Graphic- Link for "Capturing the Moment"
Graphic- Link for "Muybridge in Motion"
Graphic- Link for "From Proof to Print"
Graphic- Link for "Sequences + Structures"
Graphic- Link for "Epilogue"
Graphic- Link for "More Information"

Two final prints are created from one set of cyanotypes. The lateral views are larger than the front and rear foreshortenings. Why are the blacksmiths undressed?


image- &qout;Blacksmiths, hammering an anvil, males, pelvis 
        cloth" (Messrs. Redinger and Breen, September 29, 1885)Working proofs for Animal Locomotion Plates 374-375 Cyanotypes on cardboard mountenlarge photo
"Blacksmiths, hammering an anvil, males, pelvis cloth"
(Messrs. Redinger and Breen, September 29, 1885)
Working proofs for Animal Locomotion Plates 374-375
Cyanotypes on cardboard mount

 

image- "Blacksmiths, hammering an anvil"- Final plateenlarge photo
"Blacksmiths, hammering an anvil"
Animal Locomotion Plate 374, 1887
Collotype

 TOP OF PAGE     image- "Blacksmiths, hammering an anvil"- Final plateenlarge photo
"Blacksmiths, hammering an anvil"
Animal Locomotion Plate 375, 1887
Collotype

 

Problems with frame 6 are resolved by omitting the frame from the final print.


 TOP OF PAGE

image- "Descending stairs, turning, carrying of water and 
        a broom, woman draped"- working proofs on cardboard mountenlarge photo
"Descending stairs, turning, carrying of water and a broom, woman draped"
(Miss Coleman, September 23, 1885)
Working proofs for Animal Locomotion Plate 148
Cyanotypes on cardboard mount

 

image- "Descending stairs, turning, carrying of water and 
        a broom, woman draped"- Final plateenlarge photo
"Descending stairs, turning, carrying of water and a broom"
Animal Locomotion Plate 148, 1887
Collotype


National Museum of American History