Popular Entertainment - Overview
This Museum's popular entertainment collections hold some of the Smithsonian's most beloved artifacts. The ruby slippers worn by Judy Garland in The Wizard of Oz reside here, along with the Muppet character Kermit the Frog, and props from popular television series such as M*A*S*H and All in the Family. But as in many of the Museum's collections, the best-known objects are a small part of the story.
The collection also encompasses many other artifacts of 19th- and 20th-century commercial theater, film, radio, and TV—some 50,000 sound recordings dating back to 1903; posters, publicity stills, and programs from films and performances; puppets; numerous items from World's Fairs from 1851 to 1992; and audiovisual materials on Groucho Marx, to name only a few.
"Popular Entertainment - Overview" showing 1179 items.
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Sound Recording
- Description
- Over the course of her 60–year career, Ella Fitzgerald (1917–1996) became known to fans and colleagues as "The First Lady of Song." Her rise to international fame as a jazz and popular singer coincided with the rise of an American entertainment industry that brought music to millions through concerts, sound recordings, film, radio, and television. In 1938, Fitzgerald came up with the idea for song called "A–Tisket, A–Tasket," basing her lyric on a 19th–century nursery rhyme. Her 1938 Decca recording of the song in time became a million–seller.
- Location
- Currently not on view
- recording artist
- Fitzgerald, Ella
- Chick Webb and his Orchestra
- performer
- Fitzgerald, Ella
- maker
- Decca
- performer
- Webb, Chick
- composer
- Feldman, Al
- Fitzgerald, Ella
- Gershwin, George
- Cahn
- ID Number
- 1993.0102.041
- catalog number
- 1993.0102.041
- accession number
- 1993.0102
- maker number
- 1840
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Microphone
- Description
- WANN represents a significant moment in American cultural history—the rise of black-oriented broadcasting. Although blacks constituted 10 percent of the population, black interest in broadcasting on any scale, didn't begin until 1948. That year WDIA in Memphis became the first station to go to a format with exclusively black on-air personnel. Shortly after, a handful of stations committed to black interests. WANN was one of the first half-dozen. The station went on the air in 1948, and by 1950 owner and manager Morris Blum had directed his station to the black community in Annapolis and the surrounding area.
- A 1000-watt daytime station, WANN was among the pioneering stations that were central to black life in the pre-Civil Rights era. Morris Blum, a Jew who came of age in the New Deal, conceived of the station while in the service during WWII. He explicitly rejected the segregation he saw in the armed forces, especially after he saw that death did not discriminate. While he initially tried a conventional format for his station, he quickly refocused it to serve the black community. Blum's programming mixture of community service, black interest news, music, and religion developed through his dealings with African American public figures—preachers, businessmen and his own staff. Hoppy Adams, WANN's star personality, and Blum enjoyed a 30-year collaboration that reflected the interracial collaboration that was the heart of black radio in its formative years.
- Location
- Currently not on view
- Date made
- late 1940s
- related person
- Blum, Morris H.
- Adams, Hoppy
- ID Number
- 2000.0165.7776
- catalog number
- 2000.0165.7776
- accession number
- 2000.0165
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Sheet Music, "A-Tisket A-Tasket"
- Description
- Over the course of her sixty-year career, Ella Fitzgerald (1917–1996) became known to fans and colleagues as "The First Lady of Song." Her rise to international fame as a jazz and popular singer coincided with the rise of an American entertainment industry that brought music to millions through concerts, sound recordings, film, radio, and television. In 1938, Fitzgerald came up with the idea for a song called "A-Tisket, A-Tasket," basing her lyric on a 19th–century nursery rhyme. Her 1938 Decca recording of the song over time became a million–seller.
- Location
- Currently not on view
- Date made
- 1938
- lyricist
- Fitzgerald, Ella
- maker
- Robbins Music Corporation
- ID Number
- 1984.1117.04
- accession number
- 1984.1117
- catalog number
- 1984.1117.04
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Koschei Puppet
- Description (Brief)
- Basil Milovsoroff (1906–1992) made whimsical puppets as part of a WPA program. Milovsoroff emigrated from Siberia as a child. He created fanciful puppets based on characters from Russian folklore, such as the magical villain Koschei.
