, his daughter, Alice, and Mrs. Roosevelt, Edith Caro, who married the widowed president in 1886.
- In the center is the official logo of the Exposition. Blocks with an American eagle, flag, and shield add a patriotic element. Two blocks with buffalo motifs, “Put Me Off at Buffalo” and “I Am A,” and other animal and floral motif blocks were used to complete the quilt. When the fair ended its buildings were demolished, except for the New York State building that later became the Buffalo and Erie Canal Historical Society.
- Using a grid system of the numbers 1 to 7 across the top and A thru G along the left side the following blocks were connected to the Pan-American Exposition. The inscriptions on each block are embroidered in red.
- A2 – “Indian Congress and Village”; A5 – “Stadium”; A6 – “Ohio Building”
- B1 – “Trained Wild Animals”; B2 – “Ethnology Building”; B6 – “Service Building”; B7 – “Infant Incubator”
- C1 – “Fair Japan”; C3 – “Johnstown Flood”; C5 – “Darkness & Dawn - Fall of Babylon”; C7 – “Government Building”
- D1 – “Agriculture Building”; D2 – “Mrs. McKinley”; D3 – “President Roosevelt”; D4 (seal) “Pan-American Exposition. 1901. Buffalo. N.Y. U.S.A.” D5 – “Mrs. Roosevelt”; D6 – “Wm. McKinley-Our Martyred President” D7 – “Alaskan Building”
- E2 – “Electric Tower”; E3 – “New England Building”; E5 – “Old Plantation”; E6 – “Temple of Music Where President McKinley was shot”; E7 – “Cleopatra's Temple”
- F1 – “Horticulture Building”; F2 – “Aerio Cycle”; F3 – “Machinery and Transportation Building”; F4 – “Panopticon”; F5 - “Phillipine Village”; F6 – “Triumphal Bridge”; F7 – “Beautiful Orient”
- G2 – “Louisiana Purchase Building”; G3 – “House Upside Down”; G4 – “Hawaiian Village & Kileaua Volcano”; G5 – “A Trip to the Moon”; G6 – “Wisconsin Building”; G7 – “Darkest Africa”
- This machine-quilted example of redwork has a 3-inch white ruffle, edged with red embroidery. It has a white cotton lining and cotton filling. The blocks are machine-joined, and the lining is machine-stitched. Stem and feather stitches were used for the embroidery.
- Hulda Fredricka ParsDotter was born April 21, 1858, in Vimmerby, Sweden, and married Anders James Larson on June 23, 1877. In 1882 they came to Jamestown, N. Y. Their daughter Ellen Sophia Cecilia was born in Vimmerby, Sweden, on August 11, 1879. Other daughters born in the United States were Dora (about 1889), Della (about 1891) and Arlene (about 1896). Ellen married C. Emil Swanson in 1903 in Jamestown. Ellen died on January 1, 1925. Hulda died October 4, 1949, at the age of 91. Daughter Dora married Arthur Anderson and their daughter, Alberta,married Russell Weise. It was their daughter, Judith Anderson Weise, who donated her great-grandmother and great-aunt’s Pan-American Exposition Commemorative quilt to the Museum in 1985.
- Location
- Currently not on view
- date made
- 1905
- maker
- Larson, Hulda Fredricka
- Larson, Ellen Sophia Cecilia
- ID Number
- 1986.0032.01
- catalog number
- 1986.0032.01
- accession number
- 1986.0032
- Data Source
- National Museum of American History, Kenneth E. Behring Center