- date made
- ca 1939
- maker
- Milovsoroff, Basil
- ID Number
- 1985.0398.02
- accession number
- 1985.0398
- catalog number
- 1985.0398.02
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Dizzy Gillespie's B–flat Trumpet
- Description
- This custom–made "Silver Flair" trumpet belonged to renowned trumpeter, bandleader, and composer John Birks "Dizzy" Gillespie, a founder of the modern jazz style known as bebop. Renowned for his musical virtuosity and for his impish good humor and wit, Gillespie played this trumpet in the early 1980s. Its uniquely shaped upturned bell was Gillespie's internationally known trademark.
- Location
- Currently not on view
- date made
- 1981
- owner
- Gillespie, Dizzy
- user
- Gillespie, Dizzy
- maker
- King Musical Instruments
- ID Number
- 1986.0003.01
- catalog number
- 1986.0003.01
- accession number
- 1986.0003
- serial number
- 673792
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Prince's Yellow Cloud Electric Guitar
- Description
- Custom-made in 1989 by the Minneapolis, Minn., firm of Knut-Koupee Enterprises, this Yellow-cloud electric guitar was designed and used by Prince. The musician's distinctive personal symbol adorns both the top and the side of the fingerboard. Custom work for famous instrumentalists and musicians provides an important marketing tool for small-scale guitar makers.
- Location
- Currently not on view
- date made
- 1989
- maker
- Haugen, Barry
- Rusan, David
- Knut-Koupee Enterprises, Inc.
- ID Number
- 1993.0435.01
- catalog number
- 1993.0435.01
- accession number
- 1993.0435
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Sound Recording
- Description
- Elvis Aron Presley (1935—1977) is one of the best-known and most influential figures in popular music. Throughout his career, Elvis incorporated pop, gospel, country, and blues elements into creating his trademark style and earning his mainstream success.
- This recording is the first of Elvis's many albums that he made for RCA. The company took a major risk in releasing a full album from this new "rock & roll" artist, as teenagers were more likely to buy 45 rpm singles than a full LP. The Elvis Presley album included recording sessions Elvis did for RCA and five previously unissued songs recorded earlier with Sun Records. After the album's release in March 1956, Elvis Presley eventually went on to become the first rock & roll album to reach number one on national record sales charts, and RCA's first million-dollar-earning pop album.
- Location
- Currently not on view
- Date made
- 1956
- recording artist
- Presley, Elvis
- manufacturer
- RCA Victor
- ID Number
- 2000.3053.1039
- nonaccession number
- 2000.3053
- catalog number
- 2000.3053.1039
- label number
- LPM-1254
- Data Source
- National Museum of American History, Kenneth E. Behring Center
Sound Recording, "When the Saints Go Marching In"
- Description (Brief)
- Born in New Orleans in 1901, jazz musician Louis Armstrong (d. 1971)was known for his distinctive trumpet-playing and vocal style. He often improvised jazz riffs using his voice rather than his instrument, “scatting” notes and melodies rather than singing actual words. Armstrong transformed traditional church songs like “When the Saints Go Marching In” into jazz melodies fit for brass bands. Nicknamed Satchmo, short for “satchel-mouth,” he helped popularize the solo performance in jazz music. His musical style influenced singers Billie Holiday and Frank Sinatra.
- Location
- Currently not on view
- date made
- 1939
- recording artist
- Louis Armstrong and his Orchestra
- maker
- Decca
- ID Number
- 1978.0670.208
- accession number
- 1978.0670
- maker number
- 25153
- catalog number
- 1978.0670.208
- Data Source
- National Museum of American History, Kenneth E. Behring Center
sound recording: I Can't Get Started; The Prisoner's Song
- Description (Brief)
- Bunny Berigan and his Orchestra. side 1: I CAN'T GET STARTED; side 2: THE PRISONER'S SONG (Victor 36208)
- 78 rpm
- Location
- Currently not on view
- date made
- 1937
- recording artist
- Bunny Berigan and his Orchestra
- maker
- Victor
- ID Number
- 1978.0670.722
- maker number
- 36208
- accession number
- 1978.0670
- catalog number
- 1978.0670.722
- Data Source
- National Museum of American History, Kenneth E. Behring Center
sound recording: Without a Song; Deep River
- Description (Brief)
- Tommy Dorsey and his Orchestra. side 1: WITHOUT A SONG; side 2: DEEP RIVER (Victor 36396)
- 78 rpm
- Location
- Currently not on view
- date made
- 1941
- recording artist
- Tommy Dorsey and his Orchestra
- maker
- Victor
- ID Number
- 1978.0670.723
- maker number
- 36396
- accession number
- 1978.0670
- catalog number
- 1978.0670.723
- Data Source
- National Museum of American History, Kenneth E. Behring Center